During the nineteenth century, European scientists and physicians considered the tropics the natural home of pathogens. Hot and miasmic, the tropical world was the locus of disease, for Euopeans the great enemy of civilization. In the late nineteenth century when bacteriological laboratories and institutions were introduced to British India, they were therefore as much an imperial mission to cleanse and civilize a tropical colony as a medical one to eradicate disease. Bacteriology offered a panacea in colonial India, a way by which the multifarious political, social, environmental, and medical problems and anxieties, intrinsically linked to its diseases, could have a single resolution. Bacteriology in British India is the first book to provide a social and cultural history of bacteriology in colonial India, situating it within the confluence of advances in germ theory, Pastuerian vaccines, colonial medicine, laboratory science, and British imperialism. It recounts the genesis of bacteriology and laboratory medicine in India through a complex history of conflict and alignment between Pasteurism and British imperial medicine. By investigating an array of laboratory notes, medical literature, and literary sources, the volume links colonial medical research with issues of poverty, race, nationalism, and imperial attitudes toward tropical climate and wildlife, contributing to a wide field of scholarship like the history of science and medicine, sociology of science, and cultural history. Pratik Chakrabarti is Chair in History of Science and Medicine, University of Manchester.

Following her internationally bestselling book The Good Women of China, Xinran has written one of the most powerful accounts of the lives of Chinese women. She has gained entrance to the most pained, secret chambers in the hearts of Chinese mothers--students, successful businesswomen, midwives, peasants--who, whether as a consequence of the single-child policy, destructive age-old traditions, or hideous economic necessity, have given up their daughters. Xinran beautifully portrays the "extra-birth guerrillas" who travel the roads and the railways, evading the system, trying to hold on to more than one baby; naive young girl students who have made life-wrecking mistakes; the "pebble mother" on the banks of the Yangtze River still looking into the depths for her stolen daughter; peasant women rejected by their families because they can't produce a male heir; and Little Snow, the orphaned baby fostered by Xinran but confiscated by the state.
For parents of adopted Chinese children and for the children themselves, this is an indispensable, powerful, and intensely moving book. Message from an Unknown Chinese Mother is powered by love and by heartbreak and will stay with readers long after they have turned the final page.

'A sprawling tale of love, family, duty, war, and displacement' Khaled Hosseini Correspondents by Tim Murphy is a powerful story about the legacy of immigration, the present-day world of refugeehood, the violence that America causes both abroad and at home, and the power of the individual and the family to bring good into a world that is often brutal. Spanning the breadth of the twentieth century and into the post-9/11 wars and their legacy, Correspondents is a powerful novel that centres on Rita Khoury, an Irish-Lebanese woman whose life and family history mirrors the story of modern America. Both sides of Rita's family came to the United States in the golden years of immigration, and in her home north of Boston Rita grows into a stubborn, perfectionist, and relentlessly bright young woman. She studies Arabic at university and moves to cosmopolitan Beirut to work as a journalist, and is then posted to Iraq after the American invasion in 2003. In Baghdad, Rita finds for the first time in her life that her safety depends on someone else, her talented interpreter Nabil al-Jumaili, an equally driven young man from a middle-class Baghdad family who is hiding a secret about his sexuality. As Nabil's identity threatens to put him in jeopardy and Rita's position becomes more precarious as the war intensifies, their worlds start to unravel, forcing them out of the country and into an uncertain future.