In myths and legends, squids are portrayed as fearsome sea-monsters, lurking in the watery deeps waiting to devour humans. Even as modern science has tried to turn those monsters of the deep into unremarkable calamari, squids continue to dominate the nightmares of the Western imagination. Taking inspiration from early weird fiction writer H. P. Lovecraft, modern writers such as Jeff VanderMeer depict squids as the absolute Other of human civilization, while non-Western poets such as Daren Kamali depict squids as anything but threats. In Squid, Martin Wallen traces the many different ways humans have thought about and pictured this predatory mollusk: as guardians, harbingers of environmental collapse, or an untapped resource to be exploited. No matter how we have perceived them, squids have always gazed back at us, unblinking, from the dark.

As ancient creatures that once shared the Earth with dinosaurs, turtles have played a crucial role in maintaining healthy terrestrial and marine ecosystems for more than one hundred million years. While it may not set records for speed on land, the turtle is exceptional at distance swimming and deep diving, and some are gifted with astounding longevity. In human thought, the animal's ties to creativity, wisdom, and warfare stretch back to the world's earliest written records. In Turtle, Louise M. Pryke celebrates the slow and unassuming manner of this doughty creature, which provides a living model of endurance and efficiency. In the increasingly fast-paced world of the twenty-first century, it has never been more important to consider the natural and cultural history of this remarkable animal.

The concept of animal resistance is now reaching a wide audience across the social media landscape. This book offers an overview of how animals resist human orderings in the context of capitalism, domestication, and colonization. Exploring this understudied phenomenon, this book is attentive to both the standpoints of animal resisters and the ways they are represented in human society. Together, these lenses provide insight into how animals' resistance disrupts the dominant paradigm of human exceptionalism and the distancing strategies of enterprises that exploit animals for profit. Animals have been relegated to the margins by human spatial and ideological orderings, but they are also the subjects of their own struggle, located at the centre of their liberation movement. Well-researched and accessible, with over fifty images that aid in understanding both the experiences of and responses to animals who resist, Anithis book is an important contribution to scholarship on animals and society. The text will appeal to a broad audience interested in the relationships between humans and the other animals with whom we share this planet.

This book examines trades in animals and animal products in the history of the Indian Ocean World (IOW). An international array of established and emerging scholars investigate how the roles of equines, ungulates, sub-ungulates, mollusks, and avians expand our understandings of commerce, human societies, and world systems. Focusing primarily on the period 1500-1900, they explore how animals and their products shaped the relationships between populations in the IOW and Europeans arriving by maritime routes. By elucidating this fundamental yet under-explored aspect of encounters and exchanges in the IOW, these interdisciplinary essays further our understanding of the region, the environment, and the material, political and economic history of the world.

We exist at a moment during which the entangled challenges facing the human and natural worlds confront us at every turn, whether at the most basic level of survival-health, sustenance, shelter-or in relation to our comfort-driven desires. As demand for resources both necessary and unnecessary increases, understanding how nature and culture are interconnected matters more than ever. Bridging the fields of environmental history and American studies, Rendering Nature examines the surprising interconnections between nature and culture in distinct places, times, and contexts over the course of American history. Divided into four themes-animals, bodies, places, and politics-the essays span a diverse array of locations and periods: from antebellum slave society to atomic testing sites, from gorillas in Central Africa to river runners in the Grand Canyon, from white sun-tanning enthusiasts to Japanese American incarcerees, from taxidermists at the 1893 World's Fair to tents on Wall Street in 2011. Together they offer new perspectives and conceptual tools that can help us better understand the historical realities and current paradoxes of our environmental predicament. Contributors: Thomas G. Andrews, Connie Y. Chiang, Catherine Cocks, Annie Gilbert Coleman, Finis Dunaway, John Herron, Andrew Kirk, Frieda Knobloch, Susan A. Miller, Brett Mizelle, Marguerite S. Shaffer, Phoebe S. K. Young.

This book is an interdisciplinary study centred on the political and legal position of animals in liberal democracies. With due concern for both animals and the sustainability of liberal democracies, The Open Society and Its Animals seeks to redefine animals' political-legal position in the most successful political model of our time. Advancements in modern science point out that many animals are sentient and that, like humans, they have certain elementary interests. The revised perception of animals as beings with elementary interests raises questions concerning the liberal democratic institutional framework: does a liberal democracy have a responsibility towards the animals on its territory, and if so, what kind? Do animals need legal animal rights and lawyers to represent them in court, and should they also be represented in parliament? And how much change of this kind could a liberal democracy really endure? Vink addresses these and other pressing questions relating to the political and legal position of animals in this persuasive and authoritative work, compelling us to reconsider the relationship between the open society and the animals in it.

