At present, human beings worldwide are using an estimated 115.3 million animals in experiments-a normalization of the unthinkable on an immense scale. In terms of harm, pain, suffering, and death, animal experiments constitute one of the major moral issues of our time. Given today's deeper understanding of animal sentience, the contributors to this volume argue that we must afford animals a special moral consideration that precludes their use in experiments. The Ethical Case against Animal Experiments begins with the Oxford Centre for Animal Ethics's groundbreaking and comprehensive ethical critique of the practice of animal experiments. A second section offers original writings that engage with, and elaborate on, aspects of the Oxford Centre report. The essayists explore historical, philosophical, and personal perspectives that range from animal experiments in classical times to the place of necessity in animal research to one researcher's painful journey from researcher to opponent. A devastating look at a contemporary moral crisis, The Ethical Case against Animal Experiments melds logic and compassion to mount a powerful challenge to human cruelty.

This book is the first of its kind to identify the existential crisis faced by vegans.

Vystopia is the normal response any feeling human being should have after discovering the nature and extent of society's systematised animal abuse. It's fuelled by the trance-like collusion of non-vegans with a dystopian world they've not yet realised they're part of.

Bestselling author Clare Mann, a vegan psychologist, communications trainer and existential psychotherapist, not only validates the vegan's experience, but rejects medical labels which claim such anguish is abnormal.

As a telling witness to vystopia - a term she coined in 2017 - she provides vegans with a language and toolbox to work through their anguish, and unite with others to examine the biggest social justice challenge of our time: our relationship with the animal kingdom.

Exemplifying a new methodology identified as'animality studies' that focuses on constructions of animality at specific historical and cultural moments, without the explicit emphasis on animal advocacy that is often found in animal studies, this book explores animality at the turn of the twentieth century in the United States. At that moment, shifts in what it meant to be both 'human' and 'animal' became crucial in terms of producing new ways of thinking about a wide range of human behaviors, including homosexuality, labor exploitation, and the lynching of black men. The discourse of 'the jungle' was born at the confluence of Darwin and Freud, once human behavior could be explained, supposedly, by animal instincts that were naturally violent in the name of survival and heterosexual in the name of reproduction. Literary and cultural texts at the turn of the twentieth century produced new ways of thinking about the 'beast within' shifting away from a Protestant Christian formulation of a devilish inner beast that was sinful and violent. But the central argument here is that Darwinist-Freudian formulations of the human animal, despite reigning critical interpretations, were often contested rather than reinforced by writers such as Jack London, Henry James, Frank Norris, Upton Sinclair, Edgar Rice Burroughs, and William James, as well as cultural events such as a circus elephant publicly electrocuted at Coney Island, an African man on display in the Monkey House of the Bronx Zoo, and the Scopes "Monkey Trial." Ultimately, this book reveals not only new ways of thinking about familiar texts, but also the significance of the question of the animal in relation to fields such as the history of sexuality, studies of literary naturalism, and critical race studies within American literary and cultural studies. The book reveals how the figure of the animal evolved in U.S. literature and culture at the turn of the century, particularly through the birth of the jungle: a discourse that continues to enable enduring justifications of homophobia, economic exploitation, and racism in the United States and beyond.

For thousands of years, humans have found themselves vulnerable to plagues of desert locusts. Some fifty countries in Africa, the Middle East and Asia have been ravaged, at one time or another, by huge, devouring swarms of locusts. With the consequent, often total, destruction of crops and grazing, widespread hunger and starvation ensued. Colin Everard's book takes as its geographical focus the Horn of Africa, an area which throughout history has suffered catastrophically from locust plagues. Based on his own extensive experience in the region, Everard describes one of the greatest (albeit unsung) triumphs of the twentieth century, namely, how the desert locust scourge has, at last, been virtually brought under control.

Christine M. Korsgaard presents a compelling new view of humans' moral relationships to the other animals. She defends the claim that we are obligated to treat all sentient beings as what Kant called "ends-in-themselves". Drawing on a theory of the good derived from Aristotle, she offers an explanation of why animals are the sorts of beings for whom things can be good or bad. She then turns to Kant's argument for the value of humanity to show that rationality commits us to claiming the standing of ends-in-ourselves, in two senses. Kant argued that as autonomous beings, we claim to be ends-in-ourselves when we claim the standing to make laws for ourselves and each other. Korsgaard argues that as beings who have a good, we also claim to be ends-in-ourselves when we take the things that are good for us to be good absolutely and so worthy of pursuit. The first claim commits us to joining with other autonomous beings in relations of moral reciprocity. The second claim commits us to treating the good of every sentient creature as something of absolute importance. Korsgaard argues that human beings are not more important than the other animals, that our moral nature does not make us superior to the other animals, and that our unique capacities do not make us better off than the other animals. She criticizes the "marginal cases" argument and advances a new view of moral standing as attaching to the atemporal subjects of lives. She criticizes Kant's own view that our duties to animals are indirect, and offers a non-utilitarian account of the relation between pleasure and the good. She also addresses a number of directly practical questions: whether we have the right to eat animals, experiment on them, make them work for us and fight in our wars, and keep them as pets; and how to understand the wrong that we do when we cause a species to go extinct.

