As architects and designers, we struggle to reconcile ever increasing environmental, humanitarian, and technological demands placed on our projects. Our new geological era, the Anthropocene, marks humans as the largest environmental force on the planet and suggests that conventional anthropocentric approaches to design must accommodate a more complex understanding of the interrelationship between architecture and environment Here, for the first time, editor Ariane Lourie Harrison collects the essays of architects, theorists, and sustainable designers that together provide a framework for a posthuman understanding of the design environment. An introductory essay defines the key terms, concepts, and precedents for a posthuman approach to architecture, and nine fully illustrated case studies of buildings from around the globe demonstrate how issues raised in posthuman theory provide rich terrain for contemporary architecture, making theory concrete. By assembling a range of voices across different fields, from urban geography to critical theory to design practitioners, this anthology offers a resource for design professionals, educators, and students seeking to grapple the ecological mandate of our current period. Case studies include work by Arakawa and Gins, Arons en Gelauff, Casagrande, The Living, Minifie van Schaik, R & Sie (n), SCAPE, Studio Gang, and xDesign. Essayists include Gilles Clement, Matthew Gandy, Francesco Gonzales de Canales, Elizabeth Grosz, Simon Guy, Seth Harrison, N. Katherine Hayles, Ursula Heise, Catherine Ingraham, Bruno Latour, William J. Mitchell, Matteo Pasquinelli, Erik Swyngedouw, Sarah Whatmore, Jennifer Wolch, Cary Wolfe, and Albena Yaneva

Both professionals and students are increasingly committed to achieving high-performance metrics in the design, construction and operation of residential buildings. This book responds to this demand by offering a comprehensive guide which features:

• architectural innovations in building skin technologies which make lighter more transparent buildings high performing
• energy-free architectural design principles and advances in building-integrated photovoltaics
• essential engineering principles, controls and approaches to simulation for achieving net zero
• the advantages of integrated design in residential construction and the challenges and opportunities it engenders
• detailed case studies of innovative homes which have incorporated low-energy design solutions, new materials, alternative building assemblies, digital fabrication, integrated engineering systems and operational controls.

Divided into four parts, the book discusses the requisite AEC (Architecture, Engineering and Construction) knowledge needed when building a high-performance home. It also communicates this information across four case studies, which provide the reader with a thorough overview of all aspects to be considered in the design and construction of sustainable homes. With contributions from experts in the field, the book provides a well-rounded and multi-faceted approach.

This book is essential reading for students and professionals in design, architecture, engineering (civil, mechanical and electrical), construction and energy management.

- Provides architects and students of architecture to design with evidence-based and tangible tactics and strategies towards a new future-use design paradigm - Provides a framework of principles and practices that address the complexity and uncertainty of the contemporary and future built environment - Includes dozens of interviews with architects, architectural clients and building users, and the analysis of over a hundred historic and contemporary architecture projects - Includes over 100 original diagrams and illustrations

New edition of the popular handbook The Modern Construction Handbook has become a classic of advanced construction literature, not least due to its regular revisions and clear structure with chapters titled "Material", "Wall", "Roof", "Structure", "Environment," and "Applications". Tried and tested component details, examples focusing on sustainability and energy consumption, and an update on finite element analysis (FEA) and computational fluid dynamics (CFD) introduced in the last edition set new standards for this handbook which serves as a foundational textbook in many architecture courses. As a primer Handbook to building design, it is a starting point for the more advanced books Modern Construction Envelopes, Modern Construction Case Studies, Modern Environmental Design and Modern Structural Design by Andrew Watts. Relevant details and examples for studies The most important aspects of building design covered in six chapters Project-neutral drawings

In this expanded second edition of Cognitive Architecture, the authors review new findings in psychology and neuroscience to help architects and planners better understand their clients as the sophisticated mammals they are, arriving in the world with built-in responses to the environment. Discussing key biometric tools to help designers 'see' subliminal human behaviors and suggesting new ways to analyze designs before they are built, this new edition brings readers up-to-date on scientific tools relevant for assessing architecture and the human experience of the built environment. The new edition includes: Over 100 full color photographs and drawings to illustrate key concepts. A new chapter on using biometrics to understand the human experience of place. A conclusion describing how the book's propositions reframe the history of modern architecture. A compelling read for students, professionals, and the general public, Cognitive Architecture takes an inside-out approach to design, arguing that the more we understand human behavior, the better we can design and plan for it.