Abjective ecologies of British humans, animals, and other nonhumans in cultural forms of nineteenth-century literature, from Dracula to Bovril Meat Markets articulates the emergent 'nonhuman thought' developed across literatures of the long nineteenth century and inflecting recent critical theories of abject life and animality. It presents important connections between meat and popular serial press industries, the intersections of criminals and public readership, and the long history of bloody spectacle at London's Smithfield Market including public executions, criminal escapades, death and horror tales, and the fungible 'penny press' forms of mass consumption. Through analysis of subjection, address, and narration in canonical and penny literatures, this book reveals the mutual forces of concern and consumption that afflict objects of a weird cultural history of bloody London across the long nineteenth century. Players include butchers, Smithfield, Parliament, Dickens, Romantics, Sweeney Todd, cattle, and a strange, impossible London. Key Features Articulates the emergent 'nonhuman thought' developed across literatures of the long nineteenth century and inflecting recent critical theories of abject life and animality Shows the productive contradictions in social and animal concern as it produces anonymous, 'biopolitical' objects in literature, food culture, and London society Presents important connections between meat and popular serial press industries, the intersections of criminals and public readership, and the long history of bloody spectacle at London's Smithfield Market including public executions, criminal escapades, death and horror tales, and the fungible 'penny press' forms of mass consumption

Wildlife Conservation in Africa: A Scientific Approach presents comprehensive management strategies for the consumptive and non-consumptive utilization of wildlife across Sub-Saharan Africa. It describes African economies that are currently dependent on wildlife resources and prescribes strategies for conserving biodiversity in both forests and animals in ecosystems across the continent. The book covers the history and current status of how Africa's culture, traditions, healthcare and food sources are woven intricately around the local wildlife and resources. It is a necessary resource for researchers and practitioners in wildlife and ecological conservation, but is also useful for administrators and managers of protected areas.

While moral perfectionists rank conscious beings according to their cognitive abilities, Paola Cavalieri launches a more inclusive defense of all forms of subjectivity. In concert with Peter Singer, J. M. Coetzee, Harlan B. Miller, and other leading animal studies scholars, she expands our understanding of the nonhuman in such a way that the derogatory category of "the animal" becomes meaningless. In so doing, she presents a nonhierachical approach to ethics that better respects the value of the conscious self.

Cavalieri opens with a dialogue between two imagined philosophers, laying out her challenge to moral perfectionism and tracing its influence on our attitudes toward the "unworthy." She then follows with a roundtable "multilogue" which takes on the role of reason in ethics and the boundaries of moral status. Coetzee, Nobel Prize winner for Literature and author of "The Lives of Animals," emphasizes the animality of human beings; Miller, a prominent analytic philosopher at Virginia Polytechnic Institute, dismantles the rationalizations of human bias; Cary Wolfe, professor of English at Rice University, advocates an active exposure to other worlds and beings; and Matthew Calarco, author of "Zoographies: The Question of the Animal from Heidegger to Derrida," extends ethical consideration to entities that traditionally have little or no moral status, such as plants and ecosystems.

As Peter Singer writes in his foreword, the implications of this conversation extend far beyond the issue of the moral status of animals. They "get to the heart of some important differences about how we should do philosophy, and how philosophy can relate to our everyday life." From the divergences between analytical and continental approaches to the relevance of posthumanist thinking in contemporary ethics, the psychology of speciesism, and the practical consequences of an antiperfectionist stance, "The Death of the Animal" confronts issues that will concern anyone interested in a serious study of morality.

