The most detailed and authoritative treatment of the current state of animal welfare law in Britain to date. This book provides a full analysis of the substantive law, considers its objectives, application and effectiveness, the background to the current debate and the arguments for and against further reform. It includes full coverage of key topics such as agricultural production, transportation, scientific procedures, entertainment, domestic pets, wildlife, hunting and enforcement.

This book provides a dispassionate and objective analysis of the current state of animal welfare law in the United Kingdom. It explains the substantive law,

"You are about to enter a new genre, that of scientific fables, by which I don't mean science fiction, or false stories about science, but, on the contrary, true ways of understanding how difficult it is to figure out what animals are up to." -Bruno Latour, form the Foreword Is it all right to urinate in front of animals? What does it mean when a monkey throws its feces at you? Do apes really know how to ape? Do animals form same-sex relations? Are they the new celebrities of the twenty-first century? This book poses twenty-six such questions that stretch our preconceived ideas about what animals do, what they think about, and what they want. In a delightful abecedarium of twenty-six chapters, Vinciane Despret argues that behaviors we identify as separating humans from animals do not actually properly belong to humans. She does so by exploring incredible and often funny adventures about animals and their involvements with researchers, farmers, zookeepers, handlers, and other human beings. Do animals have a sense of humor? In reading these stories it is evident that they do seem to take perverse pleasure in creating scenarios that unsettle even the greatest of experts, who in turn devise newer and riskier hypotheses that invariably lead them to conclude that animals are not nearly as dumb as previously thought. These deftly translated accounts oblige us, along the way, to engage in both ethology and philosophy. Combining serious scholarship with humor that will resonate with anyone, this book-with a foreword by noted French philosopher, anthropologist, and sociologist of science Bruno Latour-is a must not only for specialists but also for general readers, including dog owners, who will never look at their canine companions the same way again.

'A little gem of a book' Brendan O'Connor Tom Inglis and his Wheaten terrier Pepe have lived together for eighteen years: countless days of walks and play and the odd bit of chaos. Now, though, they are both getting old. To Love a Dog tells the story of Tom's life with Pepe, and looks at the ancient connection between humans and dogs. It explores why we take on the hassle of caring for these pet animals who rely on us so completely, who can create mess and upset in our lives, and who will probably die before us, leaving us behind to grieve. This is a book for everyone who has ever loved a dog.

To what extent can animals be regarded as part of the moral community? To what extent, if at all, do they have moral rights? Are we wrong to eat them or to hunt them? Is the use of animals for scientific research justified? And can the ideas behind animal liberation be squared with those of the environmental movement? It is Taylor's strong belief that, whatever our own views on these contentious issues may be, we benefit by exploring them more thoroughly, and by understanding and evaluating arguments of those who may disagree with us. He traces the background of these debates from Aristotle to Darwin, and he provides fair-minded commentaries on the positions of contemporary philosophers Peter Singer, Tom Regan, Nel Noddings, Mary Anne Warren, J. Baird Callicott, and numerous others, with ethical theories ranging from utilitarianism to eco-feminism. A precious edition of this book appeared under the title

Ist der Tierschutz menschenfeindlich und ist dessen Gesetzgebung im Dritten Reich Missbrauch etwaiger Weimarer Entwurfe zur Judenverfolgung und Selbstverherrlichung? Untersucht wird demgegenuber die Geschichte von 360 Ziffer 13 des Reichsstrafgesetzbuches 1871 uber das Reichstierschutzgesetz 1933 samt dessen Nebengesetzen 1934-40 bis zu ihrer Auslegung und Umsetzung gar bis 1943/45. Dadurch erweist sich der Tierschutz als eine uralte Kulturnotwendigkeit und somit nicht erst als "Kind des Nationalsozialismus". Doch dessen volkserzieherische Bestrebung war vom Zustandekommen des Tierschutzrechts als neues Fachgebiet nicht wegzudenken.

