Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

From even before the time of Alexander the Great, the Greek gods spread throughout the Mediterranean, carried by settlers and largely adopted by the indigenous populations. By the third century b.c., gods bearing Greek names were worshipped everywhere from Spain to Afghanistan, with the resulting religious systems a variable blend of Greek and indigenous elements. Greek Gods Abroad examines the interaction between Greek religion and the cultures of the eastern Mediterranean with which it came into contact. Robert Parker shows how Greek conventions for naming gods were extended and adapted and provides bold new insights into religious and psychological values across the Mediterranean. The result is a rich portrait of ancient polytheism as it was practiced over 600 years of history.

The present volume gathers up studies by Peter J. Tomson, written over thirty-odd years, that deal with ancient Jewish law and identity, the teachings of Jesus, the letters of Paul, and the historiography of early Jews and Christians. Notable subject areas are Jewish purity laws, divorce law, and the use of the name 'Jews'. The author also examines Jesus' teachings as understood in their primary and secondary contexts, the various situations Paul's highly differentiated rhetoric may have addressed, and the causes contributing to the growing tension between Jews and Christians and the so-called parting of the ways.

What are the roles of doubt and scepticism in the religious landscape of the ancient Mediterranean? How is doubt expressed within a specific religious community, and what reactions does it provoke? How does "insider doubt" differ from the sceptical attitude of outsiders? Exploring these questions with respect to a wide range of religious contexts and topics (including early Christianity, Greco-Roman religions, Egyptian religions, astrology, and magic), the essays in this volume confirm the thesis that doubting one's own religious tradition is not simply a "Western" post-Enlightenment phenomenon. On the contrary, ancient religions offered opportunities and contexts wherein aspects of doubt are not just tolerated but accepted; moreover, doubt and scepticism concerning certain religious ideas or aspects of belief also motivated creative reinterpretation of those ideas.

Together with Jerusalem and Rome, Athens stands today as a symbol of European culture. This image goes back a long way, having received a lasting imprint from the developments of Late Antiquity. The present volume focuses on this period, exploring the cultural and religious transformations of the city and the creation of symbolic images of Athens from the fourth to the sixth centuries AD from a variety of perspectives, including archaeology, ancient history, classical philology, Byzantine studies, and the history of religions. The contributions retrace reconfigurations of urban space and their impact on the sacred topography of Athens, as well as the changes in the Athenian panorama of learning and religion, uncovering various strategies employed to appropriate or counteract the Athenian past and its symbolic capital, whether by means of genealogy, by architectonic measures or by constructing literary images of the city suited to supporting particular claims. From the various competing discourses over the city, Late Antique Athens emerges as an emblem of higher learning and pagan religion, an image bequeathed to later European intellectual history.

The Derveni Papyrus is the oldest known European "book." It was meant to accompany the cremated body in Derveni Tomb A but, by a stroke of luck, did not burn completely. Considered the most important discovery for Greek philology in the twentieth century, the papyrus was found accidentally in 1962 during a public works project in an uninhabited place about 10 km from Thessaloniki, and it is now preserved in the Archaeological Museum of Thessaloniki. The papers in Poetry as Initiation discuss a number of open questions: Who was the author of the papyrus? What is the date of the text? What is the significance of burying a book with a corpse? What was the context of the peculiar chthonic ritual described in the text? Who were its performers? What is the relationship of the author and the ritual to the so-called Orphic texts?

In Greek Epigraphy and Religion Emily Mackil and Nikolaos Papazarkadas bring together a series of papers first presented at a special session of the Second North American Congress of Greek and Latin Epigraphy (Berkeley 2016). That session was dedicated to the memory of Sara B. Aleshire, one of the leading Greek epigraphists of the twentieth century. The volume at hand includes a combination of previously unpublished inscriptions, overlooked epigraphical documents, and well known inscribed texts that are reexamined with fresh eyes and approaches. The relevant documents cover a wide geographical range, including Athens and Attica, the Peloponnese, Epirus, Thessaly, the Aegean islands, and Egypt. This collection ultimately explores the insights provided by epigraphical texts into the religious beliefs and practices of the ancient Greeks, but also revisits critically some entrenched doctrines in the field of Greek religion.

The ancient Greeks attributed great importance to the sacred during war and campaigning, as demonstrated from their earliest texts. Among the first four lines of the Iliad, for example, is a declaration that Apollo began the feud between Achilles and Agamemnon and sent a plague upon the Greek army because its leader, Agamemnon, had mistreated Apollo's priest. In this first in-depth study of the attitude of military commanders towards holy ground, Sonya Nevin addresses the customs and conduct of these leaders in relation to sanctuaries, precincts, shrines, temples and sacral objects. Focusing on a variety of Greek kings and captains, the author shows how military leaders were expected to react to the sacred sites of their foes. She further explores how they were likely to respond, and how their responses shaped the way such generals were viewed by their communities, by their troops, by their enemies and also by those like Herodotus, Thucydides and Xenophon who were writing their lives. This is a groundbreaking study of the significance of the sacred in warfare and the wider culture of antiquity.