Following her internationally bestselling book The Good Women of China, Xinran has written one of the most powerful accounts of the lives of Chinese women. She has gained entrance to the most pained, secret chambers in the hearts of Chinese mothers--students, successful businesswomen, midwives, peasants--who, whether as a consequence of the single-child policy, destructive age-old traditions, or hideous economic necessity, have given up their daughters. Xinran beautifully portrays the "extra-birth guerrillas" who travel the roads and the railways, evading the system, trying to hold on to more than one baby; naive young girl students who have made life-wrecking mistakes; the "pebble mother" on the banks of the Yangtze River still looking into the depths for her stolen daughter; peasant women rejected by their families because they can't produce a male heir; and Little Snow, the orphaned baby fostered by Xinran but confiscated by the state.
For parents of adopted Chinese children and for the children themselves, this is an indispensable, powerful, and intensely moving book. Message from an Unknown Chinese Mother is powered by love and by heartbreak and will stay with readers long after they have turned the final page.

In a gripping, moment-by-moment narrative based on a wealth of recently declassified documents and in-depth interviews, Bob Drury and Tom Clavin tell the remarkable drama that unfolded over the final, heroic hours of the Vietnam War. This closing chapter of the war would become the largest-scale evacuation ever carried out, as improvised by a small unit of Marines, a vast fleet of helicopter pilots flying nonstop missions beyond regulation, and a Marine general who vowed to arrest any officer who ordered his choppers grounded while his men were still on the ground.
Drury and Clavin focus on the story of the eleven young Marines who were the last men to leave, rescued from the U.S. Embassy roof just moments before capture, having voted to make an Alamo-like last stand. As politicians in Washington struggled to put the best face on disaster and the American ambassador refused to acknowledge that the end had come, these courageous men held their ground and helped save thousands of lives. Drury and Clavin deliver a taut and stirring account of a turning point in American history that unfolds with the heartstopping urgency of the best thrillers--a riveting true story finally told, in full, by those who lived it.

"Vengeance" is a true story that reads like a novel. It is the account of five ordinary Israelis, selected to vanish into "the cold" of espionage secrecy -- their mission to hunt down and kill the PLO terrorists responsible for the massacre of eleven Israeli athletes at the Munich Olympics in 1972.

This is the account of that secret mission, as related by the leader of the group -- the first Mossad agent to come out of "deep cover" and tell the story of a heroic endeavor that was shrouded in silence and speculation for years. He reveals the long and dangerous operation whose success was bought at a terrible cost to the idealistic volunteer agents themselves.

"Avner" was the leader of that team, handpicked by Golda Meir to avenge the monstrous crime of Munich. He and his young companions, cut off from any direct contact with Israel, set out systematically to find and kill the central figures of the PLO's Munich operation, tracking them down wherever they lived.

The mechanics, the horror, the day-by-day suspense of what they did surpass by far anything John le Carre or Robert Ludlum could imagine, as they themselves were tracked in turn (and some killed) by PLO assassins, changing identities constantly, moving from country to country, devoting their young lives to the brutal task of vengeance.

"Vengeance" is a profoundly human document, a real-life espionage classic that plunges the reader into the shadow world of terrorism and political murder. But it goes far beyond that, to explore firsthand the feelings of disgust and doubt that gradually came to torment each member of the Israeli team, and that in the end inexorably changed their view of the mission -- and themselves.

"Vengeance" opens a window onto a secret world, a book that at the same time inspires and horrifies. For its subject is an act of revenge that goes to the very heart of the ancient biblical questions of good and evil.

Inspired by the discovery of her father's long-forgotten photos, diaries and letters from home, the author set about creating this book as a tribute to the bravery and sacrifices made by the armed forces in the often over-looked Indian sub-continent area of conflict, 5,000 miles away from home. Now, after six years of work and research, this book has culminated in a tremendous insight into the appalling hardships and working conditions as well as the ingenuity of the often forgotten RAF ground crew who kept the warbirds in the air. Deprived by the RAF of his Pilot's Licence due to colour blindness, Peter was based firstly in central India, maintaining old planes that were already obsolete, and then in Burma where the ground crew were also flying as cargo handlers and stretcher bearers, having to land and take off in the most hazardous of conditions on short bush strips hacked out of the Japanese-infested jungles.

