This clear and accessible guide provides a comprehensive outline on how to convert your house into a more 'green' home. Buildings are the greates energy wasters and for those of us concerned about the environment, and household bills, this book presents the key design changes that we can implement to our own homes to remedy energy loss. This title covers the full range of design chanegs that are available to the homeowner and designer for renovation, from the roof to the basement, from insulation to windows. It also feature a selection of case studies illustrating the experiences of other homeowners and designers and how they have adapted and used the technology available to them in creating an energy efficient home. This is a practical, hands-on guide, ideal for architects, designers and homeowners.

As ecology becomes the new engineering, the projection of landscape as infrastructure-the contemporary alignment of the disciplines of landscape architecture, civil engineering, and urban planning- has become pressing. Predominant challenges facing urban regions and territories today-including shifting climates, material flows, and population mobilities, are addressed and strategized here. Responding to the under-performance of master planning and over-exertion of technological systems at the end of twentieth century, this book argues for the strategic design of "infrastructural ecologies," describing a synthetic landscape of living, biophysical systems that operate as urban infrastructures to shape and direct the future of urban economies and cultures into the 21st century. Pierre Belanger is Associate Professor of Landscape Architecture and Co-Director of the Master in Design Studies Program at Harvard University's Graduate School of Design. As part of the Department of Landscape Architecture and the Advansed Studies Program, Belanger teaches and coordinates graduate courses on the convergence of ecology, infrastructure and urbanism in the interrelated fields of design, planning and engineering. Dr. Belanger is author of the 35th edition of the Pamphlet Architecture Series from Princeton Architectural Press, GOING LIVE: from States to Systems (pa35.net), co-editor with Jennifer Sigler of the 39th issue of Harvard Design Magazine, Wet Matter, and co-author of the forthcoming volume ECOLOGIES OF POWER: Mapping Military Geographies & Logistical Landscapes of the U.S. Department of Defense. As a landscape architect and urbanist, he is the recipient of the 2008 Canada Prix de Rome in Architecture and the Curator for the Canada Pavilion ad Canadian Exhibition, "EXTRACTION," at the 2016 Venice Architecture Biennale (extraction.ca).

Throughout history, people have constructed simple timber lattice shelters such as the tepee or yurt, covered with animal skins, leaves, grasses and woven fabrics. Over the last fifty years, more sophisticated 'webs of wood' have emerged, with timber gridshells in particular becoming a structurally expressive form of architecture. Recent developments in digital design, 3-D modelling software, timber fabrication technologies as well as trends towards low-carbon construction have further reinforced architects' interest in the use of lightweight timber grids and lattice structures. This timely book charts the origin and evolution of the timber gridshell and its relation to timber lattice architecture. Drawing on a range of international case studies, the authors trace the effect advances in technology have had on design and construction in this field, providing a clear understanding of the structure, morphology, design process, and construction technology, and examining both the application and constraints of timber gridshells in architectural design. Timber Gridshells is a highly illustrated, up-to-date resource which provides detailed answers and inspires new ideas. As such, it is essential reading for students of architecture as well as professional architects.

This innovative study of memorial architecture investigates how design can translate memories of human loss into tangible structures, creating spaces for remembering. Using approaches from history, psychology, anthropology and sociology, Sabina Tanovic explores purposes behind creating contemporary memorials in a given location, their translation into architectural concepts, their materialisation in the face of social and political challenges, and their influence on the transmission of memory. Covering the period from the First World War to the present, she looks at memorials such as the Holocaust museums in Mechelen and Drancy, as well as memorials for the victims of terrorist attacks, to unravel the private and public role of memorial architecture and the possibilities of architecture as a form of agency in remembering and dealing with a difficult past. The result is a distinctive contribution to the literature on history and memory, and on architecture as a link to the past.

The peak of architectural ironwork in the 19th Century saw the spread of ornate decorative ironwork across the world. In recent years there has been a significant increase in conservation and restoration projects aiming to protect the artistry of traditional ironwork for future generations. Conservation of Architectural Ironwork is the first book to provide a complete guide to the conservation and maintenance of traditional architectural ironwork. First introducing the contextual history and key material features of architectural ironwork, the book goes on to guide readers through the management and delivery of conservation projects from start to finish, explaining the very latest in conservation technology. At its peak, architectural ironwork was used on a vast global scale in buildings, bridges, street furniture and ornamental structures. With international case studies and detailed illustrations, this book will be an essential reference for heritage professionals and students of architectural conservation around the world.

