Virgil's Georgics depicts the world and its peoples in great detail, but this geographical interest has received little detailed scholarly attention. Hundreds of years later, readers in the British empire used the poem to reflect upon their travels in acts of imagination no less political than Virgil's own. Virgil's Map combines a comprehensive survey of the literary, economic, and political geography of the Georgics with a case study of its British imperial reception c. 1840-1930. Part One charts the poem's geographical interests in relation to Roman power in and beyond the Mediterranean; shifting readers' attention away from Rome, it explores how the Georgics can draw attention to alternative, non-Roman histories. Part Two examines how British travellers quoted directly from the poem to describe peoples and places across the world, at times equating the colonial subjects of European empires to the 'happy farmers' of Virgil's poem, perceived to be unaware, and in need, of the blessings of colonial rule. Drawing attention to the depoliticization of the poem in scholarly discourse, and using newly discovered archival material, this interdisciplinary work seeks to re-politicize both the poem and its history in service of a decolonizing pedagogy. Its unique dual focus allows for an extended exploration, not just of geography and empire, but of Europe's long relationship with the wider world.

An updated history of classical philology had long been a desideratum of scholars of the ancient world. The volume edited by Diego Lanza and Gherardo Ugolini is structured in three parts. In the first one ("Towards a science of antiquity") the approach of Anglo-Saxon philology (R. Bentley) and the institutionalization of the discipline in the German academic world (C.G. Heyne and F.A. Wolf) are described. In the second part ("The illusion of the archetype. Classical Studies in the Germany of the 19th Century") the theoretical contributions and main methodological disputes that followed are analysed (K. Lachmann, J.G. Hermann, A. Boeckh, F. Nietzsche and U. von Wilamowitz-Moellendorff). The last part ("The classical philology of the 20th century") treats the redefinition of classical studies after the Great War in Germany (W. Jaeger) and in Italy (G. Pasquali). In this context, the contributions of papyrology and of the new images of antiquity that have emerged in the works of writers, narrators, and translators of our time have been considered. This part finishes with the presentation of some of the most influential scholars of the last decades (B. Snell, E.R. Dodds, J.-P. Vernant, B. Gentili, N. Loraux).

Guatemala emerged from the clash between Spanish invaders and Maya cultures that began five centuries ago. The conquest of these "rich and strange lands," as Hernan Cortes called them, and their "many different peoples" was brutal and prolonged. ""Strange Lands and Different Peoples"" examines the myriad ramifications of Spanish intrusion, especially Maya resistance to it and the changes that took place in native life because of it.
The studies assembled here, focusing on the first century of colonial rule (1524-1624), discuss issues of conquest and resistance, settlement and colonization, labor and tribute, and Maya survival in the wake of Spanish invasion. The authors reappraise the complex relationship between Spaniards and Indians, which was marked from the outset by mutual feelings of resentment and mistrust. While acknowledging the pivotal role of native agency, the authors also document the excesses of Spanish exploitation and the devastating impact of epidemic disease. Drawing on research findings in Spanish and Guatemalan archives, they offer fresh insight into the Kaqchikel Maya uprising of 1524, showing that despite strategic resistance, colonization imposed a burden on the indigenous population more onerous than previously thought.
Guatemala remains a deeply divided and unjust society, a country whose current condition can be understood only in light of the colonial experiences that forged it. Affording readers a critical perspective on how Guatemala came to be, ""Strange Lands and Different Peoples" "shows the events of the past to have enduring contemporary relevance.

