In this expanded second edition of Cognitive Architecture, the authors review new findings in psychology and neuroscience to help architects and planners better understand their clients as the sophisticated mammals they are, arriving in the world with built-in responses to the environment. Discussing key biometric tools to help designers 'see' subliminal human behaviors and suggesting new ways to analyze designs before they are built, this new edition brings readers up-to-date on scientific tools relevant for assessing architecture and the human experience of the built environment. The new edition includes: Over 100 full color photographs and drawings to illustrate key concepts. A new chapter on using biometrics to understand the human experience of place. A conclusion describing how the book's propositions reframe the history of modern architecture. A compelling read for students, professionals, and the general public, Cognitive Architecture takes an inside-out approach to design, arguing that the more we understand human behavior, the better we can design and plan for it.

- Provides architects and students of architecture to design with evidence-based and tangible tactics and strategies towards a new future-use design paradigm - Provides a framework of principles and practices that address the complexity and uncertainty of the contemporary and future built environment - Includes dozens of interviews with architects, architectural clients and building users, and the analysis of over a hundred historic and contemporary architecture projects - Includes over 100 original diagrams and illustrations

- Provides architects and students of architecture to design with evidence-based and tangible tactics and strategies towards a new future-use design paradigm - Provides a framework of principles and practices that address the complexity and uncertainty of the contemporary and future built environment - Includes dozens of interviews with architects, architectural clients and building users, and the analysis of over a hundred historic and contemporary architecture projects - Includes over 100 original diagrams and illustrations

We can no longer view building components as artifacts (a brick or a boiler) or as autonomous systems (air conditioning or prefabrication). Rather these components and systems are part of much larger systems of which architects are one agent. This book will help architects more broadly envision these networks including:

• canonical texts as well as contemporary thinking from well known theorists and practitioners, each contribution frames a specific range of technology in relation to society such as building process, products, economies and ecologies
• clearly structured, the book is divided into three parts; each accompanied by a comprehensive introduction by the editors
• an annotated bibliography provides a glossary of further reading
• illustrated throughout with over 100 illustrations.

The book calls for integration, a convergence and confluence of social and technical factors, discovering the capability and culpability of such; for architects to finally realize that the term building systems is best grasped as a verb, not a set of nouns.

This reader presents students, faculty and practicing architects with an expanded view of technology in architecture that transcends naive determinisms and technocratic applications; forming a more pithy intellectual context for the complex and contingent roles of technology in twenty-first century architecture.

The value of design for contributing to environmental solutions and a sustainable future is increasingly recognised. It spans many spheres of everyday life, and the ethical dimension of design practice that considers environmental, social and economic sustainability is compelling. Approaches to design recognise design as a practice that can transform human experience and understanding, expanding its role beyond stylistic enhancement. The traditional roles of design, designer and designed object are therefore redefined through new understanding of the relationship between the material and immaterial aspects of design where the design product and the design process are embodiments of ideas, values and beliefs. This multi-disciplinary approach considers how to create design which is at once aesthetically pleasing and also ethically considered, with contributions from fields as diverse as architecture, fashion, urban design and philosophy. The authors also address how to teach design based subjects while instilling a desire in the student to develop ethical work practices, both inside and outside the studio.

We can no longer view building components as artifacts (a brick or a boiler) or as autonomous systems (air conditioning or prefabrication). Rather these components and systems are part of much larger systems of which architects are one agent. This book will help architects more broadly envision these networks including:

• canonical texts as well as contemporary thinking from well known theorists and practitioners, each contribution frames a specific range of technology in relation to society such as building process, products, economies and ecologies
• clearly structured, the book is divided into three parts; each accompanied by a comprehensive introduction by the editors
• an annotated bibliography provides a glossary of further reading
• illustrated throughout with over 100 illustrations.

The book calls for integration, a convergence and confluence of social and technical factors, discovering the capability and culpability of such; for architects to finally realize that the term building systems is best grasped as a verb, not a set of nouns.

This reader presents students, faculty and practicing architects with an expanded view of technology in architecture that transcends naive determinisms and technocratic applications; forming a more pithy intellectual context for the complex and contingent roles of technology in twenty-first century architecture.

