Digital Architecture employs computer modelling, programing, simulation, and imaging to create both virtual forms and physical structures, and it is becoming increasingly popular in today's architecture landscape the world over. This book presents the fast-shaping and actively progressing digital architecture scene in China as it discusses the current status and trends in its development, design, and construction, in the different dimensions of digital architecture. It includes four parts: Theoretical Explorations; Building Practice; Research Projects; and a chronology of digital architecture in China. The first part summarises the understanding and positioning of digital architecture in China from the perspectives of construction, design techniques, and design concepts. The second and third parts provide readers with a wealth of information and resource through many analytical diagrams, technical drawings, and construction and completion images. This book is not only an academic review, but also a lively account of digital architecture in China. This read will feel like a visit to a vivid Chinese digital architecture exhibition, and will be a welcome addition to any architecture reference collection.

Bringing together texts and work by theorists and practitioners who are making material central to their work, this book reflects the diverse areas of inquiry which are expanding current material discourse. Focusing on the cultural, political, economic, technological and intellectual forces which shape material practices in architecture, the contributors draw on disciplines ranging from philosophy, history and pedagogy to art practice and digital and low-tech fabrication. By paying critical attention to material, a wide range of issues emerge which are otherwise excluded from architectural discourse, issues that shape and determine the buildings we make, the processes we use and the ways we understand them. Beautifully illustrated and designed, this book is a unique collection which will be of great interest to architectural practitioners and theorists who want to consider the wider implications of material practice, and to students who are developing their own approach to making buildings.

Greenfield sites around towns and cities, and redevelopment infill sites in existing urban areas often become battlegrounds between the conflicting interests of developers and communities. In America, design charrettes (intensive design and planning workshops) have become widely used as a means of bringing together these divergent groups, using detailed design exercises to establish agreement around a development masterplan. Despite the increasing frequency of their use, charrettes are widely misunderstood and can be misapplied. This book provides a detailed guidance on the proper and most effective ways to use this helpful tool. The book combines charrette masterplanning with the creation of "design-based" codes (also known as "form-based" codes) to control the development's implementation in line with the design and planning principles established during the charrette process.

Bringing together texts and work by theorists and practitioners who are making material central to their work, this book reflects the diverse areas of inquiry which are expanding current material discourse. Focusing on the cultural, political, economic, technological and intellectual forces which shape material practices in architecture, the contributors draw on disciplines ranging from philosophy, history and pedagogy to art practice and digital and low-tech fabrication. By paying critical attention to material, a wide range of issues emerge which are otherwise excluded from architectural discourse, issues that shape and determine the buildings we make, the processes we use and the ways we understand them. Beautifully illustrated and designed, this book is a unique collection which will be of great interest to architectural practitioners and theorists who want to consider the wider implications of material practice, and to students who are developing their own approach to making buildings.

Sustainability at the Cutting Edge is an essential guide to understanding the future direction of sustainable technology. This fully updated new edition deals not only with current best practice and state of the art case studies, but with the very latest emerging technologies which will transform the relationship between buildings and energy.
Professor Smith describes how buildings can be made to significantly reduce their reliance on fossil-based energy by the use of solar and geothermal resources. He also describes a range of renewable energy generating technologies. As sustainable building becomes increasingly essential with the advance of climate change, government legislation and international treaties, this is valuable knowledge for every architect, engineer and designer.
This immensely practical book is packed with useful diagrams, charts and colour photographs to illustrate a variety of the most recent case studies, including the education building, the Core, at the Eden Project in Cornwall. As well as exploring cutting edge developments in photovoltaics (PV) this revised edition also includes the latest data from the 2006 Carbon Trust report on wave and tide, and new material on the latest advances in bioenergy and marine technologies.
Buildings are currently a major part of the carbon emissions problem. This book indicates how they may become part of the solution.
* Introduces the very latest in practical sustainability techniques
* First point of reference for all architects and engineers who want their designs to be both responsive and cutting edge
* Useful diagrams, graphs and photographs illustrate the diverse technologies being developed to createoptimum eco-efficiency in our built environment

This volume studies the architecture and urbanism of modern-era Italian colonialism (1869-1943) as it sought to build colonies in North and East Africa and the eastern Mediterranean. Mia Fuller follows, not only the design of the physical architecture, but also the development of colonial design theory, based on the assumptions made about the colonized, and also the application of modernist theory to both Italian architecture and that of its colonies.

