Now in its fourth edition, this highly acclaimed sourcebook examines the public and private lives and legal status of Greek and Roman women. The texts represent women of all social classes, from public figures remembered for their deeds (or misdeeds), to priestesses, poets, and intellectuals, to working women, such as musicians, wet nurses, and prostitutes, to homemakers. The editors have selected texts from hard-to-find sources, such as inscriptions, papyri, and medical treatises, many of which have not previously been translated into English. The resulting compilation is both an invaluable aid to research and a clear guide through this complex subject. Building on the third edition's appendix of updates, the fourth adds many new and unusual texts and images, as well as such student-friendly features as a map and chapter overviews. Many notes and explanations have been revised with the non-classicist in mind.

The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.

Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.

Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.

In Unwritten Rome, a new book by the author of Myths of Rome, T.P. Wiseman presents us with an imaginative and appealing picture of the early society of pre-literary Rome-as a free and uninhibited world in which the arts and popular entertainments flourished. This original angle allows the voice of the Roman people to be retrieved empathetically from contemporary artefacts and figured monuments, and from selected passages of later literature.How do you understand a society that didn't write down its own history? That is the problem with early Rome, from the Bronze Age down to the conquest of Italy around 300 BC. The texts we have to use were all written centuries later, and their view of early Rome is impossibly anachronistic. But some possibly authentic evidence may survive, if we can only tease it out - like the old story of a Roman king acting as a magician, or the traditional custom that may originate in the practice of ritual prostitution. This book consists of eighteen attempts to find such material and make sense of it.

An energetic new translation of an ancient Roman masterpiece about a failed coup led by a corrupt and charismatic politician In 63 BC, frustrated by his failure to be elected leader of the Roman Republic, the aristocrat Catiline tried to topple its elected government. Backed by corrupt elites and poor, alienated Romans, he fled Rome while his associates plotted to burn the city and murder its leading politicians. The attempted coup culminated with the unmasking of the conspirators in the Senate, a stormy debate that led to their execution, and the defeat of Catiline and his legions in battle. In How to Stop a Conspiracy, Josiah Osgood presents a brisk, modern new translation of the definitive account of these events, Sallust's The War with Catiline-a brief, powerful book that has influenced how generations of readers, including America's founders, have thought about coups and political conspiracies. In a taut, jaw-dropping narrative, Sallust pleasurably combines juicy details about Catiline and his louche associates with highly quotable moral judgments and a wrenching description of the widespread social misery they exploited. Along the way, we get unforgettable portraits of the bitter and haunted Catiline, who was sympathetic to the plight of Romans yet willing to destroy Rome; his archenemy Cicero, who thwarts the conspiracy; and Julius Caesar, who defends the conspirators and is accused of being one of them. Complete with an introduction that discusses how The War with Catiline has shaped and continues to shape our understanding of how republics live and die, and featuring the original Latin on facing pages, this volume makes Sallust's gripping history more accessible than ever before.

Within a century of the Arab Muslim conquest of vast territories in the Middle East and North Africa, Islam became the inheritor of the intellectual legacy of classical antiquity. In an epochal cultural transformation between the eighth and tenth centuries CE, most of what survived in classical Greek literature and thought was translated from Greek into Arabic. This translation movement, sponsored by the ruling Abbasid dynasty, swiftly blossomed into the creative expansion and reimagining of classical ideas that were now integral parts of the Islamic tradition. Romance and Reason, a lavishly illustrated catalogue accompanying the exhibition of the same name at New York University's Institute for the Study of the Ancient World, explores the breadth and depth of Islamic engagement with ancient Greek thought. Drawing on manuscripts and artifacts from the collections of the National Library of Israel and prominent American institutions, the catalogue's essays focus on the portrayal of Alexander the Great as ideal ruler, mystic, lover, and philosopher in Persian poetry and art, and how Islamic medicine, philosophy, and science contended with and developed the classical tradition. Contributors include Roberta Casagrande-Kim, Leigh Chipman, Steven Harvey, Y. Tzvi Langermann, Rachel Milstein, Julia Rubanovich, Samuel Thrope, and Raquel Ukeles. Exhibition Dates: February 14-May 13, 2018

