This is the first comprehensive and fully illustrated study of silver vessels from ancient Macedonia from the 4th to the 2nd centuries BC. These precious vessels formed part of dining sets owned by the royal family and the elite and have been discovered in the tombs of their owners. Eleni Zimi presents 171 artifacts in a full-length study of form, decoration, inscriptions and manufacturing techniques, set against contemporary comparanda in other media (clay, bronze, glass). She adopts an art historical and sociological approach to the archaeological evidence and demonstrates that the use of silver vessels as an expression of wealth and a status symbol is not only connected with the wealth spread in the empire after Alexander's the Great expedition to the East, but constitutes a practice reflecting the opulence and appreciation for luxury at least in the Macedonian court from the reign of Philip II onwards.

The Oxford Handbook of Byzantine Studies presents discussions by leading experts on all significant aspects of this diverse and fast-growing field. The Oxford Handbook of Byzantine Studies deals with the history and culture of the Byzantine Empire, the eastern half of the Late Roman Empire, from the fourth to the fourteenth century. Its centre was the city formerly known as Byzantium, refounded as Constantinople in 324 CE, the present-day Istanbul. Under its emperors, patriarchs, and all-pervasive bureaucracy Byzantium developed a distinctive society: Greek in language, Roman in legal system, and Christian in religion. Byzantium's impact in the European Middle Ages is hard to over-estimate, as a bulwark against invaders, as a meeting-point for trade from Asia and the Mediterranean, as a guardian of the classical literary and artistic heritage, and as a creator of its own magnificent artistic style.

Among medieval Christian societies, Byzantium is unique in preserving an ecclesiastical ritual of adelphopoiesis that pronounces two men as brothers. It has its origin as a spiritual blessing in the monastic world of late antiquity, and it becomes a popular social networking strategy among lay people from the ninth century onwards, even finding application in recent times. Located at the intersection of religious and social history, brother-making exemplifies how social practice can become ritualized and subsequently subjected to attempts of ecclesiastical and legal control. Wide-ranging in its use of sources, from a complete census of the manuscripts containing the ritual of adelphopoiesis to the literature and archaeology of early monasticism, and from the works of hagiographers, historiographers, and legal experts in Byzantium to comparative material in the Latin West and the Slavic world, this book is the first exhaustive treatment of the phenomenon.

The city of Constantinople was named New Rome or Second Rome very soon after its foundation in AD 324; over the next two hundred years it replaced the original Rome as the greatest city of the Mediterranean. In this unified essay collection, prominent international scholars examine the changing roles and perceptions of Rome and Constantinople in Late Antiquity from a range of different disciplines and scholarly perspectives. The seventeen chapters cover both the comparative development and the shifting status of the two cities. Developments in politics and urbanism are considered, along with the cities' changing relationships with imperial power, the church, and each other, and their evolving representations in both texts and images. These studies present important revisionist arguments and new interpretations of significant texts and events. This comparative perspective allows the neglected subject of the relationship between the two Romes to come into focus while avoiding the teleological distortions common in much past scholarship.
An introductory section sets the cities, and their comparative development, in context. Part Two looks at topography, and includes the first English translation of the Notitia of Constantinople. The following section deals with politics proper, considering the role of emperors in the two Romes and how rulers interacted with their cities. Part Four then considers the cities through the prism of literature, in particular through the distinctively late antique genre of panegyric. The fifth group of essays considers a crucial aspect shared by the two cities: their role as Christian capitals. Lastly, a provocative epilogue looks at the enduring Roman identity of the post-Heraclian Byzantine state. Thus, Two Romes not only illuminates the study of both cities but also enriches our understanding of the late Roman world in its entirety.

