Data, Matter, Design presents a comprehensive overview of current design processes that rely on the input of data and use of computational design strategies, and their relationship to an array of outputs. Technological changes, through the use of computational tools and processes, have radically altered and influenced our relationship to cities and the methods by which we design architecture, urban, and landscape systems. This book presents a wide range of curated projects and contributed texts by leading architects, urbanists, and designers that transform data as an abstraction, into spatial, experiential, and performative configurations within urban ecologies, emerging materials, robotic agents, adaptive fields, and virtual constructs. Richly illustrated with over 200 images, Data, Matter, Design is an essential read for students, academics, and professionals to evaluate and discuss how data in design methodologies and theoretical discourses have evolved in the last two decades and why processes of data collection, measurement, quantification, simulation, algorithmic control, and their integration into methods of reading and producing spatial conditions, are becoming vital in academic and industry practices.

The Victorian Art School documents the history of the art school in the nineteenth century, from its origins in South Kensington to its proliferation through the major industrial centres of Britain. Charles Rennie Mackintosh's Glasgow School of Art, together with earlier examples in Manchester and Birmingham demonstrate an unprecedented concern for the provision of plentiful light and air amidst the pollution of the Victorian city. As theories of design education and local governance converged, they also reveal the struggle of the provincial city for cultural independence from the capital. Examining innovations in the use of new technologies and approaches in the design of these buildings, The Victorian Art School offers a unique and explicitly environmental reading of the Victorian city. It examines how art schools complemented civic 'Improvement' programmes, their contribution to the evolution of art pedagogy, the tensions that arose between the provincial schools and the capital, and the role they would play in reimagining the relationship between art and public life in a rapidly transforming society. The architects of these buildings synthesised the potential of art with the perfection of the internal environment, indelibly shaping the future cultural life of Britain.

The Leaning Tower of Pisa is known worldwide for its five-degree lean. The Tower is the Campanile of the Cathedral, which together with the Baptistry and Cemetery form a breath-taking collection of monuments which are regarded as supreme examples of early Renaissance Romanesque architecture. In March 1990 the Tower was closed to the public as it was declared unsafe and close to collapse. A Commission was set up by the Italian Government with the task of developing and implementing stabilization measures. This book begins with a brief description of the history of the Tower and its construction. The reader is then introduced to the huge challenges faced by the Commission in designing and implementing appropriate stabilization measures whilst at the same time satisfying the demanding requirements of conserving a world heritage monument. In particular, two historical studies are described which proved to be most valuable in arriving at suitable stabilization measures. The first was a deduction of the history of inclination of the tower during and subsequent to construction. The results of this study were used to calibrate a sophisticated numerical model of the tower and the underlying very soft ground which proved vital in evaluating the effectiveness of various stabilization schemes. The second study was of measurements of movement made since 1911. This latter study revealed an unexpected mechanism of foundation movement which proved crucial in developing the temporary and permanent stabilization measures and which resulted in the Tower being re-opened to the public in June 2001. The book will appeal to both professionals and students in the fields of Architecture and Civil Engineering. It will also interest specialised audiences of geotechnical engineers and conservation architects. It may also be of wider interest to anyone planning to visit Pisa or who is intrigued as to what caused the Tower to lean and how it was stabilized.

Developments in IT and the resulting knowledge-based economy have challenged traditional concepts of office design, as well as many of the larger architectural and urban design models. This book examines the implications of this revolution on current urban design and identifies potential new trends in office design from an international perspective.

Six themes are addressed:

• IT and building infrastructure
• new office/new community
• organizational change
• high performance building envelopes
• interior environment
• value added sustainable design.

These forward-thinking essays have been contributed by practitioners and academics from a wide spectrum of interests to deliver an illuminating look into the unfolding possibilities and challenges ahead.

Global material crises are imminent. In the very near future, recycling will no longer be a choice made by those concerned about the environment, but a necessity for all. This means a paradigm shift in domestic behavior, manufacturing, construction, and design is inevitable. The Architecture of Waste provides a hopeful outlook through examining current recycling practices, rethinking initial manufacturing techniques, and proposing design solutions for second lives of material-objects. The book touches on a variety of inescapable issues beyond our global waste crisis including cultural psyches, politics, economics, manufacturing, marketing, and material science. A series of crucial perspectives from experts cover these topics and frames the research by providing a past, present, and future look at how we got here and where we go next: the historical, the material, and the design. Twelve design proposals look beyond the simple application of recycled and waste materials in architecture-an admirable endeavor but one that does not engage the urgent reality of a circular economy-by aiming to transform familiar, yet flawed, material-objects into closed-loop resources. Complete with over 150 color images and written for both professionals and students, The Architecture of Waste is a necessary reference for rethinking the traditional role of the architect and challenging the discipline to address urgent material issues within the larger design process.

