A unique and compelling exploration of why humans need animal companions - from dogs and cats to horses, birds and reptiles - as seen through the eyes of bestselling author Jacky Colliss Harvey. In The Animal's Companion, the acclaimed author of Red: A Natural History of the Redhead explores the human desire to share our everyday life with pets, a history that can be traced back to a cave in France where evidence has been unearthed of a boy and his dog taking a walk together, some 26,000 years ago. From those preserved foot and paw prints, Colliss Harvey draws on literary, artistic and archaeological artefacts to sweep readers through centuries and across continents to examine how our relationships with our pets have developed, but also stayed very much the same. Through delightful stories of the most famous, endearing and sometimes eccentric pet owners throughout history, she suggests fascinating new insights into one of the most long-standing of all human love affairs.

Animals are everywhere. They inhabit our forests, our fields, our imaginations, our dreams, and our stories. Making appearances in advertisements, television programs, movies, books, Internet memes, and art, symbolic animals do tremendous work for us selling goods, services, and ideas, as well as acting as stand-ins for our interests and ideas. Yet, does knowing animals only symbolically impact their lived experiences? Seeing Species: Re-presentations of Animals in Media & Popular Culture examines the use of animals in media, tracking species from appearances in rock art and picture books to contemporary portrayals in television programs and movies. Primary questions explored include: Where does thinking of other beings in a detached, impersonal, and objectified way come from? Do the mass media contribute to this distancing? When did humans first think about animals as other others? Main themes include examining the persistence of the human-animal divide, parallels in the treatment of otherized human beings and animals, and the role of media in either liberating or limiting real animals. This book brings together sociological, psychological, historical, cultural, and environmental ways of thinking about nonhuman animals and our relationships with them. In particular, ecopsychological thinking locates and identifies the connections between how we re-present animals and the impact on their lived experiences in terms of distancing, generating a false sense of intimacy, and stereotyping. Re-presentations of animals are discussed in terms of the role the media do or do not play in perpetuating status quo beliefs about them and their relationship with humans. This includes theories and methods such as phenomenology, semiotics, textual analysis, and pragmatism, with the goal of unpacking re-presentations of animals in order to learn not only what they say about human beings but also how we regard members of other species.

A central thinker on the question of the animal in continental thought, Elisabeth de Fontenay moves in this volume from Jacques Derrida's uneasily intimate writing on animals to a passionate frontal engagement with political and ethical theory as it has been applied to animals-along with a stinging critique of the work of Peter Singer and Paola Cavalieri as well as with other "utilitarian" philosophers of animal-human relations. Humans and animals are different from one another. To conflate them is to be intellectually sentimental. And yet, from our position of dominance, do we not owe them more than we often acknowledge? In the searching first chapter on Derrida, she sets out "three levels of deconstruction" that are "testimony to the radicalization and shift of that philosopher's argument: a strategy through the animal, exposition to an animal or to this animal, and compassion toward animals." For Fontenay, Derrida's writing is particularly far-reaching when it comes to thinking about animals, and she suggests many other possible philosophical resources including Adorno, Leibniz, and Merleau-Ponty. Fontenay is at her most compelling in describing philosophy's ongoing indifference to animal life-shading into savagery, underpinned by denial-and how attempts to exclude the animal from ethical systems have in fact demeaned humanity. But Fontenay's essays carry more than philosophical significance. Without Offending Humans reveals a careful and emotionally sensitive thinker who explores the unfolding of humans' assessments of their relationship to animals-and the consequences of these assessments for how we define ourselves.

Most livestock in the United States currently live in cramped and unhealthy confinement, have few stable social relationships with humans or others of their species, and finish their lives by being transported and killed under stressful conditions. In Livestock, Erin McKenna allows us to see this situation and presents alternatives. She interweaves stories from visits to farms, interviews with producers and activists, and other rich material about the current condition of livestock. In addition, she mixes her account with pragmatist and ecofeminist theorizing about animals, drawing in particular on John Dewey's account of evolutionary history, and provides substantial historical background about individual species and about human-animal relations. This deeply informative text reveals that the animals we commonly see as livestock have rich evolutionary histories, species-specific behaviors, breed tendencies, and individual variation, just as those we respect in companion animals such as dogs, cats, and horses. To restore a similar level of respect for livestock, McKenna examines ways we can balance the needs of our livestock animals with the environmental and social impacts of raising them, and she investigates new possibilities for humans to be in relationships with other animals. This book thus offers us a picture of healthier, more respectful relationships with livestock.

'Modest, down to earth and full of humour, this is one of the best books about filming I've ever read.' MICHAEL PALIN 'Extraordinary: Gavin's easy prose and gasp-making encounters make for a gripping and very funny read. It's a rollercoaster ride with a complete professional. I loved it.' JOANNA LUMLEY '[Gavin is] a great cameraman with infinite patience, but also a writer with great powers of observation and expression. Brilliant!' ALAN TITCHMARSH _________ From Gavin Thurston, the award-winning Blue Planet II and Planet Earth II cameraman with a foreword by Sir David Attenborough comes extraordinary and adventurous true stories of what it takes to track down and film our planet's most captivating creatures. Gavin has been a wildlife photographer for over thirty years. Against a backdrop of modern world history, he's lurked in the shadows of some of the world's remotest places in order to capture footage of the animal kingdom's finest: prides of lions, silverback gorillas, capuchin monkeys, brown bears, grey whales, penguins, mosquitoes - you name it he's filmed it. Come behind the camera and discover the hours spent patiently waiting for the protagonists to appear; the inevitable dangers in the wings and the challenges faced and overcome; and the heart-warming, life-affirming moments the cameras miss as well as capture. What other readers are saying about Journeys in the Wild: 'It's touching, it's thought provoking and its emotional...Go pick it up. It's an absolute inspiration of a book.' Goodreads 'Full of unbelievable anecdotes from decades of work, some absolutely hilarious, this book left me in complete wonder.' Goodreads 'An amazing read and I would heartily recommend it to everyone I know.' Goodreads