You always aim to achieve that moment of insight that leads to ingenuity and novelty in your design, but sometimes it remains elusive. This book presents a variety of techniques for mapping and making hands-on design/build projects, and relates this work to real architecture. It helps you to learn new ways of seeing and making that will enhance your creative design process and enable you to experience moments that lead to ingenuity in design. Each of the book's two parts, "Seeing" and "Making," is organized according to technique, which ranges from quantitative analysis and abstraction to pattern and scale, to provide you with a framework for mapping and hands-on exercises. Interviews with architects Yoshiharu Tsukamoto (Atelier Bow-Wow) and Jesse Reiser and Nanako Umemoto (Reiser + Umemoto) give you perspective on using these exercises in practice.

Designing Cultures of Care brings together an international selection of design researchers who, through a variety of design approaches, are exploring the ways in which design intersects with cultures of care. Unique in its focus and disciplinary diversity, this edited collection develops an expanded discourse on the role and contribution of design to our broader social, cultural and material challenges. Based around a unifying critique of the proposition of care as a theoretical framework for undertaking design research in real world contexts, each chapter presents a case study of design research in action. This book aims to provide readers - both academics and practitioners - with insights into the possibilities and challenges of designing cultures of care. The disciplines represented in this collection include architecture, visual communication, participatory and social design, service design, critical and speculative design interventions and design ethnography. These case studies will provide real world insights that have relevance and value to design students at both undergraduate and postgraduate levels, and to researchers at all levels within and outside of the academy.

Whether it is the effects of climate change, the avalanche of electronic and plastic waste or the substandard living and working conditions of billions of our fellow global citizens, our ability to deal with unsustainability will define the twenty-first century. Given that most consumption is mediated through products and services, the critical question for designers is: How can we radically reshape these into tools for sustainable living? As a guide and reference text, Product Design and Sustainability provides design students, practitioners and educators with the breadth and depth needed to integrate the most appropriate sustainable strategies into their practice. It establishes the principles that underpin sustainability and introduces a diverse range of social, economic and environmental design responses and tools available to designers. The numerous real-world examples illustrate how these strategies play out in different product sectors and reinforce the view that sustainability is the most positive opportunity and creative challenge facing designers today. This book: delivers a comprehensive guide to the principles of sustainability and how they apply to product design that can readily be integrated into curricula and design practice reveals many of the issues specific product sectors are facing, and provides the depth and breadth needed for formulating and developing sustainable design strategies to address these issues empowers and inspires designers to engage with sustainability through its many examples and insightful interviews with practitioners is fully illustrated with over 300 photographs, graphs and diagrams and supported by chapter summaries, annotated further reading suggestions, and a glossary.

The idea that architecture can be portable is one that grabs the imagination of both designers and the people who use it, perhaps because it so often forecasts a dynamic and creative solution to the complex problems of our contemporary mobile society, while at the same time dealing with issues of practicality, economy and sustainability.

Architecture in Motion examines the development of portable, transportable, demountable and temporary architecture from prehistory to the present day. From familiar vernacular models such as the tent, mobile home and houseboat, to ambitious developments in military and construction engineering, all aspects of portable building are considered.

Building on his earlier works Portable Architecture and Houses in Motion, Robert Kronenburg compares traditional forms of building, current commercial products and the work of innovative designers, and examines key contemporary portable buildings to reveal surprising, exciting and imaginative examples. He explores the philosophical and technological issues raised by these experimental and futuristic prototypes.

By understanding the nature of transitory architecture, a new ecologically aware design strategy can be developed to prioritise buildings that 'tread lightly on the earth' and still convey the sense of identity and community necessary for an established responsible society. This book provides a unique insight into this pivotal field of design.

Computing the Environment presents practical workflows and guidance for designers to get feedback on their design using digital design tools on environmental performance. Starting with an extensive state-of-the-art survey of what top international offices are currently using in their design projects, this book presents detailed descriptions of the tools, algorithms, and workflows used and discusses the theories that underlie these methods. Project examples from Transsolar Klimaengineering, Buro Happold's SMART Group, Behnish Behnisch Architects, Thomas Herzog, Autodesk Research are contextualized with quotes and references to key thinkers in this field such as Eric Winsberg, Andrew Marsh, Michelle Addington and Ali Malkawi.

