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Books > Arts & Architecture > Architecture > Architectural structure & design
Visually enriched with over 250 photographs and drawings, Bioclimatic Double-Skin Facades is an essential reference guide for understanding the types and functions of double-skin facades. Author Mary Ben Bonham examines the history and continuing potential of double-skin architecture, informing on the variety of approaches possible and advising a rigorous integrated design process leading to application. Featuring a wide selection of architectural examples, the book will be of interest to professionals and students within the fields of architecture, engineering, and construction. Characterized by a buffer-like air space between two glazed building skins, double-skin windows and facades aim to improve building comfort and energy performance. Double skins introduce complexity and initial costs, yet significant buildings in locations around the globe continue to select this approach. In addition to exploring motivations, benefits, and cautions for designing with double skins, the book provides a primer on fundamental facade design concepts and strategies for control of thermal, luminous, and acoustic environments. Chapters also address alternative types of high-performance facades and implications for each phase of facade design and construction. Bioclimatic Double-Skin Facades promotes bioclimatic design that is inspired by nature, measured in performance, and uniquely adapted to climate and place. In-depth case studies illustrate how double-skin facades have been adapted to a range of climates and cultural settings: Marseille Library and Grenoble Courthouse in France, Cambridge Public Library in Massachusetts, Manitoba Hydro Place in Canada, and the Pearl River Tower in China.
The notion of ecodesign has now clearly become part of the building sector. It involves taking into consideration environmental issues that are indispensible in constructing our living environment. However, this method, which is industrial in origin, clearly shows that buildings are not the result of simply adding up technical rules. A much more demanding process underpins their development, one that engages all stakeholders in the industry and leads them towards using a new practice involving multi-criteria choices that are never unique. The object of this work is to review each of the stages in a building operation to illustrate the necessity of optimization and to observe the useful contribution that ecodesign and its tools can make. Ecodesign has been tackled from the professional point of view of those involved in construction work. In this perspective, the central tool is clearly that of the life cycle analysis (LCA). This book therefore describes the different steps of a project management cycle in accordance with a functional analysis. The product achievement is evaluated with the life cycle analysis which can be used as a measurement of its efficiency.
In the critically acclaimed first edition of this book, Mainstone offered a brilliant and highly original account of the structural developments that have made possible the achievements of architects and bridge builders throughout history. In this extensively revised and expanded new edition, now
available in paperback, new insights and a full coverage of recent
developments in both design and construction are incorporated. The
book identifies features that distinguish the forms built by man
from those shaped by nature and discusses the physical and other
constraints on the choices that can be made. It then looks in turn
at all the elementary forms - arches, domes, beams, slabs and the
like - which combine into the more complex forms of complete
structures, and at the different classes of the complete forms
themselves. The development of each form is traced chronologically,
but with an emphasis less on the chronology than on the problems
that designers have continually faced in trying to serve new ends
with limited means or to serve old ones in new ways. The book
concludes with a chapter on the processes of design, showing how
the designer's freedom of choice has been widened by a growing
understanding of structural behaviour.
The book is dedicated to a fresh and interesting building - that can be classified as a little exhibition pavilion. Watching the old images kindly provided by the Franco Albini Foundation Archive, many theoretical and practical aspects of these works do not stand out clearly: the photographic medium seems to be unable to convey topics and suggestions of these experiments. The high concentration of contents normally given to the theme of pavilion seldom makes an architectural manifesto out of this particular typology, but when it happens, so many factors have to be taken into consideration, that the overall perception becomes harder. The fact that the eventual aim of this typology is to advertise something, happens to even raise the rate of complexity, pushing the architect towards a design that must not compete with the advertised brand. Does it seem little to you? It is, anyway, already quite enough to justify treating those "small works" as equals of the bigger and important architectures. The building is overload: proportions, rhythms, geometry and other architectural elements are shown in the book through the usual architectural 3d model and through "invisible edge" views. This way of presenting the buildings helps to understand for the first time, having removed the "chiaroscuro" and the back lighting of the photos, the structure and the exhibition apparatus designed by Albini. As a scientific experiment, important results are revealed: an astonishing presence of "transparency" and a deep and the hard battle among container and content.
