War, the most profitable economic activity in the ancient world, transferred wealth violently from the vanquished to the victor. Invasions, massacres, confiscations, deportations, the sacking of cities, and the selling of survivors into slavery all redistributed property with epic consequences for kings and commoners alike. The most notable example occurred in the late fourth century BC, when Alexander the Great conquered the Persian Empire. For all of its savagery, this invasion has generally been heralded as a positive economic event for all concerned. Even those harshly critical of the king today tend to praise his plundering of Persia as a means of liberating the moribund resources of the East. To test that popular interpretation, this book investigates the kinds and quantities of treasure seized by the Macedonian king, from gold and silver to land and slaves. It reveals what became of the king's wealth, and what Alexander's redistribution of these vast resources can tell us about his much-disputed policies and personality. Although war made Alexander unbelievably wealthy, it distracted him from managing his spoils competently. Much was wasted, embezzled, deliberately destroyed, or idled again unprofitably. These facts force us to reassess the notion, prevalent since the nineteenth century, that Alexander the Great used the profits of war to improve the ancient economies in the lands that he conquered.

Turkey's northern edge is a region of contrasts and diversity. From the rugged peaks of the Pontic mountains and hidden inland valleys to the plains and rocky alcoves of the Black Sea coast, this landscape shaped and was shaped by its inhabitants' ways of life, their local cultural traditions, and the ebbs and flows of land-based and maritime networks of interaction. Between 2009 and 2011, an international team of specialists and students of the Cide Archaeological Project (CAP) investigated the challenging landscapes of the Cide and S enpazar districts of Kastamonu province. CAP presents the first systematic archaeological survey of the western Turkish Black Sea region. The information gathered by the project extends its known human history by 10,000 years and offers an unprecedented insight into the region's shifting cultural, social and political ties with Anatolia and the Circumpontic. This volume presents the project's approach and methodologies, its results and their interpretation within period-specific contexts and through a long-term landscape perspective.

Situated within contemporary posthumanism, this volume offers theoretical and practical approaches to materiality in Greek tragedy. Established and emerging scholars explore how works of the three major Greek tragedians problematize objects and affect, providing fresh readings of some of the masterpieces of Aeschylus, Sophocles, and Euripides. The so-called new materialisms have complemented the study of objects as signifiers or symbols with an interest in their agency and vitality, their sensuous force and psychosomatic impact-and conversely their resistance and irreducible aloofness. At the same time, emotion has been recast as material "affect," an intense flow of energies between bodies, animate and inanimate. Powerfully contributing to the current critical debate on materiality, the essays collected here destabilize established interpretations, suggesting alternative approaches and pointing toward a newly robust sense of the physicality of Greek tragedy.

A body of theory has developed about the role and function of memory in creating and maintaining cultural identity. Yet there has been no consideration of the rich Mediterranean and Near Eastern traditions of laments for fallen cities in commemorating or resolving communal trauma. This volume offers new insights into the trope of the fallen city in folk-song and a variety of literary genres. These commemorations reveal memories modified by diverse agendas, and contains narrative structures and motifs that show the meaning of memory-making about fallen cities. Opening a new avenue of research into the Mediterranean genre of city lament, this book examines references to, or re-workings of, otherwise lost texts or ways of commemorating fallen cities in the extant texts, and with greater emphasis than usual on the point of view of the victors.

A systematic and historical treatment of the civil and criminal procedure of Cicero's time. At the same time, the author examines the legal difficulties and contradictions found in Cicero's writings on procedure. With a subject index and index to passages found in Cicero's works. Of value to the student of Roman Law, ciminal and military procedure and law, and the history of European courts.

This edition of Thucylides epic chronicle, The History of the Peloponnesian War, contains all eight books in the authoritative English translation of Richard Crawley. Thucylides himself was an Athenian general who personally witnessed the various skirmishes of the war. Ordering all of the events chronologically - a first for any work of history - he offers a straightforward account of the conflict, straying little to personal opinions or permitting his history to be influenced by the politics of the era. For this, Thucylides' is lauded for his methodical telling of each battle, which offers the reader insight into Greek and Spartan tactics and cultures. Throughout the history, we are given transcripts of various speeches. Although the inclusion of such lengthy quotations of sources is unheard of in modern history books, the presence of lengthy oratory in Thucylides' history is considered to be a cultural trait: speech and rhetoric were prized in Greece as the prime means of transferring knowledge.

Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details.

Biological literature of the Roman imperial period remains somehow 'underestimated'. It is even quite difficult to speak of biological literature for this period at all: biology (apart from medicine) did not represent, indeed, a specific 'subgenre' of scientific literature. Nevertheless, writings as disparate as Philo of Alexandria's Alexander, Plutarch's De sollertia animalium or Bruta ratione uti, Aelian's De Natura Animalium, Oppian's Halieutika, Pseudo-Oppian's Kynegetika, and Basil of Caeserea's Homilies on the Creation engage with zoological, anatomic, or botanical questions. Poikile Physis examines how such writings appropriate, adapt, classify, re-elaborate and present biological knowledge which originated within the previous, mainly Aristotelian, tradition. It offers a holistic approach to these works by considering their reception of scientific material, their literary as well as rhetorical aspects, and their interaction with different socio-cultural conditions. The result of an interdisciplinary discussion among scholars of Greek studies, philosophy and history of science, the volume provides an initial analysis of forms and functions of biological literature in the imperial period.