This ground-breaking book aims to take a new and innovative view on how disability and architecture might be connected. Rather than putting disability at the end of the design process, centred mainly on compliance, it sees disability - and ability - as creative starting points for the whole design process. It asks the intriguing question: can working from dis/ability actually generate an alternative kind of architectural avant-garde? To do this, Doing Disability Differently: explores how thinking about dis/ability opens up to critical and creative investigation our everyday social attitudes and practices about people, objects and space argues that design can help resist and transform underlying and unnoticed inequalities introduces architects to the emerging and important field of disability studies and considers what different kinds of design thinking and doing this can enable asks how designing for everyday life - in all its diversity - can be better embedded within contemporary architecture as a discipline offers examples of what doing disability differently can mean for architectural theory, education and professional practice aims to embed into architectural practice, attitudes and approaches that creatively and constructively refuse to perpetuate body 'norms' or the resulting inequalities in access to, and support from, built space. Ultimately, this book suggests that re-addressing architecture and disability involves nothing less than re-thinking how to design for the everyday occupation of space more generally.

Deflections tend to have more significance in modern structures, especially those that are either taller, longer or have wider spans than earlier designs. It is also necessary to provide desirable distributions of internal forces in order to achieve effective, efficient and elegant structures. This book presents four structural concepts relating to deflections and internal forces in structures. It demonstrates a number of routes and physical measures together with their implementation for creating desirable distributions of internal forces and for designing structures against deflection. Hand calculation examples, with and without using the implementation measures, are provided to quantify the effectiveness and efficiency of the structural concepts. Practical examples, including several well-known structures, are considered qualitatively to illustrate the practical implementation of the structural concepts and show their structural rationale. The book is especially suitable for advanced undergraduate and graduate students studying civil engineering or architecture and should enhance the holistic comprehension of structural engineers and architects. Features Develops the concepts from their principles through to their implementation Provides worked examples in pairs and analyses real structures Especially suits final year undergraduates and graduate students in structural engineering Author Bio Dr. Tianjian Ji, CEng, FIStructE, FHEA, is Reader in Structural Engineering at the University of Manchester, UK. He received the Award for Excellence in Structural Engineering Education from the Institution of Structural Engineers, UK, in 2014 and the Teaching Excellence Award from the University of Manchester in 2016. He is the primary author of Understanding and Using Structural Concepts, 2nd edition, also published by Taylor & Francis.

Back in print--the standard work on Heino Engel's structure systems. The hundreds of drawings and photographs reproduced in this hardback volume offer almost endless variations on the many structural systems that can keep buildings together: within a few pages of one another, tents, domes and cubes are shown supported by poles, cables, ribs, rafters and beams. Heino Engel's presentation and explanation of this highly complex material differs fundamentally from others' work on the subject in that he focuses entirely upon the functions and design effects of these mechanisms, without regard for technical details: More than an engineering text, this is a catalogue of ideas and forms for architects and dreamers, a David Macaulay book for adults. Structure Systems skips over more commonly treated special designs and completed buildings for typical, representative and surprising shapes. As a reference work or daydream material, it is an indispensable repertoire of forms.

The book explores advanced building-facade daylighting design practices based on diverse energy and human-factor performance metrics. It also defines effective daylighting by rethinking the simplified approach to glazing and facade systems to incorporate the local climate and the needs of building occupants as critical drivers of building performance, design solutions and technological innovation. It discusses state-of-the-art approaches in the context of simulation-based design workflows, innovative technologies and real project case studies, all targeting low and net-zero energy solutions that enhance occupant comfort. Readers benefit from a comprehensive approach that improves the feedback loop between design intent and performance in use. The book is intended for architects, lighting designers, facade engineers, manufacturers and building owners/operators, as well as advanced students.