Today's most pressing challenges require behaviour change at many levels, from the city to the individual. This book focuses on the collective influences that can be seen to shape change. Exploring the underlying dimensions of behaviour change in terms of consumption, media, social innovation and urban systems, the essays in this book are from many disciplines, including architecture, urban design, industrial design and engineering, sociology, psychology, cultural studies, waste management and public policy. Aimed especially at designers and architects, Motivating Change explores the diversity of current approaches to change, and the multiple ways in which behaviour can be understood as an enactment of values and beliefs, standards and habitual practices in daily life, and more broadly in the urban environment.

Olympic Stadia provides a comprehensive account of the development of stadia including but not limited to: developments in running tracks, the introduction of lighting, improvements in spectator viewing standards and the introduction of roofs. Written by a world-renowned expert on sports architecture, the book: Systematically analyses every stadium from Athens 1896 to Tokyo 2020 Provides drawings, plans, elevations, photographs and illustrations in full colour Considers the fundamental changes wrought by the incorporation of the Paralympic Games Looks at the impact on host cities and their urban infrastructure, and considers the long-term legacies and massive investments that Olympic stadia require Explores the effects of the demands of the world's TV broadcasters. An invaluable and beautiful resource for practical insight and inspiration, this book makes essential reading for anyone interested in Olympic stadia.

Today's most pressing challenges require behaviour change at many levels, from the city to the individual. This book focuses on the collective influences that can be seen to shape change. Exploring the underlying dimensions of behaviour change in terms of consumption, media, social innovation and urban systems, the essays in this book are from many disciplines, including architecture, urban design, industrial design and engineering, sociology, psychology, cultural studies, waste management and public policy. Aimed especially at designers and architects, Motivating Change explores the diversity of current approaches to change, and the multiple ways in which behaviour can be understood as an enactment of values and beliefs, standards and habitual practices in daily life, and more broadly in the urban environment.

Convergence is based on the thermodynamic premise that architecture should maximize its ecological and architectural power. No matter how paradoxical it might initially seem, architects should maximize energy intake, maximize energy use, and maximize energy feedback and reinforcement. This presumes that the necessary excess of architecture is in fact an architect's greatest asset when it comes to an agenda for energy, not a liability. But how do we start to understand the full range of eco-thermodynamic principles which need to be engaged with in order to achieve this? Kiel Moe explicates three factors: materials, energy systems and amortization. When these three factors converge through design, the resulting buildings begin to perform in complex, if not subtle, ways. By drawing on a range of architectural, thermodynamic, and ecological sources as well as illustrated and well-designed case studies, the author shows what architecture stands to gain by simultaneously maximizing the architectural and ecological power of buildings. .

Of all the materials on this planet, wood is the most beloved. Heavy wooden timbers artfully crafted into a sturdy house frame held together with mortise and tenon joinery delight the eye and warm the spirit. Over 200 striking color photos and more than 100 line drawings introduce the reader to the advantages of merging traditional timber frame construction with modern, conventional building materials to create stunning hybrid homes for the twenty-first century. These homes blend the beauty of wood and the comfort of conventional building materials. \nThe engaging text provides a detailed history of timber frame construction, details the range of choices available in timber frame hybrid construction, and provides a sweeping photographic essay of fifty building projects representing a wide range of approaches to configurations, styles, surfaces, finishes, and budgets.

Sustainability is a powerful force that is fundamentally reshaping humanity's relationship to the natural world and is ushering in the Age of Integration. The move from well-intentioned environmental friendliness to the higher bar of integral sustainability and regenerative design demands a new type of design professional, one that is deeply collaborative, ethically grounded, empathically connected and technologically empowered. As a response, this book argues for a great leap forward in design education: from an individualistic and competitive model casually focused on greening; to a new approach defined by an integral consciousness, shaped by the values of inclusivity and cooperation, and implemented by a series of integrative behaviors including: an ethically infused design brief a co-creative design process on-going value engineering pre-emptive engineering design validation through simulation on-line enabled integrated learning the use of well vetted rating systems. This book contains the integral frameworks, whole system change methodologies and intrinsic values that will assist professors and their students in an authentic and effective pursuit of design education for a sustainable future.

The first comprehensive account of how and why architects learned to communicate through color Architectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public. Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice. Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.