Recent catastrophic events, such as the I-35W bridge collapse, New Orleans flooding, the BP oil spill, Port au Prince's destruction by earthquake, Fukushima nuclear plant's devastation by tsunami, the Wall Street investment bank failures, and the housing foreclosure epidemic and the collapse of housing prices, all stem from what author Thomas Fisher calls fracture-critical design. This is design in which structures and systems have so little redundancy and so much interconnectedness and misguided efficiency that they fail completely if any one part does not perform as intended. If we, as architects, planners, engineers, and citizens are to predict and prepare for the next disaster, we need to recognize this error in our thinking and to understand how design thinking provides us with a way to anticipate unintended failures and increase the resiliency of the world in which we live.

In Designing to Avoid Disaster, the author discusses the context and cultural assumptions that have led to a number of disasters worldwide, describing the nature of fracture-critical design and why it has become so prevalent. He traces the impact of fracture-critical thinking on everything from our economy and politics to our educational and infrastructure systems to the communities, buildings, and products we inhabit and use everyday. And he shows how the natural environment and human population itself have both begun to move on a path toward a fracture-critical collapse that we need to do everything possible to avoid. We designed our way to such disasters and we can design our way out of them, with a number of possible solutions that Fisher provides.

Recent catastrophic events, such as the I-35W bridge collapse, New Orleans flooding, the BP oil spill, Port au Prince's destruction by earthquake, Fukushima nuclear plant's devastation by tsunami, the Wall Street investment bank failures, and the housing foreclosure epidemic and the collapse of housing prices, all stem from what author Thomas Fisher calls fracture-critical design. This is design in which structures and systems have so little redundancy and so much interconnectedness and misguided efficiency that they fail completely if any one part does not perform as intended. If we, as architects, planners, engineers, and citizens are to predict and prepare for the next disaster, we need to recognize this error in our thinking and to understand how design thinking provides us with a way to anticipate unintended failures and increase the resiliency of the world in which we live.

In Designing to Avoid Disaster, the author discusses the context and cultural assumptions that have led to a number of disasters worldwide, describing the nature of fracture-critical design and why it has become so prevalent. He traces the impact of fracture-critical thinking on everything from our economy and politics to our educational and infrastructure systems to the communities, buildings, and products we inhabit and use everyday. And he shows how the natural environment and human population itself have both begun to move on a path toward a fracture-critical collapse that we need to do everything possible to avoid. We designed our way to such disasters and we can design our way out of them, with a number of possible solutions that Fisher provides.

Beautiful Light by internationally acclaimed lighting designer Randall Whitehead and lighting industry expert and educator Clifton Stanley Lemon is a combination of idea book, design resource, and product guide. It explores the transition in residential lighting from incandescent light sources to LEDs, and how to apply LED lighting with great success. It begins with the fundamental characteristics of light, including color temperature, color rendering, and spectral power distribution, and how LEDs differ from older light sources. Combining innovative graphics with the enduring design principles of good lighting, the book explains how to design with light layers, light people, and balance daylight and electric light. Every room of the house, as well as exterior and garden spaces, is addressed in 33 case studies of residential lighting with LEDs, with a wide variety of lighting projects in different styles. Showcasing over 200 color photographs of dramatic interiors beautifully lit with LEDs, and clear, concise descriptions of design strategies and product specifications, Beautiful Light helps both professionals and non-professionals successfully navigate the new era of LEDs in residential lighting.

Natural materials are increasingly being valued for their use in a wide range of techniques and solutions, not just for building cabins in the countryside, but also for housing, schools and city structures. As the need to respond to climate change becomes a serious requirement for all building projects, so too does our understanding of how these bio-based and renewable materials can help to reduce carbon emissions. With convincing evidence that natural materials work as well as, if not better than, conventional materials, this helpful guide offers an outline of many of the materials, products and methods of construction that are available, equipping readers with confidence to create healthy, ecological homes. This comprehensive book will be of interest to self-builders, home owners, architects, housing developers and specifiers, as well as environmentalists, eco builders and campaigners who want to reduce the impact of construction on the planet.

