Seismic isolation offers the highest degree of earthquake protection to buildings and their inhabitants. Modern applications of the technology are less than 50 years old and uptake in seismically active regions continues to soar. Seismic Isolation for Architects is a comprehensive introduction to the theory and practice in this field. Based on the latest research findings and the authors' extensive experience, coverage includes the application, effectiveness, benefits, and limitations of seismic isolation, as well as the architectural form, design aspects, retrofitting, economics, construction, and maintenance related to this method. The book is written for an international audience: the authors review codes and practices from a number of countries and draw on examples from eleven territories including the US, Chile, Argentina, Italy, Japan, and New Zealand. Aimed at readers without prior knowledge of structural engineering, the book provides an accessible, non-technical approach without using equations or calculations, instead using over 200 drawings, diagrams and images to support the text. This book is key reading for students on architecture and civil engineering courses looking for a clear introduction to seismic-resistant design, as well as architects and engineers working in seismically active regions.

Material Imagination in Architecture draws on history and the visual arts, and contemporary architecture to explore this popular theme in architectural practice and education. In the context of a discipline increasingly driven by digital production, this text explores architecture and making and the diverse influences on the material reality of architectural form: it argues that the crafts, fabrication and assemblage of its making remain vital elements of contemporary architectural language. This broad-ranging text bridges the gap between a technical or otherwise fragmentary knowledge of materials of the specialist, and the tacit or instinctive understanding of materials that the artist, sculptor or architect may have. It identifies key material themes pertinent to contemporary architectural debate and develops a discourse about future practice that is framed by environmental imperatives and grounded in a historical understanding of the meaning and use of materials. Material iconology in architecture is a well-established tradition and this book draws on that background to investigate the possibilities, and limits, of using materials in contemporary design to communicate the themes and contexts of an architectural project, a material's relationship to context, and to the history of practices that belong to the traditions of making buildings. Each theme is explored in case studies from twelve countries around the world, including the UK, USA, Spain, Italy, Germany, Australia and China.

Passive House in Different Climates introduces the seven Passive House principles, to help you create super-insulated, airtight buildings that require minimal energy use to heat, cool, dehumidify, and ventilate, with superior indoor air quality and year-round comfort. Seventeen case studies in four climate zones---marine, cold and very cold, mixed-dry and hot-dry, and mixed-humid and hot-humid---and in ten countries, show you how to achieve net-zero energy regardless of where you're building or what type of building is required. Includes more than 150 color illustrations.

The reality of the built environment for disabled people is one of social, physical and attitudinal barriers which prevent their ease of mobility, movement and access. In the United Kingdom, most homes cannot be accessed by wheelchair, while accessible transport is the exception rather than the rule. Pavements are littered with street furniture, while most public and commercial buildings provide few design features to permit disabled people ease of access. Inclusive Design is a documentation of the attitudes, values and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly Sweden, New Zealand, and the USA.

In Play in Creative Problem-solving for Planners and Architects, "play" is defined, explored and demonstrated as a critical catalyst in creative problem-solving processes. The book defines the current psychological research into play and creative problem-solving, explores the necessary integration of the two, and exemplifies for students and practitioners the use of play in creative endeavors; and the role that play serves in separating linear from creative problem-solving approaches. Play is explored regarding its elements (tools, skills, environment), characteristics (a free activity without failure) and attitude as it relates to and activates the creative process with the focus on urban design, planning, architecture, and landscape architecture. The book re-establishes the whole mind-body thinking process of play as a means of object-learning; to provide designers and planners with alternative ways of design-thinking; and to challenge the over-utilization of digital technologies in creative processes. Creative problem-solving requires an appreciation for ambiguity, uncertainty of outcome, complexity that leads to the discovery of novelty and innovation. The book incorporates examples and exercises in play activities related to the design and planning fields, and exercises related to play-tools and skills for students and professionals. It also defines terms used in play and creativity psychology; provides examples and structure for play and creative problem-solving activities; describes the type and use of appropriate play-tools; contains an extensive bibliography on play and creative problem-solving texts; and provides significant illustrations making it fundamental reading for students and professionals in urban design and planning fields.