Pasley's work was first written in 1826 as a course of architecture for his students at the Royal Engineer's School in Chatham. The original title of the book, "Outline of a Course of Practical Architecture" is therefore a little misleading to the modern reader as the course was primarily concerned with building construction, concentrating on all aspects of brickwork. Major General Sir C.W. Pasley, K.C.B wanted his students to be in a position to construct, maintain and extend all different types of ordinary brick buildings such as barracks, hospitals and store-houses. But whilst his interest was primarily military structures, the construction techniques were also equally applicable to civil buildings. This book, therefore, provides interesting and useful information on how buildings were being constructed a hundred and fifty years ago, and the type of limes and cements that were used. In addition to the material on mortars and cements, it examines in detail the bonds in brickwork and provides full coverage of different types of arches and how they are formed. It also explains the specific aspects relating to the construction of hollow or double walls; copings; chimneys and chimney breasts; gateways; and, brick ornamentation and so on. "Practical Architecture" will be of interest to architects, surveyors and structural engineers and all those involved in the repair and conservation of brick structures.
This book discusses energy recovery technology, a green innovation that can be used in buildings. This technology reduces energy consumption in buildings and provides energy savings to conventional mechanical ventilation systems. Divided into eight chapters, the book provides in-depth technical information, state-of-the-art research, and latest developments in the energy recovery technology field. Case-studies describe worldwide applications of energy recovery technology and its integrated system for building services. This book will be used as a general and technical reference book for students, engineers, professionals, practitioners, scientists, and researchers seeking to reduce energy consumption of buildings in various climatic conditions. Presents an overview of energy consumption scenarios in buildings and the needs for energy-efficient technologies at regional and global levels; Explains models and methods of energy recovery technology performance evaluation; Inspires further research into energy recovery technology for building applications.
Explosion Green tells the twenty-year story of the global green building movement through the eyes of David Gottfried, the man who helped start it all. Explosion Green reveals the inner workings of the building industry as it comes to grips with the need for environmentally friendly practices. It describes how the industry has evolved, and how this evolution has helped fight climate change and prevent further damage to the environment while creating a multibillion-dollar industry. Filled with his unique insight and self-deprecating humor, Gottfried's riveting memoir demonstrates how one person can start a global movement. "Explosion Green" has won three 2014 Indie Book Awards: Second Place Grand Prize for Non-fiction, Business Category, and Memoir Category
Contrary to accepted wisdom, rapid urban growth can leave communities permanently scarred, deeply in debt, with unaffordable housing, a lost sense of community, and sacrificed environmental quality. In Better NOT Bigger, Fodor explodes the fundamental myth that growth is good for us and that more development will bring in more tax money, add jobs, lower housing costs, and reduce property taxes. Lively and well-illustrated, Better NOT Bigger provides insights, ideas, and tools to empower citizens to switch off their local "growth machine" by debunking the pro-growth rhetoric. Highly accessible to ordinary citizens as well as professional planners. Better NOT Bigger has been made available through New Catalyst Books. New Catalyst Books is an imprint of New Society Publishers, aimed at providing readers with access to a wider range of books dealing with sustainability issues by bringing books back into print that have enduring value in the field. For more information on New Catalyst Books click here.
CAD Principles for Architectural Design is aimed at design students and practitioners interested in understanding how CAD is used in architectural practice. This book makes connections between the basic operations that are common to most CAD systems, and their use in practice on actual architectural design projects.
Where is the space for dreaming in the twenty-first century? Lofty thoughts, like dreams, are born and live overhead, just as they have been represented in Renaissance paintings and modern cartoons. Ceilings are often repositories of stories, events and otherwise invisible oneiric narratives. Yet environments that inspire innovative thinking are dwindling as our world confronts enormous challenges, and almost all of our thinking, debating and decision-making takes place under endless ceiling grids. Quantitative research establishes that spaces with taller ceilings elicit broader, more creative thoughts. Today, ceilings are usually squat conduits of technology: they have become the blind spot of modern architecture. The twenty essays in this book look across cultures, places and ceilings over time to discover their potential to uplift the human spirit. Not just one building element among many, the ceiling is a key to unlock the architectural imagination. Ceilings and Dreams aims to correct this blind spot and encourages architects and designers, researchers and students, to look up through writings organized into three expansive categories: reveries, suspensions and inversions. The contributors contemplate the architecture of levity and the potential of the ceiling, once again, as a place for dreaming.