Embracing a biological and evolutionary perspective to explain the human experience of place, Urban Experience and Design explores how cognitive science and biometric tools provide an evidence-based foundation for architecture and planning. Aiming to promote the creation of a healthier and happier public realm, this book describes how unconscious responses to stimuli, outside our conscious awareness, direct our experience of the built environment and govern human behavior in our surroundings. This collection contains 15 chapters, including contributions from researchers in the US, the UK, the Netherlands, France and Iran. Addressing topics such as the impact of eye-tracking analysis and seeing beauty and empathy within buildings, Urban Experience and Design encourages us to reframe our understanding of design, including the narrative of how modern architecture and planning came to be in the first place. This volume invites students, academics and scholars to see how cognitive science and biometric findings give us remarkable 21st-century metrics for evaluating and improving designs, even before they are built.

The BDA Guide to Successful Brickwork is the definitive practical guide to obtaining successful results in brickwork construction. Written by a team of experts from the Brick Development Association, the representative group in industry for brickwork construction, this best-selling text has now been brought fully in line with the latest site practice, innovations, British and European Standards, to ensure readers are receiving the most up-to-date and accurate information available in the field. Based on actual teaching practice, the book is highly illustrated throughout to increase accessibility of the text for the reader in their exploration of the practical aspects of brickwork. It also includes an extensive glossary of brickwork terms for ease of reference. This edition contains new material detailing recent innovations in brickwork, in the areas of components and facade performance requirements. Students in full-time education and following apprenticeship routes will find this book to be an invaluable source of information which will accompany them throughout their studies. Building professionals concerned with the design, detailing and specification of brickwork will also find the BDA Guide to be an essential reference.

"Aeolian Winds and the Spirit in Renaissance Architecture" introduces new dimensions of thinking about architectural theory. Investigating Renaissance pneumatic architecture with respect to other disciplines of arts and sciences, the collected essays substantiate the thesis that pneuma (air, wind, spirit, soul) is a fundamental link for establishing harmony among the human body, a building, and the cosmos. While much of sixteenth and seventeenth century scholarship has been devoted to the mathematics of ideal architecture, the book proves that essence, wind and ventilation are all part of the classical principles of building, and that one of the primary goals of Renaissance architects was to enhance the powers of pneuma so as to foster the art of well-being. This volume, written by leading architectural historians and scholars, delineates ancient and Renaissance theories and practice of pneumatology, and indicates a link to contemporary environmental questions. It examines Anaximenes, Hippocrates, Galen, Trento, Romano, Alberti, Serlio, Palladio, Scamozzi and other thinkers and humanists. Moreover, the essays illustrate the most famous examples of hygienico-therapeutic villas, including Rotonda, La Rocca Pisana and Eolia, a pneumatic model of Renaissance Venetian architecture.

Learning from Failure in the Design Process shows you that design work builds on lessons learned from failures to help you relax your fear of making mistakes, so that you're not paralyzed when faced with a task outside of your comfort zone. Working hands-on with building materials, such as concrete, sheet metal, and fabric, you will understand behaviors, processes, methods of assembly, and ways to evaluate your failures to achieve positive results. Through material and assembly strategies of stretching, casting, carving, and stacking, this book uncovers the issues, problems, and failures confronted in student material experiments and examines built projects that addressed these issues with innovative and intelligent strategies. Highlighting numerous professional practice case studies with over 250 color images, this book will be ideal for students interested in materials and methods, and students of architecture in design studios.

With a comprehensive analysis, this book links theory, evidence and practical application to bridge gaps between planning, design and criminology. The authors investigate connections between crime prevention and development planning with an international approach, looking at initiatives in the field and incorporating an understanding of current responses to the growth of technology and terrorism.

With a comprehensive analysis, this book links theory, evidence and practical application to bridge gaps between planning, design and criminology. The authors investigate connections between crime prevention and development planning with an international approach, looking at initiatives in the field and incorporating an understanding of current responses to the growth of technology and terrorism.