Moderns Abroad is the first book to present an overview of Italian colonial architecture and city planning. In chronicling Italian architects' attempts to define a distinctly Italian colonial architecture that would set Italy apart from Britain and France, it provides a uniquely comparative study of Italian colonialism and architecture that will be of interest to specialists in modern architecture, colonial studies, and Italian studies alike.

The Association's 2004 conference focused mainly on the architecture and archaeology of the medieval diocese of Llandaff, comprising much of the historic counties of Glamorgan and Monmouthshire. Contributors consider Roman and early medieval south-east Wales, including surviving Christian monuments and the early history of Cardiff. There is a detailed analysis of the c. 1200 wall-paintings at the priory church of Ewenny, where ambitious decorative work replaced a hitherto unknown Romanesque scheme. The early Gothic architecture of Llandaff Cathedral is shown to be related to some of the great contemporary ecclesiastical works in England and elsewhere, such as Glastonbury Abbey, and the unusual form of the cloister arcade at Tintern Abbey is analysed. Other papers cover the late Gothic architecture in south Wales, two 14th-century tomb monuments at Abergavenny, and a study of the magnificent carpentry of a number of late medieval rood-screens that survive in parish churches. The volume concludes with an account of the evidence for post-medieval work in churches in the diocese.

Winner of Choice Magazine - Outstanding Academic Titles for 2007 Buildings account for over one third of global energy use and associated greenhouse gas emissions worldwide. Reducing energy use by buildings is therefore an essential part of any strategy to reduce greenhouse gas emissions, and thereby lessen the likelihood of potentially catastrophic climate change. Bringing together a wealth of hard-to-obtain information on energy use and energy efficiency in buildings at a level which can be easily digested and applied, Danny Harvey offers a comprehensive, objective and critical sourcebook on low-energy buildings. Topics covered include: thermal envelopes, heating, cooling, heat pumps, HVAC systems, hot water, lighting, solar energy, appliances and office equipment, embodied energy, buildings as systems and community-integrated energy systems (cogeneration, district heating, and district cooling). The book includes exemplary buildings and techniques from North America, Europe and Asia, and combines a broad, holistic perspective with technical detail in an accessible and insightful manner.

'A must-read for practitioners, teachers and others interested in or working with energy use in the built environment, including a delightful set of examples' Ann Grete Hestnes, former President of the International Solar Energy Society Solar Architecture in Cool Climates is an invaluable primer on low energy building design, combining accessible information with convincing arguments enabling new techniques to be implemented in daily practice. Approaching the topic in a thematic manner, the book provides inspiration, an understanding of key principles and technical data on the design of solar buildings in higher latitudes. The text is enlivened through direct experience of case studies from Europe and North America dealing with new-build, retrofitting and conceptual projects that outline future potential (the principles being equally applicable to equivalent southern latitude locations. The authors examine the dilution of additional costs through different strategies, the tensions between energy efficiency and environmental quality, and the proactive control of energy in building design. Promoting flexibility and opportunity to a diverse audience, including those who use, procure and finance buildings, the book aims to bring the design of 'green' solar buildings in cool climates from special interest status into the mainstream. Broader environmental issues relating to solar architecture are addressed in the final chapter, again drawing on case studies from the authors' own wide experience. Solar Architecture in Cool Climates is written for architects and other building designers, students of architecture and other professionals interested in sustainable architecture, renewable energy and engineering.

