In 2012, President Obama announced that the United States would spend the next thirteen years - through November 11, 2025 - commemorating the 50th Anniversary of the Vietnam War, and the American soldiers, "more than 58,000 patriots," who died in Vietnam. The fact that at least 2.1 million Vietnamese - soldiers, parents, grandparents, children - also died in that war will be largely unknown and entirely uncommemorated. And U.S. history barely stops to record the millions of Vietnamese who lived on after being displaced, tortured, maimed, raped, or born with birth defects, the result of devastating chemicals wreaked on the land by the U.S. military. The reason for this appalling disconnect of consciousness lies in an unremitting public relations campaign waged by top American politicians, military leaders, business people, and scholars who have spent the last sixty years justifying the U.S. presence in Vietnam. It is a campaign of patriotic conceit superbly chronicled by John Marciano in The American War in Vietnam: Crime or Commemoration?A devastating follow-up to Marciano's 1979 classic Teaching the Vietnam War (written with William L. Griffen), Marciano's book seeks not to commemorate the Vietnam War, but to stop the ongoing U.S. war on actual history. Marciano reveals the grandiose flag-waving that stems from the "Noble Cause principle," the notion that America is "chosen by God" to bring democracy to the world. Marciano writes of the Noble Cause being invoked unsparingly by presidents - from Jimmy Carter, in his observation that, regarding Vietnam, "the destruction was mutual," to Barack Obama, who continues the flow of romantic media propaganda: "The United States of America ...will remain the greatest force for freedom the world has ever known."The result is critical writing and teaching at its best. This book will find a home in classrooms where teachers seek to do more than repeat the trite glorifications of U.S. empire. It will provide students everywhere with insights that can prepare them to change the world.

In Arthur Upham Pope and A New Survey of Persian Art, fourteen scholars explore the legacy of Arthur Upham Pope (1881-1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his personal charisma, influenced the way in which many scholars and collectors worldwide came to understand the art, architecture and material culture of the Persian world. This ultimately resulted in the establishment of the aesthetic criteria for assessing the importance of cultural remains from modern-day Iran. With contributions by Lindsay Allen, Sheila S. Blair, Jonathan M. Bloom, Talinn Grigor, Robert Hillenbrand, Yuka Kadoi, Sumru Belger Krody, Judith A. Lerner, Kimberly Masteller, Cornelia Montgomery, Bernard O'Kane, Keelan Overton, Laura Weinstein, and Donald Whitcomb.

Contemporary Military Strategy and the Global War on Terror offers an in-depth analysis of US/UK military strategy in Afghanistan and Iraq from 2001 to the present day. It explores the development of contemporary military strategy in the West in the modern age before interrogating its application in the Global War on Terror. The book provides detailed insights into the formulation of military plans by political and military elites in the United States and United Kingdom for Operation Enduring Freedom and Operation Iraqi Freedom. Alastair Finlan highlights the challenges posed by each of these unique theatres of operation, the nature of the diverse enemies faced by coalition forces, and the shortcomings in strategic thinking about these campaigns. This fresh perspective on strategy in the West and how it has been applied in recent military campaigns facilitates a deep understanding of how wars have been and will be fought. Including key terms, concepts and discussion questions for each chapter, Contemporary Military Strategy and the Global War on Terror is a crucial text in strategic studies, and required reading for anyone interested in the new realities of transnational terrorism and twenty-first century warfare.

Michael Loewe calls on literary and material evidence to examine three problems that arose in administering China's early empires. Religious rites due to an emperor's predecessors must both pay the correct services to his ancestors and demonstrate his right to succeed to the throne. In practical terms, tax collectors, merchants, farmers and townsmen required the establishment of a standard set of weights and measures that was universally operative and which they could trust. Those who saw reason to criticise the decisions taken by the emperor and his immediate advisors, whether on grounds of moral principles or political expediency, needed opportunities and the means of expressing their views, whether as remonstrants to the throne, by withdrawal from public life or as authors of private writings.

Japan's Private Spheres: Autonomy in Japanese History, 1600-1930 traces the shifting nature of autonomy in early modern and modern Japan. In this far-reaching, interdisciplinary study, W. Puck Brecher explores the historical development of the private and its evolving relationship with public authority, a dynamic that evokes stereotypes about an alleged dearth of individual agency in Japanese society. It does so through a montage of case studies. For the early modern era, case studies examine peripheral living spaces, boyhood, and self-interrogation in the arts. For the modern period, they explore strategic deviance, individuality in Meiji education, modern leisure, and body-maintenance. Analysis of these disparate private realms illuminates evolving conceptualizations of the private and its reciprocal yet often-contested relationship to the state.

Tsar and Sultan offers a unique insight into Russian Orientalism as the intellectual force behind Russian-Ottoman encounters. Through war diaries and memoirs, accounts of captivity and diplomatic correspondences, Victor Taki's analysis of military documents demonstrates a crucial aspect of Russia's discovery of the Orient based on its rivalry with the Ottoman Empire. Narratives depicting the brutal realities of Russian-Turkish military conflicts influenced the Orientalisation of the Ottoman Empire. In turn, Russian identity was built as the counter-image to the demonised Turk. This book explains the significance of Russian Orientalism on Russian identity and national policies of westernisation. Students of both European and Middle East studies will appreciate Taki's unique approach to Russian-Turkish relations and their influence on Eurasian history.

