We take it for granted that the streets outside out homes are designed for movement from A to B, nothing more. But what happens if we radically rethink how we use these public spaces? Could we change our lives for the better? Our dependence on cars is damaging our health - and the planet's. The Dutch seem to have the right idea, with thousands of bike highways, but even then, what happens to pedestrians or people who want to cycle at a more leisurely pace? What about children playing outside their homes? Or wildlife, which enriches our local areas? Why do we prioritise traffic above all else? Making our communities safer, cleaner, and greener starts with asking the fundamental questions: who do our streets belong to, what do we use them for, and who gets to decide? Join journalist Thalia Verkade and urban mobility expert Marco te Broemmelstroet as they confront their own underlying beliefs and challenge us to rethink our way of life to put people at the centre of urban design. But be warned: you will never look at the street outside your front door in the same way again.

George Bankart first wrote The Art of the Plasterer in 1908. It was then re-issued, with amendments, a few years later. Now available from Donhead as a facsimile edition, this impressive, well illustrated volume offers an artistic interpretation of the way plaster was used in response to stylistic changes. Bankart was an architect inspired by the Arts & Crafts movement who cared passionately about the craft of plastering and sought to complement Millar's earlier craftsman's book by producing a volume which traced the history and art of plastering throughout the United Kingdom. It explores in detail how plaster materials and methods were developed and used, giving a fascinating insight into some of the unusual substances added to plaster. For instance, he tells us that ancient stuccos sometimes contained fig juice, curdled milk, blood or beer to make them harder. The book also contains an account of wattle and dab as well as parge-work, using practical illustrated examples to give an excellent description and record of the subject. With over 400 illustrations, comprising black and white photographs and drawings of ceilings and the profiles of mouldings, this volume will be of value to craftsmen engaged in plasterwork, conservation professionals and all architects and architectural historians with an interest in this field.

"I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book...there is no better on the extraordinary Beaux Arts of New York." -Lemeau, Decorator's Insider "This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world's most luscious buildings were designed for some of the most unpleasant people in American history." - Timothy Brittain-Catlin, World of Interiors "New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions... An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy."- The Critic The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the centre of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand chateaux and palazzos along Fifth Avenue-collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts. This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at 20 of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age-often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognisable and accessible to all, others are obscure buildings that history has forgotten. Set amid the magnificent achievements of an American Renaissance, this book recounts not only the fascinating stories of some of New York's most famous and significant Beaux-Arts landmarks, it also recalls the lives of those who commissioned, designed, and built them. These are some of the most acclaimed architects, artists, and artisans of the day-Daniel Chester French, Cass Gilbert, Charles McKim, Augustus Saint-Gaudens, Louis Comfort Tiffany, and Stanford White-and some of the most prominent millionaires in American history-Henry Clay Frick, Jay Gould, Otto Kahn, J.P. Morgan, John D. Rockefeller, and the ubiquitous Astor and Vanderbilt families. Names that-as Julian Fellowes (the acclaimed director of Downton Abbey) notes in the Foreword-"still reek of money." Excerpt from the Introduction

The reality of the built environment for disabled people is one of social, physical and attitudinal barriers which prevent their ease of mobility, movement and access. In the United Kingdom, most homes cannot be accessed by wheelchair, while accessible transport is the exception rather than the rule. Pavements are littered with street furniture, while most public and commercial buildings provide few design features to permit disabled people ease of access.
Inclusive Design is a documentation of the attitudes, values and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly Sweden, New Zealand, and the USA.

eBook available with sample pages: 0203362500

• Introduces LEED and green building principles for anyone in a built environment discipline • No expectation of prior knowledge, suitable for high school students to seasoned industry professionals • 100 question practice exams provided as online resources

A celebration of a unique culture and its experience of design, Responding to Chaos offers a timely examination of Japanese design at the start of a new century. The country's economic boom of the 1980s produced a surge of interest in land and building, and consequently in design in all its forms. From restaurant interiors to products, from private housing to recreational spaces, design received an unprecedented degree of attention. However the bursting in the early 1990s of this so-called 'bubble' economy has prompted a re-examination of design and its role in urban society.

