An absorbing and definitive modern history of the Vietnam War from the acclaimed New York Times bestselling author of The Secret War.

Vietnam became the Western world’s most divisive modern conflict, precipitating a battlefield humiliation for France in 1954, then a vastly greater one for the United States in 1975. Max Hastings has spent the past three years interviewing scores of participants on both sides, as well as researching a multitude of American and Vietnamese documents and memoirs, to create an epic narrative of an epic struggle. He portrays the set pieces of Dienbienphu, the 1968 Tet offensive, the air blitz of North Vietnam, and also much less familiar miniatures such as the bloodbath at Daido, where a US Marine battalion was almost wiped out, together with extraordinary recollections of Ho Chi Minh’s warriors. Here are the vivid realities of strife amid jungle and paddies that killed two million people.

Many writers treat the war as a US tragedy, yet Hastings sees it as overwhelmingly that of the Vietnamese people, of whom forty died for every American. US blunders and atrocities were matched by those committed by their enemies. While all the world has seen the image of a screaming, naked girl seared by napalm, it forgets countless eviscerations, beheadings, and murders carried out by the communists. The people of both former Vietnams paid a bitter price for the Northerners’ victory in privation and oppression. Here is testimony from Vietcong guerrillas, Southern paratroopers, Saigon bargirls, and Hanoi students alongside that of infantrymen from South Dakota, Marines from North Carolina, and Huey pilots from Arkansas.

No past volume has blended a political and military narrative of the entire conflict with heart-stopping personal experiences, in the fashion that Max Hastings’ readers know so well. The author suggests that neither side deserved to win this struggle with so many lessons for the twenty-first century about the misuse of military might to confront intractable political and cultural challenges. He marshals testimony from warlords and peasants, statesmen and soldiers, to create an extraordinary record.

China has a long and complex history of interactions with the world around it. One of the most successful imports-arguably the most successful before modern times and the impact of the West-is Buddhism, which, since the first centuries of the Common Era, has spread into almost every aspect of Chinese life, thought and practice. Erik Zurcher was one of the most important scholars to study the history of Buddhism in China, and the ways in which Buddhism in China gradually became Chinese Buddhism. More than half a century after the publication of Zurcher's landmark The Buddhist Conquest of China, we now have a collection of essays from the top contemporary specialists exploring aspects of the legacy of Zurcher's investigations, bringing forward new evidence, new ideas and reconsiderations of old theories to present an up-to-date and exciting expansion and revision of what was arguably the single most influential contribution to date on the history of Chinese Buddhism. Contributors are Tim Barrett, Stephen R. Bokenkamp, Funayama Toru, Barend ter Haar, Liu Shufen, Minku Kim, Jan Nattier, Antonello Palumbo, and Nicolas Standaert.

This book is an annotated collection of English-language documents by foreigners writing about Japan's kabuki theatre in the half-century after the country was opened to the West in 1853. Using memoirs, travelogues, diaries, letters, and reference books, it contains all significant writing about kabuki by foreigners-resident or transient-during the Meiji period (1868-1912), well before the first substantial non-Japanese book on the subject was published. Its chronologically organized chapters contain detailed introductions. Twenty-seven authors, represented by edited versions of their essays, are supplemented by detailed summaries of thirty-five others. The author provides insights into how Western visitors-missionaries, scholars, diplomats, military officers, adventurers, globetrotters, and even a precocious teenage girl-responded to a world-class theatre that, apart from a tiny number of pre-Meiji encounters, had been hidden from the world at large for over two centuries. It reveals prejudices and misunderstandings, but also demonstrates the power of great theatre to bring together people of differing cultural backgrounds despite the barriers of language, artistic convention, and the very practice of theatergoing. And, in Ichikawa Danjuro IX, it presents an actor knowledgeable foreigners considered one of the finest in the world.

Johann Michael Wansleben’s Travels in Turkey, 1673–1676 is a hitherto unpublished version of a remarkable description of Istanbul, Izmir, and Bursa by the German scholar traveller Wansleben. Wansleben was in the Ottoman Empire to buy manuscripts, statuary, and curios for the French king, but it is his off-hand observations about Ottoman society that often make Wansleben’s account such a valuable historical source. His experiences add to our knowledge of such diverse topics as prostitution in the Ottoman Empire, taxation, and the French consular system. His visit to Bursa is also noteworthy because few Western travellers included the first Ottoman capital in their tours of the East or described it at such length.