Animals and Animality in the Babylonian Talmud selects key themes in animal studies - animal intelligence, morality, sexuality, suffering, danger, personhood - and explores their development in the Babylonian Talmud. Beth A. Berkowitz demonstrates that distinctive features of the Talmud - the new literary genre, the convergence of Jewish, Christian, and Zoroastrian cultures, the Talmud's remove from Temple-centered biblical Israel - led to unprecedented possibilities within Jewish culture for conceptualizing animals and animality. She explores their development in the Babylonian Talmud, showing how it is ripe for reading with a critical animal studies perspective. When we do, we find waiting for us a multi-layered, surprisingly self-aware discourse about animals as well as about the anthropocentrism that infuses human relationships with them. For readers of religion, Judaism, and animal studies, her book offers new perspectives on animals from the vantage point of the ancient rabbis.

This, the final title to be published from the sessions of the 2002 ICAZ conference, focuses on the role of man's best friend. As worker or companion, the dog has enjoyed a unique relationship with its human master, and the depth and variety of the papers in this fascinating collection is a testament to the interest that this symbiotic arrangement holds for many scholars working in archaeology today. The book covers an eclectic range of subjects, such as considering dogs as animals of sacrifice and animal components of ancient and modern religious ritual and practice; dogs as human companions subject to loving care, visual/symbolic representation, deliberate or accidental breed manipulation; as working dogs; and finally as co-inhabitors of uman dwelling paces and co-consumers of human food resources. While many of the papers in this volume have a predominant focus, they also demonstate that the relationships between humans and dogs are rarely, if ever singular or simple. Instead these relationships are complex, often combining the practical, the ideological and the symbolic.

Landscape and animals have been fundamental elements of Turkish culture from the Ottomans to the present day. This book examines representations of and attitudes toward land and animals in selected Turkish literary texts and cultural contexts. Informed by global debates in ecocriticism, ecopoetics and animal studies, Kim Fortuny explores literary and arts activism, as well as environmental interventions in the Turkish cultural sphere in light of ongoing ecological degradation in Turkey. Writers from the Turkish canon such as Ahmet Hamdi Tanpinar and Nazim Hikmet are explored alongside American and English texts to reveal common transnational environmental and ecological concerns across these distinct literary cultures. Analysing works of Turkish literature within the emerging field of ecocriticism, this interdisciplinary work will be of interest to scholars of Turkish and comparative literature and animal studies and ecocriticism across the humanities.

A Reason to Live explores the human-animal relationship through the narratives of eleven people living with HIV and their animal companions. The narratives, based on a series of interviews with HIV-positive individuals and their animal companions in Australia, span the entirety of the HIV epidemic, from public awareness and discrimination in the 1980s and 1990s to survival and hope in the twenty-first century. Each narrative is explored within the context of theory (for example, attachment theory, the ""biophilia hypothesis,"" neurochemical and neurophysiological effects, laughter, play, death anxiety, and stigma) in order to understand the unique bond between human and animal during an ""epidemic of stigma."" A consistent theme is that these animals provided their human companions with ""a reason to live"" throughout the epidemic. Long-term survivors describe past animal companions who intuitively understood their needs and offered unconditional love and support during this turbulent period. More recently diagnosed HIV-positive narrators describe animal companions within the context of hope and the wellness narrative of living and aging with HIV in the twenty-first century. Bringing together these narratives offers insight into one aspect of the multifaceted HIV epidemic when human turned against human, and helps explain why it was frequently left to the animals to support their human companions. Importantly, it recognizes the enduring bond between human and animal within the context of theory and narrative, thus creating a cultural memory in a way that has never been done before.

An attempt to understand human attachment to the canis familiaris in terms of reciprocity and empathy, Melancholia's Dog tackles such difficult concepts as intimacy and kinship with dogs, the shame associated with identification with their suffering, and the reasons for the profound mourning over their deaths. In addition to philosophy and psychoanalysis, Alice A. Kuzniar turns to the insights and images offered by the literary and visual arts-the short stories of Ivan Turgenev and Franz Kafka, the novels of J. M. Coetzee and Rebecca Brown, the photography of Sally Mann and William Wegman, and the artwork of David Hockney and Sue Coe. Without falling into sentimentality or anthropomorphization, Kuzniar honors and learns from our canine companions, above all attending to the silences and sadness brought on by the effort to represent the dog as perfectly and faithfully as it is said to love.

Raising awareness of human indifference and cruelty toward animals, The Global Guide to Animal Protection includes more than 180 introductory articles that survey the extent of worldwide human exploitation of animals from a variety of perspectives. In addition to entries on often disturbing examples of human cruelty toward animals, the book provides inspiring accounts of attempts by courageous individuals--including Jane Goodall, Shirley McGreal, Birute Mary Galdikas, Richard D. Ryder, and Roger Fouts--to challenge and change exploitative practices. As concern for animals and their welfare grows, this volume will be an indispensable aid to general readers, activists, scholars, and students interested in developing a keener awareness of cruelty to animals and considering avenues for reform. Also included is a special foreword by Archbishop Desmond Tutu, urging readers to seek justice and protection for all creatures, humans and animals alike.