A Reason to Live explores the human-animal relationship through the narratives of eleven people living with HIV and their animal companions. The narratives, based on a series of interviews with HIV-positive individuals and their animal companions in Australia, span the entirety of the HIV epidemic, from public awareness and discrimination in the 1980s and 1990s to survival and hope in the twenty-first century. Each narrative is explored within the context of theory (for example, attachment theory, the ""biophilia hypothesis,"" neurochemical and neurophysiological effects, laughter, play, death anxiety, and stigma) in order to understand the unique bond between human and animal during an ""epidemic of stigma."" A consistent theme is that these animals provided their human companions with ""a reason to live"" throughout the epidemic. Long-term survivors describe past animal companions who intuitively understood their needs and offered unconditional love and support during this turbulent period. More recently diagnosed HIV-positive narrators describe animal companions within the context of hope and the wellness narrative of living and aging with HIV in the twenty-first century. Bringing together these narratives offers insight into one aspect of the multifaceted HIV epidemic when human turned against human, and helps explain why it was frequently left to the animals to support their human companions. Importantly, it recognizes the enduring bond between human and animal within the context of theory and narrative, thus creating a cultural memory in a way that has never been done before.

For centuries whales have captured our imaginations and ignited our emotions. We have revered and mythologised them, hunted them to the brink of extinction and passionately protected them. But how much do we really know about whales? Based on the hugely popular, internationally touring exhibition Whales Tohora (a.k.a. Whales: Giants of the Deep), this all-new book brings these majestic marine mammals and their underwater world to life, with a special focus on the whales and dolphins of the South Pacific. From the first richly illustrated, entertaining chapter, readers are immersed in the salty sea, the home of the whales, to explore their amazing diversity, biology and adaption to life in the oceans. Throughout the book, literally hundreds of breath-taking photographs, historical pictures, astonishing facts and figures and informative illustrations and diagrams bring the whale world to life. Here, too, are stories from people whose lives have been inextricably linked with whales - from legendary South Pacific whale riders to international whale scientists to conservationists to former whalers and their families.Powerfully, Whales Tohora combines storytelling, science, and culture to tell the story of the relationship between the humans and these fascinating creatures throughout history and into the future.

'In my darkest hour, I reached for a hand and found your paw' When Nicola found Buddy, abandoned and broken, she vowed to do all she could to help save him. What she didn't know at the time was that this little dog would in turn save her. This is the story of Buddy and me: a remarkable true story of survival, hope, and never giving up, no matter how hard life gets.

This book addresses the persistence of meat consumption and the use of animals as food in spite of significant challenges to their environmental and ethical legitimacy. Drawing on Foucault's regime of power/knowledge/pleasure, and theorizations of the gaze, it identifies what contributes to the persistent edibility of 'food' animals even, and particularly, as this edibility is increasingly critiqued. Beginning with the question of how animals, and their bodies, are variously mapped by humans according to their use value, it gradually unpacks the roots of our domination of 'food' animals - a domination distinguished by the literal embodiment of the 'other'. The logics of this embodied domination are approached in three inter-related parts that explore, respectively, how knowledge, sensory and emotional associations, and visibility work together to render animal's bodies as edible flesh. The book concludes by exploring how to more effectively challenge the 'entitled gaze' that maintains 'food' animals as persistently edible.

For thousands of years, humans have found themselves vulnerable to plagues of desert locusts. Some fifty countries in Africa, the Middle East and Asia have been ravaged, at one time or another, by huge, devouring swarms of locusts. With the consequent, often total, destruction of crops and grazing, widespread hunger and starvation ensued. Colin Everard's book takes as its geographical focus the Horn of Africa, an area which throughout history has suffered catastrophically from locust plagues. Based on his own extensive experience in the region, Everard describes one of the greatest (albeit unsung) triumphs of the twentieth century, namely, how the desert locust scourge has, at last, been virtually brought under control.

An examination of the difficulties in fundamentally differentiating humans from all other animals. The way in which humans articulate identities, social hierarchies, and their inversions through relations with animals has been a fruitful topic in anthropological and historical investigations for the last several years. The contributors to this volume call attention to the symbolic meanings of animals, from the casting of first-year students as goats in medieval universities to the representation of vermin as greedy thieves in early modern England. But the essays in this volume are also concerned with the more material and bodily aspects of animal-human relations, like eating regulations, aggression, and transplanting of animal organs into human beings [xenotransplantation]. Modern biologists have increasingly problematized the human-animal boundary. Researchers have challenged the supposedly unique ability of humans to use language. Chimpanzees and gorillas, it has been argued, have learned to communicate using American Sign Language. In addition, some scientists regard the sophistication of modes of communication in species like dolphins and songbirds as undermining the view of humans as uniquely capable of complex expressions. As studies of nonhuman primates threaten to compromise the long-held assumption that only humans possess self-awareness. The question becomes: How can one firmly differentiate human beings from other animals? Contributors include Piers Beirne, Richard W. Burkhardt, Jr., Mary E. Fissell, Paul H. Freedman, Ruth Mazo Karras, Susan E. Lederer, Rob Meens, John H. Murrin, James A. Serpell, and H. Peter Steeves. Angela N. H. Creager andWilliam Chester Jordan are Associates of the Shelby Cullom Davis Center for Historical Studies, Princeton University.

