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Books > Social sciences > Sociology, social studies > Social issues > Animals & society
With a new Preface by the author When disasters strike, people are
not the only victims. Hurricane Katrina raised public attention
about how disasters affect dogs, cats, and other animals considered
members of the human family. In this short but powerful book, now
available in paperback, noted sociologist Leslie Irvine goes beyond
Katrina to examine how oil spills, fires, and other calamities
affect various animal populations-on factory farms, in research
facilities, and in the wild. In a new preface, Irvine surveys the
state of animal welfare in disasters since the first edition.
Filling the Ark argues that humans cause most of the risks faced by
animals and urges for better decisions about the treatment of
animals in disasters. Furthermore, it makes a broad appeal for the
ethical necessity of better planning to keep animals out of
jeopardy. Irvine not only offers policy recommendations and
practical advice for evacuating animals, she also makes a strong
case for rethinking our use of animals, suggesting ways to create
more secure conditions.
Some of the most striking news stories from natural disasters are
of animals tied to trees or cats swimming through murky flood
waters. Although the issue of evacuating pets has gained more
attention in recent disasters, there are still many failures
throughout local and national systems of managing pets and
accommodating animals in emergencies. All Creatures Safe and Sound
is a comprehensive study of what goes wrong in our disaster
response that shows how people can better manage pets in
emergencies-from the household level to the large-scale, national
level. Authors Sarah DeYoung and Ashley Farmer offer practical
disaster preparedness tips while they address the social
complexities that affect disaster management and animal rescue.
They track the developments in the management of pets since
Hurricane Katrina, including an analysis of the 2006 PETS Act,
which dictates that animals should be included in hazard and
disaster planning. Other chapters focus on policies in place for
sheltering and evacuation, coalitions for animal welfare and the
prevention of animal cruelty, organizational coordination,
decision-making, preparedness, the role of social media in animal
rescue and response, and how privilege and power shape disaster
experiences and outcomes. Using data they collected from seven
major recent American disasters, ranging from Hurricanes Harvey,
Irma, and Florence to the Camp, Tubbs, and Carr Fires in California
and the Hawaii Lava Flow, the authors provide insights about the
successes and failures of animal care. All Creatures Safe and Sound
also outlines what still needs to change to best prepare for the
safety and welfare of pets, livestock, and other companion animals
in times of crisis.
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The Animal Book
(Paperback)
Michael Harren; Introduction by Adam Fitzgerald
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R676
R605
Discovery Miles 6 050
Save R71 (11%)
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Ships in 18 - 22 working days
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Some of the most striking news stories from natural disasters are
of animals tied to trees or cats swimming through murky flood
waters. Although the issue of evacuating pets has gained more
attention in recent disasters, there are still many failures
throughout local and national systems of managing pets and
accommodating animals in emergencies. All Creatures Safe and Sound
is a comprehensive study of what goes wrong in our disaster
response that shows how people can better manage pets in
emergencies-from the household level to the large-scale, national
level. Authors Sarah DeYoung and Ashley Farmer offer practical
disaster preparedness tips while they address the social
complexities that affect disaster management and animal rescue.
They track the developments in the management of pets since
Hurricane Katrina, including an analysis of the 2006 PETS Act,
which dictates that animals should be included in hazard and
disaster planning. Other chapters focus on policies in place for
sheltering and evacuation, coalitions for animal welfare and the
prevention of animal cruelty, organizational coordination,
decision-making, preparedness, the role of social media in animal
rescue and response, and how privilege and power shape disaster
experiences and outcomes. Using data they collected from seven
major recent American disasters, ranging from Hurricanes Harvey,
Irma, and Florence to the Camp, Tubbs, and Carr Fires in California
and the Hawaii Lava Flow, the authors provide insights about the
successes and failures of animal care. All Creatures Safe and Sound
also outlines what still needs to change to best prepare for the
safety and welfare of pets, livestock, and other companion animals
in times of crisis.
Although the animal may be, as Nietzsche argued, ahistorical,
living completely in the present, it nonetheless plays a crucial
role in human history. The fascination with animals that leads not
only to a desire to observe and even live alongside them, but to
capture or kill them, is found in all civilizations. The essays
collected in Beastly Natures show how animals have been brought
into human culture, literally helping to build our societies (as
domesticated animals have done) or contributing, often in
problematic ways, to our concept of the wild. The book begins with
a group of essays that approach the historical relevance of
human-animal relations seen from the perspectives of various
disciplines and suggest ways in which animals might be brought into
formal studies of history. Differences in species and location can
greatly affect the shape of human-animal interaction, and so the
essays that follow address a wide spectrum of topics, including the
demanding fate of the working horse, the complex image of the
American alligator (at turns a dangerous predator and a tourist
attraction), the zoo gardens of Victorian England, the iconography
of the rhinoceros and the preference it reveals in society for myth
over science, relations between humans and wolves in Europe, and
what we can learn from society's enthusiasm for "political"
animals, such as the pets of the American presidents and the Soviet
Union's "space dogs." Taken together, these essays suggest new ways
of looking not only at animals but at human history. Contributors
Mark V. Barrow Jr., Virginia Tech * Peter Edwards, Roehampton
University * Kelly Enright, Rutgers University * Oliver Hochadel,
Universitat Autonoma de Barcelona * Uwe Lubken, Rachel Carson
Center, Munich * Garry Marvin, Roehampton University * Clay
McShane, Northeastern University * Amy Nelson, Virginia Tech *
Susan Pearson, Northwestern University * Helena Pycior, University
of Wisconsin-Milwaukee * Harriet Ritvo, Massachusetts Institute of
Technology * Nigel Rothfels, University of Wisconsin-Milwaukee *
Joel A. Tarr, Carnegie Mellon University * Mary Weismantel,
Northwestern University
In view of the current rhetoric surrounding the global migrant
crisis - with politicians comparing refugees with animals and media
reports warning of migrants swarming like insects or trespassing
like wolves - this timely study explores the cultural origins of
the language and imagery of dehumanization. Situated at the
junction of literature, politics, and ecocriticism, Wolves at the
Door traces the history of the wolf metaphor in discussions of
race, gender, colonialism, fascism, and ecology. How have
'Gypsies', Jews, Native Americans but also 'wayward' women been
'wolfed' in literature and politics? How has the wolf myth been
exploited by Hitler, Mussolini and Turkish ultra-nationalism? How
do right-wing politicians today exploit the reappearance of wolves
in Central Europe in the context of the migration discourse? And
while their reintroduction in places like Yellowstone has fuelled
heated debates, what is the wolf's role in ecological rewilding and
for the restoration of biodiversity? In today's fraught political
climate, Wolves at the Door alerts readers to the links between
stereotypical images, their cultural history, and their political
consequences. It raises awareness about xenophobia and the dangers
of nationalist idolatry, but also highlights how literature and the
visual arts employ the wolf myth for alternative messages of
tolerance and cultural diversity.
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