Zoo Ethics examines the workings of modern zoos and considers the core ethical challenges faced by people who choose to hold and display animals in zoos, aquariums, or sanctuaries. Jenny Gray asserts the value of animal life and assesses the impacts of modern zoos, including the costs to animals in terms of welfare and the loss of liberty. Gray highlights contemporary events, including the killing of the gorilla Harambe at the Cincinnati Zoo in May 2016, the widely publicized culling of a young giraffe in the Copenhagen Zoo in 2014, and the investigation of the Tiger Temple in western Thailand. Gray describes the positive welfare and health outcomes of many animals held in zoos, the increased attention and protection for their species in the wild, and the enjoyment and education of the people who visit zoos. Zoo Ethics will empower students of animal ethics and veterinary sciences, zoo and aquarium professionals, and interested zoo visitors to have an informed view of the challenges of compassionate conservation and to develop their own ethical positions.

Dingo Bold is a thought-provoking exploration of the relationship between people and dingoes. At its heart is Rowena Lennox's encounter with a dingo on the beach on K'gari (Fraser Island), a young male she nicknames Bold. Struck by this experience, and by the intense, often polarised opinions expressed in public conversations about dingo conservation and control, she sets out to understand the complex relationship between humans and dingoes.Weaving together ecological data, interviews with people connected personally and professionally with K'gari's dingoes, and Lennox's expansive reading of literary, historical and scientific accounts, Dingo Bold considers what we know about the history of relations between dingoes and humans, and what preconceptions shape our attitudes today. Do we see dingoes as native wildlife or feral dogs? Wild or domesticated animals? A tourist attraction or a threat? And how do our answers to these questions shape our interactions with them?Dingo Bold is both a moving memoir of love and loss through Lennox's observations of the natural world and an important contribution to wider conversations about conservation and animal welfare."Combining natural history, Indigenous culture, memoir, and environmental politics, this is an elegantly written and affectionate tribute to Australia's most maligned and least understood native animal." Jacqueline Kent"Fuelled by empathy, curiosity and passion, and informed by research, data and observation, this moving and compelling book speaks to the heart and to the head. Rowena Lennox poses questions about our relationship with dingoes a and our role in the natural world a that are as bold and lively as her subject." Debra Adelaide

Little Tiger is not like other tigers. She is curious about the world and always questions everything, not content to simply follow in her mother's footsteps and spend her days hunting around their home in the snow forests of Siberia. Instead, she embarks on a remarkable journey, intent on discovering the secrets of the Earth and eventually finding the creature she has heard most about: man. This captivating story of a brave young tiger who refuses to give up on her dreams is a celebration of the power of nature and the beauty of innocence, and is a testament to the courage it takes to be true to ourselves.

Philosophical controversy over non-human animals extends further back than many realize - before Utilitarianism and Darwinism to the very genesis of philosophy. This volume examines the richness and complexity of that long history. Twelve essays trace the significance of animals from Greek and Indian antiquity through the Islamic and Latin medieval traditions, to Renaissance and early modern thought, ending with contemporary notions about animals. Two main questions emerge throughout the volume: what capacities can be ascribed to animals, and how should we treat them? Notoriously ungenerous attitudes towards animals' mental lives and ethics status, found for instance in Aristotle and Descartes, are shown to have been more nuanced than often supposed, while remarkable defenses of benevolence towards animals are unearthed in late antiquity, India, the Islamic world, and Kant. Other chapters examine cannibalism and vegetarianism in Renaissance thought, and the scientific testing of animals. A series of interdisciplinary reflections sheds further light on human attitudes towards animals, looking at their depiction in visual artworks from China, Africa, and Europe, as well as the rich tradition of animal fables beginning with Aesop.

