Why do dogs behave in the ways that they do? Why did our ancestors tame wolves? How have we ended up with so many breeds of dog, and how can we understand their role in contemporary human society? Explore the answers to these questions and many more in this study of the domestic dog. Building on the strengths of the first edition, this much-anticipated update incorporates two decades of new evidence and discoveries on dog evolution, behavior, training, and human interaction. It includes seven entirely new chapters covering topics such as behavioral modification and training, dog population management, the molecular evidence for dog domestication, canine behavioral genetics, cognition, and the impact of free-roaming dogs on wildlife conservation. It is an ideal volume for anyone interested in dogs and their evolution, behavior and ever-changing roles in society.

Birds have inspired people since the dawn of time. They are the notes behind Mozart's genius, the colours behind Audubon's art and ballet's swansong. In The Birds They Sang, Stanislaw Lubienski sheds light on some of history's most meaningful bird and human interactions, from historical bird watchers in a German POW camp, to Billy and Kes in A Kestrel for a Knave. He muses on what exactly Hitchcock's birds had in mind, and reveals the true story behind the real James Bond. Undiscouraged by damp, discomfort and a reed bunting's curse, Lubienski bears witness to the difficulties birds face today as people fail to accommodate them in rapidly changing times. A soaring exploration of our fascination with birds, The Birds They Sang opens a vast realm of astonishing sounds, colours and meanings - a complete world in which we humans are never alone.

The bestselling author of Dog Sense and Cat Sense explains why living with animals has always been a fundamental aspect of being human In this highly original and hugely enjoyable work, John Bradshaw examines modern humans' often contradictory relationship with the animal world. Why, despite the apparent irrationality of keeping pets, do half of today's American households, and almost that figure in the UK, have at least one pet (triple the rate of the 1970s)? Then again, why do we care for some animals in our homes, and designate others only as a source of food? Through these and many other questions, one of the world's foremost anthrozoology experts shows that our relationship with animals is nothing less than an intrinsic part of human nature. An affinity for animals drove our evolution and now, without animals around us, we risk losing an essential part of ourselves.

This book explores the role of animals - horses, cattle, sheep, pigs and dogs - in shaping Georgian London. Moving away from the philosophical, fictional and humanitarian sources used by previous animal studies, it focuses on evidence of tangible, dung-bespattered interactions between real people and animals, drawn from legal, parish, commercial, newspaper and private records.This approach opens up new perspectives on unfamiliar or misunderstood metropolitan spaces, activities, social types, relationships and cultural developments. Ultimately, the book challenges traditional assumptions about the industrial, agricultural and consumer revolutions, as well as key aspects of the city's culture, social relations and physical development. It will be stimulating reading for students and professional scholars of urban, social, economic, agricultural, industrial, architectural and environmental history. -- .

Barby Keel is used to all manner of creatures arriving at the door of the Barby Keel Animal Sanctuary where she lives and works, deep within the Sussex countryside. Nothing can prepare her for the arrival of Teddy, however, a neglected, traumatised puppy who is dumped at the gates of the sanctuary in a filthy box, terrified and desperate for someone to love. Despite his scruffy appearance, Barby can't help but feel a spark of affection for the overgrown puppy. But with Barby living in a caravan along with her four other dogs, she knows in her heart of hearts that Teddy deserves a more stable forever home. Wiping away tears, she waves Teddy away to his new life with a young couple, knowing that she's done what's best for the animal. But barely a few days later, Teddy is returned to the sanctuary, his new family unable to cope with his boisterous behaviour and his ever-growing size. Barby tries desperately to re-home him, but Teddy is rejected over and over again by his new foster families. Anxious and terrified of being separated from her, Barby is now faced with the impossible task of working through the traumas of Teddy's past to help the young dog. But when she receives the devastating news that her beloved younger brother has received a shocking diagnosis, Barby's life as she knows it is thrown into disarray. Can the love of a gentle giant help Barby through the unimaginable? And will Barby's unwavering devotion set Teddy free from the suffering he has endured?