Imagine investigating a murder in which there was no crime scene, no physical evidence, and no victim's body. How would you identify a person of interest in such a case? Designed to be used alongside Person of Interest and the Person of Interest Video Study, this study guide will teach you the same investigative strategies used by detective J. Warner Wallace to examine the claims of history. Dateline featured cold-case detective and bestselling author, J. Warner Wallace, has investigated a number of these "no body missing person" cases and has successfully identified and convicted the killers, even without the victim's body or evidence from the crime scene. Can the historicity of Jesus be investigated in the same way? Can the truth about Jesus be uncovered even without a body or a crime scene? In Person of Interest, Wallace describes his own personal investigative journey from atheism to Christianity, as he employs a unique investigative strategy to confirm the historicity and deity of Jesus--without relying on the New Testament manuscripts. Imagine a scenario in which every New Testament document has been destroyed, Wallace carefully sifts through the evidence from history alone to reconstruct the identity of Jesus as the world's most important person of interest. Person of Interest will: Invite readers into the life of a cold-case detective as he uncovers the truth about Jesus, using the same approach he also employs to solve a real murder case Teach readers how to become good detectives, using an innovative and unique "'fuse' and 'fallout'" investigative strategy they can also use to examine other claims of history Help readers to explore common objections to Christianity Concrete, compelling, and unique in its approach, Person of Interest will strengthen the faith of believers, while engaging those who are skeptical and distrusting of the New Testament.

Libanius of Antioch (AD 314-393) stands out as a fundamental source for the history of the Greek East in the 4th century AD. Nearly half the important figures in the Eastern empire of his day are known in part or in full through his works alone. Some 700 people, including many of the key players of the age, are known through his vast collection of letters, the largest to survive from antiquity. letters in this volume offer are addressed to a wide range of people, from family members to old schoolmates and pupils, from provincial governors to the most important officials of the imperial court.

Offers up to date full colour maps of the ancient Greek and Roman worlds.

Transform your view of history with this groundbreaking visual encyclopedia of the events of the past.

From the disciplined armies of ancient Rome and the lives of ferocious samurai warriors to World War II and today's eco-friendly innovations, historical events are visualized in incredible detail, providing a fascinating introduction to the world through time.

You'll find yourself transported into the past through engaging explanations, incredible illustrations, phenomenal photographs, and jaw-dropping computer-generated images.

This new book in the Knowledge Encyclopedia series will inspire young readers with its vivid depictions of history and its comprehensive and authoritative information on a huge range of topics. Highly detailed CGI images bring subjects to life, allowing readers to peer inside ancient buildings, marvel at elaborate outfits, and become transported into the battles of history.

Journey through history from our earliest ancestors right up to the world we live in today.

A bold reassessment of what caused the Late Bronze Age collapse In 1177 B.C., marauding groups known only as the "Sea Peoples" invaded Egypt. The pharaoh's army and navy managed to defeat them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilizations. After centuries of brilliance, the civilized world of the Bronze Age came to an abrupt and cataclysmic end. Kingdoms fell like dominoes over the course of just a few decades. No more Minoans or Mycenaeans. No more Trojans, Hittites, or Babylonians. The thriving economy and cultures of the late second millennium B.C., which had stretched from Greece to Egypt and Mesopotamia, suddenly ceased to exist, along with writing systems, technology, and monumental architecture. But the Sea Peoples alone could not have caused such widespread breakdown. How did it happen? In this major new account of the causes of this "First Dark Ages," Eric Cline tells the gripping story of how the end was brought about by multiple interconnected failures, ranging from invasion and revolt to earthquakes, drought, and the cutting of international trade routes. Bringing to life the vibrant multicultural world of these great civilizations, he draws a sweeping panorama of the empires and globalized peoples of the Late Bronze Age and shows that it was their very interdependence that hastened their dramatic collapse and ushered in a dark age that lasted centuries. A compelling combination of narrative and the latest scholarship, 1177 B.C. sheds new light on the complex ties that gave rise to, and ultimately destroyed, the flourishing civilizations of the Late Bronze Age-and that set the stage for the emergence of classical Greece.