The civil wars that brought down the Roman Republic were fought on more than battlefields. Armed gangs infested the Italian countryside, in the city of Rome mansions were besieged, and bounty-hunters searched the streets for "public enemies." Among the astonishing stories to survive from these years is that of a young woman whose parents were killed, on the eve of her wedding, in the violence engulfing Italy. While her future husband fought overseas, she staved off a run on her father's estate. Despite an acute currency shortage, she raised money to help her fiance in exile. And when several years later, her husband, back in Rome, was declared an outlaw, she successfully hid him, worked for his pardon, and joined other Roman women in staging a public protest. The wife's tale is known only because her husband had inscribed on large slabs of marble the elaborate eulogy he gave at her funeral. Though no name is given on the inscriptions, starting as early as the seventeenth century, scholars saw saw similarities between the contents of the inscription and the story, preserved in literary sources, of one Turia, the wife of Quintus Lucretius. Although the identification remains uncertain, and in spite of the other substantial gaps in the text of the speech, the "Funeral Speech for Turia" (Laudatio Turiae), as it is still conventionally called, offers an extraordinary window into the life of a high-ranking woman at a critical moment of Roman history. In this book Josiah Osgood reconstructs the wife's life more fully than it has been before by bringing in alongside the eulogy stories of other Roman women who also contributed to their families' survival while working to end civil war. He shows too how Turia's story sheds rare light on the more hidden problems of everyday life for Romans, including a high number of childless marriages. Written with a general audience in mind, Turia: A Roman Woman's Civil War will appeal to those interested in Roman history as well as war, and the ways that war upsets society's power structures. Not only does the study come to terms with the distinctive experience of a larger group of Roman women, including the prudence they had to show to succeed , but also introduces readers to an extraordinary tribute to married love which, though from another world, speaks to us today.

First published in 1963, F.F. Bruce's work Israel and the Nations has achieved wide recognition as an excellent introduction to the history of Israel. This new edition, revised by David F. Payne, includes some new material and an updated bibliography.

Thousands of texts, written over a period of three thousand years on papyri and potsherds, in Egyptian, Greek, Latin, Aramaic, Hebrew, Persian, and other languages, have transformed our knowledge of many aspects of life in the ancient Mediterranean and Near Eastern worlds. The Oxford Handbook of Papyrology provides an introduction to the world of these ancient documents and literary texts, ranging from the raw materials of writing to the languages used, from the history of papyrology to its future, and from practical help in reading papyri to frank opinions about the nature of the work of papyrologists. This volume, the first major reference work on papyrology written in English, takes account of the important changes experienced by the discipline within especially the last thirty years.
Including new work by twenty-seven international experts and more than one hundred illustrations, The Oxford Handbook of Papyrology will serve as an invaluable guide to the subject.

With a blend of narrative and analysis, this book explores the extent to which mercenaries have been used, from Sumer to Rome, and the reasons governments hired them when they could conscript native citizens.

Lucius Cornelius Sulla (138-78 BC), soldier, politician, and statesman, set the standard of dictator for the generations that followed his death the most famous dictator to follow Sulla's systematic path to power was Julius Caesar. In his lifetime, Sulla faced issues such as the decay of religious faith, the end of the aristocracy, the rise of the proletariat, and the growth of international finance. It was unquestionably a momentous era in the world's history, and Sulla's story is a tale of the Roman ambition par excellence: alliances, battles against rival Roman armies, plots, assassinations, and a civil war initiated by Sulla himself in which he seized power.

Hannibal was a military genius who fought for 16 years on enemy territory against the overwhelming might of Rome. Baker''s biography recounts all of Hannibal''s conquests. This book is a must for students of the classics.'

What was the role of mousike, the realm of the Muses, in Greek life? More wide-ranging in its implications than the English 'music', mousike lay at the heart of Greek culture, and was often indeed synonymous with culture. In its commonest form, it represented for the Greeks a seamless complex of music, poetic word, and physical movement, encompassing a vast array of performances - from small-scale entertainment in the private home to elaborate performances involving the entire community. Yet the history of the field, particularly in anglophone scholarship, has been hitherto narrowly conceived, and the broader cultural significance of mousike largely ignored. Focusing mainly on classical Athens these new and specially commissioned essays analyse the theory and practice of musical performance in a variety of social contexts and demonstrate the centrality of mousike to the values and ideology of the polis. The so-called 'new musical revolution' in late fifth-century Athens receives serious treatment in this volume for the first time. A major theme of the book is the musical and mousike dimension of Greek religion, rarely analysed in its own right. The ethical and philosophical aspects of Athenian mousike are another central concern, with the figure of the dancing philosopher as an emblem of music's role in intellectual life. The book as a whole provides an integrated cultural analysis of central aspects of Greek mousike, which will be of interest to classical scholars, to cultural historians, and to anyone concerned with understanding the power of music as a cultural phenomenon.

