Should we care about Japan anymore? It has a long history and a rich artistic heritage; kids today can't seem to get enough of its popular culture; and it is supposed to be America's number one ally in Asia-Pacific. But Washington treats the place with something between absent-mindedness and contempt, and while some fret that Tokyo could drag the US into an unwanted confrontation with China, it has otherwise essentially disappeared from the American radar screen. A quarter-century ago, Tokyo's stock exchange was bigger than New York's and the Japanese industrial juggernaut seemed destined to sweep all before it. Now, Japan is seen as a has-been with a sluggish economy, an aging population, dysfunctional politics, and a business landscape dominated by yesterday's champions. Does it even matter today except as an object lesson in how not to run a country? R. Taggart Murphy argues that yes, we should care about Japan and, yes, the country matters-it matters very much. Murphy concedes that with the exception of its pop culture, Japan has indeed been out of sight and out of mind in recent decades. But he argues that this is already changing. Political and economic developments in Japan today risk upheaval in the pivotal arena of Northeast Asia; parallels with Europe on the eve of the First World War are not misplaced. America's half-completed effort to remake Japan in the late 1940s is unraveling in ways that will not be to Washington's liking-ironic, since the American foreign policy and defense establishment is directly culpable for what has happened. Murphy traces the roots of these events far back into Japanese history and argues that the seeming exception of the vitality of its pop culture to the country's supposed malaise is no exception at all but rather provides critical clues to what is going on now. Along the way, he shares insights into everything from Japan's politics and economics to the texture of daily life, gender relations, the changing business landscape, and both popular and high culture. He places particular emphasis on the story of the fraught, quasi-pathological US-Japan relationship, arguing that it is central to understanding Japan today - and to the prospects for continued American global hegemony.

Nahr has been confined to the Cube: nine square metres of glossy grey cinderblock, devoid of time, its patterns of light and dark nothing to do with day and night. Journalists visit her, but get nowhere; because Nahr is not going to share her story with them.

The world outside calls Nahr a terrorist, and a whore; some might call her a revolutionary, or a hero. But the truth is, Nahr has always been many things, and had many names. She was a girl who learned, early and painfully, that when you are a second class citizen love is a kind of desperation; she learned, above all else, to survive. She was a girl who went to Palestine in the wrong shoes, and without looking for it found what she had always lacked in the basement of a battered beauty parlour: purpose, politics, friends. She found a dark-eyed man called Bilal, who taught her to resist; who tried to save her when it was already too late.

Nahr sits in the Cube, and tells her story to Bilal. Bilal, who isn't there; Bilal, who may not even be alive, but who is her only reason to get out.

Arabic Glitch explores an alternative origin story of twenty-first century technological innovation in digital politics-one centered on the Middle East and the 2011 Arab uprisings. Developed from an archive of social media data collected over the decades following the 2003 U.S. invasion of Iraq, this book interrogates how the logic of programming technology influences and shapes social movements. Engaging revolutionary politics, Arab media, and digital practice in form, method, and content, Laila Shereen Sakr formulates a media theory that advances the concept of the glitch as a disruptive media affordance. She employs data analytics to analyze tweets, posts, and blogs to describe the political culture of social media, and performs the results under the guise of the Arabic-speaking cyborg VJ Um Amel. Playing with multiple voices that span across the virtual and the real, Sakr argues that there is no longer a divide between the virtual and embodied: both bodies and data are physically, socially, and energetically actual. Are we cyborgs or citizens-or both? This book teaches us how a region under transformation became a vanguard for new thinking about digital systems: the records they keep, the lives they impact, and how to create change from within.

The first ever study in English dedicated to Albania in Late Antiquity to the Medieval period.

The sixteenth and seventeenth centuries saw the establishment of the new Safavid regime in Iran. Along with reuniting the Persian lands under one rule, the Safavids initiated the radical transformation of the religious landscape by introducing Imami Shi'ism as the official state faith and in this as in other ways, laying the foundations of Iran's modern identity. In this book, leading scholars of Iranian history, culture and politics examine the meaning of the idea of Iran in the Safavid period by examining contemporary experiences of both insiders and outsiders, asking how modern scholarship defines the distinctive features of the age. While sometimes viewed as a period of decline from the high points of classical Persian literature and the visual arts of preceding centuries, the chapters of this book demonstrate that the Safavid era was nevertheless a period of great literary and artistic activity in the realms of both secular and theological endeavour. With the establishment of comparable polities across western, southern and central Asia at broadly the same time, the book explores some of the literary and political interactions with Iran's Ottoman, Mughal and Uzbek neighbours. As the volume and frequency of European merchants and diplomats visiting Safavid Persia increased, especially in the seventeenth century, and as more Iranians recorded their own travel experiences to surrounding Muslim lands, the Safavid period is the first in which we can document and explore the contours of Iran's place in an expanding world, and gain insights into how Iranians saw themselves and others saw them.