Enabling the City is a collaborative book that focuses on how interdisciplinary and transdisciplinary processes of knowledge production may contribute to urban transformation at a local level in the 21st century, striking a balance between enthusiastic support for such transformational potential and a cautious note regarding the persistent challenges to the ethos as well as the practice of inter and transdisciplinarity. The rich stories reflect different research and local practice cultures, exploring issues such as ageing, community, health and dementia, public space, energy, mobility cultures, heritage, housing, re-use, and renewal, as well as more universal questions about urban sustainability and climate change, and perhaps most importantly, education. Against this backdrop, aspirations for the 21st century are related to the international, national, and local agendas expressed in the Sustainable Development Goals (SDGs) and in the New Urban Agenda (NUA), raising fundamental questions of how to enable development. We highlight aspects of transformative learning and ways of knowing, critical to any collaborative and participatory process.

No building is properly conserved if it is not structurally sound. Consequently architects, engineers and conservation officers need an adequate grounding in the technology, the materials and the historic origins of the building in order to complete a conservation project successfully. Structural Design in Building Conservation deals with design issues and technical choices, showing how they are integrated with the planning and architectural outcomes in a conservation project. It brings together theory with current conservation technology, discussing the possibilities of structural details and strategies in architectural expression. Case studies are central to this, and these are organised around such themes as the addition of roofs, requalification of space, strengthening and re-use of fabric, repristination, additions, completions, stiffness adjustments, and the correction of past mistakes. The reader is encouraged to examine the technical details of these real projects, and explore the possible solutions. The philosophy of structural interventions is introduced in the context of conservation theories and practices in various European countries. The main types of strengthening, repairs and interventions are explained using different building types, and the structural nature of the main elements to be strengthened (linear structures, frames, plates and shells) is explored in detail. Case studies included cover a very wide range of historic types and conversions, not only monumental masonry structures like neoclassical buildings, major temples, churches, public buildings and museums, but also more utilitarian structures like historic mills, early reinforced concrete structures and vaulting types. This is essential reading for all students of architectural conservation, and practicing architects and engineers who are involved in conservation projects.

Explaining the connection between physical and strategic design, this book proposes an aesthetic connection between two equal aspects of architectural design: the Real and the Ideal. Addressing architectural thinkers from the broad realms of academia and practice, it is suitable either as a seminar text, a guide to contemporary design issues, or as a theoretical work.

Beginning with a historical perspective, the book looks at some of the key conflicts in architectural thought that were brought about by postindustrial change. The discussion shifts to clearly describe the forms of complexity, how these have interacted with architecture and the possibilities in fully embracing complexity in architectural practice.

Although there are many books focusing on complexity science, there are few that focus on the relationship between complexity and design and none which take such a comprehensive approach.

Bringing Graham Harman's philosophy into direct confrontation with contemporary architectural theory in new and creative ways, Is There an Object-Oriented Architecture? provides a dialogue between Harman and six of the world's leading architectural thinkers, Adam Sharr, Lorens Holm, Jonathan Hale, Peg Rawes, Patrick Lynch and Peter Carl. Harman's object-oriented philosophy is one that sees the universe as a carnival of equal "objects" with no hierarchy between humans and nonhumans. In his model, unicorns, triangles, bicycles, neutrons, and humans are all things with enduring essences that outlast their partial transformations. It is a strikingly democratic vision of the universe that knocks humans off their ontological pedestal as arbiters of what is real. It also radically challenges the very precepts of architectural theory, the structure of which remains stubbornly human-centric as it seeks to give form to the human being's place at the centre of the cosmos. In this new book, each thinker develops the implications of Harman's philosophy for the future of architecture by entering into a direct exchange with the philosopher and his thinking, both questioning him and questioning with him.

"Architecture shapes the monuments, the memories, and the expressions of societies and groups, creating a common language with which they debate and communicate their experiences and cultures." - Hashim Sarkis For the Biennale Architettura 2021, in addition to the Exhibition Catalogue and the Short Guide, the curatorial team has put together two distinct volumes, entitled Expansions and Cohabitats, in order to further elaborate on the theme of 'How will we live together?.' These books will appeal to a wide range of readers both from architecture and art communities and beyond, to include anyone who is interested in the role that creative practice can play in collectively answering the complex challenges posed by today's unstable world. Conceived as a record that delves deeper into a special section of the exhibition, Cohabitats comprises essays and visual material that look to the theme of the Biennale Architettura 2021 from the lens of a specific geographic location. While the main exhibition is primarily organised in five parts that contemplate a new spatial contract at five scales - as diverse beings, as new households, as emerging communities, across borders, and as one planet - this volume as well as the section of the show it is associated with, present analytical examples that speak to all five of them at once. The essays examine past and current practices of coming together in and around Venice, as well as in Addis Ababa, Beirut, India, Rio de Janeiro, Hong Kong, New York, Prishtina, and more. Also available: Expansions ISBN 9788836648610

