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Books > Arts & Architecture > Architecture > Architectural structure & design
With 470 eye-catching color photos and informative text, readers are taken on a cross-country tour of towers, turrets, cupolas, and belvederes found on homes, churches, and barns dating from the nineteenth through the early twenty-first century. Towers are often landmarks for cities. A tower or turret is particularly eye-catching on a house or business and turns them into a recognizable neighborhood landmark. Cupolas and belvederes are functional embellishments that crown the roof. They offer access to views, add dimension to the exterior, and further serve to bring in light and ventilation. Both quadrilateral and octagonal cupolas and belvederes are displayed. Added to the mix is a beautiful grouping of widow's walks and parapets. Architects and designers will find the range of shapes and adornment on these architectural features both surprising and inspiring.
This book addresses the question 'Why draw?' by examining the various dynamic relationships between media, process, thought and environment. Highly illustrated, the book brings together authors from the fields of architecture, landscape architecture and art and demonstrates that designing through drawing is fundamentally different from designing on a screen.
Tour the homes of great movie stars of the silver screen, from early silent films to the Technicolor years. Over 360 postcards and photos display the residences of Fred Astaire, Lucille Ball, Lionel Barrymore, James Cagney, Charlie Chaplin, Joan Crawford, Marlene Dietrich, Peter Falk, Judy Garland, Elvis Presley, Sonny and Cher, and many more. Facts about the most memorable films, Hollywood careers, and quotes from the stars are featured. This book is sure to be a show stopper for movie buffs, postcard collectors, and "star" gazers.
Marble is one of the great veins through the architectural tradition and fundamental building block of the Mediterranean world, from the Parthenon of mid-fifth century Athens, which was constructed of pentelic marble, to Justinian's Hagia Sophia in Constantinople and the Renaissance and Baroque basilica of St. Peter's in the Vatican. Scholarship has done much in recent years to reveal the ways and means of marble. The use of colored marbles in Roman imperial architecture has recently been the subject of a major exhibition and the medieval traditions of marble working have been studied in the context of family genealogies and social networks. In addition, architectural historians have revealed the meanings evoked by marble revetted and paved surfaces, from Heavenly Jerusalem to frozen water. The present volume builds upon the body of recent and emerging research - from antiquity to the present day - to embrace a global focus and address the more unusual (or at least unexpected) uses, meanings, and aesthetic appeal of marble. It presents instances where the use of marble has revolutionized architectural practice, suggested new meaning for the built environment, or defined a new aesthetic - moments where this well-known material has been put to radical use.
Daylighting, Architecture and Health examines the relationship between natural light in buildings and human health, considering both psychological and physiological issues and bringing together a range of research in the field. As we are becoming increasingly conscious of global warming and pushing towards energy efficiency in buildings, the book examines the question of daylighting from the perspective of the health of building occupants. It gathers and reviews all the latest and pertinent medical and architectural research related to natural light, or lack thereof, and its effect on people. * Documents medical research findings which establish a link between light quality and health * Considers design strategies for increasing daylight in buildings * Develops understanding and awareness of the importance of natural light in buildings Daylighting, Architecture and Health: Building Design Strategies is a timely and essential text for professional architects and all others concerned with the effects of daylighting on health, architecture and building design.
Janis Birkeland presents the innovative new paradigm of 'Positive Development' in which the built environment provides greater life quality, health, amenity and safety for all without sacrificing resources or money. With a different form of design, development itself can become a 'sustainability solution'. A cornerstone of this new paradigm is the eco-retrofitting of the vast urban fabric we already inhabit. The author presents a revolutionary new tool called SmartMode to achieve this end. This book challenges everyone working in or studying the areas of sustainable development, planning, architecture or the built environment to rethink their current ideas and practices.
