Throughout the 19th century, animals were integrated into staged scenarios of confrontation, ranging from lion acts in small cages to large-scale re-enactments of war. Initially presenting a handful of exotic animals, travelling menageries grew to contain multiple species in their thousands. These 19th-century menageries entrenched beliefs about the human right to exploit nature through war-like practices against other animal species. Animal shows became a stimulus for antisocial behaviour as locals taunted animals, caused fights, and even turned into violent mobs. Human societal problems were difficult to separate from issues of cruelty to animals. Apart from reflecting human capacity for fighting and aggression, and the belief in human dominance over nature, these animal performances also echoed cultural fascination with conflict, war and colonial expansion, as the grand spectacles of imperial power reinforced state authority and enhanced public displays of nationhood and nationalistic evocations of colonial empires. Fighting Nature is an insightful analysis of the historical legacy of 19th-century colonialism, war, animal acquisition and transportation. This legacy of entrenched beliefs about the human right to exploit other animal species is yet to be defeated.'When does fighting end and theatre begin? In this fascinating study, Peta Tait - one of the most prominent authors in the Performance/Animal Studies intersection - explores animal acts with a particular focus on confrontation. The sites of the human-animal encounter range from theatres, circus, and war re-enactments investigating how the development of certain human fighting practices run in parallel with certain types of public exhibits of wild animals. Tait's account is historical, looking at animal acts - from touring menageries to theatrical performances - from the 1820s to the 1910s.'Lourdes Orozco, Lecturer in Theatre Studies, University of Leeds

At present, human beings worldwide are using an estimated 115.3 million animals in experiments-a normalization of the unthinkable on an immense scale. In terms of harm, pain, suffering, and death, animal experiments constitute one of the major moral issues of our time. Given today's deeper understanding of animal sentience, the contributors to this volume argue that we must afford animals a special moral consideration that precludes their use in experiments. The Ethical Case against Animal Experiments begins with the Oxford Centre for Animal Ethics's groundbreaking and comprehensive ethical critique of the practice of animal experiments. A second section offers original writings that engage with, and elaborate on, aspects of the Oxford Centre report. The essayists explore historical, philosophical, and personal perspectives that range from animal experiments in classical times to the place of necessity in animal research to one researcher's painful journey from researcher to opponent. A devastating look at a contemporary moral crisis, The Ethical Case against Animal Experiments melds logic and compassion to mount a powerful challenge to human cruelty.

"Interspecies Ethics" explores animals' vast capacity for agency, justice, solidarity, humor, and communication across species. The social bonds diverse animals form provide a remarkable model for communitarian justice and cosmopolitan peace, challenging the human exceptionalism that drives modern moral theory. Situating biosocial ethics firmly within coevolutionary processes, this volume has profound implications for work in social and political thought, contemporary pragmatism, Africana thought, and continental philosophy.

"Interspecies Ethics" develops a communitarian model for multispecies ethics, rebalancing the overemphasis on competition in the original Darwinian paradigm by drawing out and stressing the cooperationist aspects of evolutionary theory through mutual aid. The book's ethical vision offers an alternative to utilitarian, deontological, and virtue ethics, building its argument through rich anecdotes and clear explanations of recent scientific discoveries regarding animals and their agency. Geared toward a general as well as a philosophical audience, the text illuminates a variety of theories and contrasting approaches, tracing the contours of a postmoral ethics.

When we think of the key figures of early American history, we think of explorers, or pilgrims, or Native Americans-not cattle, or goats, or swine. But as Virginia DeJohn Anderson reveals in this brilliantly original account of colonists in New England and the Chesapeake region, livestock played a vitally important role in the settling of the New World. Livestock, Anderson writes, were a central factor in the cultural clash between colonists and Indians as well as a driving force in the expansion west. By bringing livestock across the Atlantic, colonists believed that they provided the means to realize America's potential. It was thought that if the Native Americans learned to keep livestock as well, they would be that much closer to assimilating the colonist's culture, especially their Christian faith. But colonists failed to anticipate the problems that would arise as Indians began encountering free-ranging livestock at almost every turn, often trespassing in their cornfields. Moreover, when growing populations and an expansive style of husbandry required far more space than they had expected, colonists could see no alternative but to appropriate Indian land. This created tensions that reached the boiling point with King Philip's War and Bacon's Rebellion. And it established a pattern that would repeat time and again over the next two centuries. A stunning account that presents our history in a truly new light, Creatures of Empire restores a vital element of our past, illuminating one of the great forces of colonization and the expansion westward.