Centering Animals in Latin American History writes animals back into the history of colonial and postcolonial Latin America. This collection reveals how interactions between humans and other animals have significantly shaped narratives of Latin American histories and cultures. The contributors work through the methodological implications of centering animals within historical narratives, seeking to include nonhuman animals as social actors in the histories of Mexico, Guatemala, the Dominican Republic, Puerto Rico, Cuba, Chile, Brazil, Peru, and Argentina. The essays discuss topics ranging from canine baptisms, weddings, and funerals in Bourbon Mexico to imported monkeys used in medical experimentation in Puerto Rico. Some contributors examine the role of animals in colonization efforts. Others explore the relationship between animals, medicine, and health. Finally, essays on the postcolonial period focus on the politics of hunting, the commodification of animals and animal parts, the protection of animals and the environment, and political symbolism.Contributors. Neel Ahuja, Lauren Derby, Regina Horta Duarte, Martha Few, Erica Fudge, Leon Garcia Garagarza, Reinaldo Funes Monzote, Heather L. McCrea, John Soluri, Zeb Tortorici, Adam Warren, Neil L. Whitehead

Choice Outstanding Academic Title, 2008 A Cultural History of Animals in the Medieval Age investigates the changing roles of animals in medieval culture, economy and society in the period 1000 to 1400. The period saw significant changes in scientific and philosophical approaches to animals as well as their representation in art. Animals were omnipresent in medieval everyday life. They had enormous importance for medieval agriculture and trade and were also hunted for food and used in popular entertainments. At the same time, animals were kept as pets and used to display their owner's status, whilst medieval religion attributed complex symbolic meanings to animals. As with all the volumes in the illustrated Cultural History of Animals, this volume presents an overview of the period and continues with essays on the position of animals in contemporary Symbolism, Hunting, Domestication, Sports and Entertainment, Science, Philosophy, and Art. Volume 2 in the Cultural History of Animals edited by Linda Kalof and Brigitte Resl

Through an absorbing investigation into recent, high-profile scandals involving one of the largest kosher slaughterhouses in the world, located unexpectedly in Postville, Iowa, Aaron S. Gross makes a powerful case for elevating the category of the animal in the study of religion. Major theorists have almost without exception approached religion as a phenomenon that radically marks humans off from other animals, but Gross rejects this paradigm, instead matching religion more closely with the life sciences to better theorize human nature. Gross begins with a detailed account of the scandals at Agriprocessors and their significance for the American and international Jewish community. He argues that without a proper theorization of "animals and religion," we cannot fully understand religiously and ethically motivated diets and how and why the events at Agriprocessors took place. Subsequent chapters recognize the significance of animals to the study of religion in the work of Ernst Cassirer, Emile Durkheim, Mircea Eliade, Jonathan Z. Smith, and Jacques Derrida and the value of indigenous peoples' understanding of animals to the study of religion in our daily lives. Gross concludes by extending the Agribusiness scandal to the activities at slaughterhouses of all kinds, calling attention to the religiosity informing the regulation of "secular" slaughterhouses and its implications for our relationship with and self-imagination through animals.

More than a contest of wills representing professional and economic interests, the animal rights debate is also an enduring topic in normative ethical theory. 'Defending Animal Rights' addresses the key isues in this sometimes acrimonious debate.

Despite their centrality to the operation of contemporary accredited zoo and aquarium institutions, the work of zoo veterinarians has rarely been the focus of a critical analysis in the social science and humanities. Drawing on in-depth interviews and observations of zoo and aquarium veterinarians, mainly in Europe and North America, this book highlights the recent transformation that has occurred in the zoo veterinarian profession during a time of ecological crisis, and what these changes can teach us about our rapidly changing planet. Zoo vets, Braverman instructs us with a wink, have "gone wild." Originally an individual welfare-centered profession, these experts are increasingly concerned with the sustainability of wild animal populations and with ecological health. The story of zoo vets going wild-in their subjects of care, their motivations, and their ethical standards, as well as in their professional practices and scientific techniques-is also a story about zoo animals gone wild, wild animals encroaching the zoo, and, more generally, a wild world that is becoming "zoo-ified." Such transformations have challenged existing veterinary standards and practices. Exploring the regulatory landscape that governs the work of zoo and aquarium veterinarians, Braverman traverses the gap between the hard and soft sciences and between humans and nonhumans. At the intersection of animal studies, socio-legal studies, and science and technology studies, this book will appeal not only to those interested in zoos and in animal welfare, but also to scholars in the posthumanities.