At a time when organized heritage protection in Asia is developing at a rapid pace, Architectural Conservation in Asia provides the first comprehensive overview of architectural conservation practice from Afghanistan to the Philippines. The country-by-country analysis adopted by the book draws out local insights, experiences, best practice and solutions for effective cultural heritage management that will inform study and practice both in Asia and beyond. Whereas architectural conservation in much of the Western world has been extensively documented, this book brings together coverage of many regions where architectural conservation has been understudied. Following on from the highly influential companion volumes on global architectural conservation and architectural conservation in Europe and the Americas, with this book the authors extend their pioneering global examination to the dynamic and evolving field of architectural conservation in Asia. Throughout the book, the authors and regional experts provide local case studies and profile topics that bring depth and insight to this ambitious study. As architectural conservation becomes increasingly global in practice, this book will be of considerable assistance to architectural conservation practitioners, site managers and students of architecture, planning, archaeology and heritage studies worldwide.

This book chronicles and analyses the role of the perspective within the history and evolution of landscape architecture and design. The first part of the book examines perspectives produced at key stages of the profession's history, beginning with their origins in Renaissance art, and moving chronologically into present day practice. It charts how both linear and atmospheric perspective helped visualize imagined landscapes, first in paintings, later real spaces, and expanding from private gardens into designs for public spaces. Used both as a visualization tool preceding construction and as a persuasive tool for publicity and prestige afterwards, it has always played a role in influencing the understanding of landscape. Shown through key images, perspective visualization has resonated between artistic influences, media, and technology, yet its role has evolved differently than it has in architecture. In distinct contrast, landscape perspectives must convey positive experiences of being outdoors while communicating key design ideas, forms, and materials. The second part of the book is an instructional chapter, which outlines and describes the perspective's key characteristics and variables. Perspective types are explained in an easy to understand way. Step by step procedures for using grids, constructing spaces, and fine-tuning pictorial composition, encourage readers to construct perspectives themselves. The third part of the book is an inspirational chapter with many diverse examples from international landscape architecture offices and practitioners. This extensive gallery showcases the perspective's remarkable versatility as a stage for projects of all sizes, as well as its capacity for story telling and expression. The many eye-catching images illustrate the perspective's power in the digital age. With its focus on history, theory and practical aspects of the perspective and its specific role in landscape architecture, the book is an invaluable reference for researchers, students, and designers.

In light of environmental challenges architecture is facing, wood is no longer regarded as outmoded, nostalgic, and rooted in the past, but increasingly recognized as one of the most promising building materials for the future. Recent years have seen unprecedented innovation of new technologies for advancing wood architecture. Advancing Wood Architecture offers a comprehensive overview of the new architectural possibilities that are enabled by cutting-edge computational technologies in wood construction. It provides both an overarching architectural understanding and in-depth technological information through built projects and the works of four leading design research groups in Europe. The projects presented include large scale, permanent buildings such as the ETH Arch-Tec Lab Building in Zurich, the Landesgartenschau Exhibition Hall near Stuttgart and the Boiler House in Hooke Park, UK, as well as, built research prototypes investigating additive robotic fabrication, folded plate structures and meteorosensitive building skins. Illustrated in full colour, the book showcases the latest technological developments in design computation, simulation and digital fabrication together with an architectural, engineering and manufacturing perspective, offering an outlook towards novel spatial and constructional opportunities of a material with unrivalled ecological virtues.

This book examines the structural and construction design of buildings. The first part presents an overview of materials and structural forms taking the point of view of the designer, architect and engineer. The second part is an extensive examination of over 70 case studies. They have been carefully selected and tightly structured to present a summary of established modern methods of building construction. It contains copious ready-reference charts of design information, numerous photographs and meticulous axonometric drawings. The book is international in scope. Dual units are used throughout (SI and Imperial) and nearly half the case studies are taken from the USA. Cases are also drawn from Canada, Europe, Africa, Malaysia, Hong Kong as well as 25 from the UK.