"You are about to enter a new genre, that of scientific fables, by which I don't mean science fiction, or false stories about science, but, on the contrary, true ways of understanding how difficult it is to figure out what animals are up to." -Bruno Latour, form the Foreword Is it all right to urinate in front of animals? What does it mean when a monkey throws its feces at you? Do apes really know how to ape? Do animals form same-sex relations? Are they the new celebrities of the twenty-first century? This book poses twenty-six such questions that stretch our preconceived ideas about what animals do, what they think about, and what they want. In a delightful abecedarium of twenty-six chapters, Vinciane Despret argues that behaviors we identify as separating humans from animals do not actually properly belong to humans. She does so by exploring incredible and often funny adventures about animals and their involvements with researchers, farmers, zookeepers, handlers, and other human beings. Do animals have a sense of humor? In reading these stories it is evident that they do seem to take perverse pleasure in creating scenarios that unsettle even the greatest of experts, who in turn devise newer and riskier hypotheses that invariably lead them to conclude that animals are not nearly as dumb as previously thought. These deftly translated accounts oblige us, along the way, to engage in both ethology and philosophy. Combining serious scholarship with humor that will resonate with anyone, this book-with a foreword by noted French philosopher, anthropologist, and sociologist of science Bruno Latour-is a must not only for specialists but also for general readers, including dog owners, who will never look at their canine companions the same way again.

The most detailed and authoritative treatment of the current state of animal welfare law in Britain to date. This book provides a full analysis of the substantive law, considers its objectives, application and effectiveness, the background to the current debate and the arguments for and against further reform. It includes full coverage of key topics such as agricultural production, transportation, scientific procedures, entertainment, domestic pets, wildlife, hunting and enforcement.

This book provides a dispassionate and objective analysis of the current state of animal welfare law in the United Kingdom. It explains the substantive law,

From Jack London to Aldo Leopold's "fierce green fire," wolves have been a central part of the American image. Many have even suggested that our national symbol, the bald eagle, be replaced with this noble creature who, like us, raises a family and is bold and loyal in protecting the pack. Brenda Peterson blends science, history, and memoir to dramatize the epic battle to restore wolves and thus the landscape and ecology of the continent. From the vicious exterminations carried out by pioneers and settlers; to the internationally celebrated triumph of the return of wolves to Yellowstone; to backlash, politics, and near-daily news of successful reintroductions, this is perhaps the most inspiring conservation story of our time. Brenda's central characters are two famous wolves: the powerful and prolific female "067," restored to Yellowstone only to be "legally" murdered, and Journey, a near-miraculous transcontinental survivor. Along with these are the scientists, ranchers, and activists who are fighting against fear, politics, greed, and scientific ignorance to bring wild wolves home to keep our environment whole.

Jared Diamond and other leading scholars have argued that the domestication of animals for food, labor, and tools of war has advanced the development of human society. But by comparing practices of animal exploitation for food and resources in different societies over time, David A. Nibert reaches a strikingly different conclusion. He finds in the domestication of animals, which he renames "domesecration," a perversion of human ethics, the development of large-scale acts of violence, disastrous patterns of destruction, and growth-curbing epidemics of infectious disease.

Nibert centers his study on nomadic pastoralism and the development of commercial ranching, a practice that has been largely controlled by elite groups and expanded with the rise of capitalism. Beginning with the pastoral societies of the Eurasian steppe and continuing through to the exportation of Western, meat-centered eating habits throughout today's world, Nibert connects the domesecration of animals to violence, invasion, extermination, displacement, enslavement, repression, pandemic chronic disease, and hunger. In his view, conquest and subjugation were the results of the need to appropriate land and water to maintain large groups of animals, and the gross amassing of military power has its roots in the economic benefits of the exploitation, exchange, and sale of animals. Deadly zoonotic diseases, Nibert shows, have accompanied violent developments throughout history, laying waste to whole cities, societies, and civilizations. His most powerful insight situates the domesecration of animals as a precondition for the oppression of human populations, particularly indigenous peoples, an injustice impossible to rectify while the material interests of the elite are inextricably linked to the exploitation of animals.