Described as the Mona Lisa of literature and the world's first detective story, Sophocles' Oedipus the King is a major text from the ancient Greek world and an iconic work of world literature. Aristotle's favourite play, lauded by him as the exemplary Athenian tragedy, Oedipus the King has retained its power both on and off the stage. Before Freud's famous interpretation of the play - an appropriation, some might say - Hlderlin and Nietzsche recognised its unique qualities. Its literary worth is undiminished, philosophers revel in its probing into issues of freedom and necessity and Lacan has ensured its vital significance for post-Freudian psychoanalysis. This Reader's Guide begins with Oedipus as a figure from Greek mythology before focusing on fifth-century Athenian tragedy and the meaning of the drama as it develops scene by scene on the stage. The book covers the afterlife of the play in depth and provides a comprehensive guide to further reading for students.

This book offers a concise introduction to Xenophon, the Athenian historian, political thinker, moral philosopher and literary innovator who was also a pupil of Socrates, a military general on campaign in Persia, and an exile in residence in the Peloponnese during the late fifth and fourth centuries BC. Alive during one of the most turbulent periods in Greek history, Xenophon wrote extensively about the past and present. In doing so he not only invented several new genres, but also developed pointed political analyses and probing moral critiques. It is the purpose of this book to explore Xenophon's life, writing and ideas, and reception through thematic studies that draw upon the full range of his work. Starting with his approach to the past and to Socrates, it demonstrates how the depiction of events and people from previous times and places are inflected with contemporary concerns about political instability and the challenges of leadership, as well as by a 'Socratic' perspective on politics and morality. The following in-depth examination of Xenophon's theories concerning political organization and the bases for a good life highlight the interconnectivity of his ideas about how to live together and how to live well. Although Xenophon addresses conceptual issues, his writings provide a practical response to real-life problems. Finally, an evaluation of his significance as an inspiration to later writers in their creative interrogations of human affairs brings the investigations to a close. This book thus illuminates Xenophon's importance within the vibrant intellectual culture of ancient Greece as an active participant in and evaluator of his world, as well as his impact over time.

Greek Heroes in and out of Hades is a study on heroism and mortality from Homer to Plato. In a collection of thirty enjoyable essays, Stamatia Dova combines intertextual research and thought-provoking analysis to shed new light on concepts of the hero in the Iliad and the Odyssey, Bacchylides 5, Plato's Symposium, and Euripides' Alcestis. Through systematic readings of a wide range of seemingly unrelated texts, the author offers a cohesive picture of heroic character in a variety of literary genres. Her characterization of Achilles, Odysseus, and Heracles is artfully supported by a comprehensive overview of the theme of descent to the underworld in Homer, Bacchylides, and Euripides. Aimed at the specialist as well as the general reader, Greek Heroes in and out of Hades brings innovative Classical scholarship and insightful literary criticism to a wide audience.

Modern society has a negative view of youth as a period of storm and stress, but at the same time cherishes the idea of eternal youth. How does this compare with ancient Roman society? Did a phase of youth exist there with its own characteristics? How was youth appreciated? This book studies the lives and the image of youngsters (around 15-25 years of age) in the Latin West and the Greek East in the Roman period. Boys and girls of all social classes come to the fore; their lives, public and private, are sketched with the help of a range of textual and documentary sources, while the authors also employ the results of recent neuropsychological research. The result is a highly readable and wide-ranging account of how the crucial transition between childhood and adulthood operated in the Roman world.

Ancient Magic and the Supernatural in the Modern Visual and Performing Arts examines the impact of ancient religious, mythological and magical models on modern mentalities and ideologies as expressed in the visual and performing arts.To what extent did mythological figures such as Circe and Medea influence the representation of the powerful "oriental" enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films? The heroes, gods and demons of the ancient world always played a prominent role in the post-classical imagination.Similarly, the great adventures and the love affairs between gods and mortals have always influenced the reception of Classical culture and still features prominently in modern constructions of antiquity. Examples such the use of magic in Medea's myth as a symbol of cultural and political strangeness, the transformation of Circe in a femme fatale, the reshaping of the oriental cults of the Roman Empire as a menace to new-born Christianity and the revival and adaptation of ancient myths and religion in the arts provide an important backdrop for the exploration of contemporary fears, hopes and ideals across centuries. The volume further aims to deconstruct certain scholarly traditions by proposing original interdisciplinary approaches and collaborations and to show to what extent the visual and performing arts of different periods interlink and shape cultural and social identities.This book offers an original approach to different media - from comics to film, from painting to opera - by authors from different fields and countries. The volume provides the reader with a clear insight into mechanisms of re-elaboration and reception which can be steadily seen at work in artistic and commercial productions. It also supplies new approaches to the most debated questions of the relationship between magic, religion and superstition in the ancient and in the modern worlds. It shows and discusses the shifting and biased interpretations of these concepts in modern visual culture.