--- WITH A FOREWORD BY DR. PHIL MCGRAW --- Designer Dogs is the shocking exposure of the dangers of continuing to make our dogs tinier or funnier looking, more "Instagram worthy," and presents startling new revelations on why this threatens French bulldogs, pit bulls, and other favorite breeds with extinction. Ever heard of a labradoodle, a goldendoodle, or a puggle? How about a cockapoo, a pomsky, or a spoodle? You or a friend have certainly been enticed by a "hypoallergenic dog" or smiled at a "teacup." These are not dog breeds that nature created; these are the results of the forced mating or genetic engineering of different breeds, or inbreeding, and popularized by social media and celebrities. In Designer Dogs, Madeline Bernstein, one of the country's most respected animal welfare crusaders, reveals the obsession with new types of dogs-engineering puppies that keep getting smaller or sillier looking-and the horrifying health consequences of this on those we claim as our best friends. She also provides extraordinary revelations on how this has led to a world of "disposable pets"-puppies and adult dogs abandoned when their medical expenses become too costly and added to the 6.5 million animals entering shelters each year, or put on the street-and informed insight into what's ahead: made-to-order puppies; hybrid animals; shorter life spans for dogs; and even the extinction of breeds like French bulldogs, pit bulls, King Charles spaniels, mastiffs, Skye terriers, bloodhounds, and more. And Bernstein calls out those responsible for the savagery, both domestic puppy mills and backyard breeders, and also an international dog trafficking ring that she's been on the front line exposing. Bernstein's game-changing and unforgettable book is destined to cause outrage and save lives in the process.

Fear and fascination set wasps apart from other insects. Despite their iconic form and distinctive colours, they are surrounded by myth and misunderstanding. Often portrayed in cartoon-like stereotypes bordering on sad parody, wasps have an unwelcome and undeserved reputation for aggressiveness bordering on vindictive spite. This mistrust is deep-seated in a human history that has awarded commercial and spiritual value to other insects, such as bees, but has failed to recognize any worth in wasps. Leading entomologist Richard Jones redresses the balance in this enlightening and entertaining guide to the natural and cultural history of these powerful carnivores. Jones delves into their complex nesting and colony behavior, their unique caste system and their major role at the centre of many food webs. Drawing on up-to-date scientific concepts and featuring many striking colour illustrations, Jones successfully shows exactly why wasps are worthy of greater understanding and appreciation.

This book examines C. S. Lewis's writings about animals, and the theological bases of his opposition to vivisection and other cruelties. It argues Genesis is central to many of these ethical musings and the book's organization reflects this. It treats in turn Lewis's creative approaches to the Garden of Eden, humanity's "dominion" over the earth, and the loss of paradise with all the catastrophic consequences for animals it presaged. The book closes looking at Lewis's vision of a more inclusive community. Though he left no comprehensive summary of his ideas, the Narnia adventures and science fiction trilogy, scattered poems and his popular theology inspire affection and sympathy for the nonhuman. This study challenges scholars to reassess Lewis as not only a literary critic and children's author but also an animal theologian of consequence, though there is much here for all fans of Mr. Bultitude and Reepicheep to explore.

A unique and compelling exploration of why humans need animal companions - from dogs and cats to horses, birds and reptiles - as seen through the eyes of bestselling author Jacky Colliss Harvey. In The Animal's Companion, the acclaimed author of Red: A Natural History of the Redhead explores the human desire to share our everyday life with pets, a history that can be traced back to a cave in France where evidence has been unearthed of a boy and his dog taking a walk together, some 26,000 years ago. From those preserved foot and paw prints, Colliss Harvey draws on literary, artistic and archaeological artefacts to sweep readers through centuries and across continents to examine how our relationships with our pets have developed, but also stayed very much the same. Through delightful stories of the most famous, endearing and sometimes eccentric pet owners throughout history, she suggests fascinating new insights into one of the most long-standing of all human love affairs.

Throughout the 19th century, animals were integrated into staged scenarios of confrontation, ranging from lion acts in small cages to large-scale re-enactments of war. Initially presenting a handful of exotic animals, travelling menageries grew to contain multiple species in their thousands. These 19th-century menageries entrenched beliefs about the human right to exploit nature through war-like practices against other animal species. Animal shows became a stimulus for antisocial behaviour as locals taunted animals, caused fights, and even turned into violent mobs. Human societal problems were difficult to separate from issues of cruelty to animals. Apart from reflecting human capacity for fighting and aggression, and the belief in human dominance over nature, these animal performances also echoed cultural fascination with conflict, war and colonial expansion, as the grand spectacles of imperial power reinforced state authority and enhanced public displays of nationhood and nationalistic evocations of colonial empires. Fighting Nature is an insightful analysis of the historical legacy of 19th-century colonialism, war, animal acquisition and transportation. This legacy of entrenched beliefs about the human right to exploit other animal species is yet to be defeated.'When does fighting end and theatre begin? In this fascinating study, Peta Tait - one of the most prominent authors in the Performance/Animal Studies intersection - explores animal acts with a particular focus on confrontation. The sites of the human-animal encounter range from theatres, circus, and war re-enactments investigating how the development of certain human fighting practices run in parallel with certain types of public exhibits of wild animals. Tait's account is historical, looking at animal acts - from touring menageries to theatrical performances - from the 1820s to the 1910s.'Lourdes Orozco, Lecturer in Theatre Studies, University of Leeds