Buildings and construction are a major contributor to the climate and biodiversity emergency. They account for nearly 40% of energy-related carbon dioxide (CO2) emissions. It is more important than ever for architects to design responsibly and create low-carbon, low-energy buildings for a sustainable future. 101 Rules of Thumb sets out the essential elements of low-energy architecture in a fresh, intuitive way. Where ever-changing technology and complex legislation can cloud the designer's thought-process, this book equips you with the fundamentals you need to minimise CO2 emissions, design for low-energy use and work with, not against, the forces of nature. With reliable, simple rules of thumb, each page focuses on a single piece of guidance along with a clear hand-drawn illustration. The emphasis is on passive low-energy principles, and the rules of thumb cover all the design fundamentals from site and location to orientation and form, peppered with ideas to help the designer think outside the box, drawing inspiration from traditional methods, photoperiodic plants, and the black-tailed prairie dog. An extended, fully updated narrative bibliography explores the sources in detail and provides a valuable springboard for further study. Applicable throughout the world in any climate region, 101 Rules of Thumb is a global primer to be dipped into at any time as a quick means of re-focusing on what's important when designing a new or retrofitted low-energy building. The rules cover: * Site and location * Orientation and form * The low-energy building envelope * Carbon free heating, cooling and lighting * Passive low-energy principles

The Arts and Crafts Movement produced some of the country's most popular, loved and recognizable buildings. This book guides the general reader through its history from the mid-nineteenth century to the early twentieth. Of equal interest to those with a more informed interest, it will open your eyes to the richness and beauty of one of the most important artistic movements the British Isles ever produced. This beautifully illustrated book includes a comprehensive thematic introduction; an up-to-date history of Arts and Crafts architecture, the key individual and the characteristics of the buildings. In-depth case-studies of all the major buildings are given, as well as those overlooked by the current literature. There is a useful accompanying guide to places to visit and, finally, a list of stunning Arts and Crafts buildings you can stay in.

The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a 'physical novelist' as well as a 'physical historian'. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin's incomplete and broken forms expand architecture's allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.

Each of these Analysing Architecture Notebooks is devoted to a particular theme in understanding the rich and varied workings of architecture. They can be thought of as addenda to the foundation volume Analysing Architecture, which first appeared in 1997 and has subsequently been enlarged in three further editions. Examining these extra themes as a series of Notebooks, rather than as additional chapters in future editions, allows greater space for more detailed exploration of a wider variety of examples, whilst avoiding the risk of the original book becoming unwieldy. Curve is a divisive issue in architecture. Some see curves as expensive and decadent; others as an expression of transcendence - a way that the human mind can express its freedom from quotidian constraints. Yet others use curves to emulate some of the most beautiful forms in nature. This Notebook considers the various authorities to which architects look for the generation of their curves. It also considers the aspirations curves manifest in architectural form.

Dulwich Picture Gallery in the south of London is the world's first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public", it opened its famous building designed by John Soane in 1817. To mark the museum's bicentenary in 2017, Dulwich Picture Gallery commissioned a first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant, large-size book documents this piece of built poetry in a series of striking, atmospheric photographs by Sophie Roycroft. The concise essays by Job Floris and Sumayya Vally situate the project within a social, political, and cultural context, complemented by technical details and selected plans and drawings on and inside the book's cover.

How do we design in a climate emergency? A new social and ecological prerogative demands appropriate material choices, a re-invention of construction and evolving building programmes that look at lifecycle, embodied energy and energy use. Highly illustrated with practical information and simple explanations for design ideas, this book is the perfect introduction to sustainable design for architecture students. It presents key concepts in relation to the embodied energy of construction, material properties and environmental performance of buildings in an accessible way. In explaining the principles and technologies by which we heat, cool, moderate and mitigate, it demystifies environmental design as a technical exercise and enables students to create sustainable buildings with impact. Keep this sourcebook with you. Features: Amphibious House (Baca Architects), Ashen Cabin (HANNAH), Bunhill 2 Energy Centre (Ramboll, Cullinan Studio, McGurk Architects and Colloide), Cork House (Matthew Barnett Howland, Oliver Wilton and Dido Milne), Dymaxion House (Richard Buckminster Fuller), Eastgate Centre (Mick Pearce), Neuron Pod (Will Alsop - aLL Design and AKT II), Quik House (Adam Kalkin) and Tension Pavilion (StructureMode and Weber Industries). Covers: Acoustics, bamboo construction, biopolymer, bioremediation, CLT, climatic envelope, computational fluid dynamics, earthen architecture, fabric formwork, hempcrete, insulation, mycelium biofabrication, paper construction, passive solar heating, pneumatic structures, solar geometry, tensegrity structures, thermal mass and more.