"This book provides a simple but comprehensive framework for the emerging academic discipline of urban design, from its origins in Europe and America, to contemporary issues of imagery, finance and marketing in an age of globalisation"

There is currently no contemporary textbook for urban design that includes a general history and theory of the subject.

Internationally, urban design is more and more becoming a core subject taught in architecture schools. The AIA (US) and the RIBA (UK) both require undergraduates and graduates to study the urban dimension of architectural design. On a wider scale, in Europe, the EU is developing a common architectural curriculum, which includes an urban component for under-graduates. The situation is similar in schools across Asia and Australia.

Aimed at both students and teachers, this book provides a simple and accessible framework, from the origins of urban design and the main techniques developed to deal with the design of fragments of cities, to participatory planning processes, codes, imagery, finance and marketing. Finally, it proposes an innovative vision of contemporary practice based on the work of leading actors and projects in the field.This book is set to become the key textbook at undergraduate and graduate levelsIt is written in an accessible and direct tone, and highly illustrated with many colour and black and white diagramsIt includes a general history and theory of urban design and provides an up-to-date account of contemporary urban conditions

Praise for "Recombinant Urbanism"

""Documents a major intellectual advance...eagerly awaited by academics and" "practitioners all around the world... should become a standard text for schools of" "architecture and urbanism."" Leon Van Schaik, Innovation Professor of Architecture, RMIT, Australia

"" ...both unique and instrumentally positive. The book is the result of many years of research and writing, and is a small masterpiece in urban studies. It has already proved its worth in the teaching of urban studies, at Columbia, the AA, the Bartlett School, and Cooper Union, to mention only a few of the universities where Dr Shane has had a powerful influence...It is, indeed, one of the very best manuscripts I have read in the field in the last few years."" Anthony Vidler, Professor and Dean, Irwin S Chanin School of Architecture, Cooper Union, New York, USA

""I can say without hesitation that I fully endorse Grahame's work...the issues it covers are highly topical and such a book would indeed be widely read by architecture students, urban designers and planners."" Colin Fournier, Professor of Architecture &Urbanism, Bartlett School of Architecture, UCL, UK

""Of great necessity for undergraduate and postgraduate students, scientists and professionals in urban planning and design This] publication will certainly inspire work with city models in a wide range of practice."" Henrik W Jensen, Associate Professor in Town Planning, Aarhus School of Architecture, The Netherlands

""A very important book. Shane ... has made legible and sensible the reams of recent urban discourse for a general college reader. Because of this labor-intensive effort, this book will be accessible by undergrad architecture programs as well as graduate seminars in urban design and planning. Additionally there is a big interest in UD and UP theory in ecology and social science now, and because of Grahame's generous writing style the book will cross over to these other disciplines. ... I can also speak to the international interest in this book; ... again Shane has made important urban theories and thinking more widely available to an international student audience. ... The legacy the book will have (will be in) convincing people that the design of cities matters, not in the overbearing and over-controlling sense of new urbanism, but in reinforcing the multiple possibilities of contemporary life." Brian McGrath, Adjunct Associate Professor of Architecture, Columbia University, USA

On 17 October 1989 one the largest earthquakes to occur in California since the San Francisco earthquake of April 1906 struck Northern California. Damage was extensive, none more so than the partial collapse of the San Francisco-Oakland Bay Bridge's eastern span, a vital link used by hundreds of thousands of Californians every day. The bridge was closed for a month for repairs and then reopened to traffic. But what ensued over the next 25 years is the extraordinary story that Karen Trapenberg Frick tells here. It is a cautionary tale to which any governing authority embarking on a megaproject should pay heed. She describes the process by which the bridge was eventually replaced as an exercise in shadowboxing which pitted the combined talents and shortcomings, partnerships and jealousies, ingenuity and obtuseness, generosity and parsimony of the State's and the region's leading elected officials, engineers, architects and other members of the governing elites against a collectively imagined future catastrophe of unknown proportions. In so doing she highlights three key questions: If safety was the reason to replace the bridge, why did it take almost 25 years to do so? How did an original estimate of $250 million in 1995 soar to $6.5 billion by 2014? And why was such a complex design chosen? Her final chapter - part epilogue, part reflection - provides recommendations to improve megaproject delivery and design.