This book on urban design extends and develops the widely accepted 'compact city' solution. It provides a design proposal for a new kind of sustainable urban landscape: Urban Agriculture. By growing food within an urban rather than exclusively rural environment, urban agriculture would reduce the need for industrialized production, packaging and transportation of foodstuffs to the city dwelling consumers. The revolutionary and innovative concepts put forth in this book have potential to shape the future of our cities quality of life within them.
Urban design is shown in practice through international case studies and the arguments presented are supported by quantified economic, environmental and social justifications.
* Is THE first book on urban agriculture for architects, landscape architects and urban designers
* Presents concepts with the potential to have an immense impact on the future shape of cities
* Includes over 200 images providing readers a clear visual idea of this pioneering subject

This book focuses on the ten essentials of facilities planning and design. It covers topics such as strategic planning, space standards, architectural programming, site selection, master planning, environmental planning, capital planning, workplace planning and design, and space management. Examples will be drawn from the planning and design of airports and universities which are large organisations with extensive campuses and are asset heavy in terms of buildings.By learning about the planning and design processes as it relates to facilities, students and facility professionals will be able to align facilities planning and design with the organisation's strategic priorities, manage design consultants by understanding the planning and design process, manage the planning and design of spaces at different scales, and manage the use of existing space effectively.The book is designed such that its chapters may be read either sequentially or as individual standalone references or resources for specific aspects of facility planning, management and design.

Today, architects and designers are beginning to look toward developments in new "smart" or "intelligent" materials and technologies for solutions to long-standing problems in building design. However, these new materials have so far been applied in a diverse but largely idiosyncratic nature, because relatively few architects have access to information about the types or properties of these new materials or technologies. Two of the leading experts in this field - Addington and Schodek - have solved this problem by incorporating all the relevant information of all the latest technologies available to architects and designers in this one volume. They present materials by describing their fundamental characteristics, and go on to identify and suggest how these same characteristics can be exploited by professionals to achieve their design goals. Here, the wealth of technical understanding already available in the materials science and engineering literature is at last made accessible to a design audience.

Conditional design is the sequel to Operative Design. This book will further explore the operative in a more detailed, intentional, and perhaps functional manner. Spatially, the conditional is the result of the operative. It is not a blind result however. Both terms work together to satisfy a formal manipulation through a set of opportunities for elements such as connections and
apertures.

The demand is now urgent for architects to respond to the design and planning challenges of rebuilding cities and landscapes being destroyed by civil conflict, (un)natural disasters, political instability, and poverty. The number of people fleeing their homes and being displaced by such conflict now totals almost 100 million. Despite the massive human and physical costs of these crises, the number of architects, planners, and landscape architects equipped to work with disaster and development professionals in rebuilding in the aftermath of conflict, floods, fires, earthquakes, typhoons, and tsunamis remains chronically low. Design for Fragility expands the nascent, but rapidly growing field of humanitarian architecture by exploring 13 design responses to such conflict and displacement across 11 countries, including Australia, Bangladesh, Fiji, India, Iran, Pakistan, and the USA. Linked to this displacement is the systemic poverty that often lingers from previous colonial territories and eras, in which many of the featured projects in the book are located. This book follows Charlesworth's Humanitarian Architecture: 15 Stories of Architects Working After Disasters (Routledge 2014), which analysed the role for architects in exercising 'spatial agency' while designing shelter and settlement projects for communities after conflict and disaster. Since that time, the humanitarian architecture movement has expanded globally with the prominence of design agencies including the MASS Design Group and Architecture Sans Frontieres (ASF) International. Design for Fragility analyses this role of spatial agency in architecture by addressing diverse conditions of fragility across 13 built projects - from refugee housing in Uganda and an orphanage for teenage girls in Iran to a residential centre in Northern Australia for people with acquired brain injury. Each of the projects profiled in this book explore: The experiences and perceptions of fragility - or precarity - that provided a design challenge and directed the particular spatial response. The specific typology of the project, whether that be a housing, health, children's, or a First Nations project. The personal values that influenced the architects to work on humanitarian/community projects and how consultation occurred with diverse and often contested project stakeholders. The experiences of the design team as well as project managers, occupants, and donors of the built project, exploring what they deemed successful about the project, and what, if any, were its limitations. Beautifully designed with over 150 illustrations, this practical and inspiring book is for architects, landscape architects, design educators, humanitarian and development aid agencies that are involved, or seeking to be part, of future disaster mitigation and reconstruction strategies and projects, globally.