An absorbing and definitive modern history of the Vietnam War from the acclaimed New York Times bestselling author of The Secret War.

Vietnam became the Western world’s most divisive modern conflict, precipitating a battlefield humiliation for France in 1954, then a vastly greater one for the United States in 1975. Max Hastings has spent the past three years interviewing scores of participants on both sides, as well as researching a multitude of American and Vietnamese documents and memoirs, to create an epic narrative of an epic struggle. He portrays the set pieces of Dienbienphu, the 1968 Tet offensive, the air blitz of North Vietnam, and also much less familiar miniatures such as the bloodbath at Daido, where a US Marine battalion was almost wiped out, together with extraordinary recollections of Ho Chi Minh’s warriors. Here are the vivid realities of strife amid jungle and paddies that killed two million people.

Many writers treat the war as a US tragedy, yet Hastings sees it as overwhelmingly that of the Vietnamese people, of whom forty died for every American. US blunders and atrocities were matched by those committed by their enemies. While all the world has seen the image of a screaming, naked girl seared by napalm, it forgets countless eviscerations, beheadings, and murders carried out by the communists. The people of both former Vietnams paid a bitter price for the Northerners’ victory in privation and oppression. Here is testimony from Vietcong guerrillas, Southern paratroopers, Saigon bargirls, and Hanoi students alongside that of infantrymen from South Dakota, Marines from North Carolina, and Huey pilots from Arkansas.

No past volume has blended a political and military narrative of the entire conflict with heart-stopping personal experiences, in the fashion that Max Hastings’ readers know so well. The author suggests that neither side deserved to win this struggle with so many lessons for the twenty-first century about the misuse of military might to confront intractable political and cultural challenges. He marshals testimony from warlords and peasants, statesmen and soldiers, to create an extraordinary record.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

THE NEW YORK TIMES BESTSELLER Shortlisted for the 2020 Cundill History Prize 'Riveting and original ... a work enriched by solid scholarship, vivid personal experience, and acute appreciation of the concerns and aspirations of the contending parties in this deeply unequal conflict ' Noam Chomsky The twentieth century for Palestine and the Palestinians has been a century of denial: denial of statehood, denial of nationhood and denial of history. The Hundred Years War on Palestine is Rashid Khalidi's powerful response. Drawing on his family archives, he reclaims the fundamental right of any people: to narrate their history on their own terms. Beginning in the final days of the Ottoman Empire, Khalidi reveals nascent Palestinian nationalism and the broad recognition by the early Zionists of the colonial nature of their project. These ideas and their echoes defend Nakba - the Palestinian term for the establishment of the state of Israel - the cession of the West Bank and Gaza to Jordan and Egypt, the Six Day War and the occupation. Moving through these critical moments, Khalidi interweaves the voices of journalists, poets and resistance leaders with his own accounts as a child of a UN official and a resident of Beirut during the 1982 seige. The result is a profoundly moving account of a hundred-year-long war of occupation, dispossession and colonialisation.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Qiu Guangming, the author of this book, has been a researcher on the measuring and weighing systems in China for more thirty years. He has been collecting historical data and examining actual objects, which has resulted in numerous research papers and books. This book examines the systems she has researched.

Marco Polo (c.1254-1324) was an Italian merchant traveler from the Republic of Venice whose travels are recorded in Livres des merveilles du monde, a book which did much to introduce Europeans to Central Asia and China. With his father and uncle, Niccolo and Maffeo, he traveled on an epic journey through Asia and returned after 24 years to find Venice at war with Genoa. Imprisoned on his return, Marco was imprisoned and dictated his stories to a cellmate.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.