Consensus Design offers a practical step by step guide to co-design; an increasingly important consideration for architects as they compete for work. The text moves from identifying the methodology of the process to developing a series of principles and practical steps which illustrate how consensus design can be established. For easy reference, flow charts show the process of achieving consensus design and include variations for different types of project and different groups of people. It gives clear timings so that agreements can be reached within a specific time frame, and also features a number of case studies to illustrate consensus design principles in practice. Case studies include projects in the UK, US, and Sweden. Consensus design isn't just a utopian ideal. It's the only meaningful way in which people can be involved in shaping where they live and work. It can have an influence on social stability, crime-reduction, personal health and building longevity, all of which in turn have monetary and environmental cost implications. Its consideration can also greatly help architects win work and commissions. Day argues that when places are designed by professionals for people, many things obvious to the residents are overlooked. When they are designed by lay people, the design can suffer from the lowest common denominator factor. When places are designed by both it tends to end up in conflict. However, Consensus Design shows that co-design is not doomed to either conflict or banality if it is managed correctly.

Constructing the Persuasive Portfolio helps you learn the art of designing a compelling and effective architectural portfolio. Margaret Fletcher categorizes the architectural portfolio design process into a step-by-step method that you can manage and understand. The full-color book includes 400 portfolio examples from 55 designers, along with more than 50 diagrams, and a set of 48 design actions that are marked throughout. You will learn how to: -Identify your readership -Collect, document, and catalog your work -Organize your portfolio -Visually structure your portfolio -Design your layout -Manage both printed and digital portfolio formats As your ultimate persuasive tool, your portfolio is the single most important design exercise of your academic and professional career. Constructing the Persuasive Portfolio shows you everything you need to know to create your portfolio and is the only portfolio design book you will ever need!

Stairs are a fundamental and universal feature of buildings. The late Alan Blanc had a lifetime's obsession with stairs and steps and provided a definitive reference source that bridges the aesthetic and practical aspects of staircase design. His wife Sylvia, who worked with him on the first edition, presents this updated, abridged version alongside a complimentary web site where the historical elements of the subjects are described and discussed in pictures and diagrams. The book is a practical guide to designing circulation spaces. It is extensively detailed with working drawings and photographs. Construction methods using a variety of materials are discussed as well as the influence of new technology on vertical circulation. The guidance on codes and regulations covers the UK and US. The latest high profile international case studies inspire and inform the reader.

The reality of the built environment for disabled people is one of social, physical and attitudinal barriers which prevent their ease of mobility, movement and access. In the United Kingdom, most homes cannot be accessed by wheelchair, while accessible transport is the exception rather than the rule. Pavements are littered with street furniture, while most public and commercial buildings provide few design features to permit disabled people ease of access. Inclusive Design is a documentation of the attitudes, values and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly Sweden, New Zealand, and the USA.

This book contains a unique collection of various perspectives on the relationship between structures and the forms and spaces of architecture. As such it provides students and professionals alike with an essential sourcebook that can be mined for visual inspiration as well as for textually rich and authoritative insight into the links between structure, architecture, and cultural context. The chapters address fundamental structural elements and systems: columns, walls, beams, trusses, frames, tensile structures, arches, domes and shells. Each chapter is subdivided into two parts: * The essays - introduce the chapters with the reprinting of a curated set of essays and excerpts by various authors that uniquely address how particular structural elements or systems relate in essential fashion to architectural design concepts. * The model studies - physical models of the overall structural systems of several notable contemporary buildings from Europe, North and South America, Africa and Asia are illustrated with large photographs, detail close-ups, and views of their external forms and internal spaces that establish the exceptional qualities of these projects in connecting structural form to architectural design objectives. Mosaic layouts complete the chapters with a collection of photographs of yet more models whose particular details and unique features serve to extend the visual repertoire of the structural type being considered. The combination, juxtaposition and mutual positive reinforcement of these two collections, one largely textual and the other image based, provides the reader with unique and multifaceted insights into how structural forms and systems can be related to architectural design intentions. Conveyed by a strong and deliberate graphical design format, this assembly of materials gets to the very essence of structures within the context of architecture, and will inspire students and practitioners alike to make strategic design decisions for their own projects.

Architecture and Agriculture: A Rural Design Guide presents architectural guidelines for buildings designed and constructed in rural landscapes by emphasizing their connections with function, culture, climate, and place. Following on from the author's first book Rural Design, the book discusses in detail the buildings that humans construct in support of agriculture. By examining case studies from around the world including Australia, China, Japan, Norway, Poland, Japan, Portugal, North America, Africa and the Southeast Asia it informs readers about the potentials, opportunities, and values of rural architecture, and how they have been developed to create sustainable landscapes and sustainable buildings for rapidly changing rural futures.