This third edition of "Green Buildings Pay" presents new evidence and new arguments concerning the institutional and business case that can be made for green design. The green argument has moved a long way forward since the previous edition, and this fully updated book addresses the key issues faced by architect, engineer and client today."

Green Buildings Pay: Design, Productivity and Ecology" examines, through a range of detailed case studies, how different approaches to green design can produce more sustainable patterns of development. These cases are examined from three main perspectives: that of the architect, the client and the user. Completely revised with all new chapters, cases, sections and introductory material the third edition presents:

• over 20 new researched case studies drawn from the UK, Europe and the USA, written in collaboration with the architects, engineers, clients and user groups
• examples of office and educational buildings of high sustainable and high architectural quality
• an exploration of the architectural innovations that have been driven by environmental thinking, such as the new approaches to the design of building facades, roofs, and atria
• cases which demonstrate current practice in the area of energy/eco-retrofits of existing buildings
• documentation of the benefit impact assessment schemes such as LEED and BREEAM have had upon client expectations and on design approaches over the past decade
• beautiful full color illustrations throughout.

In the fast evolving arena of green building, the book shows how architects are reshaping their practices to deal with ever more demanding energy standards and better informed users and corporate clients.

This book highlights current research and development in the area of sustainable built environments, currently one of the most important disciplines in civil engineering. It covers a range of topics, including sustainable construction and infrastructures, waste and wastewater management, enhanced sustainability, renewable and clean energy, sustainable materials and industrial ecology, building automation and virtual reality, and impact of climate change. As such it provides vital insights into responsible urbanization practices, and new tools and technologies in civil engineering that can mitigate the negative effects of the built environment.

Under the influence of globalization, the centres of many cities in the industrialised world are losing their place identity, the set of cultural markers that define a city s uniqueness and make it instantly recognisable. A key task for planners and residents, working together, is to preserve that unique sense of place without making the city a parody of itself.

In Planning and Place in the City, Marichela Sepe explores the preservation, reconstruction and enhancement of cultural heritage and place identity. She outlines the history of the concept of placemaking, and sets out the range of different methods of analysis and assessment that are used to help pin down the nature of place identity. This book also uses the author's own survey-based method called PlaceMaker to detect elements that do not feature in traditional mapping and identifies appropriate planning interventions.

Case studies investigate cities in Europe, North America and Asia, which demonstrate how surveys and interviews can be used to draw up an analytical map of place identity. This investigative work is a crucial step in identifying cultural elements which will influence what planning decisions should be taken in the future. The maps aim to establish a dialogue with local residents and support planners and administrators in making sustainable changes. The case studies are amply illustrated with survey data sheets, photos, and coloured maps.

Innovative and broad-based, Planning and Place in the City lays out an approach to the identification and preservation of place and cultural heritage suitable for students, academics and professionals alike.

Conservatories emerged in the early 19th century as a result of an increased interest in horticulture as well as developments in glass and iron manufacture, and in methods of heating. These technical innovations led to a new type of glasshouse with greater levels of light and more efficiently regulated heat, rendering them more equipped to house permanent displays of plants and flowers. Conservatories thus became a more agreeable place in which to spend time and so they began to be attached to the house in order to be used as a social space. Drawing on contemporary architects' plans, horticultural publications, diaries and memoirs, this book shows how and why conservatories emerged in the form they did, and explores what they were like inside and how they were used by their owners. The second part of the book focuses on how various elements of conservatories may be conserved. This section examines the ways in which the materials and components of these often forgotten, but nonetheless architecturally and culturally significant structures, have deteriorated, as well as the various methods and approaches used in their conservation. Divided into five sections, specific case studies highlight practical approaches to the conservation and repair of metalwork, glazing, woodwork and surface coatings, as well as the importance of recording and storage. This study will offer practical guidance for practitioners, architects, owners, and those involved in the heritage industry.