Bringing Graham Harman's philosophy into direct confrontation with contemporary architectural theory in new and creative ways, Is There an Object-Oriented Architecture? provides a dialogue between Harman and six of the world's leading architectural thinkers, Adam Sharr, Lorens Holm, Jonathan Hale, Peg Rawes, Patrick Lynch and Peter Carl. Harman's object-oriented philosophy is one that sees the universe as a carnival of equal "objects" with no hierarchy between humans and nonhumans. In his model, unicorns, triangles, bicycles, neutrons, and humans are all things with enduring essences that outlast their partial transformations. It is a strikingly democratic vision of the universe that knocks humans off their ontological pedestal as arbiters of what is real. It also radically challenges the very precepts of architectural theory, the structure of which remains stubbornly human-centric as it seeks to give form to the human being's place at the centre of the cosmos. In this new book, each thinker develops the implications of Harman's philosophy for the future of architecture by entering into a direct exchange with the philosopher and his thinking, both questioning him and questioning with him.

This book traces the evolving relationship between the architecture and climate of Britain from the late sixteenth to the twentieth century. Through detailed studies of buildings by major architects it explores how the unique character of the climate of the British Isles has had a fundamental influence on the nature of buildings of all kinds and periods, in both country and city. Based on extensive documentary research and on first-hand analyses of significant buildings, this book combines architectural history with the parallel fields of climate history and the representation of environment in literature and the fine arts. It spans the period in British architectural history from the late sixteenth century to the twentieth century - from the buildings of the greatest architect of the Elizabethan age, Robert Smythson, to the twentieth century work of Alison and Peter Smithson. Copiously illustrated with drawings and photographs, including a colour plate section, this book brings a historical dimension to the appreciation of the environment in architecture and, equally, introduces an environmental dimension to the study of the history of architecture.

Enabling the City is a collaborative book that focuses on how interdisciplinary and transdisciplinary processes of knowledge production may contribute to urban transformation at a local level in the 21st century, striking a balance between enthusiastic support for such transformational potential and a cautious note regarding the persistent challenges to the ethos as well as the practice of inter and transdisciplinarity. The rich stories reflect different research and local practice cultures, exploring issues such as ageing, community, health and dementia, public space, energy, mobility cultures, heritage, housing, re-use, and renewal, as well as more universal questions about urban sustainability and climate change, and perhaps most importantly, education. Against this backdrop, aspirations for the 21st century are related to the international, national, and local agendas expressed in the Sustainable Development Goals (SDGs) and in the New Urban Agenda (NUA), raising fundamental questions of how to enable development. We highlight aspects of transformative learning and ways of knowing, critical to any collaborative and participatory process.

More than 300 antique postcard images take readers through Mexico's streets and palaces, churches and courtyards. Architects, designers, and landscape professionals will find endless inspirations in this rich collection of images. Postcard collectors will appreciate this wealth of "real photo" postcard imagery, as well as artistic hand-tinting and color makeovers created for tourists and locals alike between 1905 through the 1940s. Stucco walls, Wooden doors, carved columns, and tiled fountains are among the many details that will delight and inspire.

A new edition of Francis D.K. Ching's illustrated guide to structural design Structures are an essential element of the building process, yet one of the most difficult concepts for architects to grasp. While structural engineers do the detailed consulting work for a project, architects should have enough knowledge of structural theory and analysis to design a building. Building Structures Illustrated takes a new approach to structural design, showing how structural systems of a building such as an integrated assembly of elements with pattern, proportions, and scale are related to the fundamental aspects of architectural design. The book features a one-stop guide to structural design in practice, a thorough treatment of structural design as part of the entire building process, and an overview of the historical development of architectural materails and structure. Illustrated throughout with Ching's signature line drawings, this new Second Edition is an ideal guide to structures for designers, builders, and students. * Updated to include new information on building code compliance, additional learning resources, and a new glossary of terms * Offers thorough coverage of formal and spatial composition, program fit, coordination with other building systems, code compliance, and much more * Beautifully illustrated by the renowned Francis D.K. Ching Building Structures Illustrated, Second Edition is the ideal resource for students and professionals who want to make informed decisions on architectural design.

Beautiful Light by internationally acclaimed lighting designer Randall Whitehead and lighting industry expert and educator Clifton Stanley Lemon is a combination of idea book, design resource, and product guide. It explores the transition in residential lighting from incandescent light sources to LEDs, and how to apply LED lighting with great success. It begins with the fundamental characteristics of light, including color temperature, color rendering, and spectral power distribution, and how LEDs differ from older light sources. Combining innovative graphics with the enduring design principles of good lighting, the book explains how to design with light layers, light people, and balance daylight and electric light. Every room of the house, as well as exterior and garden spaces, is addressed in 33 case studies of residential lighting with LEDs, with a wide variety of lighting projects in different styles. Showcasing over 200 color photographs of dramatic interiors beautifully lit with LEDs, and clear, concise descriptions of design strategies and product specifications, Beautiful Light helps both professionals and non-professionals successfully navigate the new era of LEDs in residential lighting.