"I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book...there is no better on the extraordinary Beaux Arts of New York." -Lemeau, Decorator's Insider "This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world's most luscious buildings were designed for some of the most unpleasant people in American history." - Timothy Brittain-Catlin, World of Interiors "New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions... An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy."- The Critic The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the centre of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand chateaux and palazzos along Fifth Avenue-collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts. This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at 20 of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age-often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognisable and accessible to all, others are obscure buildings that history has forgotten. Set amid the magnificent achievements of an American Renaissance, this book recounts not only the fascinating stories of some of New York's most famous and significant Beaux-Arts landmarks, it also recalls the lives of those who commissioned, designed, and built them. These are some of the most acclaimed architects, artists, and artisans of the day-Daniel Chester French, Cass Gilbert, Charles McKim, Augustus Saint-Gaudens, Louis Comfort Tiffany, and Stanford White-and some of the most prominent millionaires in American history-Henry Clay Frick, Jay Gould, Otto Kahn, J.P. Morgan, John D. Rockefeller, and the ubiquitous Astor and Vanderbilt families. Names that-as Julian Fellowes (the acclaimed director of Downton Abbey) notes in the Foreword-"still reek of money." Excerpt from the Introduction

Illustrating actual building design solutions that have been created to improve accessibility for disabled patrons and performers, the 'Journey Sequence' outlines the best examples of design innovation produced in response to new and upcoming legislation.

A knowledge of how to design for the disabled can be crucial in winning contracts and having designs accepted. This book shows how the practical implications have already been successfully approached.
Covering the whole sequence from parking, to entry, and including details of facilities for the visually and hearing impaired users, advice is given on the methods designers should use in assessing the requirements of disabled people. This is not a publication giving theoretical prescription but rather an illustrated record of achievements in buildings of all sizes where proper access to the disabled has been created. It includes 14 case studies and examples that illustrate the diverse ways that accessibility has been incorporated into arts buildings throughout the UK. This includes Cinemas, Theatres, Concert Halls, Opera Houses, Museums and Libraries. The author team highlights specific design details that are particularly unique, to stimulate the reader and show that creating better accessibility for the disabled both demands and creates innovative design.
* Be informed about the latest design solutions for disabled access
* Case studies show best practice to inspire your designs
* Gain an insight into unique solutions used by designers to make their venues inclusive

Architecture Design Notebook focuses on the process of design as pragmatic and non-theoretical. Dealing systematically with the core design curriculum, it clearly demonstrates the skills required for designing at undergraduate level.
Providing students with fundamental maxims of design, and a framework within which they can approach their work, this book supports undergraduates as they learn to produce solutions to design challenges.
This vital design companion underpins the cornerstone of an architectural undergraduates' studies - studio design projects. With over 100 sketches included, the book inspires student's design ideas.
This updated edition includes new sections on green architecture, urban space typology, and the virtual building.
A. Peter Fawcett is an architect and critic who combines teaching with sporadic practice; he is currently Professor Emeritus of Architecture at the University of Nottingham and visiting Professor at the University of Lincoln. In recent years his work has been placed in architectural competitions and has been hung at the Royal Academy and Royal Ulster Academy.
* Covers information from the core design curriculum in one comprehensive guide.
* Over 100 sketches provide ideal inspiration for studio design projects.
* Designed for student-centered learning, the new edition includes "green" design and an introduction to urban design techniques.

The purpose of the project is to provide the most up-to-date survey on issues dealing with practical geometry and how it might have been applied in the design of medieval architecture. Chronologically, the topics cover a wide span - from early Medieval through Late Gothic. Geographically, the monuments under discussion range from Early Medieval Florence through Carolingian Germany, Crusader Cyprus, Romanesque France and Gothic England. The applications of both geometry and metrology are considered in this volume, often with illustrations generated by computer-assisted design (CAD) software. The project therefore offers recent scholarship in the field, as well as cutting-edge technology which helps propel the pursuit of such studies. To this end, the project is the first of its kind both in terms of its focus and its comprehensiveness. Such a project is sorely needed to introduce this highly specialized discipline to other historians of art, history, and science of the Middle Ages, as well as historians in most humanistic areas.