The value of design for contributing to environmental solutions and a sustainable future is increasingly recognised. It spans many spheres of everyday life, and the ethical dimension of design practice that considers environmental, social and economic sustainability is compelling. Approaches to design recognise design as a practice that can transform human experience and understanding, expanding its role beyond stylistic enhancement. The traditional roles of design, designer and designed object are therefore redefined through new understanding of the relationship between the material and immaterial aspects of design where the design product and the design process are embodiments of ideas, values and beliefs. This multi-disciplinary approach considers how to create design which is at once aesthetically pleasing and also ethically considered, with contributions from fields as diverse as architecture, fashion, urban design and philosophy. The authors also address how to teach design based subjects while instilling a desire in the student to develop ethical work practices, both inside and outside the studio.

Author Ian Cramb was a fifth-generation stonemason who relied on traditional methods to create and restore beautiful stone structures. In this do-it-yourself manual for homeowners, masonry contractors, and restoration specialists, Cramb drew on his fifty years of life experience in the craft to cover restoration techniques for historic structures in the U.S. and Britain. The book covers various types of stone, stone-cutting, and traditional mortar mixes for walls, foundations, and buildings.

Tour homes in Plainfield, New Jersey, many of which have sheltered several generations. Images of brick, wood, and stone buildings and their occupants relate the city's heritage. Here residents worshipped, learned, purchased worldly goods, and conducted their daily businesses. See many homes as they first appeared and were transformed over the past three centuries. They have shaped Plainfield, New Jersey, into the city it is today.

We can no longer view building components as artifacts (a brick or a boiler) or as autonomous systems (air conditioning or prefabrication). Rather these components and systems are part of much larger systems of which architects are one agent. This book will help architects more broadly envision these networks including:

• canonical texts as well as contemporary thinking from well known theorists and practitioners, each contribution frames a specific range of technology in relation to society such as building process, products, economies and ecologies
• clearly structured, the book is divided into three parts; each accompanied by a comprehensive introduction by the editors
• an annotated bibliography provides a glossary of further reading
• illustrated throughout with over 100 illustrations.

The book calls for integration, a convergence and confluence of social and technical factors, discovering the capability and culpability of such; for architects to finally realize that the term building systems is best grasped as a verb, not a set of nouns.

This reader presents students, faculty and practicing architects with an expanded view of technology in architecture that transcends naive determinisms and technocratic applications; forming a more pithy intellectual context for the complex and contingent roles of technology in twenty-first century architecture.

We can no longer view building components as artifacts (a brick or a boiler) or as autonomous systems (air conditioning or prefabrication). Rather these components and systems are part of much larger systems of which architects are one agent. This book will help architects more broadly envision these networks including:

• canonical texts as well as contemporary thinking from well known theorists and practitioners, each contribution frames a specific range of technology in relation to society such as building process, products, economies and ecologies
• clearly structured, the book is divided into three parts; each accompanied by a comprehensive introduction by the editors
• an annotated bibliography provides a glossary of further reading
• illustrated throughout with over 100 illustrations.

The book calls for integration, a convergence and confluence of social and technical factors, discovering the capability and culpability of such; for architects to finally realize that the term building systems is best grasped as a verb, not a set of nouns.

This reader presents students, faculty and practicing architects with an expanded view of technology in architecture that transcends naive determinisms and technocratic applications; forming a more pithy intellectual context for the complex and contingent roles of technology in twenty-first century architecture.

Reintroducing Materials for Sustainable Design provides instrumental theory and practical guidance to bring materials back into a central role in the design process and education. To create designs that are sustainable and respond to current environmental, economic and cultural concerns, practitioners and educators require a clear framework for materials use in design and product manufacturing. While much has been written about sustainable design over the last two decades, outlining systems of sustainability and product criteria, to design for material circularity requires a detailed understanding of the physical matter that constitutes products. Designers must not just know of materials but know how to manipulate them and work with them creatively. This book responds to the gap by offering a way to acquire the material knowledge necessary to design physical objects for sustainability. It reinforces the key role and responsibility of designers and encourages designers to take back control over the ideation and manufacturing process. Finally, it discusses the educational practice involved and the potential implications for design education following implementation, addressing didactics, facilities and expertise. This guide is a must-read for designers, educators and researchers engaged in sustainable product design and materials.