From the hooves of chariot horses pounding the dust of the racetrack to the cries of elephants charging the battlefields, animals were a key part of Roman life. On memorials left to beloved dogs or in images of arena animals hammered onto coins, their stories and roles in Roman history are there for us to find. Why did the emperor Augustus always have a seal skin nearby? What was the most dangerous part of a chariot race? How could a wolf help with toothache? Take a gallop into the Roman world of chariot horses, battle elephants and rampaging rhinos. In the ancient world a bear could be weaponised and venomous snakes could change the course of a battle at sea. If you want to know exactly how to boil a crane (and who doesn't?) or how to use eels to commit murder, the Romans have the answer. They wove animals into poetry, sacrificed them and slaughtered thousands in their arenas, while animal skins reinforced shields and ivory decorated the hilts of their swords. From much-loved dogs to talking ravens, Battle Elephants and Flaming Foxes discovers who the Romans really were through the fascinating relationships they had with the creatures they lived and died alongside.

Best Books of 2022 Financial Times 'A literary phenomenon.' - Times Literary Supplement 'Imaginative, lively and contemporary...masterly.' - Economist 'Vallejo enlivens history with imagination and personal anecdote' - Observer 'A mindboggling history of the earliest books... the story she tells is impressively rip-roaring' - Daily Telegraph 'Packed with fascinating insights.' - The i Review Long before books were mass produced, those made of reeds from along the Nile were worth fighting and dying for. Journeying along the battlefields of Alexander the Great, beneath the eruptions of Mount Vesuvius, at Cleopatra's palaces and the scene of Hypatia's murder, award-winning author Irene Vallejo chronicles the excitement of literary culture in the ancient world, and the heroic efforts that ensured this impressive tradition would continue. Weaved throughout are fascinating stories about the spies, scribes, illuminators, librarians, booksellers, authors, and statesmen whose rich and sometimes complicated engagement with the written word bears remarkable similarities to the world today: Aristophanes and the censorship of the humourists, Sappho and the empowerment of women's voices, Seneca and the problem of a post-truth world. Vallejo takes us to mountainous landscapes and the roaring sea, to the capitals where culture flourished and the furthest reaches where knowledge found refuge in chaotic times. In this sweeping tour of the history of books, the wonder of the ancient world comes alive and along the way we discover the singular power of the written word.

A wide-ranging survey of the history of the Roman Empire--from its establishment to decline and beyond Empire of the Romans, from Julius Caesar to Justinian provides a sweeping historical survey of the Roman empire. Uncommonly expansive in its chronological scope, this unique two-volume text explores the time period encompassing Julius Caesar's death in 44 BCE to the end of Justinian's reign six centuries later. Internationally-recognized author and scholar of Roman history John Matthews balances broad historical narrative with discussions of important occurrences in their thematic contexts. This integrative approach helps readers learn the timeline of events, understand their significance, and consider their historical sources. Defining the time period in a clear, yet not overly restrictive manner, the text reflects contemporary trends in the study of social, cultural, and literary themes. Chapters examine key points in the development of the Roman Empire, including the establishment of empire under Augustus, Pax Romana and the Antonine Age, the reforms of Diocletian and Constantine, and the fall of the Western Roman Empire. Discussions of the Justinianic Age, the emergence of Byzantium, and the post-Roman West help readers understand the later Roman world and its impact on the subsequent history of Europe. Written to be used as standalone resource or in conjunction with its companion Volume II: Selective Anthology, this innovative textbook: Combines accessible narrative exposition with thorough examination of historical source material Provides well-rounded coverage of Roman economy, society, law, and literary and philosophical culture Offers content taken from the author's respected Roman Empire survey courses at Yale and Oxford University Includes illustrations, maps and plans, and chapter-by-chapter bibliographical essays Empire of the Romans, from Julius Caesar to Justinian is a valuable text for survey courses in Roman history as well as general readers interested in the 600 year time frame of the empire.

Now widely available in English for the first time, this is Carlo Rovelli's first book: the thrilling story of a little-known man who created one of the greatest intellectual revolutions Over two thousand years ago, one man changed the way we see the world. Since the dawn of civilization, humans had believed in the heavens above and the Earth below. Then, on the Ionian coast, a Greek philosopher named Anaximander set in motion a revolution. He not only conceived that the Earth floats in space, but also that animals evolve, that storms and earthquakes are natural, not supernatural, that the world can be mapped and, above all, that progress is made by the endless search for knowledge. Carlo Rovelli's first book, now widely available in English, tells the origin story of scientific thinking: our rebellious ability to reimagine the world, again and again.

