Wire wrapping is a quick and easy technique that will take your jewelry making to the next level. A little wire, a few simple tools, and some brightly colored beads are all you need to start creating your own intriguing fashion statements. By adding new wires to basic links, you can alter simple links into complex and fascinating focal designs. Wire-Wrapped Jewelry for Beginners teaches 30 expert wire wrapping methods, such as forming bent-wire links, working a wrapping pattern, wrapping sequential layers, embellishing decorative loops, adding coil elements, and much more. This complete beginner's guide to wire wrapped jewelry includes 8 easy step-by-step projects for making stunning necklaces, pendants, brooches, hair pins, and earrings.

This book collects together about sixty drawings of fishing boats at Arbroath Harbour, completed between 1989 to 1995. There are also fifteen drawings of the harbour at Montrose, and of other Scottish harbours relevant to Arbroath, in the same period. The author's viewpoint is that of an interested spectator who likes fishing boats. While drawing, he gained valuable background information from the local people, including some fishermen, that he met as he worked. His notes on the harbours he draws, and on the boats and people within them, are written in the hope that everyone reading the book will 'feel close to the sea'. The main story unfolds gradually, starting in 1989 and running through to 1995. It begins with a bird's eye view of Arbroath Harbour, 'so that even if you have never been to Arbroath, you will soon know your way around'. At the end of the book there is a map that show the positions of all the Scottish harbour towns mentioned in the text. 'I have written not just for Arbroath people, or just for Scottish people, or even just for British people. I have written the book for people everywhere. The call of the sea is universal.'

Precious metal wire is a versatile material that can be used to great advantage in jewellery design. This book focuses on using soldering techniques to confidently construct wearable wire jewellery designs. It incorporates fundamental skills such as cutting, filing, annealing and soldering, and encourages the maker to master these basic techniques, so they can create individual articles of wire jewellery using their own inspiration and designs.

"The Landscape Series" of 2002 to 2006 was made in quantities of thirty to one hundred 1' square panels, each of the thirty sets generally taking three weeks to complete. The panels were worked on flat, painting eighteen at a time in fifteen minute bursts. They were laid out on an old framed 6' x 3' piece which also served as a container for the pools of colour washed over the textured surface. Two inch square wooden cubes were used to stack the paintings in small towers to dry out. Various factors steered the series development: there was reference to an initial colour plan, thoughts about the load-bearing pressures on a place, tracks and crossing points, airflow, water, spaces and intervals, the nature of settlement in the land. For a city: light and shadows on buildings, streets, side alleys and hidden courtyards, people, stores, traffic, noise, incidents and interruptions. Titles were assigned later to photographs of the line of production. The identity of a place was achieved not by literal description but as an equivalent found by coincidence in the passage of an abstract process.

They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.

They were the bohemians.

Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

From the Largest Theatre Group in the World to The Oldest Stage in England and the Future of the Theatre Michael Wheatley-Ward has had invaluable experience of the theatre management business as the pages of this book will reveal. Here is a colourful entertainment all of its own of the risks involved in production management from the wings as well as front of house. A wealth of knowledge which has been gained through knowing and working with some leading actors, directors and producers in the theatre business over fifty years. From some of London's West End play houses, cinemas and provincial picture houses to the second oldest theatre in England, the Theatre Royal Margate. This centre was one of local controversy in 2007, which led to the creation of the Sarah Thorne Theatre in Broadstairs. For the reader the second purpose of this book, will be to gain an objective account of the events which actually took place, through the reports of some of those involved in the experience.