Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Stonehenge was not an observatory used by druidical astronomer-priests. It was, instead, a monument in which the moon and the sun and the dead were joined together. In this book the author explains how people in the British Isles, four thousand or more years ago, identified life and death with the cycle of midwinter and midsummer and with the risings and settings of the sun and moon. This is why so many megalithic monuments have astronomical sightlines built into them. This book describes how astronomical customs developed in the British Isles. Unlike other works about 'megalithic astronomy' technical explanations about azimuths and declinations are kept to their simplest. The emphasis here is upon people rather than pertrubations and eclipses.

For two thousand years the real, physical metropolis lay buried while another, ghostly city lived on through ideas as varied as the legendary Hanging Gardens, the career of the biblical Daniel, and even the Apocalypse. More recently, the site of Babylon has been the centre of major excavation, yet the spectacular results of this work have done little to displace the many other fascinating ways in which the city has endured and reinvented itself in culture. Saddam Hussein, for one, notoriously exploited the Babylonian myth to associate himself and his regime with its glorious past. Why has Babylon so creatively fired the human imagination, with results both good and ill? Why has it been enthralling to so many, and for so long?In exploring answers, Michael Seymour ranges extensively over space and time and embraces art, archaeology, history and literature. From Hammurabi and Nebuchadnezzar, via Strabo and Diodorus, to the Book of Revelation, Bruegel, Rembrandt, Voltaire, William Blake and modern interpreters like Umberto Eco, Italo Calvino and Gore Vidal, the author brings to light a carnival of disparate sources dominated by powerful and intoxicating ideas such as the Tower of Babel and the city of sin. Babylon: Legend, History and the Ancient City weighs idea against reality, fiction against fact, conjuring the fascinating story of this ancient metropolis and its legacy to brilliant life as never before.

The OS Historical Map series comprises of Ancient Britain and Roman Britain. Each archaeological period is identified using different symbols and colours to show sites from the Stone Age through to the early Middle Ages against a modern map base, double-sided to cover the whole country. The Ancient Britain map and guide is complemented by a timeline that shows British events in relation to wider history. Key sites of significant historical interest are highlighted using photographs, text and thumbnail mapping from the OS Landranger map series. Additional information, such as a list of archaeological terms, suggested reading and museums to visit, is also included.

Just who did the British think they were? For much of the last 1,500 years, when the British looked back to their origins they saw the looming mythological figure of Brutus of Troy. A great-great-grandson of the love goddess Aphrodite through her Trojan son Aeneas (the hero of Virgil's Aeneid), Brutus accidentally killed his father and was exiled to Greece. He liberated the descendants of the Trojans who lived there in slavery and led them on an epic voyage to Britain. Landing at Totnes in Devon, Brutus overthrew the giants who lived in Britain, laid the foundations of Oxford University and London and sired a long line of kings, including King Arthur and the ancestors of the present Royal Family.Invented to give Britain a place in the overarching mythologies of the Classical world and the Bible, Brutus's story long underpinned the British identity and played a crucial role in royal propaganda and foreign policy. His story inspired generations of poets and playwrights, including Spenser, Shakespeare, Milton, Pope, Wordsworth, Dickens and Blake, whose hymn 'Jerusalem' was a direct response to the story of Brutus founding London as the New Troy in the west.Leading genealogist Anthony Adolph traces Brutus's story from Roman times onwards, charting his immense popularity and subsequent fall from grace, along with his lasting legacy in fiction, pseudo-history and the arcane mythology surrounding some of London's best-known landmarks, in this groundbreaking biography of the mythological founder of Britain.

This accessible edition for students presents Herodotus as one of the most fascinating and colourful authors from the ancient world. Book III of Herodotus’ nine-book work is one of the richest in its exploration of themes, such as the practices and customs of different peoples and the nature of political power, issues still much debated today. This commentary illuminates the geographical and even anthropological scope of Herodotus' history, and enables students to confidently tackle the text in the original Greek. Bringing together a full introduction, text, commentary and translation, Longley makes Herodotus accessible to students of ancient Greek. This guide shows us why Herodotus is still considered the ‘Father of History’.

Marginal Comment, which attracted keen and widespread interest on its original publication in 1994, is the remarkable memoir of one of the most distinguished classical scholars of the modern era. Its author, Sir Kenneth Dover, whose academic publications included the pathbreaking book Greek Homosexuality (1978, reissued by Bloomsbury in 2016), conceived of it as an 'experimental' autobiography - ruthlessly candid in retracing the full range of the author's experiences, both private and public, and unflinching in its attempt to analyse the entanglements between the life of the mind and the life of the body. Dover's distinguished career involved not only an influential series of writings about the ancient Greeks but also a number of prominent positions of leadership, including the presidencies of Corpus Christi College, Oxford, and the British Academy. It was in those positions that he became involved in several high-profile controversies, including the blocking of an honorary degree for Margaret Thatcher from Oxford University, and a bitter debate in the British Academy over the fellowship of Anthony Blunt after his exposure as a former Soviet spy. This edition of Marginal Comment is much more than a reissue: it includes an introduction which frames the book in relation to its author's life and work, as well as annotations based in part on materials originally excluded by Dover but left in his personal papers on this death. Now newly available, the memoir provides not only the self-portrait of an exceptional individual but a rich case-study in the intersections between an intellectual life and its social contexts.