In his De Bello Civili Lucan tells the story of the civil war between Caesar and Pompey, dealing in Book VIII with the defeat and death of the latter. This edition provides a literary commentary to accompany the Latin text and the revised translation of J.D.Daff. The introduction covers the life of Lucan and the literary revival of Nero's time, the meaning of Lucan's choice of theme, a sketch of the form of the whole poem and the eighth book's place within it, the rhetorical style and the transmission of the text. A glossary of proper names, a select bibliography and index complete this work which will be useful to students of Latin literature and of the literary epic in particular. Latin text with translation, commentary and notes.

From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 years What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book-against a background of today's "sculpture wars"-Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "Twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns. Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century American sculptor Edmonia Lewis, as well as by generations of weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority. From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Book IV 2-41 of the Thucydides: History of the Peloponnesian War concerns the events of the campaign fought at Pylos and the island of Sphacteria between the Athenians and the Spartans in 425 BC. J.B. Wilson's much cited edition includes a Greek text and translation, followed by supplementary tets. The bulk of the volume consists of historical and topographical notes analysing in detail the events of the campaign based on both close textual analysis of Thucydides account, and first hand experience of the geography of the area.

What is one of the best ways to successfully predict the future? Winston Churchill believed that the further back you look, the further forward you are likely to be able to see. This intriguing book is testimony to this idea. It looks back two thousand years to the Roman Empire to help us to see into our own future. We imagine the Roman Empire as being a world very distant from ours, so distant that we may think we have nothing to learn from them. That however would be a mistake. The causes of the triumphs and disasters of our times are much the same as those of the Roman Empire. The Romans were people like us and the wisest of their great men and women were as wise as the best of ours. Unfortunately, the most foolish of theirs were just as the foolish as the worst of ours. Pugnare is the first historical account of the Roman Empire written from a practical business perspective. It is also about people, because business is about people. We can learn a lot from their behaviour, from their successes and failures.

The Hannibalic War was a turning point in the history of the Mediterranean world but, although its perennial fascination has led to the publication of an ever-increasing number of learned studies, there has been no scholarly account in English solely devoted to the war itself since Arnold's The Second Punic War published in 1886. The present work attempts to gather together fruit of research in many detailed fields, and in particular, by an analysis of the ancient sources, to ascertain what actually happened in those momentous eighteen years during which the struggle for the mastery of the Mediterranean was fought out in Italy, France, Spain, Greece and North Africa in a sense the first world war in history.

Since its publication in 2000, The Early Christian World has come to be regarded by scholars, students and the general reader as one of the most informative and accessible works in English on the origins, development, character and major figures of early Christianity. In this new edition, the strengths of the first edition are retained. These include the book's attractive architecture that initially takes a reader through the context and historical development of early Christianity; the essays in critical areas such as community formation, everyday experience, the intellectual and artistic heritage, and external and internal challenges; and the profiles on the most influential early Christian figures. The book also preserves its strong stress on the social reality of early Christianity and continues its distinctive use of hundreds of illustrations and maps to bring that world to life. Yet the years that have passed since the first edition was published have seen great advances made in our understanding of early Christianity in its world. This new edition fully reflects these developments and provides the reader with authoritative, lively and up-to-date access to the early Christian world. A quarter of the text is entirely new and the remaining essays have all been carefully revised and updated by their authors. Some of the new material relates to Christian culture (including book culture, canonical and non-canonical scriptures, saints and hagiography, and translation across cultures). But there are also new essays on: Jewish and Christian interaction in the early centuries; ritual; the New Testament in Roman Britain; Manichaeism; Pachomius the Great and Gregory of Nyssa. This new edition will serve its readers for many years to come.

This book, first published in 1958, aims to describe Greek art and poetry within this ambiguous period of ancient history (often referred to as the Greek 'Dark Ages'), and to explore the possibilities of learning about Mycenaean civilisation from its own documents and not only from archaeology. Specifically, Webster utilises Michael Ventris' decipherment of Linear B in 1952 - which proved that Greek was spoken in the Mycenaean world - to determine the general contours of aesthetic development from Mycenae to the time of the written composition of the Homeric epics. Because they record Mycenaean civilisation in Mycenaean terminology, while Homer was writing in Ionian Greek at the beginning of the polis civilisation, they show how much in Homer is in fact Mycenaean. Further, where it is clear that these Mycenaean elements cannot have survived until Homer's time, they tell us something about the poetry which connected the two.