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Books > History > Asian / Middle Eastern history
'A sprawling tale of love, family, duty, war, and displacement'
Khaled Hosseini Correspondents by Tim Murphy is a powerful story
about the legacy of immigration, the present-day world of
refugeehood, the violence that America causes both abroad and at
home, and the power of the individual and the family to bring good
into a world that is often brutal. Spanning the breadth of the
twentieth century and into the post-9/11 wars and their legacy,
Correspondents is a powerful novel that centres on Rita Khoury, an
Irish-Lebanese woman whose life and family history mirrors the
story of modern America. Both sides of Rita's family came to the
United States in the golden years of immigration, and in her home
north of Boston Rita grows into a stubborn, perfectionist, and
relentlessly bright young woman. She studies Arabic at university
and moves to cosmopolitan Beirut to work as a journalist, and is
then posted to Iraq after the American invasion in 2003. In
Baghdad, Rita finds for the first time in her life that her safety
depends on someone else, her talented interpreter Nabil al-Jumaili,
an equally driven young man from a middle-class Baghdad family who
is hiding a secret about his sexuality. As Nabil's identity
threatens to put him in jeopardy and Rita's position becomes more
precarious as the war intensifies, their worlds start to unravel,
forcing them out of the country and into an uncertain future.
The word Armageddon conjures up images of fear and ultimate
cataclysm. The bloody 4,000-year history of the Valley of
Armageddon, today known as the Jezreel Valley, reinforces these
beliefs. There is, however, another much quieter reality very much
alive in the valley. Despite the history, the prophecy and the
current unrest and warfare - there are people from both sides of
the conflict who understand that we are capable of respecting one
another with dignity. Israeli doctors treat patients who are
dedicated to their destruction. Palestinian Muslims help Jews.
These people are living testimony to the spirit of forgiveness and
to the power of acceptance. These voices may represent the real
ultimate conflict of Armageddon - the battle between the forces of
good and evil within ourselves.
Following her internationally bestselling book The Good Women of
China, Xinran has written one of the most powerful accounts of the
lives of Chinese women. She has gained entrance to the most pained,
secret chambers in the hearts of Chinese mothers--students,
successful businesswomen, midwives, peasants--who, whether as a
consequence of the single-child policy, destructive age-old
traditions, or hideous economic necessity, have given up their
daughters. Xinran beautifully portrays the "extra-birth guerrillas"
who travel the roads and the railways, evading the system, trying
to hold on to more than one baby; naive young girl students who
have made life-wrecking mistakes; the "pebble mother" on the banks
of the Yangtze River still looking into the depths for her stolen
daughter; peasant women rejected by their families because they
can't produce a male heir; and Little Snow, the orphaned baby
fostered by Xinran but confiscated by the state.
For parents of adopted Chinese children and for the children
themselves, this is an indispensable, powerful, and intensely
moving book. Message from an Unknown Chinese Mother is powered by
love and by heartbreak and will stay with readers long after they
have turned the final page.
With more than 1,200 photos, the second volume of this series gets
into the heart of the USAF uniforms and equipment used during the
Vietnam War. Focusing on hundreds of Air Force named items, the
book offers precise insight and references covering a selection of
70+ units. Flight suits, helmets, utility shirts, jungle jackets,
plaques, and souvenir lighters are featured together to illustrate
the history of these flying and ground units. From the air bases to
the mighty B-52s, from the secret missions to the POWs, many
aspects of USAF involvement in Southeast Asia are covered in this
second volume.
Inspired by the discovery of her father's long-forgotten photos,
diaries and letters from home, the author set about creating this
book as a tribute to the bravery and sacrifices made by the armed
forces in the often over-looked Indian sub-continent area of
conflict, 5,000 miles away from home. Now, after six years of work
and research, this book has culminated in a tremendous insight into
the appalling hardships and working conditions as well as the
ingenuity of the often forgotten RAF ground crew who kept the
warbirds in the air. Deprived by the RAF of his Pilot's Licence due
to colour blindness, Peter was based firstly in central India,
maintaining old planes that were already obsolete, and then in
Burma where the ground crew were also flying as cargo handlers and
stretcher bearers, having to land and take off in the most
hazardous of conditions on short bush strips hacked out of the
Japanese-infested jungles.
Revered by some as the Arab Garibaldi, maligned by others as an
intriguer and opportunist, Fawzi al-Qawuqji manned the ramparts of
Arab history for four decades. As a young officer in the Ottoman
Army, he fought the British in World War I and won an Iron Cross.