Nibert links domesecration to some of the most critical issues facing the world today, including the depletion of fresh water, topsoil, and oil reserves; global warming; and world hunger, and he reviews the U.S. government's military response to the inevitable crises of an overheated, hungry, resource-depleted world. Most animal-advocacy campaigns reinforce current oppressive practices, Nibert argues. Instead, he suggests reforms that challenge the legitimacy of both domesecration and capitalism.

In "Animals and the Limits of Postmodernism," Gary Steiner illuminates postmodernism's inability to produce viable ethical and political principles. Ethics requires notions of self, agency, and value that are not available to postmodernists. Thus, much of what is published under the rubric of postmodernist theory lacks a proper basis for a systematic engagement with ethics.

Steiner demonstrates this through a provocative critique of postmodernist approaches to the moral status of animals, set against the background of a broader indictment of postmodernism's failure to establish clear principles for action. He revisits the ideas of Derrida, Foucault, Nietzsche, and Heidegger, together with recent work by their American interpreters, and shows that the basic terms of postmodern thought are incompatible with definitive claims about the moral status of animals -- as well as humans. Steiner also identifies the failures of liberal humanist thought in regards to this same moral dilemma, and he encourages a rethinking of humanist ideas in a way that avoids the anthropocentric limitations of traditional humanist thought. Drawing on the achievements of the Stoics and Kant, he builds on his earlier ideas of cosmic holism and non-anthropocentric cosmopolitanism to arrive at a more concrete foundation for animal rights.

What is it about Western society, ask the authors, that makes it possible for people to express great affection for animals as sentient creatures and simultaneously turn a blind eye to the most callous behavior toward them? Animals are sold as expensive commodities, used as food and clothing, killed as vermin, and hunted for sport. But they also are treated as members of the family, used as the cause celebre of social movements, and made the subject of art, film, and poetry. Such contradictions motivate these unique ethnographers to venture into social worlds most people know about only in passing, such as veterinary clinics where companion animals are cared for, animal shelters where dogs and cats are "mercifully" euthanized, and primate labs where monkeys are kept for animal experimentation. Arluke and Sanders are not distanced ethnographers. They worked in the clinics, shelters, and laboratories, cleaning cages, assisting in surgery, and participating in "sacrificing" animals for science or helping to provide them with an "easy death." In this book, the people who work with these animals and live through them talk to the authors about the strategies they adopt to cope with the stress of the job. This fascinating book combines sociological analysis with ethnographic description to give us insight into the history and practice of how we as human beings construct animals, and by extrapolation, how we construct ourselves and others in relation to them. Author note: Arnold Arluke is Professor of Sociology at Northeastern University and a Research Associate at the Center for Animals and Public Policy at Tufts School of Veterinary Medicine. He is an Associate Editor of Society and Animals and the author of The Making of Rehabilitation: A Political Economy of Medical Specialization with Glenn Gritzer and Gossip: The Inside Scoop with Jack Levin. Clinton R. Sanders, Professor of Sociology at the University of Connecticut, is the author of Customizing the Body: The Art and Culture of Tattooing (Temple) and the co-editor (with Jeff Ferrell) of Cultural Criminology.

Wildlife is an important and cherished element of our natural heritage in the United States. But state and federal laws governing the ways we interact with wildlife can be complex to interpret and apply. Ten years ago, Wildlife Law: A Primer was the first book to lucidly explain wildlife law for readers with little or no legal training who needed to understand its intricacies. Today, navigating this legal terrain is trickier than ever as habitat for wildlife shrinks, technology gives us new ways to seek out wildlife, and unwanted human-wildlife interactions occur more frequently, sometimes with alarming and tragic outcomes. This revised and expanded second edition retains key sections from the first edition, describing basic legal concepts while offering important updates that address recent legal topics. New chapters cover timely issues such as private wildlife reserves and game ranches, and the increased prominence of nuisance species as well as an expanded discussion of the Endangered Species Act, now more than 40 years old. Chapter sidebars showcase pertinent legal cases illustrating real-world application of the legal concepts covered in the main text. Accessibly written, this is an essential, ground-breaking reference for professors and students in natural resource and wildlife programs, land owners, and wildlife professionals.