Design impacts every part of our lives. The design of products and services influences the way we go about our daily activities and it is hard to imagine any activity in our daily lives that is not dependent on design in some capacity. Clothing, mobile phones, computers, cars, tools and kitchenware all enable and hold in place everyday practices. Despite design’s omnipresence, the understanding of how design may facilitate desirable behaviours is still fragmented, with limited frameworks and examples of how design can effect change in professional and public contexts.

This text presents an overview of current approaches dedicated to understanding how design may be used intentionally to make changes to improve a range of problematic social and environmental issues. It offers a cross-disciplinary and cross-sectoral overview of different academic theories adopted and applied to design for behaviour change.

The aim of the volume is twofold: firstly, to provide an overview of existing design models that integrate theories of change from differing scientific backgrounds; secondly, to offer an overview of application of key design for behaviour change approaches as used across case studies in different sectors, such as design for health and wellbeing, sustainability, safety, design against crime and social design. Design for Behaviour Change will appeal to designers, design students and practitioners of behavioural change.

Table of Contents

Part I Design for Behaviour Change: its Background and Significance, Chapter 1 Introduction: Designing for Behavioural Change, Chapter 2 Design’s Intrinsic Relationship with Change and its Challenges for the 21st Century, Part II Models, Methods and Tools for Design for Behaviour Change, Chapter 3 Introducing Models, Methods and Tools for Design for Behaviour Change, Chapter 4 The Product Impact Tool: The Case of the Dutch Public Transport Chip Card, Chapter 5 Design Interventions for Sustainable Behaviour, Chapter 6 Design, Behaviour change, and the Design with Intent Toolkit, Chapter 7 Tweaking Interaction through Understanding the User, Chapter 8 Design for Healthy Behaviour, Chapter 9 Facilitating Behaviour Change through Mindful Design, Chapter 10 Practices-Oriented Design, Chapter 11 Futuring and Ontological Designing, Chapter 12 The Hidden Influence of Design, Chapter 13 Summary of Design for Behavioural Change Approaches, Part III Applying Design for Behaviour Change, Chapter 14 Design for Behaviour Change: Introducing Five Areas of Application and Related Case Studies, Chapter 15 Design for Behaviour Change and Sustainability, Chapter 16 Design for Behaviour Change for Health and Wellbeing, Chapter 17 Design for Behavioural Safety, Chapter 18 Is ‘Nudge’ as Good as ‘We Think’ in Designing against Crime?Contrasting Paternalistic and Fraternalistic Approaches to Design for Behaviour Change, Chapter 19 Design for Social Behaviour Change, Chapter 20 Reflecting on Current Applications of Design for Behaviour Change, Part IV The Current State and Future of Design for Behaviour Change, Chapter 21 Conclusion, Chapter 22 Future Prospects

"Aeolian Winds and the Spirit in Renaissance Architecture" introduces new dimensions of thinking about architectural theory. Investigating Renaissance pneumatic architecture with respect to other disciplines of arts and sciences, the collected essays substantiate the thesis that pneuma (air, wind, spirit, soul) is a fundamental link for establishing harmony among the human body, a building, and the cosmos. While much of sixteenth and seventeenth century scholarship has been devoted to the mathematics of ideal architecture, the book proves that essence, wind and ventilation are all part of the classical principles of building, and that one of the primary goals of Renaissance architects was to enhance the powers of pneuma so as to foster the art of well-being. This volume, written by leading architectural historians and scholars, delineates ancient and Renaissance theories and practice of pneumatology, and indicates a link to contemporary environmental questions. It examines Anaximenes, Hippocrates, Galen, Trento, Romano, Alberti, Serlio, Palladio, Scamozzi and other thinkers and humanists. Moreover, the essays illustrate the most famous examples of hygienico-therapeutic villas, including Rotonda, La Rocca Pisana and Eolia, a pneumatic model of Renaissance Venetian architecture.

The Victorian Art School documents the history of the art school in the nineteenth century, from its origins in South Kensington to its proliferation through the major industrial centres of Britain. Charles Rennie Mackintosh's Glasgow School of Art, together with earlier examples in Manchester and Birmingham demonstrate an unprecedented concern for the provision of plentiful light and air amidst the pollution of the Victorian city. As theories of design education and local governance converged, they also reveal the struggle of the provincial city for cultural independence from the capital. Examining innovations in the use of new technologies and approaches in the design of these buildings, The Victorian Art School offers a unique and explicitly environmental reading of the Victorian city. It examines how art schools complemented civic 'Improvement' programmes, their contribution to the evolution of art pedagogy, the tensions that arose between the provincial schools and the capital, and the role they would play in reimagining the relationship between art and public life in a rapidly transforming society. The architects of these buildings synthesised the potential of art with the perfection of the internal environment, indelibly shaping the future cultural life of Britain.