Animals and Animality in the Babylonian Talmud selects key themes in animal studies - animal intelligence, morality, sexuality, suffering, danger, personhood - and explores their development in the Babylonian Talmud. Beth A. Berkowitz demonstrates that distinctive features of the Talmud - the new literary genre, the convergence of Jewish, Christian, and Zoroastrian cultures, the Talmud's remove from Temple-centered biblical Israel - led to unprecedented possibilities within Jewish culture for conceptualizing animals and animality. She explores their development in the Babylonian Talmud, showing how it is ripe for reading with a critical animal studies perspective. When we do, we find waiting for us a multi-layered, surprisingly self-aware discourse about animals as well as about the anthropocentrism that infuses human relationships with them. For readers of religion, Judaism, and animal studies, her book offers new perspectives on animals from the vantage point of the ancient rabbis.

Common and exotic, glamorous and ferocious, sociable and sullen: zebras mean many things to many people. The extraordinary beauty of their striped coats makes them one of the world's most recognizable animals. They have been immortalized in paint by artists including George Stubbs and Lucian Freud, and zebra-print designs permeate contemporary society - on beanbags and bikinis, car seats and pencil cases. Zebras even have a road crossing named after them. But the natural and cultural history of the zebra remains a mystery to most. Few know that there are three species of zebra, or that one of these is currently endangered, or that the quagga, an animal that once roamed southern Africa in large numbers before dying out in the 1880s, is among the zebra's many subspecies. Zebra is a comprehensive and wide-ranging study of the natural and cultural history of this popular animal. Using a wide range of sources and stories, it shows how the zebra's history engages and intersects with diverse topics, including eighteenth-century humour, imperialism and camouflage technologies. Including more than a hundred illustrations, many previously unpublished, it offers a new way of thinking about this much-loved but frequently misunderstood animal.

This book explores the role of animals - horses, cattle, sheep, pigs and dogs - in shaping Georgian London. Moving away from the philosophical, fictional and humanitarian sources used by previous animal studies, it focuses on evidence of tangible, dung-bespattered interactions between real people and animals, drawn from legal, parish, commercial, newspaper and private records.This approach opens up new perspectives on unfamiliar or misunderstood metropolitan spaces, activities, social types, relationships and cultural developments. Ultimately, the book challenges traditional assumptions about the industrial, agricultural and consumer revolutions, as well as key aspects of the city's culture, social relations and physical development. It will be stimulating reading for students and professional scholars of urban, social, economic, agricultural, industrial, architectural and environmental history. -- .

From ancient Babylon to Edward Lear's The Owl and the Pussycat and the grandiloquent, absent-minded Owl from Winnie-the-Pooh to David Lynch's Twin Peaks, owls have woven themselves into the fabric of human culture from earliest times. Beautiful, silent, pitiless predators of the night, possessing contradictory qualities of good and evil, they are enigmatic creatures that dwell throughout the world yet barely make their presence known. In this classic Reaktion title, now available in paperback, bestselling author and broadcaster Desmond Morris explores the natural and cultural history of one of nature's most popular creatures. He describes the evolution, the many species and the wide spread of owls around the world, as well as their appearance in folk tales, myths and legends, art, film, literature and popular culture. Originally published in 2009, this new format edition features many telling illustrations from nature and culture and will appeal to the many devotees of this emblematic bird.

Dog Behavior: Modern Science and Our Canine Companions provides readers with a better understanding of canine science, including evolutionary concepts, ethograms, brain structures and development, sensory perspectives, the science of emotions, social structure, and the natural history of the species. The book also analyzes relationships between humans and dogs and how the latter has evolved. Readers will find this to be an ideal resource for researchers and students in animal behavior, specifically focusing on dog behavior and human-canine relationships. In addition, veterinarians seeking further information on dog behavior and the social temperament of these companion animals will find this book to be informative.

