In view of the current rhetoric surrounding the global migrant crisis - with politicians comparing refugees with animals and media reports warning of migrants swarming like insects or trespassing like wolves - this timely study explores the cultural origins of the language and imagery of dehumanization. Situated at the junction of literature, politics, and ecocriticism, Wolves at the Door traces the history of the wolf metaphor in discussions of race, gender, colonialism, fascism, and ecology. How have 'Gypsies', Jews, Native Americans but also 'wayward' women been 'wolfed' in literature and politics? How has the wolf myth been exploited by Hitler, Mussolini and Turkish ultra-nationalism? How do right-wing politicians today exploit the reappearance of wolves in Central Europe in the context of the migration discourse? And while their reintroduction in places like Yellowstone has fuelled heated debates, what is the wolf's role in ecological rewilding and for the restoration of biodiversity? In today's fraught political climate, Wolves at the Door alerts readers to the links between stereotypical images, their cultural history, and their political consequences. It raises awareness about xenophobia and the dangers of nationalist idolatry, but also highlights how literature and the visual arts employ the wolf myth for alternative messages of tolerance and cultural diversity.

Humans and nonhuman animals engage with each other in a multitude of fascinating ways. They have always done so, motivated by both necessity and choice. Yet, as human population numbers increase and our impact on the planet expands, this engagement takes on new meanings and requires new understanding.In Engaging with Animals: Interpretations of a Shared Existence experts in the field of human-animal studies investigate, from a variety of disciplinary perspectives, the ways in which humans and other animals interact. Grouped into three broad sections, the chapters focus on themes ranging from attitudes, ethics and interactions to history, art and literature, and finally animal welfare outcomes. While offering different interpretations of human-non-human interactions, they share a common goal in attempting to find pathways leading to a mutually beneficial and shared co-existence.

Based on years of investigative reporting, Wyatt Williams offers a powerful look at why we kill animals and why we eat meat. In order to understand why we eat meat, restaurant critic and journalist Wyatt Williams narrates his time spent investigating factory farms, learning to hunt game, working on a slaughterhouse kill floor, and partaking in Indigenous traditions of whale eating in Alaska, while charting the history of meat eating and vegetarianism. Williams shows how mysteries springing up from everyday experiences can lead us into the big questions of life while examining the irreconcilable differences between humans and animals. Springer Mountain is a thought-provoking work, one that reveals how what we eat tells us who we are.