The Earth's temperature has been rising. To limit catastrophic outcomes, the international scientific community has set a challenging goal of no more than two degrees Celsius (3.6 degrees Fahrenheit) average temperature rise. Economists agree we will save trillions of dollars by acting early. But how do we act successfully? And what's the backup plan if we fall short? Setting politics aside, Two Degrees reviews the current science and explains how we can set practical steps to reduce the extent of warming and to adapt to the inevitable changes, all while improving the bottom line, beautifying our communities, and increasing human health. The book is a practical guide intended for a broad audience of those who occupy and shape our built environment. The authors provide a clear framework for communities, policy makers, planners, designers, developers, builders, and operators to help manage the impacts and capture the opportunities of our changing climate. Two Degrees is divided into three sections-Fundamentals, Mitigation, and Adaptation-covering a diverse array of topics ranging from climate-positive communities and low-carbon buildings to the psychology of choice and the cost of a low-carbon economy. After a foreword by Amory Lovins, more than 10 contributing authors share knowledge based on direct experience in all aspects of built environment practice. This book clarifies the misconceptions, provides new and unique insights, and shows how a better approach to the built environment can increase resilience and positively shape our future.

As architects and designers, we struggle to reconcile ever increasing environmental, humanitarian, and technological demands placed on our projects. Our new geological era, the Anthropocene, marks humans as the largest environmental force on the planet and suggests that conventional anthropocentric approaches to design must accommodate a more complex understanding of the interrelationship between architecture and environment Here, for the first time, editor Ariane Lourie Harrison collects the essays of architects, theorists, and sustainable designers that together provide a framework for a posthuman understanding of the design environment. An introductory essay defines the key terms, concepts, and precedents for a posthuman approach to architecture, and nine fully illustrated case studies of buildings from around the globe demonstrate how issues raised in posthuman theory provide rich terrain for contemporary architecture, making theory concrete. By assembling a range of voices across different fields, from urban geography to critical theory to design practitioners, this anthology offers a resource for design professionals, educators, and students seeking to grapple the ecological mandate of our current period. Case studies include work by Arakawa and Gins, Arons en Gelauff, Casagrande, The Living, Minifie van Schaik, R & Sie (n), SCAPE, Studio Gang, and xDesign. Essayists include Gilles Clement, Matthew Gandy, Francesco Gonzales de Canales, Elizabeth Grosz, Simon Guy, Seth Harrison, N. Katherine Hayles, Ursula Heise, Catherine Ingraham, Bruno Latour, William J. Mitchell, Matteo Pasquinelli, Erik Swyngedouw, Sarah Whatmore, Jennifer Wolch, Cary Wolfe, and Albena Yaneva

Sue Roaf is famed for her approach to design and her awareness of energy efficiency. Here she reveals the concepts, structures and techniques that lie behind the realization of her ideals. By using her own house as a case study, Roaf guides the reader through the ideas for energy-efficient design or 'eco-design'.

Now in its fourth edition, the bestselling Ecohouse continues to be both a technical guide and an inspiration for thousands of architects, designers and eco-builders all over the world.

Ecohouse provides design information about the latest low-impact materials and technologies, showcasing the newest and best green solutions. Revised and updated, this edition also includes new case studies inspiring readers with more real-life examples of how to make an ecohouse work.

Where do you start if you want to light an interior space? What is the best colour temperature for your design scheme? What do you need to consider when choosing LED lamps and luminaires? Architectural Lighting Design answers these questions and more in a comprehensive introduction to the design, application and techniques of lighting interior spaces. Using real examples of successful lighting schemes, experienced designer Admir Jukanovic explains the fundamentals of lamps and luminaires, and how to meet the requirements of a design brief. Topics include treatments and techniques for lighting designs; tips for understanding the deliverables and fulfilling brief; the five project phases, from concept to commission and the common pitfalls to avoid when using artificial lighting in architecture.

Exploring the design of innovative building enclosure systems (or skins) in contemporary architecture and their precedents in earlier twentieth century modern architecture, this book examines the tectonics, the history and the influence of translucency as a defining characteristic in architecture. Highly illustrated throughout with drawings and full colour photographs, the book shows that translucency has been and continues to be a fertile ground for architectural experimentation. Each chapter presents a comparative analysis of two primary buildings: a recent project, paired with a historical precedent, highlighting how architects in different eras have realized the distinctive effects of translucency. The included buildings span a variety of program types, ranging from a single-family residence, to a factory, to a synagogue. Whether it is Pierre Chareau's glass-lens curtain wall at the Maison de Verre, Frank Lloyd Wright's wall of stacked glass tubes at the Johnson Wax Research Tower, or Peter Zumthor's use of acid-etched glass in a double-skin envelope at the Kunsthaus Bregenz, the included projects each offer an exemplary case study of innovations in materiality and fabrication techniques. Today, among many contemporary architects, there is an engagement with new technologies, new material assemblies, and new priorities such as sustainability and energy-efficiency. A resurgent interest in translucency as a defining quality in buildings has been an important part of this recent dialogue and this book makes essential reading for any architect looking to incorporate aspects of translucency into their buildings.