Damascius was head of the Neoplatonist academy in Athens when the Emperor Justinian shut its doors forever in 529. His work, Problems and Solutions Concerning First Principles, is the last surviving independent philosophical treatise from the Late Academy. Its survey of Neoplatonist metaphysics, discussion of transcendence, and compendium of late antique theologies, make it unique among all extant works of late antique philosophy. It has never before been translated into English.
The Problems and Solutions exhibits a thorough?going critique of Proclean metaphysics, starting with the principle that all that exists proceeds from a single cause, proceeding to critique the Proclean triadic view of procession and reversion, and severely undermining the status of intellectual reversion in establishing being as the intelligible object. Damascius investigates the internal contradictions lurking within the theory of descent as a whole, showing that similarity of cause and effect is vitiated in the case of processions where one order (e.g. intellect) gives rise to an entirely different order (e.g. soul).
Neoplatonism as a speculative metaphysics posits the One as the exotic or extopic explanans for plurality, conceived as immediate, present to hand, and therefore requiring explanation. Damascius shifts the perspective of his metaphysics: he struggles to create a metaphysical discourse that accommodates, insofar as language is sufficient, the ultimate principle of reality. After all, how coherent is a metaphysical system that bases itself on the Ineffable as a first principle? Instead of creating an objective ontology, Damascius writes ever mindful of the limitations of dialectic, and of the pitfalls and snares inherent in the very structure of metaphysical discourse.

The Chinese and the Romans created the largest empires of the ancient world. Separated by thousands of miles of steppe, mountains and sea, these powerful states developed independently and with very limited awareness of each other's existence. This parallel process of state formation served as a massive natural experiment in social evolution that provides unique insight into the complexities of historical causation. Comparisons between the two empires shed new light on the factors that led to particular outcomes and help us understand similarities and differences in ancient state formation. The explicitly comparative perspective adopted in this volume opens up a dialogue between scholars from different areas of specialization, encouraging them to address big questions about the nature of imperial rule. In a series of interlocking case studies, leading experts of early China and the ancient Mediterranean explore the relationship between rulers and elite groups, the organization and funding of government, and the ways in which urban development reflected the interplay between state power and communal civic institutions. Bureaucratization, famously associated with Qin and Han China but long less prominent in the Roman world, receives special attention as an index of the ambitions and capabilities of kings and emperors. The volume concludes with a look at the preconditions for the emergence of divine rulership. Taken together, these pioneering contributions lay the foundations for a systematic comparative history of early empires.

Italy's Lost Greece is the untold story of the modern engagement with the ancient Greek settlements of South Italy--an area known since antiquity as Magna Graecia. This "Greater Greece," at once Greek and Italian, has continuously been perceived as a region in decline since its archaic golden age, and has long been relegated to the margins of classical studies. Giovanna Ceserani's evocative and nuanced analysis recovers its significance within the history of classical archaeology. It was here that the Renaissance first encountered an ancient Greek landscape, and during the "Hellenic turn" of eighteenth-century Europe the temples of Paestum and the painted vases of South Italy played major roles, but since then, Magna Graecia--lying outside the national boundaries of modern Greece, and sharing in the complicated regional dynamic of the Italian Mezzogiorno--has fitted awkwardly into the commonly accepted paradigms of Hellenism. The unfolding of this process provides a unique insight into three developments: the humanist investment in the ancient past, the evolution of modern Hellenism, and the making of classical archaeology. Drawing on antiquarian and archaeological writings, histories and travelogues about Magna Graecia, and recent rewritings of the history and imagining of the South, Italy's Lost Greece sheds new light on well known figures in the history of archaeology while recovering forgotten ones. This is an Italian story of European resonance, which transforms our understanding of the transition from antiquarianism to archaeology, of the relationship between nation-making and institution-building in the study of the ancient past, and of the reconstruction of classical Greece in the modern world.

Gifts for the Gods is an enlightening and richly illustrated book on animal mummies from ancient Egypt. Introducing readers to the wealth of animal mummies in British museums and private collections, this fascinating collection focuses on the prevalent type of animal mummy to be found in Britain: the votive offering. In a series of chapters written by experts in their field, Gifts for the Gods details the role of animals in ancient Egypt and in museum collections. It concentrates on the unique relationship of British explorers, travellers, archaeologists, curators and scientists with this material. The book describes a best-practice protocol for the scientific study of animal mummies by the Ancient Egyptian Animal Bio Bank team, whilst acknowledging that the current research represents only the beginning of a much larger task.