'An unbelievably inspiring book' Peter Wohlleben, author of The Hidden Life of Trees Did you know that pigs frequently throw tantrums? That chickens are capable of complex communication? That sheep know their own names? That cows grieve when their calves are taken away from them? Jeffrey Masson delves deep into the mysterious world of farm animals and reveals just how sophisticated these creatures truly are - capable of joy, sadness, love and friendship - just like us.

When we think of the key figures of early American history, we think of explorers, or pilgrims, or Native Americans-not cattle, or goats, or swine. But as Virginia DeJohn Anderson reveals in this brilliantly original account of colonists in New England and the Chesapeake region, livestock played a vitally important role in the settling of the New World. Livestock, Anderson writes, were a central factor in the cultural clash between colonists and Indians as well as a driving force in the expansion west. By bringing livestock across the Atlantic, colonists believed that they provided the means to realize America's potential. It was thought that if the Native Americans learned to keep livestock as well, they would be that much closer to assimilating the colonist's culture, especially their Christian faith. But colonists failed to anticipate the problems that would arise as Indians began encountering free-ranging livestock at almost every turn, often trespassing in their cornfields. Moreover, when growing populations and an expansive style of husbandry required far more space than they had expected, colonists could see no alternative but to appropriate Indian land. This created tensions that reached the boiling point with King Philip's War and Bacon's Rebellion. And it established a pattern that would repeat time and again over the next two centuries. A stunning account that presents our history in a truly new light, Creatures of Empire restores a vital element of our past, illuminating one of the great forces of colonization and the expansion westward.

"Interspecies Ethics" explores animals' vast capacity for agency, justice, solidarity, humor, and communication across species. The social bonds diverse animals form provide a remarkable model for communitarian justice and cosmopolitan peace, challenging the human exceptionalism that drives modern moral theory. Situating biosocial ethics firmly within coevolutionary processes, this volume has profound implications for work in social and political thought, contemporary pragmatism, Africana thought, and continental philosophy.

"Interspecies Ethics" develops a communitarian model for multispecies ethics, rebalancing the overemphasis on competition in the original Darwinian paradigm by drawing out and stressing the cooperationist aspects of evolutionary theory through mutual aid. The book's ethical vision offers an alternative to utilitarian, deontological, and virtue ethics, building its argument through rich anecdotes and clear explanations of recent scientific discoveries regarding animals and their agency. Geared toward a general as well as a philosophical audience, the text illuminates a variety of theories and contrasting approaches, tracing the contours of a postmoral ethics.

ANIMAL DREAMS collects David Brooks' thought-provoking essays about how humans think, dream and write about other species. Brooks examines how animals have featured in Australian and international literature and culture, from 'The Man from Snowy River' to Rainer Maria Rilke and The Turin Horse, to live-animal exports, veganism, and the culling of native and non-native species. In his piercing, elegant, widely celebrated style, he considers how private and public conversations about animals reflect older and deeper attitudes to our own and other species, and what questions we must ask to move these conversations forward, in what he calls 'the immense work of undoing'. For readers interested in animal welfare, conservation, and the relationship between humans and other species, Animal Dreams will be an essential, richly rewarding companion. Praise for David Brooks: "one of Australia's most skilled, unusual and versatile writers" -- Peter Pierce, The Sydney Morning Herald. "No one writes about animals like David Brooks." -- Jeffrey Moussaieff Masson (author of The Assault on Truth, When Elephants Weep and Lost Companions). Praise for ANIMAL DREAMS: "Beautifully written and emotionally and intellectually enthralling. The best book I have ever read on relations between humans and animals and the 'redress' we owe them. It makes you angry, it makes you weep; it makes you determined to rethink and to act." -- Helen Tiffin, FAHA (co-author of The Empire Writes Back and Wild Man from Borneo: A Cultural History of the Orangutang).