Adaptable Architecture provides thought-provoking and inquisitive insights into how we can prolong the useful life of buildings by designing them to be more adaptable, and hence create a more sustainable built environment. The book provides a theoretical foundation counterpointed by the experiences and ideas of those involved in the design and use of buildings. It explains many approaches to designing for change, with lessons from history, and case studies including The Cedar Rapids Public Library, Kentish Town Health Centre and Folkestone Performing Arts Centre, which stretch our thinking beyond the conventional notions of adaptability. The authors reveal the many conditions that make it a complex design phenomenon, by considering the purpose, design and business case of buildings as well as the physical product. Full of summaries, diagrams, reference charts, tables, and photos of exemplar solutions for use as conversational tools or working aids, this book is for any professional or student who wants to research, question, imagine, illustrate - and ultimately design for - adaptation. In addition, further information and resources are available through the Adaptable Futures website www.adaptablefutures.com which includes additional case studies, videos, information about industry events and up-to-the-minute developments.

Seismic isolation offers the highest degree of earthquake protection to buildings and their inhabitants. Modern applications of the technology are less than 50 years old and uptake in seismically active regions continues to soar. Seismic Isolation for Architects is a comprehensive introduction to the theory and practice in this field. Based on the latest research findings and the authors' extensive experience, coverage includes the application, effectiveness, benefits, and limitations of seismic isolation, as well as the architectural form, design aspects, retrofitting, economics, construction, and maintenance related to this method. The book is written for an international audience: the authors review codes and practices from a number of countries and draw on examples from eleven territories including the US, Chile, Argentina, Italy, Japan, and New Zealand. Aimed at readers without prior knowledge of structural engineering, the book provides an accessible, non-technical approach without using equations or calculations, instead using over 200 drawings, diagrams and images to support the text. This book is key reading for students on architecture and civil engineering courses looking for a clear introduction to seismic-resistant design, as well as architects and engineers working in seismically active regions.

There is an urgent need to build human capacity to make the often vulnerable and exposed buildings and communities we live and work in more resilient to the changing social, economic and physical environments around us. Extensive research has been done over the last decades on both mitigation and adaptation to climate change in the built environment, but the outputs of much of this research have failed to result in the wider uptake of effective greenhouse gas emission reduction solutions. This volume introduces credible 'fresh thinking' on how this may be done. For the first time an emerging generation of research is brought together that is directly concerned with understanding, influencing and leading the transformation of markets and thinking in the built environment. Chapters cover: defining values setting targets consumer motivation selling existing ideas better developing new design principles, paradigms and programmes optimizing solutions to ensure that when change does happen, it does so in the right direction. Papers are contributed by leading experts in fields ranging from philosophy, the social, political and physical sciences, engineering, architecture, mathematics and complexity science. The resulting volume will be essential reading for all those involved with changing the mindsets of a generation on the need to, and ways to, build resilience to rapid change and transforming markets in the built environment.

This second edition of Pragmatic Sustainability proposes a pragmatic, discursive and pluralistic approach to thinking about sustainability.. Rather than suggesting a single solution to the problem of how to live sustainably, this collection discusses broader approaches to social and environmental change. Eight continuing authors and seven new ones adjust their dispositions toward rapidly changing and still unsustainable conditions, forging agreements and disagreements on five overlapping themes: the Grounds for Sustainability; the critique of Technological Culture; the need to conceive of Sustainability in Place; in Cities; finally asking how should we reimagine the fraught relationship between Civil Society, Industry and Regulation? Editor Steven A. Moore asks how a set of ideas now more than a century old remains relevant. A partial answer can be found in reconstructing the very modern ideas confronted by those who came to call themselves Pragmatists at the beginning of the twentieth century-evolution, ecology and design. Moore argues that we have yet to develop dispositions in theory and practice that critically integrate these ideas into sustainable development. In sum, this new edition provides a fresh and hopeful look at the wicked problems deliberated by almost anyone engaged in adapting to the always changing conditions of the built world.

Architecture Design Notebook focuses on the process of design as pragmatic and non-theoretical. Dealing systematically with the core design curriculum, it clearly demonstrates the skills required for designing at undergraduate level. Providing students with fundamental maxims of design, and a framework within which they can approach their work, this book supports undergraduates as they learn to produce solutions to design challenges. This vital design companion underpins the cornerstone of an architectural undergraduates' studies - studio design projects. With over 100 sketches included, the book inspires student's design ideas. This updated edition includes new sections on green architecture, urban space typology, and the virtual building. A. Peter Fawcett is an architect and critic who combines teaching with sporadic practice; he is currently Professor Emeritus of Architecture at the University of Nottingham and visiting Professor at the University of Lincoln. In recent years his work has been placed in architectural competitions and has been hung at the Royal Academy and Royal Ulster Academy.