Historic preservation, whether of landscapes or buildings, was an important development of the nineteenth century in many countries. There is however surprisingly little understanding about how it took place, and research into it is narrowly focused. For example, generally landscape preservation from this time is examined separately from buildings; preservation is seen in terms of national narratives, or considered within the contexts of area studies, and it is usually seen from a specific disciplinary perspective. All of these later categorizations did not apply at the time and consequently, a very partial view is achieved. In order to begin unlocking a very complex phenomenon that has helped to define our own age, this dynamic collection of essays brings together an international and transdisciplinary line-up of academics and practitioners to reconsider preservation's origins in the second half of the nineteenth and early part of the twentieth century. With a focus on Britain and the British Empire, and including case studies from the United States, Canada, Sweden, France, Germany, Sri Lanka, 'The Holy Land', and Turkey, this book places preservation in imperial, international, and national contexts, demonstrating that there was far more interaction between different countries in this arena than may be supposed and revealing remarkable but hitherto hidden overlaps and intersections. It examines three main themes: the influence of religion; the political and sub-diplomatic aspects of preservation; and the professionalization of preservation practice. Internationalizing trends already existed through the churches, the universities, and the diplomatic services, as well as familial ties that had an important impact on preservation's epistemic communities and its targets. Other internationalizing factors include an interest in national histories and the histories of architecture and art, particularly when known through illustration; a growing interest in biography especially of 'founding fathers' or famous literary figures; and tourism. Although the focus is on architectural preservation, this book demonstrates that, in this formative period, the preservation of buildings and landscapes needs to be considered together - as it often was at the time - and in context. The conclusion reached is that the preservation movement has to be understood in imperial and international contexts, rather than in simply national or regional ones.

Covering the topics of architecture and industrial design Creative Design in Industry and Architecture argues that the discourse on design criteria for both professions share many similarities. It is not intended to be prescriptive, but is rather the outcome of a detailed design analysis of the works of a number of industrial and architectural designers. The authors sought to compare the cultural outcomes of vernacular design in an attempt to show that the design process does not need to be difficult or complicated. This book seeks to present a critical assessment of design processes which achieve innovation in the fields of both architectural and industrial disciplines. The book is therefore about creativity, design strategies and innovative understanding.With decades of academic experience, the authors are keen on the idea that creativity can be taught. They wrote this book from an ongoing pedagogical need to show students that the creative palette has a wide range. Case studies and their related theory which support this view are included within the chapters.The book also unveils the design dilemma; how design can become complicated when surrounded with intricate problems although it is the sum of simple solutions. Common theories and practices are exposed within the two disciplines through observation, analysis, experiment and reflection to discuss and gain insight. Both creative and practical approaches are analysed by making a historical study followed by the fundamentals reflecting the current situation and practical applications of the architectural and industrial design principles outlined in an extensive collection of examples. To educators this book is instructive, to the students deductive, to designers inspiring.

Traditionally, architecture has been preoccupied with the resolution of form. That concern helps to make photogenic buildings, which have received a great deal of attention. This book looks instead at the idea of the flows, which connects things together and moves between things. It is more difficult to discuss, but more necessary, because it is what makes things work. Architects have to think about flow ? the flow of people through buildings, the flow of energy into buildings, and waste out of them ? but usually the effects of flow do not find expression. The essays gathered here present a collection of exploratory ideas and offer an understanding of buildings, people and settlements through concepts of flow.

Atlas of Material Worlds is a highly designed narrative atlas illustrating the agency of nonliving materials with unique, ubiquitous, and often hidden influence on our daily lives. Employing new materialism as a jumping-off point, it examines the increasingly blurry lines between the organic and inorganic, engaging the following questions: What roles do nonliving materials play? Might a closer examination of those roles reveal an undeniable agency we have long overlooked or disregarded? If so, does this material agency change our understanding of the social structures, ecologies, economies, cosmologies, technologies, and landscapes that surround us? And, perhaps most importantly, why does material agency matter? This is the story of the world's driest nonpolar desert, pink flamingos, and cerulean blue lithium ponds; industrial shipping logistics, pudding-like jiggling substrates, and monuments of mud; galactic bodies, radioactive sheep, and the yellowcake of uranium. Put simply, this book dares readers to see the world anew, from material up. Atlas of Material Worlds offers this new relationship to our host environment in a time of mounting crises-accelerating climate change, ballooning socioeconomic inequality, and rising toxic nationalism-uniquely telling materialist stories for practitioners and students in landscape, architecture, and other built environment disciplines.