In today's world, reasonably predictable military operations have been replaced by low intensity conflicts-less predictable terrorist activities carried out by determined individuals or small groups that possess a wide range of backgrounds and capabilities. Because of the threats posed by this evolving type of warfare, civil engineers and emergency personnel face new challenges in designing facilities to protect lives and property and in conducting effective rescue operations and forensic investigations. Addressing these needs, Modern Protective Structures develops realistic guidelines for the analysis, design, assessment, retrofit, and research of protected facilities. After introducing a comprehensive risk management approach, the author provides a general background on explosive devices and their capabilities as well as explosive effects and the processes that generate them. He then discusses the effects of conventional and nuclear explosions. The book subsequently considers the significant design differences between conventional and nuclear loads and between existing design procedures and state-of-the-art information from recent research. It also summarizes existing blast-resistant design approaches and describes the dynamic responses of structural systems to blasts, shocks, and impacts. Additional coverage includes the behavior of specific structural connections, the traditional concept of P-I diagrams, and progressive collapse. The book concludes with a systematic and balanced protective design approach. Tackling the analytical, design, assessment, and hazard mitigation issues associated with short-duration dynamic loads, this book examines how impulsive loads affect various typesof buildings and facilities. It provides the necessary material to help ensure the safety of persons, assets, and projects.
With contributions from provocative art and architectural historians, this book is a unique exposition of the temporary architecture erected for festivals and the role it has played in developing Western architectural and urban theory. Festival Architecture is arranged in historical periods - from Antiquity to the modern era - and divided between analyses of specific festivals, set in relation to contemporary architecture and urban design ideas and theories. Illustrated with a wealth of unusual and rarely-seen images from the European festival tradition, this is a fascinating outline of the history of festival architecture ideal for postgraduate architecture and urban design students.
Constructing Building Enclosures investigates and interrogates tensions that arose between the disciplines of architecture and engineering as they wrestled with technology and building cultures that evolved to deliver structures in the modern era. At the center of this history are inventive architects, engineers and projects that did not settle for conventional solutions, technologies and methods. Comprised of thirteen original essays by interdisciplinary scholars, this collection offers a critical look at the development and the purpose of building technology within a design framework. Through two distinct sections, the contributions first challenge notions of the boundaries between architecture, engineering and construction. The authors then investigate twentieth-century building projects, exploring technological and aesthetic boundaries of postwar modernism and uncovering lessons relevant to enclosure design that are typically overlooked. Projects include Louis Kahn's Weiss House, Minoru Yamasaki's Science Center, Sigurd Lewerentz's Chapel of Hope and more. An important read for students, educators and researchers within architectural history, construction history, building technology and design, this volume sets out to disrupt common assumptions of how we understand this history.
Constructing Building Enclosures investigates and interrogates tensions that arose between the disciplines of architecture and engineering as they wrestled with technology and building cultures that evolved to deliver structures in the modern era. At the center of this history are inventive architects, engineers and projects that did not settle for conventional solutions, technologies and methods. Comprised of thirteen original essays by interdisciplinary scholars, this collection offers a critical look at the development and the purpose of building technology within a design framework. Through two distinct sections, the contributions first challenge notions of the boundaries between architecture, engineering and construction. The authors then investigate twentieth-century building projects, exploring technological and aesthetic boundaries of postwar modernism and uncovering lessons relevant to enclosure design that are typically overlooked. Projects include Louis Kahn's Weiss House, Minoru Yamasaki's Science Center, Sigurd Lewerentz's Chapel of Hope and more. An important read for students, educators and researchers within architectural history, construction history, building technology and design, this volume sets out to disrupt common assumptions of how we understand this history.
Developments in IT and the resulting knowledge-based economy have challenged traditional concepts of office design, as well as many of the larger architectural and urban design models. This book examines the implications of this revolution on current urban design and identifies potential new trends in office design from an international perspective. Six themes are addressed:
These forward-thinking essays have been contributed by practitioners and academics from a wide spectrum of interests to deliver an illuminating look into the unfolding possibilities and challenges ahead.