Was Plato a Pythagorean? Plato's students and earliest critics thought so, but scholars since the 19th century have been more skeptical. In Plato and Pythagoreanism, Phillip Sidney Horky argues that a specific type of Pythagorean philosophy, called "mathematical" Pythagoreanism, exercised a decisive influence on fundamental aspects of Plato's philosophy. The progenitor of mathematical Pythagoreanism was the infamous Pythagorean heretic and political revolutionary Hippasus of Metapontum, a student of Pythagoras who is credited with experiments in harmonics that led to innovations in mathematics. The innovations of Hippasus and other mathematical Pythagoreans, including Empedocles of Agrigentum, Epicharmus of Syracuse, Philolaus of Croton, and Archytas of Tarentum, presented philosophers like Plato with new approaches to science that sought to reconcile empirical knowledge with abstract mathematical theories. Plato and Pythagoreanism shows how mathematical Pythagoreanism established many of the fundamental philosophical questions Plato dealt with in his central dialogues, including Cratylus, Phaedo, Republic, Timaeus, and Philebus. In the process, it also illuminates the historical significance of the mathematical Pythagoreans, a group whose influence over the development of philosophical and scientific methods have been obscured since late antiquity. The picture that results is one in which Plato inherits mathematical Pythagorean method only to transform it into a powerful philosophical argument concerning the essential relationships between the cosmos and the human being.

Since at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman's Amazonian heritage-and at times it is almost irrelevant-as with Hercules' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture.
Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. This volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller's 300 and Sin City, DC Comics' Wonder Woman, Jack Kirby's The Eternals, Neil Gaiman's Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.

Chapters 22 and 23 of 2 Kings tell the story of the religious reforms of the Judean King Josiah, who systematically destroyed the cult places and installations where his own people worshipped in order to purify Israelite religion and consolidate religious authority in the hands of the Jerusalem temple priests. This violent assertion of Israelite identity is portrayed as a pivotal moment in the development of monotheistic Judaism. Monroe argues that the use of cultic and ritual language in the account of the reform is key to understanding the history of the text's composition, and illuminates the essential, interrelated processes of textual growth and identity construction in ancient Israel. Until now, however, none of the scholarship on 2 Kings 22-23 has explicitly addressed the ritual dimensions of the text. By attending to the specific acts of defilement attributed to Josiah as they resonate within the larger framework of Israelite ritual, Monroe's work illuminates aspects of the text's language and fundamental interests that have their closest parallels in the priestly legal corpus known as the Holiness Code (Leviticus 17-26), as well as in other priestly texts that describe methods of eliminating contamination. She argues that these priestly-holiness elements reflect an early literary substratum that was generated close in time to the reign of Josiah, from within the same priestly circles that produced the Holiness Code. The priestly composition was reshaped in the hands of a post-Josianic, exilic or post-exilic Deuteronomistic historian who transformed his source material to suit his own ideological interests. The account of Josiah's reform is thus imprinted with the cultural and religious attitudes of two different sets of authors. Teasing these apart reveals a dialogue on sacred space, sanctified violence and the nature of Israelite religion that was formative in the development not only of 2 Kings 23, but of the historical books of the Bible more broadly.

The study of emotions and emotional displays has achieved a deserved prominence in recent classical scholarship. The emotions of the classical world can be plumbed to provide a valuable heuristic tool. Emotions can help us understand key issues of ancient ethics, ideological assumptions, and normative behaviors, but, more frequently than not, classical scholars have turned their attention to "social emotions" requiring practical decisions and ethical judgments in public and private gatherings. The emotion of disgust has been unwarrantedly neglected, even though it figures saliently in many literary genres, such as iambic poetry and comedy, historiography, and even tragedy and philosophy. This collection of seventeen essays by fifteen authors features the emotion of disgust as one cutting edge of the study of Greek and Roman antiquity. Individual contributions explore a wide range of topics. These include the semantics of the emotion both in Greek and Latin literature, its social uses as a means of marginalizing individuals or groups of individuals, such as politicians judged deviant or witches, its role in determining aesthetic judgments, and its potentialities as an elicitor of aesthetic pleasure. The papers also discuss the vocabulary and uses of disgust in life (Galli, actors, witches, homosexuals) and in many literary genres: ancient theater, oratory, satire, poetry, medicine, historiography, Hellenistic didactic and fable, and the Roman novel. The Introduction addresses key methodological issues concerning the nature of the emotion, its cognitive structure, and modern approaches to it. It also outlines the differences between ancient and modern disgust and emphasizes the appropriateness of "projective or second-level disgust" (vilification) as a means of marginalizing unwanted types of behavior and stigmatizing morally condemnable categories of individuals. The volume is addressed first to scholars who work in the field of classics, but, since texts involving disgust also exhibit significant cultural variation, the essays will attract the attention of scholars who work in a wide spectrum of disciplines, including history, social psychology, philosophy, anthropology, comparative literature, and cross-cultural studies.