In hot dry or warm humid climates, more than half of the urban peak load of energy consumption is used to satisfy air-conditioning demands alone. Since the urbanization rate in developing countries is extreme, the pressure placed on energy resources to satisfy the future requirements of the built environment will be great, unless new, more cost-effective measures can be introduced. Stay Cool is an essential guide for planning and design using active design principles and passive means to satisfy human comfort requirements specifically in these climate zones, based on examples of traditional and modern constructions. The book demonstrates how a design strategy for urban environments and individual buildings, incorporating naturally occurring resources and specific energy-efficient technologies, can create a location, form and structure that promote significant energy-savings. Such strategies can be applied to low cost housing, or indeed to any other buildings, in order to improve comfort with passive means and low energy budgets. Following an outline of climatic issues, characteristics and thermal comfort requirements, the book details the available techniques and technologies that can be used to shape both built and external environments, the building envelope, material selections and natural ventilation and cooling methods to satisfy both human requirements and the need for energy efficiency. It also includes an active design checklist and summary of available design checking tools, a rehabilitation guide for existing urban, building and external environments, and solar charts. Planners, architects, engineers, technicians and building designers will find Stay Cool an inspirational guide and an essential reference when working with planning and design of the built environment in hot dry and warm humid climate zones. It will also be of benefit to students, academics and researchers with an interest in sustainable and energy-efficient architecture techniques and practice.

Still Standing is a celebration of the vanishing vernacular architecture of Dominica. These small wooden homes, ingeniously crafted and carefully adapted to their environment, have survived hurricanes and earthquakes; in contrast to many modern concrete buildings, they are ‘still standing’. Even so, they are under threat from the forces of ‘development’. The stories and images in this book provide powerful evidence for vernacular conservation that will inspire new respect for the island’s history and culture.

George Bankart first wrote The Art of the Plasterer in 1908. It was then re-issued, with amendments, a few years later. Now available from Donhead as a facsimile edition, this impressive, well illustrated volume offers an artistic interpretation of the way plaster was used in response to stylistic changes. Bankart was an architect inspired by the Arts & Crafts movement who cared passionately about the craft of plastering and sought to complement Millar's earlier craftsman's book by producing a volume which traced the history and art of plastering throughout the United Kingdom. It explores in detail how plaster materials and methods were developed and used, giving a fascinating insight into some of the unusual substances added to plaster. For instance, he tells us that ancient stuccos sometimes contained fig juice, curdled milk, blood or beer to make them harder. The book also contains an account of wattle and dab as well as parge-work, using practical illustrated examples to give an excellent description and record of the subject. With over 400 illustrations, comprising black and white photographs and drawings of ceilings and the profiles of mouldings, this volume will be of value to craftsmen engaged in plasterwork, conservation professionals and all architects and architectural historians with an interest in this field.

This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guerin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guerin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guerin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.

The reality of the built environment for disabled people is one of social, physical and attitudinal barriers which prevent their ease of mobility, movement and access. In the United Kingdom, most homes cannot be accessed by wheelchair, while accessible transport is the exception rather than the rule. Pavements are littered with street furniture, while most public and commercial buildings provide few design features to permit disabled people ease of access.
Inclusive Design is a documentation of the attitudes, values and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly Sweden, New Zealand, and the USA.

eBook available with sample pages: 0203362500

This innovative study of memorial architecture investigates how design can translate memories of human loss into tangible structures, creating spaces for remembering. Using approaches from history, psychology, anthropology and sociology, Sabina Tanovic explores purposes behind creating contemporary memorials in a given location, their translation into architectural concepts, their materialisation in the face of social and political challenges, and their influence on the transmission of memory. Covering the period from the First World War to the present, she looks at memorials such as the Holocaust museums in Mechelen and Drancy, as well as memorials for the victims of terrorist attacks, to unravel the private and public role of memorial architecture and the possibilities of architecture as a form of agency in remembering and dealing with a difficult past. The result is a distinctive contribution to the literature on history and memory, and on architecture as a link to the past.