A humorous and informative book, debunking a range of commonly held myths about animals. Camels store water in their humps and magpies love to steal shiny objects. Or do they? A must-read in the Everything you Know series, this book debunks a range of old-cod stories about animals in author Matt Brown's inimitable humorous and fascinating style. Covering everything from the myth that lemmings throw themselves off cliffs in suicide (they don't, but on occasion some just fall off) to the one about bats being blind (they're not, and they can see but use the more sophisticated echolocation for certain hunting). From head in the sand ostriches to cats landing on their feet, a wealth of information on our beloved pets to creepy crawlies and wild giants, this book will set the marvel of the animal word straight. Plus, there are special features on the odd diets of animals and how wrongly they are portrayed in the movies. All the old stories and myths about animals we've had since childhood are gleefully debunked in a hugely entertaining book.

Through close readings of Jewish, Christian, Islamic, and Buddhist texts, Katherine Wills Perlo proves that our relationship with animals shapes religious doctrine, particularly through the tension between animal exploitation and the bonds of kinship. She pinpoints four different strategies for coping with this conflict. The first is aggression, in which a divinely conferred superiority or karma justifies animal usage. The second is evasion, which emphasizes benevolent aspects of the human-animal relationship within the exploitative structure, such as the image of Jesus as a "good shepherd." The third is defense, which acknowledges the problematic nature of killing, leading many religions to adopt a propitiation mechanism, such as apologizing for sacrifice. And the fourth is effective-defensive, which recognizes animal abuse as inherently unethical.

As humans feel more empathy toward animals, Perlo finds that adherents revise their interpretations of religious texts. Preexisting ontologies, such as Christianity's changing God or Buddhism's principle of impermanence, along with advances in farming practices and technology, also encourage changes in treatment. As cultures begin to appreciate the different types of perception and consciousness experienced by nonhumans, definitions of reality become complicated and humans lean more toward unitary accounts of shared existence. These evolving attitudes exert a crucial influence on religious thought, Perlo argues, moving humans ever closer to a nonspeciesist world.

Simone Weil once wrote that "the vulnerability of precious things is beautiful because vulnerability is a mark of existence," establishing a relationship between vulnerability, beauty, and existence transcending the separation of species. Her conception of a radical ethics and aesthetics could be characterized as a new poetics of species, forcing a rethinking of the body's significance, both human and animal. Exploring the "logic of flesh" and the use of the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought. Pick proposes a "creaturely" approach based on the shared embodiedness of humans and animals and a postsecular perspective on human-animal relations. She turns to literature, film, and other cultural texts, challenging the familiar inventory of the human: consciousness, language, morality, and dignity. Reintroducing Weil's elaboration of such themes as witnessing, commemoration, and collective memory, Pick identifies the animal within all humans, emphasizing the corporeal and its issues of power and freedom. In her poetics of the creaturely, powerlessness is the point at which aesthetic and ethical thinking must begin.

The number of ways in which humans interact with animals is almost incalculable. From beloved household pets to the steak on our dinner tables, the fur in our closets to the Babar books on our shelves, taxidermy exhibits to local zoos, humans have complex, deep, and dependent relationships with the animals in our ecosystems. In Displaying Death and Animating Life, Jane C. Desmond puts those human-animal relationships under a multidisciplinary lens, focusing on the less obvious, and revealing the individualities and subjectivities of the real animals in our everyday lives. Desmond, a pioneer in the field of animal studies, builds the book on a number of case studies. She conducts research on-site at major museums, taxidermy conventions, pet cemeteries, and even at a professional conference for writers of obituaries. She goes behind the scenes at zoos, wildlife clinics, and meetings of pet cemetery professionals. We journey with her as she meets Kanzi, the bonobo artist, and a host of other animal-artists all of whom are preparing their artwork for auction. Throughout, Desmond moves from a consideration of the visual display of unindividuated animals, to mourning for known animals, and finally to the marketing of artwork by individual animals. The first book in the new Animal Lives series, Displaying Death and Animating Life is a landmark study, bridging disciplines and reaching across divisions from the humanities and social sciences to chart new territories of investigation.

It is widely agreed that because animals feel pain we should not make them suffer gratuitously. Some ethical theories go even further: because of the capacities that they possess, animals have the right not to be harmed or killed. These views concern what not to do to animals, but we also face questions about when we should, and should not, assist animals that are hungry or distressed. Should we feed a starving stray kitten? And if so, does this commit us, if we are to be consistent, to feeding wild animals during a hard winter? In this controversial book, Clare Palmer advances a theory that claims, with respect to assisting animals, that what is owed to one is not necessarily owed to all, even if animals share similar psychological capacities. Context, history, and relation can be critical ethical factors. If animals live independently in the wild, their fate is not any of our moral business. Yet if humans create dependent animals, or destroy their habitats, we may have a responsibility to assist them. Such arguments are familiar in human cases-we think that parents have special obligations to their children, for example, or that some groups owe reparations to others. Palmer develops such relational concerns in the context of wild animals, domesticated animals, and urban scavengers, arguing that different contexts can create different moral relationships.