In the 1920s, he mastered the art of insurgency and helped lead a
massive uprising against the French authorities in Syria. A decade
later, he reappeared in Palestine, where he helped direct the Arab
Revolt of 1936. When an effort to overthrow the British rulers of
Iraq failed, he moved to Germany, where he spent much of World War
II battling his fellow exile, the Mufti of Jerusalem, who had
accused him of being a British spy. In 1947, Qawuqji made a daring
escape from Allied-occupied Berlin, and sought once again to shape
his region's history. In his most famous role, he would command the
Arab Liberation Army in the Arab-Israeli War of 1948. In this
well-crafted, definitive biography, Laila Parsons tells Qawuqji's
dramatic story and sets it in the full context of his turbulent
times. Following Israel's decisive victory, Qawuqji was widely
faulted as a poor leader with possibly dubious motives.The
Commander shows us that the truth was more complex: although he
doubtless made some strategic mistakes, he never gave up fighting
for Arab independence and unity, even as those ideals were
undermined by powers inside and outside the Arab world. In
Qawuqji's life story we find the origins of today's turmoil in the
Arab Middle East.
Simon Norfolk's book Afghanistan; chronotopia is now recognised as
a classic of photography. It establised Norfolk's reputation as one
of the leading photographers in the world and has been exhibited in
more than 30 venues worldwide. For the first time since 2001, Simon
Norfolk has returned to the country. This time he follows in the
footsteps of the Irish photographer John Burke, a superb, yet
virtually unknown, war photographer whose eloquent and beautiful
photographs of the Second Anglo-Afghan War (1878-1880) form a most
extraordinary record. Using unwieldy wet-plate collodion negatives
and huge wooden cameras Burke shot landscapes, battlefields,
archaeological sites, street scenes, portraits of British officers
and ethnological group portraits of Afghans in what amounts to a
record of an Imperial encounter. The range of work is tremendously
broad and yet suffused with a delicate humanism. These are also the
first ever pictures made in Afghanistan. With this book, one
hundred and thirty years too late, John Burke's time has at last
come. Norfolk's new work looks at what happens when you add half a
trillion US war dollars to an impoverished and broken country such
as Afghanistan. Very loosely re-photographic in nature, the work is
more of an 'Improvisation on a theme' by John Burke, and is
presented as an artistic collaboration between Burke and Norfolk.
It features photographs by Burke never before published as well as
Norfolk's new pictures from Kabul and Helmand.
How was it that this well-educated, mixed-race, middle-class girl
from a respectable family came to be fighting with the Tamil
Tigers? Two days before Christmas in 1987, at the age of seventeen,
Niromi de Soyza found herself in an ambush as part of a small
platoon of militant Tamil Tigers fighting government forces in the
bloody civil war that was to engulf Sri Lanka for decades. With her
was her lifelong friend Ajanthi, also aged seventeen. Leaving
behind them their shocked middle-class families, the teenagers had
become part of the Tamil Tigers' first female contingent. Equipped
with little more than a rifle and a cyanide capsule each, Niromi's
group managed to survive on their wits in the jungle, facing not
only the perils of war but starvation, illness and growing internal
tensions among the militant Tigers. But then events erupted in ways
that she could no longer bear.
"Vengeance" is a true story that reads like a novel. It is the
account of five ordinary Israelis, selected to vanish into "the
cold" of espionage secrecy -- their mission to hunt down and kill
the PLO terrorists responsible for the massacre of eleven Israeli
athletes at the Munich Olympics in 1972.
This is the account of that secret mission, as related by the
leader of the group -- the first Mossad agent to come out of "deep
cover" and tell the story of a heroic endeavor that was shrouded in
silence and speculation for years. He reveals the long and
dangerous operation whose success was bought at a terrible cost to
the idealistic volunteer agents themselves.
"Avner" was the leader of that team, handpicked by Golda Meir to
avenge the monstrous crime of Munich. He and his young companions,
cut off from any direct contact with Israel, set out systematically
to find and kill the central figures of the PLO's Munich operation,
tracking them down wherever they lived.
The mechanics, the horror, the day-by-day suspense of what they
did surpass by far anything John le Carre or Robert Ludlum could
imagine, as they themselves were tracked in turn (and some killed)
by PLO assassins, changing identities constantly, moving from
country to country, devoting their young lives to the brutal task
of vengeance.
"Vengeance" is a profoundly human document, a real-life
espionage classic that plunges the reader into the shadow world of
terrorism and political murder. But it goes far beyond that, to
explore firsthand the feelings of disgust and doubt that gradually
came to torment each member of the Israeli team, and that in the
end inexorably changed their view of the mission -- and
themselves.
"Vengeance" opens a window onto a secret world, a book that at
the same time inspires and horrifies. For its subject is an act of
revenge that goes to the very heart of the ancient biblical
questions of good and evil.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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