First published in 1973, this two-volume set summarises and structures the contributions by researchers at the Fourth International EDRA Conference, held in April 1973. The first volume focuses on the proceedings of the paper sessions. It summarises and criticises 43 selected paper submissions which communicate contemporary research findings. It also reviews the discussions between authors, panellists and the session participants. This book will be of interest to students of architecture and design.

First published in 1973, this two-volume set summarises and structures the contributions by researchers at the Fourth International EDRA Conference, held in April 1973. The second volume focuses on the symposia and invited papers, which were theory orientated. The symposia comprehensively assessed the status of contemporary knowledge as well as potential future directions in the respective fields contributing to environmental design research. This volume also provides summaries of the workshops, which explored problem solving processes and offered methodological applications to environmental analysis and other topics of concern. This book will be of interest to students of architecture and design.

Site and Composition examines design strategies and tactics in site making. It is concerned with the need for a renewed understanding of the site in the twenty-first century and the need for a critical position regarding the continued tendency to view the site as an isolated 'fragment' severed from its wider context. The book argues revisiting the traditional instruments or means of both siting and composition in Architecture to explore their true potential in achieving connections between site and context. Through the various examples studied here it is suggested that such instrumental means have the potential for achieving greater poetic outcomes. The book focuses on the works of twentieth century architects of wide-ranging persuasion - Peter Eisenman, Le Corbusier, Frank Lloyd Wright, Alvaro Siza, Herzog and de Meuron, and Charles Correa, for example - who have strived in quite different ways to achieve deeper engagement with the physical qualities of place and context. Departing from a reconsideration of the fragment, Site and Composition emphasises the role of the 'positive fragment' in achieving both historical continuity and renewed wholeness. The potential of both planimetric and sectional compositional methods are explored, emphasising the importance of reciprocity between 'inside' and 'outside' - between fragment and the whole, as well as materiality. Written in a clear and accessible manner, this book makes vital reading for both researchers and students of architecture and urbanism.

This is a unique text providing both design guidance and policy direction for the provision and design of public toilets covering city-wide, district-level and site-specific principles. It highlights the role of urban design in reversing the trend of inadequate toilet provision, and sets out guidelines for design which meets both user need and provider requirements. Greed presents the fundamental principle that toilets should not be dealt with in isolation from mainstream urban policy, but that they should be seen as a serious core component in both strategic urban policy and local area design. She argues toilets are valuable townscape features in their own right as manifestation civic pride and good urban design - essential architectural components which add to the quality and viability of an area. Although a range of design guidance on toilets exists there is still considerable dissatisfaction with the end product in terms of building design, levels of provision, location, safety, layout, DDA requirements and accessibility. By outlining user demands and provider constraints, Greed shows that it is essential for architects to have an informed understanding and practical knowledge of toilet issues when working with public and private sector providers. Examples of toilet architecture from other countries, and policies from different cultural settings, are included for comparative purposes to invigorate UK perspectives.

Passive House in Different Climates introduces the seven Passive House principles, to help you create super-insulated, airtight buildings that require minimal energy use to heat, cool, dehumidify, and ventilate, with superior indoor air quality and year-round comfort. Seventeen case studies in four climate zones---marine, cold and very cold, mixed-dry and hot-dry, and mixed-humid and hot-humid---and in ten countries, show you how to achieve net-zero energy regardless of where you're building or what type of building is required. Includes more than 150 color illustrations.

Tall buildings represent one of the most energy-intensive architectural typologies, while at the same time offering the high density work and living conditions that many believe will an important constituent of future sustainable communities. How, then, can their environmental impact be lessened? This insightful book takes in: an overview of the tall building and its impacts (looking at cityscape, place, mobility, microclimate, energy and economics) design principles and the development of the sustainable tall building global perspectives (covering North and South America, Europe, the Middle East and Asia) detailed, qualitative case studies of buildings in design and operation the future for sustainable tall buildings. Not simply another showcase for future utopian designs and ideals, the information presented here is based on hard research from operating buildings. Highly illustrated and combining analysis with solid detail for practice, this is essential reading for architects, building engineers, design consultants, retrofitters and urban planners interested in or working with tall buildings, and researchers/students in these disciplines.

What is tropical architecture? Instead of assuming it as a "natural" asocial, apolitical and ahistorical entity, this book provides the first thorough account of its formations and transformations historically.