How we treat animals arouses strong emotions. Many people are repulsed by photographs of cruelty to animals and respond passionately to how we make animals suffer for food, commerce, and sport. But is this, as some argue, a purely emotional issue? Are there really no rational grounds for opposing our current treatment of animals? In Why Animal Suffering Matters, Andrew Linzey argues that when analyzed impartially the rational case for extending moral solicitude to all sentient beings is much stronger than many suppose. Indeed, Linzey shows that many of the justifications for inflicting animal suffering in fact provide grounds for protecting them. Because animals, the argument goes, lack reason or souls or language, harming them is not an offense. Linzey suggests that just the opposite is true, that the inability of animals to give or withhold consent, their inability to represent their interests, their moral innocence, and their relative defenselessness all compel us not to harm them. Andrew Linzey further shows that the arguments in favor of three controversial practices-hunting with dogs, fur farming, and commercial sealing-cannot withstand rational critique. He considers the economic, legal, and political issues surrounding each of these practices, appealing not to our emotions but to our reason, and shows that they are rationally unsupportable and morally repugnant. In this superbly argued and deeply engaging book, Linzey pioneers a new theory about why animal suffering matters, maintaining that sentient animals, like infants and young children, should be accorded a special moral status.

Are animals worthy recipients of justice? If so, what do we owe them, and what is to be gained by using the language of justice when considering our duties toward them? A Theory of Justice for Animals, written by one of the foremost scholars of animal ethics, argues that not only are animals worthy recipients of justice, but that the language of justice offers a stronger base of claims for animal advocates than does the language of ethics or morality. It also claims that a genuinely political theory of animal rights is incomplete if it does not go beyond the level of ideal theory. This is the first account of animal ethics to use nonideal theory, and it does so to plot a course from where we are now to where we want to be. Advancing what he calls the enhanced sentience position, Robert Garner argues that a valid theory of justice for animals should be rights-based, and that animals have a right to not suffer at the hands of humans. At the same time, he argues that humans have a greater interest in life and liberty than most species of nonhuman animals. Tackling animal ethics as it relates to justice and non-ideal theory, this is a seminal work that will challenge traditional approaches and offer a compelling new vision of animal justice.

This, the final title to be published from the sessions of the 2002 ICAZ conference, focuses on the role of man's best friend. As worker or companion, the dog has enjoyed a unique relationship with its human master, and the depth and variety of the papers in this fascinating collection is a testament to the interest that this symbiotic arrangement holds for many scholars working in archaeology today. The book covers an eclectic range of subjects, such as considering dogs as animals of sacrifice and animal components of ancient and modern religious ritual and practice; dogs as human companions subject to loving care, visual/symbolic representation, deliberate or accidental breed manipulation; as working dogs; and finally as co-inhabitors of uman dwelling paces and co-consumers of human food resources. While many of the papers in this volume have a predominant focus, they also demonstate that the relationships between humans and dogs are rarely, if ever singular or simple. Instead these relationships are complex, often combining the practical, the ideological and the symbolic.

Throughout the 19th century, animals were integrated into staged scenarios of confrontation, ranging from lion acts in small cages to large-scale re-enactments of war. Initially presenting a handful of exotic animals, travelling menageries grew to contain multiple species in their thousands. These 19th-century menageries entrenched beliefs about the human right to exploit nature through war-like practices against other animal species. Animal shows became a stimulus for antisocial behaviour as locals taunted animals, caused fights, and even turned into violent mobs. Human societal problems were difficult to separate from issues of cruelty to animals. Apart from reflecting human capacity for fighting and aggression, and the belief in human dominance over nature, these animal performances also echoed cultural fascination with conflict, war and colonial expansion, as the grand spectacles of imperial power reinforced state authority and enhanced public displays of nationhood and nationalistic evocations of colonial empires. Fighting Nature is an insightful analysis of the historical legacy of 19th-century colonialism, war, animal acquisition and transportation. This legacy of entrenched beliefs about the human right to exploit other animal species is yet to be defeated.'When does fighting end and theatre begin? In this fascinating study, Peta Tait - one of the most prominent authors in the Performance/Animal Studies intersection - explores animal acts with a particular focus on confrontation. The sites of the human-animal encounter range from theatres, circus, and war re-enactments investigating how the development of certain human fighting practices run in parallel with certain types of public exhibits of wild animals. Tait's account is historical, looking at animal acts - from touring menageries to theatrical performances - from the 1820s to the 1910s.'Lourdes Orozco, Lecturer in Theatre Studies, University of Leeds