This book uses theories, hypotheses, policies, practical insights and case studies to introduce and elucidate green building materials for sustainable construction. Cement is the most widely used building material in construction; however, it is not sustainable, being responsible for 7% of global carbon dioxide emissions and consuming huge quantities of energy. In order to limit the ecological damage, sustainable building materials are needed. Ecosystems are a source of important lessons and models for transitioning the built environment onto a sustainable path that opens options for sustainable building material in construction. The book provides a guide for readers seeking knowledge on sustainable building materials with the potential to lower environmental impact by reducing CO2 emission throughout the building's lifecycle. The book is motivated by recent rapid advances in sustainable building materials production, including green building materials made of industrial by-products and recycled wastes, earth materials, plant-based materials, microbial-based materials or supplementary cementitious materials, to reduce the environmental impacts of traditional building materials. Discussing the development and applications of various sustainable building materials, including related case studies, and addressing the environmental issue with a holistic and systematic approach that creates an ecology of construction for sustainability in infrastructures, it offers promising solutions to achieve renewable and sustainable building materials for the future.

When designing, architects are responding to and creating a relationship between identity, culture and architectural style. This book discusses whether the extent of the use of glass facades has increased, or indeed enhanced, the creation of meaningful place-making, thereby creating a cultural identity of 'place'. Looking at the development of perceptions of glass facades in different cultures, it shows how modernist 'glass' buildings are perceived as an expression of technical achievement, as symbols of global economic success and as setting a neutral platform for multi-cultural societies - all of which are difficult for urban developers and policy makers to resist in our era of globalization. Drawing on a number of modern and heritage design projects from Europe, the USA, the Middle East and South East Asia, the book reviews efforts of some regional towns and local places to move up the economic ladder by adopting a more 'global' aesthetic.

Over 100 beautiful, informative photos display the green roofs technology that is quickly becoming a fundamental element of the emerging practice of living architecture. The award-winning roof designs displayed and described, for private homes, businesses, and public spaces alike, integrate natural and artificial systems, resulting in healthier, more sustainable buildings and communities. Green roofs have the capacity to deliver multiple public and private benefits. The projects depicted and discussed cover a wide geographic range from Manitoba to Florida, stretching from the mid-Atlantic coast to the Pacific. The projects are almost exclusively the product of multi-disciplinary, collaborative design processes. Details about the plants used, growing media, drainage and irrigation systems, and waterproofing, along with descriptions of challenges overcome, and innovations developed, are provided.

In this edited volume, academics and practitioners from various disciplines investigate the challenges, opportunities and frameworks in the implementation of Smart Cities in the Gulf.The volume presents insightful analyses and identifies key lessons learned through case studies covering four main themes including smart city frameworks and governance, resources and infrastructure, information and communication technologies, and the social perspective. In doing so, the book provides policy recommendations related to smart governance, as well as overall frameworks that cities can adopt in their process of transition, and knowledge that is integral to bridge the gap between various stakeholders in the Smart City milieu. This edited volume comprises extended versions of papers presented at a workshop held at the University of Cambridge, UK titled "Smart Cities in the GCC: Current State, Opportunities and Challenges."

Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective. This issue discusses the topic of globalisation and locality through four essays and eleven projects. The essays attempt to observe the tension between the different forces of globalisation, which is being widely debated as a distinguishing trend, and also highlight globalisation's impact on local architecture, as well as the various efforts being taken to ensure local identity and distinctive locality in architecture design. The projects, accompanied with full-colour photos and text descriptions, demonstrate the many successful attempts in developing design concepts and methods to cope with the globalisation trend while maintaining locality. These essays and projects are carefully selected to represent diversity in project locations, and includes locations such as Thailand, India, Japan, and China.

