The sight, sound and smell of animals are a part of the story of every great city - and are also part of its hidden history. The royal standard of Scotland features a lion rampant, and Edinburgh can trace its earliest depiction of the beast to the Roman occupation - long before Scotland evolved into a nation. As marks of prestige and respect, animals are highlighted in many public sculptures, bas-reliefs and other artworks throughout the city. For centuries animals such as horses were a crucial part of the economy. Horses transported goods and people in and out of the city, while the growth in ownership created a demand for saddlers, coach makers, grooms, fodder suppliers, horse trainers, farriers, smiths and riding schools. Animals were also a source of wonder and amusement, such as the elephant housed in a tenement in the 1700s and the legendary Greyfriars Bobby, who spent fourteen years guarding the grave of his owner and is now immortalised in words, films and monuments. The travelling menagerie of the Regency era gave the ordinary citizen a taste of the exotic and within a few decades Zoological Gardens Association landscaped gardens and built structures to house animals for the city's latest attraction.

From Jack London to Aldo Leopold's "fierce green fire," wolves have been a central part of the American image. Many have even suggested that our national symbol, the bald eagle, be replaced with this noble creature who, like us, raises a family and is bold and loyal in protecting the pack. Brenda Peterson blends science, history, and memoir to dramatize the epic battle to restore wolves and thus the landscape and ecology of the continent. From the vicious exterminations carried out by pioneers and settlers; to the internationally celebrated triumph of the return of wolves to Yellowstone; to backlash, politics, and near-daily news of successful reintroductions, this is perhaps the most inspiring conservation story of our time. Brenda's central characters are two famous wolves: the powerful and prolific female "067," restored to Yellowstone only to be "legally" murdered, and Journey, a near-miraculous transcontinental survivor. Along with these are the scientists, ranchers, and activists who are fighting against fear, politics, greed, and scientific ignorance to bring wild wolves home to keep our environment whole.

The domestication of plants and animals is central to the familiar and now outdated story of civilization's emergence. Intertwined with colonialism and imperial expansion, the domestication narrative has informed and justified dominant and often destructive practices. Contending that domestication retains considerable value as an analytical tool, the contributors to Domestication Gone Wild reengage the concept by highlighting sites and forms of domestication occurring in unexpected and marginal sites, from Norwegian fjords and Philippine villages to British falconry cages and South African colonial townships. Challenging idioms of animal husbandry as human mastery and progress, the contributors push beyond the boundaries of farms, fences, and cages to explore how situated relations with animals and plants are linked to the politics of human difference-and, conversely, how politics are intertwined with plant and animal life. Ultimately, this volume promotes a novel, decolonizing concept of domestication that radically revises its Euro- and anthropocentric narrative. Contributors. Inger Anneberg, Natasha Fijn, Rune Flikke, Frida Hastrup, Marianne Elisabeth Lien, Knut G. Nustad, Sara Asu Schroer, Heather Anne Swanson, Anna Lowenhaupt Tsing, Mette Vaarst, Gro B. Ween, Jon Henrik Ziegler Remme

The Bureaucracy of Empathy revolves around two central questions: What is pain? And how do we recognize, understand, and ameliorate the pain of nonhuman animals? Shira Shmuely investigates these ethical issues through a close and careful history of the origins, implementation, and enforcement of the 1876 Cruelty to Animals Act of Parliament, which for the first time imposed legal restrictions on animal experimentation and mandated official supervision of procedures "calculated to give pain" to animal subjects. Exploring how scientists, bureaucrats, and lawyers wrestled with the problem of animal pain and its perception, Shmuely traces in depth and detail how the Act was enforced, the medical establishment's initial resistance and then embrace of regulation, and the challenges from anti-vivisection advocates who deemed it insufficient protection against animal suffering. She shows how a "bureaucracy of empathy" emerged to support and administer the legislation, navigating incongruent interpretations of pain. This crucial moment in animal law and ethics continues to inform laws regulating the treatment of nonhuman animals in laboratories, farms, and homes around the worlds to the present.

For centuries whales have captured our imaginations and ignited our emotions. We have revered and mythologised them, hunted them to the brink of extinction and passionately protected them. But how much do we really know about whales? Based on the hugely popular, internationally touring exhibition Whales Tohora (a.k.a. Whales: Giants of the Deep), this all-new book brings these majestic marine mammals and their underwater world to life, with a special focus on the whales and dolphins of the South Pacific. From the first richly illustrated, entertaining chapter, readers are immersed in the salty sea, the home of the whales, to explore their amazing diversity, biology and adaption to life in the oceans. Throughout the book, literally hundreds of breath-taking photographs, historical pictures, astonishing facts and figures and informative illustrations and diagrams bring the whale world to life. Here, too, are stories from people whose lives have been inextricably linked with whales - from legendary South Pacific whale riders to international whale scientists to conservationists to former whalers and their families.Powerfully, Whales Tohora combines storytelling, science, and culture to tell the story of the relationship between the humans and these fascinating creatures throughout history and into the future.

Christine M. Korsgaard presents a compelling new view of humans' moral relationships to the other animals. She defends the claim that we are obligated to treat all sentient beings as what Kant called "ends-in-themselves". Drawing on a theory of the good derived from Aristotle, she offers an explanation of why animals are the sorts of beings for whom things can be good or bad. She then turns to Kant's argument for the value of humanity to show that rationality commits us to claiming the standing of ends-in-ourselves, in two senses. Kant argued that as autonomous beings, we claim to be ends-in-ourselves when we claim the standing to make laws for ourselves and each other. Korsgaard argues that as beings who have a good, we also claim to be ends-in-ourselves when we take the things that are good for us to be good absolutely and so worthy of pursuit. The first claim commits us to joining with other autonomous beings in relations of moral reciprocity. The second claim commits us to treating the good of every sentient creature as something of absolute importance. Korsgaard argues that human beings are not more important than the other animals, that our moral nature does not make us superior to the other animals, and that our unique capacities do not make us better off than the other animals. She criticizes the "marginal cases" argument and advances a new view of moral standing as attaching to the atemporal subjects of lives. She criticizes Kant's own view that our duties to animals are indirect, and offers a non-utilitarian account of the relation between pleasure and the good. She also addresses a number of directly practical questions: whether we have the right to eat animals, experiment on them, make them work for us and fight in our wars, and keep them as pets; and how to understand the wrong that we do when we cause a species to go extinct.