We have come to regard nonhuman animals as beings of concern, and we even grant them some legal protections. But until we understand animals as moral agents in and of themselves, they will be nothing more than distant recipients of our largesse. Featuring original essays by philosophers, ethicists, religionists, and ethologists, including Marc Bekoff, Frans de Waal, and Elisabetta Palagi, this collection demonstrates the ability of animals to operate morally, process ideas of good and bad, and think seriously about sociality and virtue. Envisioning nonhuman animals as distinct moral agents marks a paradigm shift in animal studies, as well as philosophy itself. Drawing not only on ethics and religion but also on law, sociology, and cognitive science, the essays in this collection test long-held certainties about moral boundaries and behaviors and prove that nonhuman animals possess complex reasoning capacities, sophisticated empathic sociality, and dynamic and enduring self-conceptions. Rather than claim animal morality is the same as human morality, this book builds an appreciation of the variety and character of animal sensitivities and perceptions across multiple disciplines, moving animal welfarism in promising new directions.

The animality of human beings is completely unknown. Being human means to be something other than an animal, to not be an animal. Felice Cimatti, with reference to the work of Gilles Deleuze, explores what human animality looks like. He shows that becoming animal means to stop thinking of humanity as the reference point of nature and the world. It means that our value as humans has the very same value as a cloud, a rock or a spider. Drawing on a wide range of texts - from philosophical ethology, to classical texts, to continental philosophy and literature - Cimatti creates a dialogue with Flaubert, Derrida, Temple Grandin, Heidegger as well as Malaparte and Landolfi - as part of this intriguing discussion about our humanity - and our unknown animality.

--- WITH A FOREWORD BY DR. PHIL MCGRAW --- Designer Dogs is the shocking exposure of the dangers of continuing to make our dogs tinier or funnier looking, more "Instagram worthy," and presents startling new revelations on why this threatens French bulldogs, pit bulls, and other favorite breeds with extinction. Ever heard of a labradoodle, a goldendoodle, or a puggle? How about a cockapoo, a pomsky, or a spoodle? You or a friend have certainly been enticed by a "hypoallergenic dog" or smiled at a "teacup." These are not dog breeds that nature created; these are the results of the forced mating or genetic engineering of different breeds, or inbreeding, and popularized by social media and celebrities. In Designer Dogs, Madeline Bernstein, one of the country's most respected animal welfare crusaders, reveals the obsession with new types of dogs-engineering puppies that keep getting smaller or sillier looking-and the horrifying health consequences of this on those we claim as our best friends. She also provides extraordinary revelations on how this has led to a world of "disposable pets"-puppies and adult dogs abandoned when their medical expenses become too costly and added to the 6.5 million animals entering shelters each year, or put on the street-and informed insight into what's ahead: made-to-order puppies; hybrid animals; shorter life spans for dogs; and even the extinction of breeds like French bulldogs, pit bulls, King Charles spaniels, mastiffs, Skye terriers, bloodhounds, and more. And Bernstein calls out those responsible for the savagery, both domestic puppy mills and backyard breeders, and also an international dog trafficking ring that she's been on the front line exposing. Bernstein's game-changing and unforgettable book is destined to cause outrage and save lives in the process.

Images of animals are all around us. Yet the visibility offered by wildlife photography can't help but contribute to an image of the animal as fundamentally separate from the human. But how can we get closer to animals without making them aware of us or changing their relationship to their environment?

The Blind might be the answer. Developed for naturalists by the Institute of Critical Zoologists, the Blind is a camouflage cloak that works on the principle that an object vanishes from sight if light rays striking it are not reflected, but are instead forced to flow around as if it were not there. In fifty stunning color photographs, this volume""shows the cloak tested in nature reserves, grasslands, and urban environments. By taking the human out of the picture, "The Blind" offers an opportunity to explore how we see animals in photography.

Why do dogs behave in the ways that they do? Why did our ancestors tame wolves? How have we ended up with so many breeds of dog, and how can we understand their role in contemporary human society? Explore the answers to these questions and many more in this study of the domestic dog. Building on the strengths of the first edition, this much-anticipated update incorporates two decades of new evidence and discoveries on dog evolution, behavior, training, and human interaction. It includes seven entirely new chapters covering topics such as behavioral modification and training, dog population management, the molecular evidence for dog domestication, canine behavioral genetics, cognition, and the impact of free-roaming dogs on wildlife conservation. It is an ideal volume for anyone interested in dogs and their evolution, behavior and ever-changing roles in society.

