For more than fifty years the standard debates about Roman Imperialism were written more or less entirely in terms of male agency, male competition, and male participation. Not only have women been marginalized in these narratives as just so much collateral damage but there has been little engagement with gender history more widely, with the linkages between masculinity and warfare, with the representation of relations of power in terms of gender differentials, with the ways social reproduction entangled the production of gender and the production of empire. This volume explores how we might gender Roman Imperialism.

Life in ancient Greece was musical life. Soloists competed onstage for popular accolades, becoming centrepieces for cultural conversation and even leading Plato to recommend that certain forms of music be banned from his ideal society. And the music didn't stop when the audience left the theatre: melody and rhythm were woven into the whole fabric of daily existence for the Greeks. Vocal and instrumental songs were part of religious rituals, dramatic performances, dinner parties, and even military campaigns. Like Detroit in the 1960s or Vienna in the 18th century, Athens in the 400s BC was the hotspot where celebrated artists collaborated and diverse strands of musical tradition converged. The conversations and innovations that unfolded there would lay the groundwork for musical theory and practice in Greece and Rome for centuries to come. In this perfectly pitched introduction, Spencer Klavan explores Greek music's origins, forms, and place in society. In recent years, state-of-the-art research and digital technology have enabled us to decipher and understand Greek music with unprecedented precision. Yet many readers today cannot access the resources that would enable them to grapple with this richly rewarding subject. Arcane technical details and obscure jargon veil the subject - it is rarely known, for instance, that authentic melodies still survive from antiquity, helping us to imagine the vivid soundscapes of the Classical and Hellenistic eras. Music in Ancient Greece distills the latest discoveries into vivid prose so readers can come to grips with the basics as never before. With the tools in this book, beginners and specialists alike will learn to hear the ancient world afresh and come away with a new, musical perspective on their favourite classical texts.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 Excerpt: ...highly praised; Itiv. p. III. Praise of the true Brahman, S. Nip. p. 116. 7 Ang. N. II, p. 68. 8 Ang. N. I, p. 149: "Atta te, purisa, jSnati saccam va yadi va musa." The addition The other sources, the smrti-sile iadviddm and the dcarah s&dhunam of Manu, have not been lost sight of by the Buddhists. To these categories belong the duties qualified as panditapaiinatta and sappurisapahfiatta, and consisting in almsgiving, in ahimsd, and in supporting father and mother1. It is hardly accidental that almost all passages where moral duties are enjoined are either wholly or partly in metrical form, and this circumstance in combination with the fact of those passages containing so much that is contrary to the fundamental articles of the creed, leads us to the inference that the sect originally had no moral code at all, except the prohibitions and duties prescribed to the members of the Order, which only partly coincide with the laws of society in general. If we wish to form a just estimate of the character of Buddhist morals, such as laid down in the final redaction of the canonical books, we must bear in mind: 1. that the prescriptions were intended to supply the wants both of the ecclesiastics and of the laity; 2. that the Arhats are, to a certain extent, above common morality. The Sage, muni, has no attachment, does nothing what is pleasant nor what is unpleasant2. Those who are wise abandon their children3. A man who leaves his poor wife, the mother of his child, in order to become a. monk, and obstinately refuses to take care of her and the child, is held up to the admiration of the world as having done something very grand. Still at other times we read that one's wife is the best friend, and that a wife is the most excellent of goods, though rep...

This volume considers how Greco-Roman authorities manipulated water on the practical, technological, and political levels. Water was controlled and harnessed with legal oversight and civic infrastructure (e.g., aqueducts). Waterways were 'improved' and made accessible by harbors, canals, and lighthouses. The Mediterranean Sea and Outer Ocean (and numerous rivers) were mastered by navigation for warfare, exploration, settlement, maritime trade, and the exploitation of marine resources (such as fishing). These waterways were also a robust source of propaganda on coins, public monuments, and poetic encomia as governments vied to establish, maintain, or spread their identities and predominance. This first complete study of the ancient scientific and public engagement with water makes a major contribution to classics, geography, hydrology and the history of science alike. In the ancient Mediterranean Basin, water was a powerful tool of human endeavor, employed for industry, trade, hunting and fishing, and as an element in luxurious aesthetic installations (public and private fountains). The relationship was complex and pervasive, touching on every aspect of human life, from mundane acts of collecting water for the household, to private and public issues of comfort and health (latrines, sewers, baths), to the identity of the state writ large.

In this volume, literary scholars and ancient historians from across the globe investigate the creation, manipulation and representation of ancient war landscapes in literature. Landscape can spark armed conflict, dictate its progress and influence the affective experience of its participants. At the same time, warfare transforms landscapes, both physically and in the way in which they are later perceived and experienced. Landscapes of War in Greek and Roman Literature breaks new ground in exploring Greco-Roman literary responses to this complex interrelationship. Drawing on current ideas in cognitive theory, memory studies, ecocriticism and other fields, its individual chapters engage with such questions as: how did the Greeks and Romans represent the effects of war on the natural world? What distinctions did they see between spaces of war and other landscapes? How did they encode different experiences of war in literary representations of landscape? How was memory tied to landscape in wartime or its aftermath? And in what ways did ancient war landscapes shape modern experiences and representations of war? In four sections, contributors explore combatants' perception and experience of war landscapes, the relationship between war and the natural world, symbolic and actual forms of territorial control in a military context, and war landscapes as spaces of memory. Several contributions focus especially on modern intersections of war, landscape and the classical past.