The bestselling author of Dog Sense and Cat Sense explains why living with animals has always been a fundamental aspect of being human In this highly original and hugely enjoyable work, John Bradshaw examines modern humans' often contradictory relationship with the animal world. Why, despite the apparent irrationality of keeping pets, do half of today's American households, and almost that figure in the UK, have at least one pet (triple the rate of the 1970s)? Then again, why do we care for some animals in our homes, and designate others only as a source of food? Through these and many other questions, one of the world's foremost anthrozoology experts shows that our relationship with animals is nothing less than an intrinsic part of human nature. An affinity for animals drove our evolution and now, without animals around us, we risk losing an essential part of ourselves.

ANIMAL DREAMS collects David Brooks' thought-provoking essays about how humans think, dream and write about other species. Brooks examines how animals have featured in Australian and international literature and culture, from 'The Man from Snowy River' to Rainer Maria Rilke and The Turin Horse, to live-animal exports, veganism, and the culling of native and non-native species. In his piercing, elegant, widely celebrated style, he considers how private and public conversations about animals reflect older and deeper attitudes to our own and other species, and what questions we must ask to move these conversations forward, in what he calls 'the immense work of undoing'. For readers interested in animal welfare, conservation, and the relationship between humans and other species, Animal Dreams will be an essential, richly rewarding companion. Praise for David Brooks: "one of Australia's most skilled, unusual and versatile writers" -- Peter Pierce, The Sydney Morning Herald. "No one writes about animals like David Brooks." -- Jeffrey Moussaieff Masson (author of The Assault on Truth, When Elephants Weep and Lost Companions). Praise for ANIMAL DREAMS: "Beautifully written and emotionally and intellectually enthralling. The best book I have ever read on relations between humans and animals and the 'redress' we owe them. It makes you angry, it makes you weep; it makes you determined to rethink and to act." -- Helen Tiffin, FAHA (co-author of The Empire Writes Back and Wild Man from Borneo: A Cultural History of the Orangutang).

The hedgehog has long had a close connection with people. It has been an animal of fascination, endearment and cultural significance since the ancient Egyptians. The Romans regarded it as a weather prophet, and modern gardeners depend on the creature to keep their gardens free of pests. This book explores how this and other characteristics of the small creature have propelled it to the top of a number of polls of people's favorite animals. People react with passion and enthusiasm for the hedgehog, as it is, quite unusually, a wild animal that one can connect with. When scared the hedgehog stays still, allowing a closer look. It remains one of the few creatures that people can get close to without the fear of an attack, or it running away at the slightest movement. The hedgehog has spread through Europe and Asia to the foot of Africa, and is a prickly pet in the USA. The hedgehog's appeal and public accessibility has lead to it to be found on numerous products, from advertising to films and children's books. Instantly recognizable, benign in reputation, Hedgehog demonstrates that there is much to admire about this beautiful, and now threatened, icon of wildlife.

Animals have shaped the cultural and economic life of Glasgow through the ages, and many statues and other memorials around the city honour the role played by animals in the city's history. Horses were central to Glasgow's massive expansion in the nineteenth century, moving goods in and out of the city, and their sight, sound and smell were an integral part of the life of the city well into the 1950s. For centuries they were the main means of transport, whether as saddle horses or pulling vehicles, or for the military at the cavalry barracks in the Gorbals, and myriad trades depended on the horses, including saddlers, harness makers, grooms, fodder suppliers, horse trainers, riding schools, horse dealers and farriers. Equestrian events were a regular feature at theatres and fairs and gradually developed into circuses and such events as Buffalo Bill's Wild West Shows. Performing animals were seen in the city for centuries and menageries of exotic animals toured Glasgow from the late eighteenth century onwards, followed by circuses, bringing the largest elephants to the smallest flea circus. After several attempts, a permanent zoo finally opened in Glasgow in 1947 but closed 2003. As the population grew, domestic pet ownership grew too, including racing pigeons, and numerous dog and cat shows became established. Whippet racing was a popular pastime a century ago, with illegal betting, but was gradually replaced by greyhound racing where betting on-track was legal. In Beastly Glasgow, author Barclay Price takes the reader on a fascinating exploration of the city's animal associations through the ages. Full of unusual tales and fascinating facts, this well-researched history will introduce readers to the beguiling history of Glasgow's animals.