Since the 1960s, wind tunnel testing has become a commonly used tool in the design of tall buildings. It was pioneered, in large part, during the design of the World Trade Center Towers in New York. Since those early days of wind engineering, wind tunnel testing techniques have developed in sophistication, but these techniques are not widely understood by the designers using the results. As a direct result, the CTBUH Wind Engineering Working Group was formed to develop a concise guide for the non-specialist. The primary goal of this guide is to provide an overview of the wind tunnel testing process for design professionals. This knowledge allows readers to ask the correct questions of their wind engineering consultants throughout the design process. This is not an in-depth guide to the technical intricacies of wind tunnel testing, it focusses instead on the information the design community needs, including: A unique methodology for the presentation of wind tunnel results to allow straightforward comparison of results from different wind tunnel laboratories. Advice on when a tall building is likely to be sufficiently sensitive to wind effects to benefit from a wind tunnel test. Background for assessing whether design codes and standards are applicable. Details of the types of tests that are commonly conducted. Descriptions of the fundamentals of wind climate and the interaction of wind and tall buildings. This unique book is an essential guide for all designers of tall buildings, and anyone else interested in the process of wind tunnel testing for tall buildings.
Yes is More is the easily accessible but unremittingly radical manifesto of Copenhagen-based architectural practice Bjarke Ingels Group, or BIG.Unlike a typical architectural monograph, this book uses the comic book format to express its groundbreaking agenda for contemporary architecture. It is also the first comprehensive documentation of BIG's trailblazing practice-where method, process, instruments, and concepts are constantly questioned and redefined. Or, as the group itself says: "Historically, architecture has been dominated by two opposing extremes: an avant-garde full of crazy ideas, originating from philosophy or mysticism; and the well organized corporate consultants that build predictable and boring boxes of high standard. Architecture seems entrenched: naively utopian or petrifyingly pragmatic. We believe there is a third way between these diametric opposites: a pragmatic utopian architecture that creates socially, economically, and environmentally perfect places as a practical objective. At BIG we are devoted to investing in the overlap between radical and reality. In all our actions we try to move the focus from the little details to the BIG picture." Bjarke Ingels attracts highly talented coworkers, but also gifted and ambitious clients from all over the world. He then creates intelligent synergies from wild energies and unforeseen dynamics, and transforms them into surprising, functional, valuable, and beautiful solutions to the specific and complex challenges in each task. BIG projects have won awards from the Royal Academy of Fine Arts, and the Special Jury Prize at the Venice Architecture Biennale, as well as many other international prizes. Yes is More is a play on words that represents the company's ethos and sums up its irreverent attitude towards excessive formalism, and its determination to involve the population at large in its creations. As an extension of its methods and results, its debut monograph uses the most approachable and populist means of communication available-the comic.
All buildings must stand. An adequate structure was as necessary for the simplest primitive hut as it is for the tallest or widest-spanning modern building. However, this requirement became more difficult to satisfy as designers became more adventurous and the experience already gained became less directly applicable. The present papers look at the consequent evolution of design methods and the types of understanding that have been essential guides. A particular focus is the question of how earlier innovations, made without the benefits of modern theory, were possible. Other papers look in detail at the most outstanding of these achievements, such as the church of Hagia Sophia in Istanbul and the dome of Florence Cathedral.
The green architecture movement is a worldwide phenomenon that addresses sustainability and a parallel awareness of how the built world is enriched by nature. This lavishly illustrated book presents the most beautiful and innovative buildings from around the world and explores how they incorporate plants and architecture in both interior design and construction. With inspiring projects and practical tips for both the professional and the enthusiast, the author explores the best of what's green in houses large and small, apartment buildings, and offices.
This study, first published in 1919 then substantially revised in 1947, was based on experiments undertaken by the author into the use of pise de terre and other earth-based materials. It was written at a time when traditional building resources such as brick and timber were in short supply, and there was a need to consider the potential for using alternative materials in construction. Whilst earth building has not developed significantly in the UK, the sustainable architecture movement has helped to stimulate an interest in constructing new earthen buildings. This, coupled with an increasing awareness of the importance of conserving and maintaining our existing stock of earth structures, allows this book to serve as both a historical document and a source of advice and guidance.
Three Cultural Ecologies reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary. A basic premise of this book's arguments is that cultural patterns cannot be adequately conceptualized in the terms that typically define ecology today. Instead, studies based on the natural sciences must be complemented by descriptions and interpretations of historical narratives, cultural norms, and individual expressions. Previously unpublished images and new interpretations will allow readers to rediscover works they thought they knew; Villa Savoye, Taliesin, La Tourette, and Ocatilla; as well as projects that are less well known: by Wright, the House on the Mesa and the City Residential Plan, and by Le Corbusier, the Immeuble-villas and Ilot Insalubre projects. More broadly, this study of cultural ecology at three scales - domestic, monastic, and urban - reconsiders the history of modern architecture. The conditions brought about by societal and technological modernization and confronted by modern architecture have not disappeared in our time, but have intensified, making the task of imagining how some measure of equilibrium between culture and ecology might be achieved even more pressing.