The supposed rationality of the urban planning of the Modern Movement encompassed a variety of attitudes towards history, technology and culture, from the vision of Berlin as an American metropolis, through the dispute between the urbanists and disurbanists in the Soviet Union to the technocratic and austere vision of Le Corbusier. After the Second World War, architects attempted to reconcile these utopian visions to the practical problems of constructing - or reconstructing - urban environments, from Piero Bottoni at the Quartiere Trienale 8 in Milan in 1951 to Lucio Costa at Bras'lia in 1957. In the 1970s, the collapse of Modernism brought about universial condemnation of Modern urbanism; urban planning,and rationality itself, were thrown into doubt. However, such a wholesale condemnation hides the complex realities underlying these Modern cities. The contributors define some of the theoretical foundations of Modern urban planning, and reassess the successes and the failures of the built results. The book ends with contrasting views of the inheritance of Modern urbanism in the United States and the Netherlands.

The frescoes of Peruzzi, Raphael and Sodoma still dazzle visitors to the Villa Farnesina, but they survive in a stripped-down environment bereft of its landscape, sealed so it cannot breathe. Turner takes you outside that box, restoring these canonical images to their original context, when each element joined in a productive conversation. He is the first to reconstruct the architect-painter Peruzzi's original, well-proportioned, well-appointed building and to re-visualize his lost facade decoration-erotic scenes and mythological figures who make it come alive and soar upward. More comprehensively than any previous scholar, he reintegrates painting, sculpture, architecture, garden design, topographical prints and drawings, archaeological discoveries and literature from the brilliant circle around the patron Agostino Chigi, the powerful banker who 'loved all virtuosi' and commissioned his villa-palazzo from the best talents in multiple arts. It can now be understood as a Palace of Venus, celebrating aesthetic, social and erotic pleasure.

A collection of papers presented to the 1992 international British Archaeological Association conference in Chester. Presented in chronological order, the fourteen essays comprise Martin Henig's analysis of carved stonework from Roman Deva; Alan Thacker's study of the formation of the town and its parishes during the early medieval period; Simon Ward, Virginia Jansen, John Maddison and Christa Grossinger examine the architecture, fittings and restoration of the Cathedral and churches; Elizabeth Danbury, J Patrick Greene and Nigel Ramsay assess the life and dissolution of religious foundations; Roland B Harris looks at the origins of the famous Chester Rows and Sharon Cather, David Park and Robyn Pender discuss the recently rediscovered Henry III wall paintings at Chester Castle. A broad and illustrated guide to many aspects of Chester's long history.

This innovative study of memorial architecture investigates how design can translate memories of human loss into tangible structures, creating spaces for remembering. Using approaches from history, psychology, anthropology and sociology, Sabina Tanovic explores purposes behind creating contemporary memorials in a given location, their translation into architectural concepts, their materialisation in the face of social and political challenges, and their influence on the transmission of memory. Covering the period from the First World War to the present, she looks at memorials such as the Holocaust museums in Mechelen and Drancy, as well as memorials for the victims of terrorist attacks, to unravel the private and public role of memorial architecture and the possibilities of architecture as a form of agency in remembering and dealing with a difficult past. The result is a distinctive contribution to the literature on history and memory, and on architecture as a link to the past.

This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guerin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guerin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guerin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.

In this ground-breaking study Vastu Vidya, the traditional Indian science of architecture and house-building, is explored in terms of its secular uses, at the levels of both theory and contemporary practice.

Those involved in professional development and higher education face a challenge to move beyond considerations of knowledge and competence to helping people develop as capable practitioners equal to the challenges of fluid environments and unpredictable change, taking responsibility for their careers and their learning, and able to exercise the kind of practical judgement and systemic wisdom needed for a sustainable future.This is an edited compilation of papers about the processes of developing capable professionals and practitioners in all fields in higher education. This book reviews the current developments in education for educators and managers and highlights the importance of enabling society to develop the capability of self managed learning. This book will assist higher education professionals in promoting individual responsibility for learning and demonstrating innovative teaching and learning strategies.

This book sets out the essential activities and inter-relationships involving the client organization and multi-disciplinary design team as they progress through each phase of the job. It guides the client through the preliminary steps needed to start up work; seeking out
and appraising a site, studying the feasibility of all ideas and proposals, and showing how to work with all architects and specialist consultants. The tasks to be performed by both architect and client, as well as consultants, are clearly set out, together with appropriate methods of working together until the building design drawings are completed.

