To understand the turnaround in Spain's stance towards Japan during World War II, this book goes beyond mutual contacts and explains through images, representations, and racism why Madrid aimed at declaring war on Japan but not against the III Reich -as London ironically replied when it learned of Spain's warmongering against one of the Axis members.

This volume is written in the context of trauma hermeneutics of ancient Jewish communities and their tenacity in the face of adversity (i.e. as recorded in the MT, LXX, Pseudepigrapha, the Deuterocanonical books and even Cognate literature. In this regard, its thirteen chapters, are concerned with the most recent outputs of trauma studies. They are written by a selection of leading scholars, associated to some degree with the Hungaro-South African Study Group. Here, trauma is employed as a useful hermeneutical lens, not only for interpreting biblical texts and the contexts in which they were originally produced and functioned but also for providing a useful frame of reference. As a consequence, these various research outputs, each in their own way, confirm that an historical and theological appreciation of these early accounts and interpretations of collective trauma and its implications, (perceived or otherwise), is critical for understanding the essential substance of Jewish cultural identity. As such, these essays are ideal for scholars in the fields of Biblical Studies-particularly those interested in the Pseudepigrapha, the Deuterocanonical books and Cognate literature.

'The Art of War' is as relevant to today's warriors in business, politics, and everyday life as it once was to the warlords of ancient China. It is one of the most useful books ever written on leading with wisdom, an essential tool for modern corporate warriors battling to gain the advantage in the boardroom, and for anyone struggling to gain the upper hand in confrontations and competitions.

This book translates and contextualizes the recollections of men and women who built, lived, and worked in some of the factory compounds relocated from China's most cosmopolitan city-Shanghai. Small Third Line factories became oases of relatively prosperous urban life among more impoverished agricultural communities. These accounts, plus the guiding questions, contextual notes, and further readings accompanying them, show how everyday lives fit into the sweeping geopolitical changes in China and the world during the Cold War era. Furthermore, they reveal how the Chinese Communist Party's military-industrial strategies have shaped China's economy and society in the post-Mao era. The approachable translations and insight into areas of life rarely covered by political or diplomatic histories like sexuality and popular culture make this book highly accessible for classroom use and the general-interest reader.

It is now recognized that emotions have a history. In this book, eleven scholars examine a variety of emotions in ancient China and classical Greece, in their historical and social context. A general introduction presents the major issues in the analysis of emotions across cultures and over time in a given tradition. Subsequent chapters consider how specific emotions evolve and change. For example, whereas for early Chinese thinkers, worry was a moral defect, it was later celebrated as a sign that one took responsibility for things. In ancient Greece, hope did not always focus on a positive outcome, and in this respect differed from what we call "hope." Daring not to do, or "undaring," was itself an emotional value in early China. While Aristotle regarded the inability to feel anger as servile, the Roman Stoic Seneca rejected anger entirely. Hatred and revenge were encouraged at one moment in China and repressed at another. Ancient Greek responses to tragedy do not map directly onto modern emotional registers, and yet are similar to classical Chinese and Indian descriptions. There are differences in the very way emotions are conceived. This book will speak to anyone interested in the many ways that human beings feel.