This book explores an emerging design culture that rigorously applies systems thinking to the practice of design as a form of facilitating change on an increasingly crowded planet. Designers conversant in topics such as living systems, cultural competence, social justice, and power asymmetries can contribute their creative skills to the world of social innovation to help address the complex social challenges of the 21st century. By establishing a foundation built on the capabilities approach to human development, designers have an opportunity to transcend previous disciplinary constraints, and redefine our understanding of design agency. With an emphasis on developing an adaptability to dynamic situations, the cultivation of diversity, and an insistence on human dignity, this book weaves together theories and practices from diverse fields of thought and action to provide designers with a concrete yet flexible set of actionable design principles. And, with the aim of equipping designers with the ability to drive long-term, sustainable change, it proposes a new set of design competences that emphasize a deeper mindfulness of our interdependence; with each other, and with our life-giving natural systems. It's a call to action to use design and design thinking as a tool to transform our collective worldviews toward an appreciation for what we all hold in common; a hope and a belief that our future is a place where all of humankind will flourish.
The increasingly multilateral and regional nature of security building has given great prominence to cross-cultural aspects of international dialogue. The case studies in this collection examine how and when cultural elements affect arms control and security-building negotiations and policies. They treat issues such as religious, communal and normative orientations towards war and peace; the impact of legacies of conflict, colonialism and state building; attitudes towards regional and multilateral relations; cultural styes of diplomacy and negotiation; the nature of civil-military relations; the societal outlooks on authority, violence and conflict management. Discussing a range of states and regions - the East-West experience, Latin America, China, Southeast Asia, India and the Arab-Israeli conflict - the contributors elaborate a concept of security culture that draws together the diplomatic, political, strategic and social elements athat influence seurity policy-making.
Tunnels and Underground Cities: Engineering and Innovation meet Archaeology, Architecture and Art contains the contributions presented at the World Tunnel Congress 2019 (Naples, Italy, 3-9 May 2019). The use of underground space is continuing to grow, due to global urbanization, public demand for efficient transportation, and energy saving, production and distribution. The growing need for space at ground level, along with its continuous value increase and the challenges of energy saving and achieving sustainable development objectives, demand greater and better use of the underground space to ensure that it supports sustainable, resilient and more liveable cities. This vision was the source of inspiration for the design of the logos of both the International (ITA) and Italian (SIG) Tunnelling Association. By placing key infrastructures underground - the black circle in the logos - it will be possible to preserve and enhance the quality of the space at ground level - the green line. In order to consider and value underground space usage together with human and social needs, engineers, architects, and artists will have to learn to collaborate and develop an interdisciplinary design approach that addresses functionality, safety, aesthetics and quality of life, and adaptability to future and varied functions. The 700 contributions cover a wide range of topics, from more traditional subjects connected to technical challenges of design and construction of underground works, with emphasis on innovation in tunneling engineering, to less conventional and archetypically Italian themes such as archaeology, architecture, and art. The book has the following main themes: Archaeology, Architecture and Art in underground construction; Environment sustainability in underground construction; Geological and geotechnical knowledge and requirements for project implementation; Ground improvement in underground constructions; Innovation in underground engineering, materials and equipment; Long and deep tunnels; Public communication and awareness; Risk management, contracts and financial aspects; Safety in underground construction; Strategic use of underground space for resilient cities; Urban tunnels. Tunnels and Underground Cities: Engineering and Innovation meet Archaeology, Architecture and Art is a valuable reference text for tunneling specialists, owners, engineers, architects and others involved in underground planning, design and building around the world, and for academics who are interested in underground constructions and geotechnics.
Despite the widespread use of brick construction throughout the world, there has been no major investigation into its deterioration and durability. This book provides the results of a major international study led by West Germany which examines the causes of decay in addition to the treatment and methods of conserving brickwork and historic mortars. The deterioration mechanisms discussed cover bio deterioration, salt damage and the effects of air pollutants and moisture on masonry. Considerable attention is also devoted to historic mortars and renders, their analysis, behaviour under the stress of air pollution and the development of compatible modern formulations. Conservation methods for brick masonry, including de-salination, protective coatings and injection grouting are examined in detail. A useful and extensive range of case study material is also provided. This volume represents the most comprehensive, state of the art overview of the conservation of historic brick masonry, and will be an invaluable source of reference for all conservation practitioners and researchers working in this field. |
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