The book is arranged so that the information relevant to each stage of work can be checked as the project develops. Detailed sequential activity tables and checklists are included for this purpose.
This key publication fulfils a vital need for clients who will be enabled to progress the building project more efficiently with the guidance provided.
Frank Salisbury is a practising architect and lecturer in architecture for the University of Wales Associate College at Wrexham. He designed many important public buildings during his career with Cheshire County Council's Department of Architecture and as Assistant County Architect, led architectural and multidisciplinary teams in the realization of a great many high quality building projects.
*A desktop reference book assisting both client and architect.
*Enables client and architect to progress the building project more efficiently.
*Includes detailed sequential activity tables and checklists.

Modernity is founded on the belief that the world we build is a human invention, not a part of nature. The ecological consequences of this idea have been catastrophic. We have laid waste to natural ecosystems, replacing them with fundamentally unsustainable human designs. With time running out to address the environmental crises we have caused, our best path forward is to turn to nature for guidance. In this book, Henry Dicks explores the philosophical significance of a revolutionary approach to sustainable innovation: biomimicry. The term describes the application and adaptation of strategies found in nature to the development of artificial products and systems, such as passive cooling techniques modeled on termite mounds or solar cells modeled on leaves. Dicks argues that biomimicry, typically seen as just a design strategy, can also serve as the basis for a new environmental philosophy that radically alters how we understand and relate to the natural world. By showing how we can imitate, emulate, and learn from nature, biomimicry points us toward a genuinely sustainable way of inhabiting the earth. Rooted in philosophy, The Biomimicry Revolution has profound implications spanning the natural sciences, design, architecture, sustainability studies, science and technology studies, and the environmental humanities. It presents a sweeping reconception of what philosophy can be and offers a powerful new vision of terrestrial existence.

There is a layer of the public architecture that has become so familiar that we barely notice it. Street furniture has the capacity to define a city, to locate it and to anchor us within it. Benches, bollards, streetlights, signs, barriers, post boxes, phone booths - they are the physical manifestation of public infrastructure, a network of goods between architecture and the body. In this book, Edwin Heathcote, architecture and design critic of the Financial Times, looks at the cultural impact of street furniture using photography as a measure of how these things have become indispensable components of the cityscape. Based mainly in and on London - but including New York, Paris and Budapest - Heathcote uses history, personal reflection and the lenses of photographers to examine the status of these urban artefacts in both the contemporary imagination and the city streets themselves. It looks at the changing landscape of the cityscape and the way in which street furniture has been adapted to address new technologies, the culture of surveillance and shifts in taste, orthodoxy and material culture. On the Street looks at the language of street furniture reflected through the glaze of photography and contemporary culture. It is a book about the elements of the streetscape which can exert an increasing impact on our interaction with the cities we inhabit.

Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.

This book for architects, interior designers, building managers, students, conference organisers looks at first principles to provide the user with the 'tools' to make their own decisions rather than a 'cookbook' approach. It is intended that designs and product information can be taken straight from the manual and inserted into ongoing projects.

For the first time the book considers the needs of people with visual, hearing and mental disabilities, who make up the majority of disabled people in the population, alongside those of people with physical mobility disabilities. Practical low cost solutions to retro-fitting existing buildings are discussed, as well as the methods used to assess the suitability of an existing building, and assembling a project to improve access for disabled people. Specific products and designs are illustrated and discussed - with full working technical drawings, and full specification details. These will reduce considerably the research time needed to produce a cost-effective solution that will improve access for disabled people. A perspective of the standards and legislation dealing with access issues in the UK is compared with those in other countries, and the standards mentioned are compared with the realities of practical implementation carried out in 4 years of design in this area.
*Detailed design specifications
*Case studies and worked examples
*Includes manufacturers and product details and costs.

The integration of photovoltaics (PV) into buildings goes beyond energy saving by providing a clean and elegant way of actually generating electricity. There are already numerous successful examples and rapid technological improvements promise expansion of PV's present niche market to that of a major energy provider of the 21st century. This handbook is the outcome of a five year programme which took place under the auspices of the International Energy Agency. Architects and solar experts from 13 countries addressed the wide range of engineering and architectural issues involved in the successful integration of PV into buildings. It demonstrates how to maximise the overall solar contribution to the building; integrate PV effectively with the building structure; clarify the relationship of PV with other elements of the building's energy system; optimise the system economics. It forms a thorough design guide that covers all aspects if the subject and will enable all building designers, engineers and property owners to make the integration of PV into buildings an architecturally appealing and energetically effective option.