First published in 1999, this volume examines Sir John Soane (1753-1837) who was one of Britain's most inventive architects. His achievements include the Bank of England and the world's first picture gallery at Dulwich, buildings of international importance. His country estate work, inspired by classical antiquity, ranges in scale from the remodelling of existing country houses, such as Wimpole Hall in Cambridgeshire and Aynhoe Park in Northamptonshire, to simple outbuildings. Here we see the emergence of the key themes of his style and the results of his precise attention to proportion, design detail, and light and shade. These are among Soane's finest works. Making full use of the Soane Museum and country house archives, Ptolemy Dean here examines ten country house projects, reconstructing the creative transactions between client and architect, architect and skilled craftsman. It is impossible to understand Soane's intentions without the drawings, sketches and letters which enable us to trace the process of design. With the author's own drawings in watercolour to illustrate Soane's use of light and space, and beautiful photographs by Martin Charles, Sir John Soane and the Country Estate offers an enthralling insight into the work of a great architect. An illustrated inventory, the first fully researched guide to Soane's country house practice, details an architectural legacy that has rarely been matched.
Fueled by a flourishing capitalist economy, undergirded by advancements in architectural design and urban infrastructure, and patronized by growing bourgeois and elite classes, New York's built environment was dramatically transformed in the 1870s and 1880s. This book argues that this constituted the formative period of New York's modernization and cosmopolitanism-the product of a vital self-consciousness and a deliberate intent on the part of its elite citizenry to create a world-class cultural metropolis reflecting the city's economic and political preeminence. The interdisciplinary essays in this book examine New York's late nineteenth-century evolution not simply as a question of its physical layout but also in terms of its radically new social composition, comprising the individuals, institutions, and organizations that played determining roles in the city's cultural ascendancy.
Data, Matter, Design presents a comprehensive overview of current design processes that rely on the input of data and use of computational design strategies, and their relationship to an array of outputs. Technological changes, through the use of computational tools and processes, have radically altered and influenced our relationship to cities and the methods by which we design architecture, urban, and landscape systems. This book presents a wide range of curated projects and contributed texts by leading architects, urbanists, and designers that transform data as an abstraction, into spatial, experiential, and performative configurations within urban ecologies, emerging materials, robotic agents, adaptive fields, and virtual constructs. Richly illustrated with over 200 images, Data, Matter, Design is an essential read for students, academics, and professionals to evaluate and discuss how data in design methodologies and theoretical discourses have evolved in the last two decades and why processes of data collection, measurement, quantification, simulation, algorithmic control, and their integration into methods of reading and producing spatial conditions, are becoming vital in academic and industry practices.
The contribution of buildings to climate change is widely acknowledged. This book investigates how building regulatory systems are addressing the current and future effects of climate change, and how these systems can be improved. After presenting a comprehensive overview of how the current building regulatory system developed, some of the inadequacies are identified. The largest part of the book examines the potential for innovative policy solutions to address the real world problem of mitigating and adapting buildings to climate change. This publication contributes significantly to our understanding of the complexities of long-term energy efficiency in buildings. This book was originally published as a special issue of the Building Research & Information journal.
This is the classic resource for authentic Mediterranean and Spanish architecture, compiled in 1929 by the pioneer architect of its revival style. Its 144 plates display many country and city dwellings, interiors as well as exteriors, and architectural, garden, and ironwork details. Sections focus on roofs, street scenes, cornices and chimneys. There are Old World doorways, window grilles, balconies, and cornices. Its patios, fountains, and gates can provide inspiration for today's builders seeking to create authentic landscape design. Many of the photographic views are identified with the town name and specific features they clearly display.
In this edited volume, academics and practitioners from various disciplines investigate the challenges, opportunities and frameworks in the implementation of Smart Cities in the Gulf.The volume presents insightful analyses and identifies key lessons learned through case studies covering four main themes including smart city frameworks and governance, resources and infrastructure, information and communication technologies, and the social perspective. In doing so, the book provides policy recommendations related to smart governance, as well as overall frameworks that cities can adopt in their process of transition, and knowledge that is integral to bridge the gap between various stakeholders in the Smart City milieu. This edited volume comprises extended versions of papers presented at a workshop held at the University of Cambridge, UK titled "Smart Cities in the GCC: Current State, Opportunities and Challenges."