The first volume of the series chronicling the work of architects gmp * Von Gerkan, Marg and Partner was published in 1978, while 2008 saw the publication of the eleventh and most recent volume in the series. More than a decade later, the series is at last picking up where it left off: volume twelve of the monograph documents the projects built between 2007 and 2011, including numerous sports facilities around the world, from the three stadiums erected for the soccer world championships in 2010 in Cape Town, Port Elizabeth, and Durban, South Africa; to the buildings for the World University Games in 2011 in Shenzhen, China; to the Olympic stadium in Kiev. Those, however, are just a few of the sixty-five projects found in this richly illustrated volume: transportation facilities such as the Hamburg Airport and the West Train Station in Tianjin, China, as well as iconic cultural buildings such as the Chinese National Museum, the Hanoi Museum, the China Maritime Museum in Lingang, and the grand theatres in Chongqing and Qingdao are also detailed. Languages: German and English

"Architectures: Modernism and After "surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. The collection of essays brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment from 1851 to the present time, showing how buildings and our responses to them are embedded in the cultural process and the ethics of production.

This volume presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. In doing so, "Architectures: Modernism and After" provides a view of architectural history as part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.

Many important advances in designing modern structures have occurred over the last several years. Structural engineers need an authoritative source of information that thoroughly and concisely covers the foundational principles of the field. Comprising chapters selected from the second edition of the best-selling Handbook of Structural Engineering, Principles of Structural Design provides a tightly focused, concise, and valuable guide to the theoretical, practical, and computational aspects of structural design. This book systematically explores the fundamental concepts underlying structural design for each major type of structural material. Expert contributors authoritatively discuss steel structures, steel frame design using advanced analysis, cold-formed steel structures, reinforced concrete structures, prestressed concrete, and masonry, timber, and aluminum structures. For each construction material, the chapter explores the material properties, design considerations, and structural principles affecting overall design. Reflecting recent advances, the book includes two chapters devoted to reliability-based structural design and structure configuration based on wind engineering. Computational methods and simulation techniques illustrate the concepts of reliability-based design, while examples of real bridges highlight the application of wind engineering principles and methods. Principles of Structural Design couples fundamental concepts with advanced practices. It is an ideal introduction for newcomers to the field as well as a perfect review and quick-reference guide for seasoned engineers.

First published in 1999, this volume examines Sir John Soane (1753-1837) who was one of Britain's most inventive architects. His achievements include the Bank of England and the world's first picture gallery at Dulwich, buildings of international importance. His country estate work, inspired by classical antiquity, ranges in scale from the remodelling of existing country houses, such as Wimpole Hall in Cambridgeshire and Aynhoe Park in Northamptonshire, to simple outbuildings. Here we see the emergence of the key themes of his style and the results of his precise attention to proportion, design detail, and light and shade. These are among Soane's finest works. Making full use of the Soane Museum and country house archives, Ptolemy Dean here examines ten country house projects, reconstructing the creative transactions between client and architect, architect and skilled craftsman. It is impossible to understand Soane's intentions without the drawings, sketches and letters which enable us to trace the process of design. With the author's own drawings in watercolour to illustrate Soane's use of light and space, and beautiful photographs by Martin Charles, Sir John Soane and the Country Estate offers an enthralling insight into the work of a great architect. An illustrated inventory, the first fully researched guide to Soane's country house practice, details an architectural legacy that has rarely been matched.

This book investigates the design, operation and use of contemporary transportable buildings, and explores how functional performance can be assessed in small-scale examples for public use alongside their relationship to other design elements. The research focuses on three case studies, Chengdu Hualin Elementary School, Exxopolis and Kreod, that do not require a high-technology building environment or complex construction skills. Transportable buildings are defined as those that are transported in a number of parts for assembly on site. Contemporary transportable buildings respond to ecological issues, social impacts, technological innovation and economic demands. They can be used to measure a society's development in environmental sustainability, innovation and economic growth through various forms. Small-scale transportable buildings fulfil many temporary habitation needs in diverse roles, such as non-emergency transitional housing, ephemeral exhibition buildings and seasonal entertainment facilities. Small-Scale Public Transportable and Pre-Fabricated Buildings will be a useful research text for academics and students in architecture, design and sustainable building performance.

A History of Design Institutes in China examines the intricate relationship between design institutes, the state, and, in later periods, the market economy through a carefully situated discussion of significant theoretical and historical issues including socialist utopia, collective and individual design, structural transformation, and architectural exportation, amongst others. It shows how, over the past six decades, China's design institutes have served the state's strategy for socialist construction and urbanisation to create socioeconomic and cultural value. Through first-hand research, authors Xue and Ding reveal how the tensions between pragmatism, creativity, collaboration, and resistance have played a crucial role in defining architectural production. Appealing to academics, researchers, and graduate students, this book provides a much-needed contribution to the discourse on architectural history, building practices, and policymaking in contemporary China.