This book proposes an economic and environmental assessment tool to help private and public building designers and owners determine the global sustainability value of green buildings from a life cycle perspective. As it demonstrates, sustainable life cycle tools for building design and construction can help to achieve successfully integrated architecture. The first part of the book defines the relationship between environmental and economic aspects in a sustainable design approach and illustrates how life cycle methodologies, including Life Cycle Assessment and Life Cycle Costing, can be applied to life cycle design. Further, it highlights methods for calculating costs from LCA data, taking into consideration both discounted cash flow and external costs. In turn, the second part of the book presents an experimental design model, the Life Cycle Design Model (LCDM), which is based on a life cycle design approach that can be used to produce two different outcomes based on two assessment levels. The first assessment level involves creating a grid, called a Design Matrix, which is useful in the design process. The second assessment level involves drawing on LCA and LCC results to develop a user-friendly tool for designers and other actors involved in the building process so that they can assess the most sustainable design option using EUROCO, a factor that combines the environmental and energy effects of the building system with time and costs. Selected case studies illustrate the practical application of life cycle analysis and show how reflecting the environmental impacts and costs can improve the sustainability of buildings. The LCDM represents a transdisciplinary tool for the design team and, at the same time, allows information on users' needs and building performance to be communicated between experts and non-experts.

Access for disabled people in historic settings is more than just a temporary ramp over the front steps for a wheelchair user. It is a commitment to create integrated use and enjoyment of historic monuments for everyone, including people with mobility or sensory impairments, older people, parents with small children, or those temporarily disabled as a result of illness or injury. This book examines flexible and pragmatic solutions to improve circulation in buildings by overcoming level changes, addition of handrails and other facilities which achieve the basic goal of dignified access, and which protect a building's special architectural character. It features practical guidelines and illustrated case study material, with examples of how to improve access in different types of historic buildings including Georgian, and neo-classical buildings, historic monuments, country houses, gardens and landscapes.

Following in the footsteps of Nanotecture, Mobitecture, and Pet-tecture, a fascinating and fun guide to everything inflatable Although inflatable objects have been around for more than 200 years, architects, artists, and designers keep rediscovering this deceptively simple - often playful, and occasionally bizarre - technology. Bubbletecture brings together inflatables in every conceivable size, shape, and hue across the realms of architecture, design, art, and fashion. From inflatable dresses and hats to buildings employing cutting-edge technologies, from ingenious chairs, lights, bowls, and even egg cups to children's toys and provocative art installations, Bubbletecture demonstrates that inflatable design is simply irresistible.

This manual is intended for all who are involved in the landscape industry: landscape architects, local and county authority parks directors and managers, landscape contractors, and the nurserymen who supply them. Most will know their own duties and responsibilities but few will know in equal detail the duties and responsibilities of those with whom they come in daily contact. By explaining the best practice and procedures of all the parties concerned in the satisfactory completion of landscape contracts - large and small, in public and in private sectors - each will be enabled to play his or her own part as effectively as possible. This manual is particularly intended to ensure that plants which are tended so carefully over several years in the nursery are handled with equal care in transit to their new location, and are then planted and looked after in such a way that they thrive and grow unhindered in the years to come. It constitutes an invaluable aid to students, practitioners and contractors, being written in a readable, unstuffy style, while achieving the author's stated aim of highlighting the main elements of landscape contractual procedures. This book should be of interes

Architecture in Ancient Central Italy takes studies of individual elements and sites as a starting point to reconstruct a much larger picture of architecture in western central Italy as an industry, and to position the result in space (in the Mediterranean world and beyond) and time (from the second millennium BC to Late Antiquity). This volume demonstrates that buildings in pre-Roman Italy have close connections with Bronze Age and Roman architecture, with practices in local and distant societies, and with the natural world and the cosmos. It also argues that buildings serve as windows into the minds and lives of those who made and used them, revealing the concerns and character of communities in early Etruria, Rome, and Latium. Architecture consequently emerges as a valuable historical source, and moreover a part of life that shaped society as much as reflected it.