Ethnographic writing has become all but ubiquitous in recent years. Although now considered a thoroughly modern and increasingly indispensable field of study, Ethnography's roots go all the way back to antiquity. This volume brings together eleven original essays exploring the wider intellectual and cultural milieux from which ancient ethnography arose, its transformation and development in antiquity, and the way in which 19th century receptions of ethnographic traditions helped shape the modern study of the ancient world. Finally, it addresses the extent to which all these themes remain inextricably intertwined with shifting and often highly contested notions of culture, power and identity. Its chapters deal with the origins of the term 'barbarian', the role of ethnography in Tacitus' "Germania," Plutarch's "Lives," Xenophon's "Anabasis," and Athenaeus' "Deipnosophistae," Herodotean storytelling, Henry and George Rawlinson, and Megasthenes' treatise on India. At a time when modern ethnographies are becoming increasingly prevalent, wide-ranging, and experimental in their approach to describing cultural difference, this book encourages us to think about ancient ethnography in new and interesting ways, highlighting the wealth of material available for study and the complexities underpinning ancient and modern notions of what it meant to be Greek, Roman or 'barbarian'.

This study examines how Tacitus' representation of speech determines the roles of speakers within the political sphere, and explores the possibility of politically effective speech in the principate. It argues against the traditional scholarly view that Tacitus refuses to offer a positive view of senatorial power in the principate: while senators did experience limitations and changes to what they could achieve in public life, they could aim to create a dimension of political power and efficacy through speeches intended to create and sustain relations which would in turn determine the roles played by both senators or an emperor. Ellen O'Gorman traces Tacitus' own charting of these modes of speech, from flattery and aggression to advice, praise, and censure, and explores how different modes of speech in his histories should be evaluated: not according to how they conform to pre-existing political stances, but as they engender different political worlds in the present and future. The volume goes beyond literary analysis of the texts to create a new framework for studying this essential period in ancient Roman history, much in the same way that Tacitus himself recasts the political authority and presence of senatorial speakers as narrative and historical analysis.

The conflict between the material side of human existence and that of our spiritual and philosophical beliefs is as old as humanity itself...but one side of the equation is as important as the other and no society can hope to sustain its existence without an equitable balance between the two. In this thoughtful and thought-provoking volume, the author offers a unique perspective on the system of concrete, tangible products produced by humankind that form the physical foundation of society. He calls this system the material structure. However, this book is not intended as a scientific study of the production, distribution and consumption of goods - that is the realm of economics; rather, it provides an overview of the totality of products created by humans for human consumption and assesses their role as a constituent of civilization. The subject of this study could also be designated as productology. The development and growth of the material structure have occurred in an inconsistent, haphazard fashion. Advancements in science, medicine and technology have contributed to the creation of a chaotic mass of unrelated products. Even the advent of mechanization has failed to yield any further insights into the conglomeration of products that form an integral part of today's world. This volume proposes to give unity to the material structure by classifying its components into divisions, determining the principles and rules that govern or should govern it, and relating it to the other constituents of civilization, including philosophy and religion, which throughout history have often been inimical to the material side of human existence. The author presents a cogent and persuasive argument that, in order to survive, civilization needs one component as much as the other. The key is to achieve an equitable balance between these two dichotomies, something which, to date, no society has been capable of accomplishing. This book provides a fascinating and fresh approach to an age-old enigma that has plagued humankind since the dawn of our existence.

