Provides cross-disciplinary perspectives on the study of animals in humanitiesThis volume critically investigates current topics and disciplines that are affected, enriched or put into dispute by the burgeoning scholarship on Animal Studies. What new questions and modes of research need come into play if we are to seriously acknowledge our entanglements with other animals? World-leading scholars from a range of disciplines, including Literature, Philosophy, Art, Biosemiotics, and Geography, set the agenda for Animal Studies today. Rather than a narrow specialism, the 35 newly commissioned essays in this book show how we think of other animals to be intrinsic to fields as major as ethics, economies as widespread as capitalism and relations as common as friendship.The volume contains original, cutting-edge research and opens up new methods, alignments, directions as well as challenges for the future of Animal Studies. Uniquely, the chapters each focus on a single topic, from 'Abjection' to 'Voice' and from 'Affection' to 'Technology', thus embedding the animal question as central to contemporary concerns across a wide range of disciplines.Key FeaturesProvides in one work prominent scholars in animal studies and their reflections on the trajectory of the fieldEmbeds the 'animal question' as central to contemporary concerns across a wide range of disciplinesBrings discourses from the sciences into dialogue with the arts and humanitiesOpens up new methods, alignments, directions and challenges for the future of animal studiesAfterword from Cary Wolfe (Bruce and Elizabeth Dunlevie Professor of English, Rice University)

To what extent, and in what manner, do storytelling practices accomodate nonhuman subjects and their modalities of experience, and how can contemporary narrative study shed light on interspecies interactions and entanglements? In Narratology beyond the Human, David Herman addresses these questions through a cross-disciplinary approach to post-Darwinian narratives concerned with animals and human-animal relationships. Herman considers the enabling and constraining effects of different narrative media, examining a range of fictional and nonfictional texts disseminated in print, comics and graphic novels, and film. In focusing on techniques such as the use of animal narrators, alternation between human and nonhuman perspectives, the embedding of stories within stories, and others, the book explores how specific strategies for portraying nonhuman agents both emerge from and contributes to broader attitudes toward animal life. Herman argues that existing frameworks for narrative inquiry must be modified to take into account how stories are interwoven with cultural ontologies, or understandings of what sorts of beings populate the world and how they relate to humans. Showing how questions of narrative bear on ideas of species difference and assumptions about animal minds, Narratology beyond the Human underscores our inextricable interconnectedness with other forms of creatural life and suggests that stories can be used to resituate imaginaries of human action in a more-than-human world.

HISTORIES OF HUMAN CONSTRUCTIONS OF NATURE Wild Things: Nature and the Social Imagination assembles eleven substantive and original essays on the cultural and social dimensions of environmental history. They address a global cornucopia of social and ecological systems, from Africa to Europe, North America and the Caribbean, and their temporal range extends from the 1830s into the twenty-first century. The imaginative (and actual) construction of landscapes and the appropriation of Nature - through image-fashioning, curating museum and zoo collections, making 'friends', 'enemies' and mythical symbols from animals - are recurring subjects. Among the volume's thought-provoking essays are a group enmeshing nature and the visual culture of photography and film. Canonical environmental history themes, from colonialism to conservation, are re-inflected by discourses including gender studies, Romanticism, politics and technology. The loci of the studies included here represent both the microcosmic - underwater laboratory, zoo, film studio; and broad canvases - the German forest, the Rocky Mountains, the islands of Haiti and Madagascar. Their casts too are richly varied - from Britain's otters and Africa's Nile crocodiles to Hollywood film-makers and South African cattle. The volume represents an excitingly diverse collection of studies of how humans, in imagination and deed, act on and are acted on by 'wild things'.

Now in paperback! Follow Rabbit as she learns how important it is to say sorry. At Rainbow Island Harbour, some new visitors have arrived, including Little Peacock. The other animals are excited to meet him but Rabbit is worried that her friends will be more interested in the newcomer than in their old friend Rabbit. Rabbit tells Little Peacock he's not welcome to play with the other animals but when Peacock disappears, will Rabbit admit what she's done? And will she be able to find Peacock and apologise for her mistake? Children will love the myriad of animal characters and learning and understanding the different ways we can be kind to one another. There are lots of extra learning opportunities, from questions about the story to activities showing you how to make your own Kindness Badge to notes for parents and carers to extend learning and reinforce positive behaviour. In the words of Badger, who runs the Kindness Club, "When you show kindness, it makes you and your friends feel good."

At present, human beings worldwide are using an estimated 115.3 million animals in experiments-a normalization of the unthinkable on an immense scale. In terms of harm, pain, suffering, and death, animal experiments constitute one of the major moral issues of our time. Given today's deeper understanding of animal sentience, the contributors to this volume argue that we must afford animals a special moral consideration that precludes their use in experiments. The Ethical Case against Animal Experiments begins with the Oxford Centre for Animal Ethics's groundbreaking and comprehensive ethical critique of the practice of animal experiments. A second section offers original writings that engage with, and elaborate on, aspects of the Oxford Centre report. The essayists explore historical, philosophical, and personal perspectives that range from animal experiments in classical times to the place of necessity in animal research to one researcher's painful journey from researcher to opponent. A devastating look at a contemporary moral crisis, The Ethical Case against Animal Experiments melds logic and compassion to mount a powerful challenge to human cruelty.

This book is the first of its kind to identify the existential crisis faced by vegans.

Vystopia is the normal response any feeling human being should have after discovering the nature and extent of society's systematised animal abuse. It's fuelled by the trance-like collusion of non-vegans with a dystopian world they've not yet realised they're part of.

Bestselling author Clare Mann, a vegan psychologist, communications trainer and existential psychotherapist, not only validates the vegan's experience, but rejects medical labels which claim such anguish is abnormal.

As a telling witness to vystopia - a term she coined in 2017 - she provides vegans with a language and toolbox to work through their anguish, and unite with others to examine the biggest social justice challenge of our time: our relationship with the animal kingdom.