Architects, landscape designers, builders, gardeners and teachers have all at some time been called upon to design a play area. Unfortunately, this diversity has not resulted in a similar diversity of design solutions for this very problematic task. Despite a proliferation of 'how to' books on this subject, playgrounds have remained virtually the same throughout the world since their creation over a century ago. This is not a 'how to' design book. Instead, based on thirty years' experience as a specialist play area designer, Barbara Hendricks details a radically new approach, applying cutting-edge thinking from child development and child psychology to find innovative design solutions, challenging the established notions of play provision. Covering key sociological, public policy, environmental and design issues, this book provides designers with an exploration of and guide to, designing from a 'child's eye' view of the world. Beautifully crafted and copiously illustrated with numerous examples of recently designed playgrounds, this book is not only stimulating and informative, but fun to read and seriously playful in itself. This second edition brings the text up to date from 2001 to 2010 with added discussion about new ideas for play area designs and what has not worked in the past decade.

This book studies six vaulting techniques employed in architecture outside of Rome and asks why they were invented where they were and how they were disseminated. Most of the techniques involve terracotta elements in various forms, such as regular flat bricks, hollow voussoirs, vaulting tubes, and armchair voussoirs. Each one is traced geographically via GIS mapping, the results of which are analysed in relation to chronology, geography, and historical context. The most common building type in which the techniques appear is the bath, demonstrating its importance as a catalyst for technological innovation. This book also explores trade networks, the pottery industry, and military movements in relation to building construction, revealing how architectural innovation was influenced by wide ranging cultural factors, many of which stemmed from local influences rather than imperial intervention. Additional resources including extensive searchable databases with bibliographical data and colour illustrations available at www.cambridge.org/vaulting.

Reintroducing Materials for Sustainable Design provides instrumental theory and practical guidance to bring materials back into a central role in the design process and education. To create designs that are sustainable and respond to current environmental, economic and cultural concerns, practitioners and educators require a clear framework for materials use in design and product manufacturing. While much has been written about sustainable design over the last two decades, outlining systems of sustainability and product criteria, to design for material circularity requires a detailed understanding of the physical matter that constitutes products. Designers must not just know of materials but know how to manipulate them and work with them creatively. This book responds to the gap by offering a way to acquire the material knowledge necessary to design physical objects for sustainability. It reinforces the key role and responsibility of designers and encourages designers to take back control over the ideation and manufacturing process. Finally, it discusses the educational practice involved and the potential implications for design education following implementation, addressing didactics, facilities and expertise. This guide is a must-read for designers, educators and researchers engaged in sustainable product design and materials.

First translated in English ten years after its original Dutch publication in 1962, this book has inspired practitioners for generations. It's proposal to distinguish the infill from the support - what users can individually decide in a housing process from what users share - has turned out to be feasible in practice. The Natural Relation - the interaction of people with their immediate environment and the central concept of the book - is the result of that distinction. It is essential to the well-being of everyday environment regardless of function or available resources.

Architectural facades now have the potential to be literally kinetic, through automated sunscreens and a range of animated surfaces. This book explores the aesthetic potential of these new types of moving facades.

Critique of theory and practice in architecture is combined here with ideas from kinetic art of the 1960 s. From this background the basic principles of kinetics are defined and are used to generate experimental computer animations. By classifying the animations, a theory of kinetic form called state change is developed. This design research provides a unique and timely resource for those interested in the capacity of kinetics to enliven the public face of architecture.

Extra material including animations can be seen at www.kineticarch.net/statechange

Architectural facades now have the potential to be literally kinetic, through automated sunscreens and a range of animated surfaces. This book explores the aesthetic potential of these new types of moving facades.

Critique of theory and practice in architecture is combined here with ideas from kinetic art of the 1960 s. From this background the basic principles of kinetics are defined and are used to generate experimental computer animations. By classifying the animations, a theory of kinetic form called state change is developed. This design research provides a unique and timely resource for those interested in the capacity of kinetics to enliven the public face of architecture.

Extra material including animations can be seen at www.kineticarch.net/statechange

A complete exploration of the health and well-being implications of access to natural daylight illumination and views to the outdoors. Makes the case that appropriately timed exposure to daylight is essential to our health and well-being, tied to the very genetic foundations of our physiology and cognitive function. Helps the reader appreciate the subtlety, beauty and pleasures of well-daylit spaces and attractive window views, and how these are woven into the fabric of our daily sensory experiences, and determined by the design of our buildings, cities, and cultural perspectives. Written to engage and challenge a variety of readers, including all forms of building and urban designers, plus anyone interested in human health and wellbeing, from medical researchers to the occupants of all types of buildings.