The bestselling author of Dog Sense and Cat Sense explains why living with animals has always been a fundamental aspect of being human In this highly original and hugely enjoyable work, John Bradshaw examines modern humans' often contradictory relationship with the animal world. Why, despite the apparent irrationality of keeping pets, do half of today's American households, and almost that figure in the UK, have at least one pet (triple the rate of the 1970s)? Then again, why do we care for some animals in our homes, and designate others only as a source of food? Through these and many other questions, one of the world's foremost anthrozoology experts shows that our relationship with animals is nothing less than an intrinsic part of human nature. An affinity for animals drove our evolution and now, without animals around us, we risk losing an essential part of ourselves.

Can horses feel shame? Do deer grieve? Why do roosters deceive hens? We tend to assume that we are the only living things able to experience feelings but have you ever wondered what's going on in an animal's head? From the leafy forest floor to the inside of a bee hive, The Inner Life of Animals opens up the animal kingdom like never before. We hear the stories of a grateful humpback whale, of a hedgehog who has nightmares, and of a magpie who commits adultery; we meet bees that plan for the future, pigs who learn their own names and crows that go tobogganing for fun. And at last we find out why wasps exist.

'A must read for anyone interested in the emerging ethics of robotics' Irene M. Pepperberg A bold, optimistic exploration of the relationship between robots and humans based on our history with animals, from a renowned MIT researcher The robots are here. They make our cars, they deliver fast food, they mine the sea floor. And in the near-future their presence will increasingly enter our homes and workplaces - making human-robot interaction a frequent, everyday occurrence. What will this future look like? What will define the relationship between humans and robots? Here Kate Darling, a world-renowned expert in robot ethics, shows that in order to understand the new robot world, we must first move beyond the idea that this technology will be something like us. Instead, she argues, we should look to our relationship with animals. Just as we have harnessed the power of animals to aid us in war and work, so too will robots supplement - rather than replace - our own skills and abilities. A deeply original analysis of our technological future and the ethical dilemmas that await us, The New Breed explains how the treatment of machines can reveal a new understanding of our own history, our own systems and how we relate - not just to non-humans, but also to each other.

This book explores the role of animals - horses, cattle, sheep, pigs and dogs - in shaping Georgian London. Moving away from the philosophical, fictional and humanitarian sources used by previous animal studies, it focuses on evidence of tangible, dung-bespattered interactions between real people and animals, drawn from legal, parish, commercial, newspaper and private records.This approach opens up new perspectives on unfamiliar or misunderstood metropolitan spaces, activities, social types, relationships and cultural developments. Ultimately, the book challenges traditional assumptions about the industrial, agricultural and consumer revolutions, as well as key aspects of the city's culture, social relations and physical development. It will be stimulating reading for students and professional scholars of urban, social, economic, agricultural, industrial, architectural and environmental history. -- .

Barby Keel is used to all manner of creatures arriving at the door of the Barby Keel Animal Sanctuary where she lives and works, deep within the Sussex countryside. Nothing can prepare her for the arrival of Teddy, however, a neglected, traumatised puppy who is dumped at the gates of the sanctuary in a filthy box, terrified and desperate for someone to love. Despite his scruffy appearance, Barby can't help but feel a spark of affection for the overgrown puppy. But with Barby living in a caravan along with her four other dogs, she knows in her heart of hearts that Teddy deserves a more stable forever home. Wiping away tears, she waves Teddy away to his new life with a young couple, knowing that she's done what's best for the animal. But barely a few days later, Teddy is returned to the sanctuary, his new family unable to cope with his boisterous behaviour and his ever-growing size. Barby tries desperately to re-home him, but Teddy is rejected over and over again by his new foster families. Anxious and terrified of being separated from her, Barby is now faced with the impossible task of working through the traumas of Teddy's past to help the young dog. But when she receives the devastating news that her beloved younger brother has received a shocking diagnosis, Barby's life as she knows it is thrown into disarray. Can the love of a gentle giant help Barby through the unimaginable? And will Barby's unwavering devotion set Teddy free from the suffering he has endured?

The most detailed and authoritative treatment of the current state of animal welfare law in Britain to date. This book provides a full analysis of the substantive law, considers its objectives, application and effectiveness, the background to the current debate and the arguments for and against further reform. It includes full coverage of key topics such as agricultural production, transportation, scientific procedures, entertainment, domestic pets, wildlife, hunting and enforcement.

This book provides a dispassionate and objective analysis of the current state of animal welfare law in the United Kingdom. It explains the substantive law,