Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The OS Historical Map series comprises of Ancient Britain and Roman Britain. Each archaeological period is identified using different symbols and colours to show sites from the Stone Age through to the early Middle Ages against a modern map base, double-sided to cover the whole country. The Ancient Britain map and guide is complemented by a timeline that shows British events in relation to wider history. Key sites of significant historical interest are highlighted using photographs, text and thumbnail mapping from the OS Landranger map series. Additional information, such as a list of archaeological terms, suggested reading and museums to visit, is also included.

The centuries between 800 and 300 BC saw an explosion of new religious concepts. Their emergence is second only to man's harnessing of fire in fundamentally transforming our understanding of what it is to be human. But why did Socrates, Buddha, Confucius, Jeremiah, Lao Tzu and others all emerge in this five-hundred-year span? And why do they have such similar ideas about humanity?In The Great Transformation, Karen Armstrong examines this phenomenal period and the connections between this disparate group of philosophers, mystics and theologians.

Read all about the bloodthirsty battles of ancient Rome! Discover the deadliest fighters of the Roman Empire in this fascinating guide to the gladiators of Rome's Colosseum. Learn about the female gladiators that battled each other for the crowd, and the weapons and armour that were allowed inside the arena. The black-and-white chapter book Gladiators also reveals the everyday lives of the citizens of Rome, as well as the disciplined legionaries of the Roman army. Gladiators is part of the Mega Bites series, which uncovers the secrets of history, science, and the natural world. Investigate the most complicated thing in the universe - your Brain; then journey to the most mysterious as we dive into a Black Hole; and closer to home, marvel at the genius of the world's smartest Codebreakers! Whichever title you pick, you'll get the expert knowledge and fun facts you need on each topic, with every book packed with illustrations, fun stories, and anecdotes.

An Open Access edition of this book will be available on publication on the Liverpool University Press and African Minds websites Though Greco-Roman antiquity ('classics') has often been considered the handmaid of colonialism, its various forms have nonetheless endured through many of the continent's decolonising transitions. Southern Africa is no exception. This book canvasses the variety of forms classics has taken in Zimbabwe, Mozambique and especially South Africa, and even the dynamics of transformation itself. How does (u)Mzantsi classics (of southern Africa) look in an era of profound change, whether violent or otherwise? What are its future prospects? Contributors focus on pedagogies, historical consciousness, the creative arts and popular culture. The volume, in its overall shape, responds to the idea of dialogue - in both the Greek form associated with Plato's rendition of Socrates' wisdom and in the African concept of ubuntu. Here are dialogues between scholars, both emerging and established, as well as students - some of whom were directly impacted by the Fallist protests of the late 20-teens. Rather than offering an apologia for classics, these dialogues engage with pressing questions of relevance, identity, change, the canon, and the dynamics of decolonisation and potential recolonisation. The goal is to interrogate classics - the ways it has been taught, studied, perceived, transformed and even lived - from many points of view.

Just who did the British think they were? For much of the last 1,500 years, when the British looked back to their origins they saw the looming mythological figure of Brutus of Troy. A great-great-grandson of the love goddess Aphrodite through her Trojan son Aeneas (the hero of Virgil's Aeneid), Brutus accidentally killed his father and was exiled to Greece. He liberated the descendants of the Trojans who lived there in slavery and led them on an epic voyage to Britain. Landing at Totnes in Devon, Brutus overthrew the giants who lived in Britain, laid the foundations of Oxford University and London and sired a long line of kings, including King Arthur and the ancestors of the present Royal Family.Invented to give Britain a place in the overarching mythologies of the Classical world and the Bible, Brutus's story long underpinned the British identity and played a crucial role in royal propaganda and foreign policy. His story inspired generations of poets and playwrights, including Spenser, Shakespeare, Milton, Pope, Wordsworth, Dickens and Blake, whose hymn 'Jerusalem' was a direct response to the story of Brutus founding London as the New Troy in the west.Leading genealogist Anthony Adolph traces Brutus's story from Roman times onwards, charting his immense popularity and subsequent fall from grace, along with his lasting legacy in fiction, pseudo-history and the arcane mythology surrounding some of London's best-known landmarks, in this groundbreaking biography of the mythological founder of Britain.

This accessible edition for students presents Herodotus as one of the most fascinating and colourful authors from the ancient world. Book III of Herodotus’ nine-book work is one of the richest in its exploration of themes, such as the practices and customs of different peoples and the nature of political power, issues still much debated today. This commentary illuminates the geographical and even anthropological scope of Herodotus' history, and enables students to confidently tackle the text in the original Greek. Bringing together a full introduction, text, commentary and translation, Longley makes Herodotus accessible to students of ancient Greek. This guide shows us why Herodotus is still considered the ‘Father of History’.