Santiago Calatrava first made a name for himself in the late 1980s with delicately designed structures in Zurich that seem to grow out of the earth. He went on to create a series of highly innovative, iconic bridges across Europe, and in recent years he has drawn attention for such large-scale projects as the City of Arts and Sciences in his birth town, Valencia; the Museum of Tomorrow in Rio de Janeiro; and the World Transportation Hub at Ground Zero in New York. Originally trained as an engineer, Calatrava has, at heart, always leaned more towards artistic endeavours than purely structural ones: an entire floor of his residence in Zurich is devoted to creating paintings and sculpture, which he has pursued throughout his career. His influences range from art history and natural philosophy to antiquity, and he manages to combine these in buildings that are structurally highly stylized yet somehow timeless. While many books have documented Calatrava's output over the years, this is the first to offer his own thoughts, in his own words, in a reading format. In this heartfelt memoir of an architect of singular conviction, Calatrava's inspirations, lessons and achievements will touch every reader, whether aspiring architect or lover of art and nature.

Beauty is not arbitrary; there is a logic which informs its infinite variety of manifestations. It is not enough just to know what we like; the experience of beauty is that much richer when we know why we like it.

It is only worth examining the experience of aesthetic pleasure if there are grounds for believing that there are objective truths underpinning the subjective experience of beauty. This book explores the roots of aesthetic perception within the framework of individual taste and collective fashion.

Its aim is to offer mental tools for the critical analysis of buildings and urban configurations with the purpose of enhancing appreciation of the built environment. It is some of the recent branches of science and biomathematics which provide a platform for a theory of aesthetics which transcends the subjective without undermining subjectivity.


eBook available with sample pages: 0203401891

Janis Birkeland presents the innovative new paradigm of 'Positive Development' in which the built environment provides greater life quality, health, amenity and safety for all without sacrificing resources or money. With a different form of design, development itself can become a 'sustainability solution'. A cornerstone of this new paradigm is the eco-retrofitting of the vast urban fabric we already inhabit. The author presents a revolutionary new tool called SmartMode to achieve this end. This book challenges everyone working in or studying the areas of sustainable development, planning, architecture or the built environment to rethink their current ideas and practices.

This book discusses human factors research directed towards realizing and assessing sustainability in the built environment. It reports on advanced engineering methods for sustainable infrastructure design, as well as on assessments of the efficient methods and the social, environmental, and economic impact of various designs and projects. The book covers a range of topics, including the use of recycled materials in architecture, ergonomics in buildings and public design, sustainable design for smart cities, design for the aging population, industrial design, human scale in architecture, and many more. Based on the AHFE 2018 International Conference on Human Factors, Sustainable Urban Planning and Infrastructure, held on July 21-25, 2018, in Orlando, Florida, USA, it offers various perspectives on sustainability and ergonomics. As such, it is a valuable reference resource for designers, urban engineers, architects, infrastructure professionals, public infrastructure owners, policy makers, government engineers and planners, as well as operations managers and academics active in urban and infrastructure research.

Interior Design for Small Dwellings addresses the onrush of interest in smaller homes and the possibility that small dwellings might be the answer to housing needs and sustainability. The book explores key principles essential to residing and designing small interiors with emphasis on client involvement and implementation of participatory, inclusive design as advocated by the Council for Interior Design Accreditation. Does living in a small space mean living small? The authors believe that by simplifying one's life intelligently and applying certain principles of design, planning and organization, one can actually live a meaningful life in a smaller space. These tenets are based on the authors' professional experiences and living in small homes. To this end, the book provides discussion, images, case studies, interviews, worksheets, activities and suggested explorations. Interior Design for Small Dwellings is a teaching guide and provides information and exercises that help professional designers utilize design theory, space planning and programming techniques. Throughout, the text affords sustainability, biophilic design and wellness methodologies.