Cities of Medieval Iran brings together studies in urban geography, archaeology, and history of medieval Iranian cities, spanning the Islamic period until ca. 1500, but also the pre-Islamic situation. The cities and their inhabitants take centre stage, they are not just the places where something else happened. Urban actors are given priority over external factors. The contributions take a long-term perspective and thus take the interaction between urban centres and their hinterland into account. Many contributions come from history or archaeology, but new disciplines are also methodologically integrated into the study of medieval cities, such as the arts of the book, lexicography, geomorphology, and digital instruments. Contributors include Denise Aigle, Mehrdad Amanat, Jean Aubin, Richard W. Bulliet, Jamsheed K. Choksy, David Durand-Guedy, Etienne de la Vaissiere, Majid Montazer Mahdi, Roy P. Mottahedeh, Jurgen Paul, Rocco Rante, Sarah Savant, Ali Shojai Esfahani, Donald Whitcomb and Daniel Zakrzewski.

In The Martyrs of Japan, Rady Roldan-Figueroa examines the role that Catholic missionary orders played in the dissemination of accounts of Christian martyrdom in Japan. The work combines several historiographical approaches, including publication history, history of missions, and "new" institutional history. The author offers an overarching portrayal of the writing, printing, and circulation of books of 'Japano-martyrology.' The book is organized into two parts. The first part, "Spirituality of Writing, Publication History, and Japano-martyrology," addresses topics ranging from the historical background of Christianity in Japan to the publishers of Japano-martyrology. The second part, "Jesuits, Discalced Franciscans, and the Production of Japano-martyrology in the Early Modern Spanish World," features closer analysis of selected works of Japano-martyrology by Jesuit and Discalced Franciscan writers.

In Ordinary Jerusalem, Angelos Dalachanis, Vincent Lemire and thirty-five scholars depict the ordinary history of an extraordinary global city in the late Ottoman and Mandate periods. Utilizing largely unknown archives, they revisit the holy city of three religions, which has often been defined solely as an eternal battlefield and studied exclusively through the prism of geopolitics and religion. At the core of their analysis are topics and issues developed by the European Research Council-funded project "Opening Jerusalem Archives: For a Connected History of Citadinite in the Holy City, 1840-1940." Drawn from the French vocabulary of geography and urban sociology, the concept of citadinite describes the dynamic identity relationship a city's inhabitants develop with each other and with their urban environment.

Long believed to be the cradle of Vietnamese civilization, the Red River Delta of Vietnam has been referenced by Vietnamese and Chinese writers for centuries, many recording colorful tales and legends about the region's prehistory. One of the most enduring accounts relates the story of the Au Lac Kingdom and its capital, known as Co Loa. According to legend, the city was founded during the third century BC and massive rampart walls protected its seat of power. Over the past two millennia, Co Loa has become emblematic of an important foundational era for Vietnamese civilization. Today, the ramparts of this ancient city still stand in silent testament to the power of past societies. However, there are ongoing debates about the origins of the site, the validity of legendary accounts, and the link between the prehistoric past with later Vietnamese society. Recent decades of archaeology in the region have provided a new dimension to further explore these issues, and to elucidate the underpinnings of civilization in northern Vietnam. Nam C. Kim's The Origins of Ancient Vietnam explores the origins of an ancient state in northern Vietnam, an area long believed to be the cradle of Vietnamese civilization. In doing so, it analyzes the archaeological record and the impact of new information on extant legends about the region and its history. Additionally, Kim presents the archaeological case for this momentous development, placing Co Loa within a wider archaeological consideration of emergent cities, states, and civilizations.

Jewish Contiguities and the Soundtrack of Israeli History revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind cliches about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music.
Shelleg introduces the reader to various aesthetic dilemmas involved in the emergence of modern Jewish art music, ranging from auto-exoticism through the hues of self-hatred to the disarticulation of Jewish musical markers. He then considers part of this musics' translocation to Mandatory Palestine, studying its discourse with Hebrew culture, and composers' grappling with modern and Zionist images of the self. Unlike previous efforts in the field, Shelleg unearths the mechanism of what he calls "Zionist musical onomatopoeias," but more importantly their dilution by the non-western Arab Jewish oral musical traditions (the same traditions Hebrew culture sought to westernize and secularize).
And what had begun with composers' movement towards the musical properties of non-western Jewish musical traditions grew in the 60s and 70s to a dialectical return to exilic Jewish cultures. In the aftermath of the Six-Day War, which reaffirmed Zionism's redemptive and expansionist messages, Israeli composers (re)embraced precisely the exilic Jewish music that emphasized Judaism's syncretic qualities rather than its territorial characteristics. In the 70s, therefore, while religious Zionist circles translated theology into politics and territorial maximalism, Israeli composers deterritorialized the national discourse by a growing return to the spaces shared by Jews and non-Jews, devoid of Zionist appropriations."