"

A Genealogy of Tropical Architecture" traces the origins of tropical architecture to eighteenth and early nineteenth century British colonial architectural knowledge and practices. It uncovers how systematic knowledge and practices on environmental technologies in the tropics such as ventilation and sun-shading were linked to military technologies, medical theories, cultural assumptions, and sanitary practices, and were manifested in building types such as military barracks, hospitals and housing.

Drawing on the interdisciplinary scholarships on postcolonial studies, science studies, and environmental history, Jiat-Hwee Chang argues that tropical architecture was inextricably entangled with the socio-historical constructions of tropical nature and the politics of colonial governance and postcolonial development. Drawing its main case studies from Singapore, these case studies are situated in relation to the production, circulation and reception of the knowledge and practices of tropical architecture across different time-spaces in the larger British colonial networks, from Britain to British India, from the West Indies to West Africa.

By bringing to light new historical materials through formidable research and tracing the history of tropical architecture beyond what is widely considered today as its "founding moment" in the mid-twentieth century, this important and original book bears not only upon our understanding of the colonial urban environment but also upon contemporary concerns with sustainable architecture. "

Much of the anticipated future growth in the United States will take place in suburbia. The critical challenge is how to accommodate this growth in a sustainable and resilient manner. This book explores the role of suburban tall as a viable, sustainable alternative to continued suburban sprawl. It identifies 10 spatial patterns in which tall buildings have been integrated into the American suburbs. The study concludes that the Tall Building and Transit-Oriented-Development (TB-TOD) model is the most appropriate to promote sustainable suburbanism. The findings are based on analyzing over 300 projects in 24 suburban communities within three major metropolitan areas including: Washington, DC, Miami, Florida, and Chicago, Illinois. The book furnishes planning strategies that address the social, economic, and environmental aspects of sustainable tall building development. It also discusses sustainable architectural design and site planning strategies and provides case studies of sustainable tall buildings that were successfully integrated into suburban settings.

First published in 1992, this book is about making connections that may lead towards a new professionalism, since the past several decades have given rise mainly to new kinds of specialists in the areas of programming, evaluation, and participation. The implications for such integration are far reaching, with profound future effects on the physical environment, the design professions, and the education of designers. The book is split into four sections dealing with facility programming, several forms of evaluation, participatory design, and the application of Theory Z principles. This book will be of interest to students of architecture and design.

Concrete Design covers concrete design fundamentals for architects and engineers, such as tension, flexural, shear, and compression elements, anchorage, lateral design, and footings. As part of the Architect's Guidebooks to Structures Series it provides a comprehensive overview using both imperial and metric units of measurement. Written by experienced professional structural engineers Concrete Design is beautifully illustrated, with more than 170 black and white images, contains clear examples that show all design steps, and provides rules of thumb and simple tables for initial sizing. A refreshing change in textbooks for architectural materials courses, it is an indispensable reference for practicing architects and students alike. As a compact summary of key ideas it is ideal for anyone needing a quick guide to concrete design.

In the critically acclaimed first edition of this book, Mainstone offered a brilliant and highly original account of the structural developments that have made possible the achievements of architects and bridge builders throughout history. In this extensively revised and expanded new edition, now available in paperback, new insights and a full coverage of recent developments in both design and construction are incorporated. The book identifies features that distinguish the forms built by man from those shaped by nature and discusses the physical and other constraints on the choices that can be made. It then looks in turn at all the elementary forms - arches, domes, beams, slabs and the like - which combine into the more complex forms of complete structures, and at the different classes of the complete forms themselves. The development of each form is traced chronologically, but with an emphasis less on the chronology than on the problems that designers have continually faced in trying to serve new ends with limited means or to serve old ones in new ways. The book concludes with a chapter on the processes of design, showing how the designer's freedom of choice has been widened by a growing understanding of structural behaviour.

Introduction to Structures - the lead book in the Architect's Guidebook to Structures series - presents structures in simple, accessible fashion through beautiful illustrations, worked examples, and from the perspective of practicing professionals with a combined experience of over 75 years. It introduces the student to, and reminds the practitioner of, fundamental structural design principles. Beginning by introducing structural forms in nature and history, the process of design, and selecting structural systems and materials, the book then moves onto statics, mechanics of materials, and structural analysis. The final chapter provides guidance on preliminary structural design, complete with decision criteria and design tables. Edited by experienced professional structural engineers, with vital contributions from practicing architects, Introduction to Structures is fully illustrated, contains clear step by step examples and preliminary design guidance. Designed as a key textbook for introductory structures courses, it is also an indispensable reference for practicing architects.