Dingo Bold is a thought-provoking exploration of the relationship between people and dingoes. At its heart is Rowena Lennox's encounter with a dingo on the beach on K'gari (Fraser Island), a young male she nicknames Bold. Struck by this experience, and by the intense, often polarised opinions expressed in public conversations about dingo conservation and control, she sets out to understand the complex relationship between humans and dingoes.Weaving together ecological data, interviews with people connected personally and professionally with K'gari's dingoes, and Lennox's expansive reading of literary, historical and scientific accounts, Dingo Bold considers what we know about the history of relations between dingoes and humans, and what preconceptions shape our attitudes today. Do we see dingoes as native wildlife or feral dogs? Wild or domesticated animals? A tourist attraction or a threat? And how do our answers to these questions shape our interactions with them?Dingo Bold is both a moving memoir of love and loss through Lennox's observations of the natural world and an important contribution to wider conversations about conservation and animal welfare."Combining natural history, Indigenous culture, memoir, and environmental politics, this is an elegantly written and affectionate tribute to Australia's most maligned and least understood native animal." Jacqueline Kent"Fuelled by empathy, curiosity and passion, and informed by research, data and observation, this moving and compelling book speaks to the heart and to the head. Rowena Lennox poses questions about our relationship with dingoes a and our role in the natural world a that are as bold and lively as her subject." Debra Adelaide

Taxidermy, once the province of natural history and dedicated to the pursuit of lifelike realism, has recently resurfaced in the world of contemporary art,culture, and interior design. In Speculative Taxidermy, Giovanni Aloi offers a comprehensive mapping of the discourses and practices that have enabled the emergence of taxidermy in contemporary art. Drawing on the speculative turn in philosophy and recovering past alternative histories of art and materiality from a biopolitical perspective, Aloi theorizes speculative taxidermy: a powerful interface that unlocks new ethical and political opportunities in human-animal relationships and speaks to how animal representation conveys the urgency of climate change, capitalist exploitation, and mass extinction. A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability. Carefully considering a select number of key examples including the work of Nandipha Mntambo, Maria Papadimitriou, Mark Dion, Berlinde De Bruyckere, Roni Horn, Oleg Kulik, Steve Bishop, Snaebjornsdottir/Wilson, and Cole Swanson,Speculative Taxidermy contextualizes the resilient presence of animal skin in the gallery space as a productive opportunity to rethink ethical and political stances in human-animal relationships.

Why are some species admired or beloved while others are despised? An eagle or hawk circling overhead inspires awe while urban pigeons shuffling underfoot are kicked away in revulsion. Fly fishermen consider carp an unwelcome trash fish, even though the trout they hope to catch are often equally non-native. Wolves and coyotes are feared and hunted in numbers wildly disproportionate to the dangers they pose to humans and livestock. In Trash Animals, a diverse group of environmental writers explores the natural history of wildlife species deemed filthy, unwanted, invasive, or worthless, highlighting the vexed relationship humans have with such creatures. Each essay focuses on a so-called trash species-gulls, coyotes, carp, cockroaches, magpies, prairie dogs, and lubber grasshoppers, among others-examining the biology and behavior of each in contrast to the assumptions widely held about them. Identifying such animals as trash tells us nothing about problematic wildlife but rather reveals more about human expectations of, and frustrations with, the natural world. By establishing the unique place that maligned species occupy in the contemporary landscape and in our imagination, the contributors challenge us to look closely at these animals, to reimagine our ethics of engagement with such wildlife, and to question the violence with which we treat them. Perhaps our attitudes reveal more about humans than they do about the animals. Contributors: Bruce Barcott; Charles Bergman, Pacific Lutheran U; James E. Bishop, Young Harris College; Andrew D. Blechman; Michael P. Branch, U of Nevada, Reno; Lisa Couturier; Carolyn Kraus, U of Michigan-Dearborn; Jeffrey A. Lockwood, U of Wyoming; Kyhl Lyndgaard, Marlboro College; Charles Mitchell, Elmira College; Kathleen D. Moore, Oregon State U; Catherine Puckett; Bernard Quetchenbach, Montana State U, Billings; Christina Robertson, U of Nevada, Reno; Gavan P. L. Watson, U of Guelph, Ontario, Canada.