At present, human beings worldwide are using an estimated 115.3 million animals in experiments-a normalization of the unthinkable on an immense scale. In terms of harm, pain, suffering, and death, animal experiments constitute one of the major moral issues of our time. Given today's deeper understanding of animal sentience, the contributors to this volume argue that we must afford animals a special moral consideration that precludes their use in experiments. The Ethical Case against Animal Experiments begins with the Oxford Centre for Animal Ethics's groundbreaking and comprehensive ethical critique of the practice of animal experiments. A second section offers original writings that engage with, and elaborate on, aspects of the Oxford Centre report. The essayists explore historical, philosophical, and personal perspectives that range from animal experiments in classical times to the place of necessity in animal research to one researcher's painful journey from researcher to opponent. A devastating look at a contemporary moral crisis, The Ethical Case against Animal Experiments melds logic and compassion to mount a powerful challenge to human cruelty.

ANIMAL DREAMS collects David Brooks' thought-provoking essays about how humans think, dream and write about other species. Brooks examines how animals have featured in Australian and international literature and culture, from 'The Man from Snowy River' to Rainer Maria Rilke and The Turin Horse, to live-animal exports, veganism, and the culling of native and non-native species. In his piercing, elegant, widely celebrated style, he considers how private and public conversations about animals reflect older and deeper attitudes to our own and other species, and what questions we must ask to move these conversations forward, in what he calls 'the immense work of undoing'. For readers interested in animal welfare, conservation, and the relationship between humans and other species, Animal Dreams will be an essential, richly rewarding companion. Praise for David Brooks: "one of Australia's most skilled, unusual and versatile writers" -- Peter Pierce, The Sydney Morning Herald. "No one writes about animals like David Brooks." -- Jeffrey Moussaieff Masson (author of The Assault on Truth, When Elephants Weep and Lost Companions). Praise for ANIMAL DREAMS: "Beautifully written and emotionally and intellectually enthralling. The best book I have ever read on relations between humans and animals and the 'redress' we owe them. It makes you angry, it makes you weep; it makes you determined to rethink and to act." -- Helen Tiffin, FAHA (co-author of The Empire Writes Back and Wild Man from Borneo: A Cultural History of the Orangutang).

Animal rights do not feature explicitly in ancient thought. Indeed the notion of natural rights in general is not obviously present in the classical world. Plato and Aristotle are typically read as racist and elitist thinkers who barely recognise the humanity of their fellow humans. Surely they would be the last to show up as models of the humane view of other kinds?
In this unusual philosophy book, Catherine Osborne asks the reader to think again. She shows that Plato's views on reincarnation and Aristotle's views on the souls of plants and animals reveal a continuous thread of life in which humans are not morally superior to beasts; Greek tragedy turns up thoughts that mirror the claims of rights activists when they speak for the voiceless; the Desert Fathers teach us to admire the natural perceptiveness of animals rather than the corrupt ways of urban man; the long tradition of arguments for vegetarianism in antiquity highlights how mankind's abuse of other animals is the more offensive the more it is for indulgent ends.
What, then, is the humane attitude, and why is it better? How does the humane differ from the sentimental? Is there a truth about how we should treat animals? By reflecting on the work of the ancient poets and philosophers, Osborne argues, we can see when and how we lost touch with the natural intelligence of dumb animals.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The sapiens of the sea, whales are the other intelligent, social, and loquacious animal. But they seem to swim away the more people chase after them in an effort to communicate and connect. Why does the meaning of their mesmerizing songs continue to elude us? In times of unprecedented environmental and social loss, Whale Song ponders the problems facing ocean ecosystems and offers lessons from those depths for human social life and intimacy. Object Lessons is published in partnership with an essay series in The Atlantic.