The Oxford Handbook of Ancient Anatolia is a unique blend of comprehensive overviews on archaeological, philological, linguistic, and historical issues at the forefront of Anatolian scholarship in the 21st century. Anatolia is home to early complex societies and great empires, and was the destination of many migrants, visitors, and invaders. The offerings in this volume bring this reality to life as the chapters unfold nearly ten thousand years (ca. 10,000-323 B.C.E.) of peoples, languages, and diverse cultures who lived in or traversed Anatolia over these millennia. The contributors combine descriptions of current scholarship on important discussion and debates in Anatolian studies with new and cutting edge research for future directions of study. The fifty-four chapters are presented in five separate sections that range in topic from chronological and geographical overviews to anthropologically based issues of culture contact and imperial structures, and from historical settings of entire millennia to crucial data from key sites across the region. The contributors to the volume represent the best scholars in the field from North America, Europe, Turkey, and Asia. The appearance of this volume offers the very latest collection of studies on the fascinating peninsula known as Anatolia.

Sui-Tang China and Its Turko-Mongol Neighbors challenges readers to reconsider China's relations with the rest of Eurasia. Investigating interstate competition and cooperation between the successive Sui and Tang dynasties and Turkic states of Mongolia from 580 to 800, Jonathan Skaff upends the notion that inhabitants of China and Mongolia were irreconcilably different and hostile to each other. Rulers on both sides deployed strikingly similar diplomacy, warfare, ideologies of rulership, and patrimonial political networking to seek hegemony over each other and the peoples living in the pastoral borderlands between them. The book particularly disputes the supposed uniqueness of imperial China's tributary diplomacy by demonstrating that similar customary norms of interstate relations existed in a wide sphere in Eurasia as far west as Byzantium, India, and Iran. These previously unrecognized cultural connections, therefore, were arguably as much the work of Turko-Mongol pastoral nomads traversing the Eurasian steppe as the more commonly recognized Silk Road monks and merchants. This interdisciplinary and multi-perspective study will appeal to readers of comparative and world history, especially those interested in medieval warfare, diplomacy, and cultural studies.

An amusing, fascinating and intriguing description of the origins of everyday phrases, the titles in the 'Well I Never Knew That ' series reveals how many of our common expressions and sayings came to be.

A bold reassessment of what caused the Late Bronze Age collapse In 1177 B.C., marauding groups known only as the "Sea Peoples" invaded Egypt. The pharaoh's army and navy managed to defeat them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilizations. After centuries of brilliance, the civilized world of the Bronze Age came to an abrupt and cataclysmic end. Kingdoms fell like dominoes over the course of just a few decades. No more Minoans or Mycenaeans. No more Trojans, Hittites, or Babylonians. The thriving economy and cultures of the late second millennium B.C., which had stretched from Greece to Egypt and Mesopotamia, suddenly ceased to exist, along with writing systems, technology, and monumental architecture. But the Sea Peoples alone could not have caused such widespread breakdown. How did it happen? In this major new account of the causes of this "First Dark Ages," Eric Cline tells the gripping story of how the end was brought about by multiple interconnected failures, ranging from invasion and revolt to earthquakes, drought, and the cutting of international trade routes. Bringing to life the vibrant multicultural world of these great civilizations, he draws a sweeping panorama of the empires and globalized peoples of the Late Bronze Age and shows that it was their very interdependence that hastened their dramatic collapse and ushered in a dark age that lasted centuries. A compelling combination of narrative and the latest scholarship, 1177 B.C. sheds new light on the complex ties that gave rise to, and ultimately destroyed, the flourishing civilizations of the Late Bronze Age-and that set the stage for the emergence of classical Greece.