From Mickey Mouse to the teddy bear, from the Republican elephant to the use of "jackass" as an all-purpose insult, images of animals play a central role in politics, entertainment, and social interactions. In this penetrating look at how Western culture pictures the beast, Steve Baker examines how such images--sometimes affectionate, sometimes derogatory, always distorting--affect how real animals are perceived and treated. Baker provides an animated discussion of how animals enter into the iconography of power through wartime depictions of the enemy, political cartoons, and sports symbolism. He examines a phenomenon he calls the "disnification" of animals, meaning a reduction of the animal to the trivial and stupid, and shows how books featuring talking animals underscore human superiority. He also discusses how his findings might inform the strategies of animal rights advocates seeking to call public attention to animal suffering and abuse. Until animals are extricated from the baggage of imposed images, Baker maintains, neither they nor their predicaments can be clearly seen. For this edition, Baker provides a new introduction, specifically addressing an American audience, that touches on such topics as the Cow Parade, animal imagery in the presidential race, and animatronic animals in recent films.

The dramatic transformation of relationships between humans and animals in the 20th century are investigated in this fascinating and accessible book. At the beginning of this century these relationships were dominated by human needs and interests, modernization was a project which was attached to the goal of progress and animals were merely resources to be used on the path towards human fulfilment. As the century comes to an end these relationships are increasingly being subjected to criticism. We are now urged to be more sensitive and compassionate to animal needs and interests.

This book focuses on social change and animals, it is concerned with how humans relate to animals and how this has changed and why. Moreover, it highlights, through chapters on companion animals, hunting and fishing, animal leisures such as birdwatching and wildlife parks, and the meat and livestock industries, how attitudes and practices towards animals vary widely according to social class, ethnicity, gender, region and nation.

Now in paperback! Discover how Mouse finds the courage to be kind. It's a perfect day on Rainbow Island for a boat trip and a picnic, but when Mouse accidentally makes a hole in his boat, he gets scared and lets his friend Fox take the blame. It doesn't take long before Mouse starts to feel awful about what he has done. Will he be a kind friend and own up to his mistake? Will Fox forgive him? Will Mouse get to be a member of the Kindness Club? Children will love the myriad of animal characters and learning and understanding the different ways we can be kind to one another. There are lots of extra learning opportunities, from questions about the story to activities showing you how to make your own Kindness Badge to notes for parents and carers to extend learning and reinforce positive behaviour. In the words of Badger, who runs the Kindness Club, "When you show kindness, it makes you and your friends feel good."

The Bureaucracy of Empathy revolves around two central questions: What is pain? And how do we recognize, understand, and ameliorate the pain of nonhuman animals? Shira Shmuely investigates these ethical issues through a close and careful history of the origins, implementation, and enforcement of the 1876 Cruelty to Animals Act of Parliament, which for the first time imposed legal restrictions on animal experimentation and mandated official supervision of procedures "calculated to give pain" to animal subjects. Exploring how scientists, bureaucrats, and lawyers wrestled with the problem of animal pain and its perception, Shmuely traces in depth and detail how the Act was enforced, the medical establishment's initial resistance and then embrace of regulation, and the challenges from anti-vivisection advocates who deemed it insufficient protection against animal suffering. She shows how a "bureaucracy of empathy" emerged to support and administer the legislation, navigating incongruent interpretations of pain. This crucial moment in animal law and ethics continues to inform laws regulating the treatment of nonhuman animals in laboratories, farms, and homes around the worlds to the present.

The Bureaucracy of Empathy revolves around two central questions: What is pain? And how do we recognize, understand, and ameliorate the pain of nonhuman animals? Shira Shmuely investigates these ethical issues through a close and careful history of the origins, implementation, and enforcement of the 1876 Cruelty to Animals Act of Parliament, which for the first time imposed legal restrictions on animal experimentation and mandated official supervision of procedures "calculated to give pain" to animal subjects. Exploring how scientists, bureaucrats, and lawyers wrestled with the problem of animal pain and its perception, Shmuely traces in depth and detail how the Act was enforced, the medical establishment's initial resistance and then embrace of regulation, and the challenges from anti-vivisection advocates who deemed it insufficient protection against animal suffering. She shows how a "bureaucracy of empathy" emerged to support and administer the legislation, navigating incongruent interpretations of pain. This crucial moment in animal law and ethics continues to inform laws regulating the treatment of nonhuman animals in laboratories, farms, and homes around the worlds to the present.

As ancient creatures that once shared the Earth with dinosaurs, turtles have played a crucial role in maintaining healthy terrestrial and marine ecosystems for more than one hundred million years. While it may not set records for speed on land, the turtle is exceptional at distance swimming and deep diving, and some are gifted with astounding longevity. In human thought, the animal's ties to creativity, wisdom, and warfare stretch back to the world's earliest written records. In Turtle, Louise M. Pryke celebrates the slow and unassuming manner of this doughty creature, which provides a living model of endurance and efficiency. In the increasingly fast-paced world of the twenty-first century, it has never been more important to consider the natural and cultural history of this remarkable animal.