"If veganism is about doing your best to not harm any sentient life, we must logically extend that circle of compassion to human animals as well," writes Mark Hawthorne in this practical, engaging guide to veganism and animal rights. Along with proven advice for going and staying vegan, an overview of animal exploitation, and answers to common questions about ethical eating (such as "Isn't 'humane meat' a good option?" and "Don't plants feel pain?"), A Vegan Ethic draws on the work and experiences of intersectional activists to examine how all forms of oppression - including racism, sexism, ableism, and speciesism - are connected by privilege, control, and economic power. By recognizing how social justice issues overlap, we can develop collaborative strategies for finding solutions.

Twenty years ago, Jimmy Doherty started a farm for rare breed pigs on some derelict land in Suffolk. Now a thriving wildlife park, which is home to many different species of animal, this book chronicles the journey that Jimmy and his family have found themselves on over the years. 'Many seasons have passed since I came here but I can honestly say each one, emotionally - and on occasions physically! - has left its mark. To witness the changing of the seasons so closely, to understand how they shape both us and the natural world, will always be the ultimate reward.' In Tales From Jimmy's Farm, Jimmy Doherty reveals how he made his childhood dream of having his own wildlife park a reality - how, starting with a few rare breed pigs, he would transform a derelict and forgotten Suffolk farm into an A-Z of the animal world, from anteaters to zebras. Taking us on a journey through the seasons - spring lambs to rutting reindeer, sun-loving meerkats to festive monkeys - Jimmy reveals the ups and downs of a life immersed in the natural world, and explains how we too, wherever we may live, can benefit ourselves and the planet by embracing the remarkable animals around us. 'Running a wildlife park is a complex job. To do it you need knowledge that varies from animal biology to how to get an ancient tractor running after a harsh frost. If there's a more diverse job, I'd like to hear about it. But the massive upside of all that hard work is simple. At all times you're embedded in the landscape and the lives of those incredible animals which depend on it - a beautiful natural gift which you are forever unwrapping.'

The pigeon is the quintessential city bird. Domesticated thousands of years ago as a messenger and a source of food, its presence on our sidewalks is so common that people consider the bird a nuisance - if they notice it at all. Yet pigeons are also kept by people all over the world for pleasure, sport, and profit, from the "pigeon wars" waged by breeding enthusiasts in the skies over Brooklyn to the Million Dollar Pigeon Race held every year in South Africa. Drawing on more than three years of fieldwork across three continents, Colin Jerolmack traces our complex and often contradictory relationship with these versatile animals in public spaces such as Venice's Piazza San Marco and London's Trafalgar Square and in working-class and immigrant communities of pigeon breeders in New York and Berlin. By exploring what he calls "the social experience of animals," Jerolmack shows how our interactions with pigeons offer surprising insights into city life, community, culture, and politics. Theoretically understated and accessible to interested readers of all stripes, "The Global Pigeon" is one of the best and most original ethnographies to be published in decades.

Animal lovers who feed meat to other animals are faced with a paradox: perhaps fewer animals would be harmed if they stopped feeding the ones they love. Animal diets do not raise problems merely for individuals. To address environmental crises, health threats, and harm to animals, we must change our food systems and practices. And in these systems, animals, too, are eaters. Moving beyond what humans should eat and whether to count animals as food, Just Fodder answers ethical and political questions arising from thinking about animals as eaters. Josh Milburn begins with practical dilemmas about feeding the animals closest to us, our pets or animal companions. The questions grow more complicated as he considers relationships with more distance - questions about whether and how to feed garden birds, farmland animals who would eat our crops, and wild animals. Milburn evaluates the nature and circumstances of our relationships with animals to generate a novel theory of animal rights. Looking past arguments about what we can and cannot do to other beings, Just Fodder asks what we can, should, and must do for them, laying out a fuller range of our ethical obligations to other animals.

The sight, sound and smell of animals are a part of the story of every great city - and are also part of its hidden history. The royal standard of Scotland features a lion rampant, and Edinburgh can trace its earliest depiction of the beast to the Roman occupation - long before Scotland evolved into a nation. As marks of prestige and respect, animals are highlighted in many public sculptures, bas-reliefs and other artworks throughout the city. For centuries animals such as horses were a crucial part of the economy. Horses transported goods and people in and out of the city, while the growth in ownership created a demand for saddlers, coach makers, grooms, fodder suppliers, horse trainers, farriers, smiths and riding schools. Animals were also a source of wonder and amusement, such as the elephant housed in a tenement in the 1700s and the legendary Greyfriars Bobby, who spent fourteen years guarding the grave of his owner and is now immortalised in words, films and monuments. The travelling menagerie of the Regency era gave the ordinary citizen a taste of the exotic and within a few decades Zoological Gardens Association landscaped gardens and built structures to house animals for the city's latest attraction.