Presenting an overview of the use of Phase Change Materials (PCMs) within buildings, this book discusses the performance of PCM-enhanced building envelopes. It reviews the most common PCMs suitable for building applications, and discusses PCM encapsulation and packaging methods. In addition to this, it examines a range of PCM-enhanced building products in the process of development as well as examples of whole-building-scale field demonstrations. Further chapters discuss experimental and theoretical analyses (including available software) to determine dynamic thermal and energy performance characteristics of building enclosure components containing PCMs, and present different laboratory and field testing methods. Finally, a wide range of PCM building products are presented which are commercially available worldwide. This book is intended for students and researchers of mechanical, architectural and civil engineering and postgraduate students of energy analysis, dynamic design of building structures, and dynamic testing procedures. It also provides a useful resource for professionals involved in architectural and mechanical-civil engineering design, thermal testing and PCM manufacturing.

Climate change will present a series of challenges to engineers concerned with the provision of both building internal appliance drainage networks and rainwater systems within the building boundary, generally identified as the connection to the sewer network. Climate change is now recognised as presenting both water shortage and enhanced rainfall design scenarios. In response to predictions about immanent climate change Transient Free Surface Flows in Building Drainage Systems addresses problems such as the reduction in water available to remove waste from buildings, and conversely, the increase in frequency of tropical-type torrential rain. Starting with introductory chapters that explain the theories and principles of solid transport, free surface flows within drainage networks, and attenuating appliance discharge flows, this book allows readers from a variety of backgrounds to fully engage with this crucial subject matter. Later chapters apply these theories to the design of sanitary and rainwater systems. Case studies highlight the applicability of the method in assessing the appropriateness of design approaches. In this unique book, research in modelling for free surface flows at Edinburgh's Heriot-Watt University is drawn on to provide a highly authoritative, physics-based study of this complex engineering issue.

This book deals with planning issues in landscape architecture, which start at the evaluation of the existing fabric of society, its history and memory, approached and conserved through photography, film and scenographic installations, a way in which the archetypes can be investigated, be it industrial derelict sites or already green spaces and cultural landscapes. It provides approaches to intervention, through rehabilitation and upgrade, eventually in participative manner. To such evaluation and promotion a couple of disciplines can contribute such as history of art, geography and communication science and of course (landscape) architecture. The field of landscape architecture reunites points of view from such different disciplines with a view to an active approach a contemporary intervention or conservation. The book presents case studies from several European countries (Romania, Germany, Austria, Italy, Portugal) mostly for large landscape in the outskirts of the cities and in the parks.

It is understood that Mies van der Rohe is one of the most important architects of the Modern movement. But how do Mies' ideas on architecture and on the logic of construction relate to his built - and sometimes unbuilt - oeuvre? This book investigates this question based on 14 projects, with a focus on the choice of detail and material. Specially produced three-dimensional drawings provide an easy-to-understand analysis of Mies' construction concepts. The projects include Lange and Esters Houses (1927-30), Tugendhat House (1928-30), the Barcelona Pavilion (1928-29), Farnsworth House (1946-51), Lake Shore Drive (1948-51) and the New National Gallery (1962-68). The investigation covers several decades of Mies' work, and hence his German and American creative periods.

This book describes six months of initial intensive activities within a motivating multidisciplinary project to achieve sustainable social, economic, and environmental revitalization in the historic core of Multan City, Pakistan. The project is managed by Fondazione Politecnico di Milano within the framework of the "Pakistan-Italian Debt for Development Swap Agreement� and has five components: a livelihood improvement program, a living conditions improvement program, revitalization of physical assets, establishment of a Pakistan-Italian resource centre in Multan, and an Italian collaboration program for training and capacity building. All aspects are covered in this book, which provides a comprehensive account of progress in this excellent example of cross-cultural cooperation between a Western and an Eastern country in regenerating an historic populated site.

First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 144 of the city's most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained facades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry. The collection spans buildings from 1920 to 1970 and showcases the work of some of the city's most illustrious architects and designers, including Giovanni Muzio, Gio Ponti, Piero Portaluppi, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively created by Delfino Sisto Legnani, Paola Pansini, and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shots-such as stones, door handles, and handrails-with larger architectural views. The images are accompanied by outstanding written contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brian Kish, and Grazia Signori, together bringing a wealth of architecture, design, and natural stone expertise to guide the reader through the applied materials and fittings as well as the art-historical and social implications of each of the ingressi. As much an architectural city guide as an aesthetic study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction. In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of inquiry in Milanese modernism. With the rigor of its multifaceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the city's design DNA across high to low architecture.