From an award-winning journalist for "The Washington Post" and one of the leading China correspondents of his generation comes an eloquent and vivid chronicle of the world's most successful authoritarian state -- a nation undergoing a remarkable transformation.

Philip P. Pan's groundbreaking book takes us inside the dramatic battle for China's soul and into the lives of individuals struggling to come to terms with their nation's past -- the turmoil and trauma of Mao's rule -- and to take control of its future. Capitalism has brought prosperity and global respect to China, but the Communist government continues to resist the demands of its people for political freedom.

Pan, who reported in China for the "Post" for seven years and speaks fluent Chinese, eluded the police and succeeded in going where few Western journalists have dared.

From the rusting factories in the industrial northeast to a tabloid newsroom in the booming south, from a small-town courtroom to the plush offices of the nation's wealthiest tycoons, he tells the gripping stories of ordinary men and women fighting for political change. An elderly surgeon exposes the government's cover-up of the SARS epidemic. A filmmaker investigates the execution of a young woman during the Cultural Revolution. A blind man is jailed for leading a crusade against forced abortions carried out under the one-child policy.

The young people who filled Tiananmen Square in the spring of 1989 saw their hopes for a democratic China crushed in a massacre, but Pan reveals that as older, more pragmatic adults, many continue to push for justice in different ways. They are survivors whose families endured one of the world's deadliest famines during the Great Leap Forward, whose idealism was exploited during the madness of the Cultural Revolution, and whose values have been tested by the booming economy and the rush to get rich.

This book is an annotated collection of English-language documents by foreigners writing about Japan's kabuki theatre in the half-century after the country was opened to the West in 1853. Using memoirs, travelogues, diaries, letters, and reference books, it contains all significant writing about kabuki by foreigners-resident or transient-during the Meiji period (1868-1912), well before the first substantial non-Japanese book on the subject was published. Its chronologically organized chapters contain detailed introductions. Twenty-seven authors, represented by edited versions of their essays, are supplemented by detailed summaries of thirty-five others. The author provides insights into how Western visitors-missionaries, scholars, diplomats, military officers, adventurers, globetrotters, and even a precocious teenage girl-responded to a world-class theatre that, apart from a tiny number of pre-Meiji encounters, had been hidden from the world at large for over two centuries. It reveals prejudices and misunderstandings, but also demonstrates the power of great theatre to bring together people of differing cultural backgrounds despite the barriers of language, artistic convention, and the very practice of theatergoing. And, in Ichikawa Danjuro IX, it presents an actor knowledgeable foreigners considered one of the finest in the world.

'My primary aim in writing this book is to demonstrate the importance of individual human beings in modern warfare. In the battle to drive the Iraqi army out of Kuwait, Coalition forces used every form of high-technology weapon available; yet in the end success depended on the performance of individuals, whether they were pilots, divers, tank drivers, mechanics, engineers, cooks, radio operators, infantrymen, nurses or officers of all ranks. It was these ordinary people who, at the end of the day, were going to put their lives on the line and risk their neck when their Government decided to go to war.' Gen. Sir Peter de la Billiere

In this magisterial cultural history of the Palestinians, Nur Masalha illuminates the entire history of Palestinian learning with specific reference to writing, education, literary production and the intellectual revolutions in the country. The book introduces this long cultural heritage to demonstrate that Palestine was not just a 'holy land' for the four monotheistic religions - Islam, Christianity, Judaism and Samaritanism - rather, the country evolved to become a major international site of classical education and knowledge production in multiple languages including Sumerian, Proto-Canaanite, Greek, Syriac, Arabic, Hebrew and Latin. The cultural saturation of the country is found then, not solely in landmark mosques, churches and synagogues, but in scholarship, historic schools, colleges, famous international libraries and archival centres. This unique book unites these renowned institutions, movements and multiple historical periods for the first time, presenting them as part of a cumulative and incremental intellectual advancement rather than disconnected periods of educational excellence. In doing so, this multifaceted intellectual history transforms the orientations of scholarly research on Palestine and propels current historical knowledge on education and literacy in Palestine to new heights.