Passive House in Different Climates introduces the seven Passive House principles, to help you create super-insulated, airtight buildings that require minimal energy use to heat, cool, dehumidify, and ventilate, with superior indoor air quality and year-round comfort. Seventeen case studies in four climate zones---marine, cold and very cold, mixed-dry and hot-dry, and mixed-humid and hot-humid---and in ten countries, show you how to achieve net-zero energy regardless of where you're building or what type of building is required. Includes more than 150 color illustrations.

Passive House in Different Climates introduces the seven Passive House principles, to help you create super-insulated, airtight buildings that require minimal energy use to heat, cool, dehumidify, and ventilate, with superior indoor air quality and year-round comfort. Seventeen case studies in four climate zones---marine, cold and very cold, mixed-dry and hot-dry, and mixed-humid and hot-humid---and in ten countries, show you how to achieve net-zero energy regardless of where you're building or what type of building is required. Includes more than 150 color illustrations.

Material Imagination in Architecture draws on history and the visual arts, and contemporary architecture to explore this popular theme in architectural practice and education. In the context of a discipline increasingly driven by digital production, this text explores architecture and making and the diverse influences on the material reality of architectural form: it argues that the crafts, fabrication and assemblage of its making remain vital elements of contemporary architectural language. This broad-ranging text bridges the gap between a technical or otherwise fragmentary knowledge of materials of the specialist, and the tacit or instinctive understanding of materials that the artist, sculptor or architect may have. It identifies key material themes pertinent to contemporary architectural debate and develops a discourse about future practice that is framed by environmental imperatives and grounded in a historical understanding of the meaning and use of materials. Material iconology in architecture is a well-established tradition and this book draws on that background to investigate the possibilities, and limits, of using materials in contemporary design to communicate the themes and contexts of an architectural project, a material's relationship to context, and to the history of practices that belong to the traditions of making buildings. Each theme is explored in case studies from twelve countries around the world, including the UK, USA, Spain, Italy, Germany, Australia and China.

In Play in Creative Problem-solving for Planners and Architects, "play" is defined, explored and demonstrated as a critical catalyst in creative problem-solving processes. The book defines the current psychological research into play and creative problem-solving, explores the necessary integration of the two, and exemplifies for students and practitioners the use of play in creative endeavors; and the role that play serves in separating linear from creative problem-solving approaches. Play is explored regarding its elements (tools, skills, environment), characteristics (a free activity without failure) and attitude as it relates to and activates the creative process with the focus on urban design, planning, architecture, and landscape architecture. The book re-establishes the whole mind-body thinking process of play as a means of object-learning; to provide designers and planners with alternative ways of design-thinking; and to challenge the over-utilization of digital technologies in creative processes. Creative problem-solving requires an appreciation for ambiguity, uncertainty of outcome, complexity that leads to the discovery of novelty and innovation. The book incorporates examples and exercises in play activities related to the design and planning fields, and exercises related to play-tools and skills for students and professionals. It also defines terms used in play and creativity psychology; provides examples and structure for play and creative problem-solving activities; describes the type and use of appropriate play-tools; contains an extensive bibliography on play and creative problem-solving texts; and provides significant illustrations making it fundamental reading for students and professionals in urban design and planning fields.

On 17 October 1989 one the largest earthquakes to occur in California since the San Francisco earthquake of April 1906 struck Northern California. Damage was extensive, none more so than the partial collapse of the San Francisco-Oakland Bay Bridge's eastern span, a vital link used by hundreds of thousands of Californians every day. The bridge was closed for a month for repairs and then reopened to traffic. But what ensued over the next 25 years is the extraordinary story that Karen Trapenberg Frick tells here. It is a cautionary tale to which any governing authority embarking on a megaproject should pay heed. She describes the process by which the bridge was eventually replaced as an exercise in shadowboxing which pitted the combined talents and shortcomings, partnerships and jealousies, ingenuity and obtuseness, generosity and parsimony of the State's and the region's leading elected officials, engineers, architects and other members of the governing elites against a collectively imagined future catastrophe of unknown proportions. In so doing she highlights three key questions: If safety was the reason to replace the bridge, why did it take almost 25 years to do so? How did an original estimate of $250 million in 1995 soar to $6.5 billion by 2014? And why was such a complex design chosen? Her final chapter - part epilogue, part reflection - provides recommendations to improve megaproject delivery and design.