Pantomime was arguably the most popular dramatic genre during the Roman Empire, but has been relatively neglected by literary critics. Seneca's Tragedies and the Aesthetics of Pantomime adds to our understanding of Seneca's tragic art by demonstrating that elements which have long puzzled scholars can be attributed to the influence of pantomime. The work argues that certain formal features which depart from the conventions of fifth-century Attic drama can be explained by the influence of, and interaction with, this more popular genre. The work includes a detailed and systematic analysis of the specific pantomime-inspired features of Seneca's tragedies: the loose dramatic structure, the presence of "running commentaries" (minute descriptions of characters undergoing emotional strains or performing specific actions), of monologues of self-analysis, and of narrative set-pieces. Relevant to the culture of Roman imperial culture more generally, Seneca's Tragedies and the Aesthetics of Pantomime includes an outline of the general features of pantomime as a genre. The work shows that the influence of sub-literary-genres such as pantomime and mime, the sister art of pantomime, can be traced in several Roman writers whose literary production was antecedent or contemporary with Seneca's. Furthermore, the work sheds light on the interaction between sub-literary genres of a performative nature such as mime and pantomime and more literary ones, an aspect of Latin culture which previous scholarship has tended to overlook. Seneca's Tragedies and the Aesthetics of Pantomime provides an original contribution to the understanding of the impact of pantomime on Roman literary culture and of controversial and little-understood features of Senecan tragedies.

Monsters in Greek literature are often thought of as creatures which exist in mythological narratives, however, as this book shows, they appear in a much broader range of ancient sources and are used in creation narratives, ethnographic texts, and biology to explore the limits of the human body and of the human world. This book provides an in-depth examination of the role of monstrosity in ancient Greek literature. In the past, monsters in this context have largely been treated as unimportant or analysed on an individual basis. By focusing on genres rather than single creatures, the book provides a greater understanding of how monstrosity and abnormal bodies are used in ancient sources. Very often ideas about monstrosity are used as a contrast against which to examine the nature of what it is to be human, both physically and behaviourally. This book focuses on creation narratives, ethnographic writing, and biological texts. These three genres address the origins of the human world, its spatial limits, and the nature of the human body; by examining monstrosity in these genres we can see the ways in which Greek texts construct the space and time in which people exist and the nature of our bodies. This book is aimed primarily at scholars and students undertaking research, not only those with an interest in monstrosity, but also scholars exploring cultural representations of time (especially the primordial and mythological past), ancient geography and ethnography, and ancient philosophy and science. As the representation of monsters in antiquity was strongly influential on medieval, renaissance, and early modern images and texts, this book will also be relevant to people researching these areas.

Ancient cities were complex social, political, and economic entities, but they also suffered from inequality, poor sanitation, and disease-often more than rural areas. In The Ancient Urban Maya, Scott Hutson examines ancient Maya cities and argues that, despite the hazards of urban life, these places continued to lure people for many centuries. With built forms that welcomed crowds, neighborhoods that offered domestic comforts, marketplaces that facilitated the exchange of goods and ideas, and the opportunities to expand social networks and capital, the Maya used their cities in familiar ways.

Aristotle's theory of eternal continuous motion and his argument from everlasting change and motion to the existence of an unmoved primary cause of motion, provided in book VIII of his Physics, is one of the most influential and persistent doctrines of ancient Greek philosophy. Nevertheless, the exact wording of Aristotle's discourse is doubtful and contentious at many places. The present critical edition of Ishaq ibn Hunayn's Arabic translation (9th c.) is supposed to replace the faulty edition by A. Badawi and aims at contributing to the clarification of these textual difficulties by means of a detailed collation of the Arabic text with the most important Greek manuscripts, supported by comprehensive Greek and Arabic glossaries.