Erotic desire is as old as the human race and erotic literature as old as civilization. With bold, new translations, the author presents and discusses some of the most beautiful, stirring expressions of erotic desire from the ancient world of Greece and Rome, reaching across three thousand years of history to tap into the many kinds of passion we still know today: new or seasoned, obsessive or unrequited, heterosexual or homosexual, noble or illicit. Students learn the cultural events that led to a grand flourish of erotic poetry in Greece and Rome during the Archaic and Hellenistic periods, as well as the "Golden Age of Rome." Readers traverse the varied works of over 35 different poets: from the epic interludes of Homer and Vergil to the personal lyrics of Sappho and Catullus, from the playful admonitions of Ovid to the dark elegies of Propertius, from a woman's meditations on romance scribbled on a fragile papyrus in Egypt to anonymous verses about lost love scrawled on a crumbling wall in Pompeii. By introducing the reader to the greatest poets of the ancient world, this compelling collection demonstrates why ancient love poems have stood the test of time and continue to resonate with contemporary audiences. Complete with introductions, cultural context, and engaging analysis for each selected work, along with thought-provoking questions to stimulate classroom discussion, Erotic Love Poems of Greece and Rome is an ideal choice for survey courses in classics, world literature, humanities, sexuality, and gender studies.

This book compares the ways in which new powers arose in the shadows of the Roman Empire and its Byzantine and Carolingian successors, of Iran, the Caliphate and China in the first millennium CE. These new powers were often established by external military elites who had served the empire. They remained in an uneasy balance with the remaining empire, could eventually replace it, or be drawn into the imperial sphere again. Some relied on dynastic legitimacy, others on ethnic identification, while most of them sought imperial legitimation. Across Eurasia, their dynamic was similar in many respects; why were the outcomes so different? Contributors are Alexander Beihammer, Maaike van Berkel, Francesco Borri, Andrew Chittick, Michael R. Drompp, Stefan Esders, Ildar Garipzanov, Jurgen Paul, Walter Pohl, Johannes Preiser-Kapeller, Helmut Reimitz, Jonathan Shepard, Q. Edward Wang, Veronika Wieser, and Ian N. Wood.

SENSORIVM: The Senses in Roman Polytheism explores how a range of cults and rituals were perceived and experienced by participants through one or more senses. The present collection brings together papers from an international group of researchers all inspired by 'the sensory turn'. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience. Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion. Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clement; Rocio Gordillo Hervas; Rebeca Rubio; Elena Muniz Grijalvo; David Espinosa-Espinosa; A. Cesar Gonzalez-Garcia, Marco V. Garcia-Quintela; Joerg Rupke; Rosa Sierra del Molino; Israel Campos Mendez; Valentino Gasparini; Nicole Belayche; Anton Alvar Nuno; Jaime Alvar Ezquerra; Clelia Martinez Maza.

Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.

In The Arab Thieves, Peter Webb critically explores the classic tales of pre-Islamic Arabian outlaws in Arabic Literature. A group of Arabian camel-rustlers became celebrated figures in Muslim memories of pre-Islam, and much poetry ascribed to them and stories about their escapades grew into an outlaw tradition cited across Arabic literature. The ninth/fifteenth-century Egyptian historian al-Maqrizi arranged biographies of ten outlaws into a chapter on 'Arab Thieves' in his wide-ranging history of the world before Muhammad. This volume presents the first critical edition of al-Maqrizi's text with a fully annotated English translation, alongside a detailed study that interrogates the outlaw lore to uncover the ways in which Arabic writers constructed outlaw identities and how al-Maqrizi used the tales to communicate his vision of pre-Islam. Via an exhaustive survey of early Arabic sources about the outlaws and comparative readings with outlaw traditions in other world literatures, The Arab Thieves reveals how Arabic literature crafted lurid narratives about criminality and employed them to tell ancient Arab history.

Eldon Jay Epp's second volume of collected essays consists of articles previously published during 2006-2017. All treat aspects of the New Testament textual criticism, but focus on historical and methodological issues relevant to constructing the earliest attainable text of New Testament writings. More specific emphasis falls upon the nature of textual transmission and the text-critical process, and heavily on the criteria employed in establishing that earliest available text. Moreover, textual grouping is examined at length, and prominent is the current approach to textual variants not approved for the constructed text, for they have stories to tell regarding theological, ethical, and real-life issues as the early Christian churches sought to work out their own status, practices, and destiny.

Das vorliegende Buch bietet erstmals eine holistische und diachrone Untersuchung aller Ehrenstatuen der roemischen Provinz Sizilien. Auf Grundlage eines umfangreichen Katalogs von meist unpubliziertem archaologischen und epigraphischen Material werden Fragen zu deren Entwicklung und zum raumlichen sowie sozialen Kontext beantwortet. This book presents the first comprehensive survey of honorary statues in Sicily. A wealth of previously unpublished material reconstructs the spatial and social contexts of honorary statues, offering a unique window on urbanism and society of the first Roman province.

Competition is everywhere in antiquity. It took many forms: the upper class competed with their peers and with historical and mythological predecessors; artists of all kinds emulated generic models and past masterpieces; philosophers and their schools vied with one another to give the best interpretation of the world; architects and doctors tried to outdo their fellow craftsmen. Discord and conflict resulted, but so did innovation, social cohesion, and political stability. In Hesiod's view Eris was not one entity but two, the one a "grievous goddess," the other an "aid to men." Eris vs. Aemulatio examines the functioning and effect of competition in ancient society, in both its productive and destructive aspects.

The study of Archaic Greece has undergone a fundamental transformation in recent decades. Whereas studies up to the 1980s had favoured narratives that converged on the more tangible reality of the Classical period and emphasized radical change, the increase in archaeological data and the cultural turn have led to an emphasis on long-term developments and continuities. After an introduction to the state of research, the volume offers a wide range of studies under the headings "Approaches on early-Archaic Greece," "Citizens and Citizen-States," and "Leaders and Reformers" ranging from Homer to Solon and circling around the central problem of continuity and change in Archaic Greece.

In this volume, Francesca Martelli outlines some of the main contours of recent, current and future research on Ovid. Her study looks back to the rehabilitation of Ovid's oeuvre in the 1980s, and considers the post-modern aesthetic prerogatives and post-structuralist theoretical concerns that drove the critical recuperation of his poetry throughout that decade and in the decades that followed. But it also looks forward, by considering how the themes of this poet's oeuvre answer to a variety of new materialist concerns that are now gaining currency in the humanities and social sciences. It highlights the ecopoetic sensibility of the Metamorphoses, for example, and unpacks the environmental narratives that this poem yields when read in dialogue with the discourses of critical posthumanism. And it closes by considering the hauntological aesthetics of Ovid's exile poetry as a comment on the effects of the principate on time, space, media, and art.

Private property in Rome effectively measures the suitability of each individual to serve in the army and to compete in the political arena. What happens then, when a Roman citizen is deprived of his property? Financial penalties played a crucial role in either discouraging or effectively punishing wrongdoers. This book offers the first coherent discussion of confiscations and fines in the Roman Republic by exploring the political, social, and economic impact of these punishments on private wealth.