A complete exploration of the health and well-being implications of access to natural daylight illumination and views to the outdoors. Makes the case that appropriately timed exposure to daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. Helps the reader appreciate the subtlety, beauty and pleasures of well-daylit spaces and attractive window views, and how these are woven into the fabric of our daily sensory experiences, and determined by the design of our buildings, cities, and cultural perspectives. Written to engage and challenge a variety of readers, including all forms of building and urban designers, plus anyone interested in human health and wellbeing, from medical researchers to the occupants of all types of buildings.

The ultimate guide to sheds from the renowned presenter of Shed and Buried. When it comes to truly finding out who you are and what makes you tick, there is one thing that needs no online subscription to a cloud-based server with a password you keep forgetting. That, my friend, is a shed. Your shed is your refuge. It's the place where you go when you need a break from this mad, crazy world. But a shed can only help you if it's not attached to the house. The minute you attach the shed to the gaff, or confuse the concept of a shed with the concept of a conservatory, or a home office or a Shepherd's Hut, you're doing yourself over. You're never, ever going to get spiritual enlightenment in a lean-to. That's like going to find yourself in Thailand, and staying in the airport. You need to make that pilgrimage to the bottom of the garden. Whether you're walking down a muddy track or crunching along a perfect gravel path, you have to get out of the house. Breathe in the fresh air. Then pull open the door, grapple for the light switch, fire up the heaters and turn on the kettle. Once you're inside the four walls of your shed, you can do whatever you like. You're the king in there.

The 1900 edition of Polk's Seattle City Directory listed four apartment buildings. By 1939, that number had grown to almost 1,400. This study explores the circumstances that prompted the explosive growth of this previously unknown form of housing in Seattle and takes an in-depth look at a large number of different apartment buildings, from the small and simple to the large and grand. Illustrated with numerous contemporary and vintage photographs and sketches, this volume preserves an intimate record of these under-studied and under-appreciated buildings and will inspire an appreciation for their history and architectural variety, and for their preservation as an integral part of Seattle's urban landscape.

Contrary to accepted wisdom, rapid urban growth can leave communities permanently scarred, deeply in debt, with unaffordable housing, a lost sense of community, and sacrificed environmental quality. In Better NOT Bigger, Fodor explodes the fundamental myth that growth is good for us and that more development will bring in more tax money, add jobs, lower housing costs, and reduce property taxes. Lively and well-illustrated, Better NOT Bigger provides insights, ideas, and tools to empower citizens to switch off their local "growth machine" by debunking the pro-growth rhetoric. Highly accessible to ordinary citizens as well as professional planners. Better NOT Bigger has been made available through New Catalyst Books. New Catalyst Books is an imprint of New Society Publishers, aimed at providing readers with access to a wider range of books dealing with sustainability issues by bringing books back into print that have enduring value in the field. For more information on New Catalyst Books click here.

Covering the topics of architecture and industrial design Creative Design in Industry and Architecture argues that the discourse on design criteria for both professions share many similarities. It is not intended to be prescriptive, but is rather the outcome of a detailed design analysis of the works of a number of industrial and architectural designers. The authors sought to compare the cultural outcomes of vernacular design in an attempt to show that the design process does not need to be difficult or complicated. This book seeks to present a critical assessment of design processes which achieve innovation in the fields of both architectural and industrial disciplines. The book is therefore about creativity, design strategies and innovative understanding.With decades of academic experience, the authors are keen on the idea that creativity can be taught. They wrote this book from an ongoing pedagogical need to show students that the creative palette has a wide range. Case studies and their related theory which support this view are included within the chapters.The book also unveils the design dilemma; how design can become complicated when surrounded with intricate problems although it is the sum of simple solutions. Common theories and practices are exposed within the two disciplines through observation, analysis, experiment and reflection to discuss and gain insight. Both creative and practical approaches are analysed by making a historical study followed by the fundamentals reflecting the current situation and practical applications of the architectural and industrial design principles outlined in an extensive collection of examples. To educators this book is instructive, to the students deductive, to designers inspiring.