Architectural practices worldwide have to deal with increasingly complex design requirements. How do practices acquire the ability to do so? The Changing Shape of Practice provides a handbook of examples for practices that wish to integrate more research into their work and a reference book for students that seek to prepare themselves for the changing shape of practice in architecture. It addresses the increasing integration of research undertaken in architectural practices of different sizes ranging from small to very large practices from the UK, USA, Europe and Asia. The book is organized according to the size of the practices which is significant in that it addresses the different structures and resourcing requirements that are enabled by specific practice sizes, as this determines and constrains the type, scope and modes of research available to a given practice. The practices covered include: Woods Bagot Perkins + Will White AECOM UN Studio Shop Architects PLP Architecture Kieran Timberlake 3XN ONL AZPML Thomas Herzog + Partners Herreros Arquitectos Spacescape OCEAN Design Research Association By taking stock of the current shape of practice, the book provides essential information for professional architects who are integrating research into their practice.

Introduction to Structures - the lead book in the Architect's Guidebook to Structures series - presents structures in simple, accessible fashion through beautiful illustrations, worked examples, and from the perspective of practicing professionals with a combined experience of over 75 years. It introduces the student to, and reminds the practitioner of, fundamental structural design principles. Beginning by introducing structural forms in nature and history, the process of design, and selecting structural systems and materials, the book then moves onto statics, mechanics of materials, and structural analysis. The final chapter provides guidance on preliminary structural design, complete with decision criteria and design tables. Edited by experienced professional structural engineers, with vital contributions from practicing architects, Introduction to Structures is fully illustrated, contains clear step by step examples and preliminary design guidance. Designed as a key textbook for introductory structures courses, it is also an indispensable reference for practicing architects.

Concrete Design covers concrete design fundamentals for architects and engineers, such as tension, flexural, shear, and compression elements, anchorage, lateral design, and footings. As part of the Architect's Guidebooks to Structures Series it provides a comprehensive overview using both imperial and metric units of measurement. Written by experienced professional structural engineers Concrete Design is beautifully illustrated, with more than 170 black and white images, contains clear examples that show all design steps, and provides rules of thumb and simple tables for initial sizing. A refreshing change in textbooks for architectural materials courses, it is an indispensable reference for practicing architects and students alike. As a compact summary of key ideas it is ideal for anyone needing a quick guide to concrete design.

This inspiring and thought-provoking book explores how recent innovations in landscape architecture have uniquely positioned the practice to address complex issues and technologies that affect our built environment. The changing and expanding nature of "landscape" make it more important than ever for landscape architects to seek innovation as a critical component in the forward development of a contemporary profession that merges expansive ideas and applications. The editors bring together leading contributors who are experts in new and pioneering approaches and technologies within the fields of academic and professional landscape architecture. The chapters explore digital technology, design processes and theoretical queries that shape the contemporary practice of landscape architecture. Topics covered include: Digital design Fabrication and prototyping Emerging technology Visualization of data System theory Concluding the book are case studies looking at the work of two landscape firms (PEG and MYKD) and two academic departments (Illinois Institute of Technology and the Rhode Island School of Design), which together show the novel and exciting directions that landscape is already going in.

One of the problems which beset the practical conservation of stone buildings is the fragmentation of the disciplines involved. This book, with both volumes now available as one invaluable paperback, brings these disciplines together by the involvement of contributors with different experiences and approaches to the same material. Part one is an introduction to the complexities and background history of stone conservation followed by the most comprehensive description yet produced of the building and decorative stones used in the British Isles. In part two, practitioners involved in stone conservation describe ways in which major structural masonry problems, secondary building problems and different stone surface conditions may be treated. A variety of building types and environments has been used to ensure that the broad scope of common problems is covered. This second part of the book will be of practical value to art historians, archaeologists, architects, surveyors and engineers, masonry contractors and sculpture conservators in solving problems and in learning to use each other's skills and experience.