The Victorian Art School documents the history of the art school in the nineteenth century, from its origins in South Kensington to its proliferation through the major industrial centres of Britain. Charles Rennie Mackintosh's Glasgow School of Art, together with earlier examples in Manchester and Birmingham demonstrate an unprecedented concern for the provision of plentiful light and air amidst the pollution of the Victorian city. As theories of design education and local governance converged, they also reveal the struggle of the provincial city for cultural independence from the capital. Examining innovations in the use of new technologies and approaches in the design of these buildings, The Victorian Art School offers a unique and explicitly environmental reading of the Victorian city. It examines how art schools complemented civic 'Improvement' programmes, their contribution to the evolution of art pedagogy, the tensions that arose between the provincial schools and the capital, and the role they would play in reimagining the relationship between art and public life in a rapidly transforming society. The architects of these buildings synthesised the potential of art with the perfection of the internal environment, indelibly shaping the future cultural life of Britain.
The Leaning Tower of Pisa is known worldwide for its five-degree lean. The Tower is the Campanile of the Cathedral, which together with the Baptistry and Cemetery form a breath-taking collection of monuments which are regarded as supreme examples of early Renaissance Romanesque architecture. In March 1990 the Tower was closed to the public as it was declared unsafe and close to collapse. A Commission was set up by the Italian Government with the task of developing and implementing stabilization measures. This book begins with a brief description of the history of the Tower and its construction. The reader is then introduced to the huge challenges faced by the Commission in designing and implementing appropriate stabilization measures whilst at the same time satisfying the demanding requirements of conserving a world heritage monument. In particular, two historical studies are described which proved to be most valuable in arriving at suitable stabilization measures. The first was a deduction of the history of inclination of the tower during and subsequent to construction. The results of this study were used to calibrate a sophisticated numerical model of the tower and the underlying very soft ground which proved vital in evaluating the effectiveness of various stabilization schemes. The second study was of measurements of movement made since 1911. This latter study revealed an unexpected mechanism of foundation movement which proved crucial in developing the temporary and permanent stabilization measures and which resulted in the Tower being re-opened to the public in June 2001. The book will appeal to both professionals and students in the fields of Architecture and Civil Engineering. It will also interest specialised audiences of geotechnical engineers and conservation architects. It may also be of wider interest to anyone planning to visit Pisa or who is intrigued as to what caused the Tower to lean and how it was stabilized.
With a comprehensive analysis, this book links theory, evidence and practical application to bridge gaps between planning, design and criminology. The authors investigate connections between crime prevention and development planning with an international approach, looking at initiatives in the field and incorporating an understanding of current responses to the growth of technology and terrorism.
With a comprehensive analysis, this book links theory, evidence and practical application to bridge gaps between planning, design and criminology. The authors investigate connections between crime prevention and development planning with an international approach, looking at initiatives in the field and incorporating an understanding of current responses to the growth of technology and terrorism.
Spaces of Serenity showcases the small structures from Jeffery S. Poss, built for contemplation, meditation, and peace. These buildings are exquisite examples of architecture that promotes harmony between the occupant and the outside environment.
"I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book...there is no better on the extraordinary Beaux Arts of New York." -Lemeau, Decorator's Insider "This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world's most luscious buildings were designed for some of the most unpleasant people in American history." - Timothy Brittain-Catlin, World of Interiors "New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions... An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy."- The Critic The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the centre of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand chateaux and palazzos along Fifth Avenue-collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts. This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at 20 of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age-often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognisable and accessible to all, others are obscure buildings that history has forgotten. Set amid the magnificent achievements of an American Renaissance, this book recounts not only the fascinating stories of some of New York's most famous and significant Beaux-Arts landmarks, it also recalls the lives of those who commissioned, designed, and built them. These are some of the most acclaimed architects, artists, and artisans of the day-Daniel Chester French, Cass Gilbert, Charles McKim, Augustus Saint-Gaudens, Louis Comfort Tiffany, and Stanford White-and some of the most prominent millionaires in American history-Henry Clay Frick, Jay Gould, Otto Kahn, J.P. Morgan, John D. Rockefeller, and the ubiquitous Astor and Vanderbilt families. Names that-as Julian Fellowes (the acclaimed director of Downton Abbey) notes in the Foreword-"still reek of money." Excerpt from the Introduction |
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