Exploring the design of innovative building enclosure systems (or skins) in contemporary architecture and their precedents in earlier twentieth century modern architecture, this book examines the tectonics, the history and the influence of translucency as a defining characteristic in architecture. Highly illustrated throughout with drawings and full colour photographs, the book shows that translucency has been and continues to be a fertile ground for architectural experimentation. Each chapter presents a comparative analysis of two primary buildings: a recent project, paired with a historical precedent, highlighting how architects in different eras have realized the distinctive effects of translucency. The included buildings span a variety of program types, ranging from a single-family residence, to a factory, to a synagogue. Whether it is Pierre Chareau's glass-lens curtain wall at the Maison de Verre, Frank Lloyd Wright's wall of stacked glass tubes at the Johnson Wax Research Tower, or Peter Zumthor's use of acid-etched glass in a double-skin envelope at the Kunsthaus Bregenz, the included projects each offer an exemplary case study of innovations in materiality and fabrication techniques. Today, among many contemporary architects, there is an engagement with new technologies, new material assemblies, and new priorities such as sustainability and energy-efficiency. A resurgent interest in translucency as a defining quality in buildings has been an important part of this recent dialogue and this book makes essential reading for any architect looking to incorporate aspects of translucency into their buildings.

The idea that buildings could be used to reform human behaviour and improve society was fundamental to the 'modernist' architecture and planning of people like Walter Gropius, Le Corbusier and Jose Luis Sert in the first half of the 20th century. Their proposals for functional zoning, multi-level transport, high-rise living, and machine-inspired aesthetics came under attack from the 1950s onwards, and many alternative approaches to architecture and planning emerged. It was thought that the environmental determinist strand of the discourse was killed off at this time as well. This book argues that it was not, but on the contrary, that it has deepened and diversified. Many of the most prominent architect-planners continue to design with a view to improving the behaviour of individual people and of society at large. By looking at - and interviewing - major figures and movements of recent years in Britain, Europe and America, including Leon Krier, Peter Eisenman, Andres Duany, Jane Jacobs, Robert Venturi and Denise Scott Brown, it demonstrates the myriad ways that architect-planners seek to shape human behaviour through buildings. In doing so, the book raises awareness of this strand within the discourse and examines its different purposes and manifestations. It questions whether it is an ineradicable and beneficial part of architecture and planning, or a regrettable throwback to a more authoritarian phase, discusses why is it seldom acknowledged directly and whether it could be handled more responsibly and with greater understanding. Richards does not provide any simple solutions but in conclusion, is critical of architect-planners who abuse the rhetoric of social reform simply to leverage their attempts to secure building commissions, while being more sympathetic towards those who appear to have a sincere desire to improve society through their buildings.

The architectural imagery that you create is most effective when it examines your project in an abstract manner. Most students and practitioners understand linear perspective and cinema to be examples of architectural presentation tools. This book asks you to consider drawings and movies to be analytical tools that give you the capacity to engage all phases of the design process, from parti to presentation.

The ways in which spaces relate to each other and how materials connect to each other in your projects are as important as your building s appearance. As digital tools increasingly allow you to simulate the experience of built and unbuilt environments, it is essential that you scrutinize the nature of architectural imagery and resist the lure of virtual reality. Though pure simulation may be appropriate for your clients, your design process requires abstraction and analysis.

Author Thomas Forget demonstrates how to construct analytical drawings and movies that challenge the alleged realism of linear perspective and cinema. These demonstrations expose you to underlying principles that will allow you to understand the broader implications of these methods. In addition, historical surveys of drawings and movies provide you with insight into how architects and architectural historians have understood the role of linear perspective and cinema in their fields. Finally, examples of drawing and moviemaking strategies illustrate how you can apply the lessons of the book to precedent analyses and design projects.