In this book, Jason A. Staples proposes a new paradigm for how the biblical concept of Israel developed in Early Judaism and how that concept impacted Jewish apocalyptic hopes for restoration after the Babylonian Exile. Challenging conventional assumptions about Israelite identity in antiquity, his argument is based on a close analysis of a vast corpus of biblical and other early Jewish literature and material evidence. Staples demonstrates that continued aspirations for Israel's restoration in the context of diaspora and imperial domination remained central to Jewish conceptions of Israelite identity throughout the final centuries before Christianity and even into the early part of the Common Era. He also shows that Israelite identity was more diverse in antiquity than is typically appreciated in modern scholarship. His book lays the groundwork for a better understanding of the so-called 'parting of the ways' between Judaism and Christianity and how earliest Christianity itself grew out of hopes for Israel's restoration.

Hellenomania, the second volume in the MANIA series, presents a wide-ranging, multi-disciplinary exploration of the modern reception of ancient Greek material culture in cultural practices ranging from literature to architecture, stage and costume design, painting, sculpture, cinema, and the performing arts. It examines both canonical and less familiar responses to both real and imagined Greek antiquities from the seventeenth century to the present, across various national contexts. Encompassing examples from Inigo Jones to the contemporary art exhibition documenta 14, and from Thessaloniki and Delphi to Nashville, the contributions examine attempted reconstructions of an 'authentic' ancient Greece alongside imaginative and utopian efforts to revive the Greek spirit using modern technologies, new media, and experimental practices of the body. Also explored are the political resonances of Hellenomaniac fascinations, and tensions within them between the ideal and the real, the past, present, and future. Part I examines the sources and derivations of Hellenomania from the Baroque and pre-Romantic periods to the early twentieth century. While covering more canonical material than the following sections, it also casts spotlights on less familiar figures and sets the scene for the illustrations of successive waves of Hellenomania explored in subsequent chapters. Part II focuses on responses, uses, and appropriations of ancient Greek material culture in the built environment-mostly architecture-but also extends to painting and even gymnastics; it examines in particular how a certain idealisation of ancient Greek architecture affected its modern applications. Part III explores challenges to the idealisation of ancient Greece, through the transformative power of colour, movement, and of reliving the past in the present human body, especially female. Part IV looks at how the fascination with the material culture of ancient Greece can move beyond the obsession with Greece and Greekness.

This volume examines the ways in which divination, often through oracular utterances and other mechanisms, linked mortals with the gods, and places the practice within the ancient sociopolitical and religious environment. Whether humans sought knowledge by applying to an oracle through which the god was believed to speak or used soothsayers who interpreted specific signs such as the flight of birds, there was a fundamental desire to know the will of the gods. In many cases, pragmatic concerns - personal, economic or political - can be deduced from the context of the application. Divination and communication with the gods in a post-pagan world has also produced fascinating receptions. The presentation of these processes in monotheistic societies such as early Christian Late Antiquity (where the practice continued through the use of curse tablets) or medieval Europe, and beyond, where the role of religion had changed radically, provides a particular challenge and this topic has been little discussed by scholars. This volume aims to rectify this desideratum by providing the opportunity to address questions related to the reception of Greco-Roman divination, oracles and prophecy, in all media, including literature and film. Several contributions in this volume originated in the 2015 Classics Colloquium held at the University of South Africa and the volume has been augmented with additional contributions.

Erotic Geographies in Ancient Greek Literature and Culture addresses the following question: how does a place "get a reputation?" The Athenians associated sexual behaviors with particular places and their inhabitants, and this book decodes the meaning of the sexualization of place and traces the repercussions of these projections. Focusing on Corinth, Sparta, and Lesbos, each section starts from the fact that there were comic joke words that made a verb out of a place name to communicate a sexual slur. Corinth was thought of as a hotbed of prostitution; Sparta was perceived as a hyper-masculine culture that made femininity a problem; Lesbos had varying historically determined connotations, but was always associated with uninhibited and adventurous sexuality. The cultural beliefs encoded in these sexualized stereotypes are unpacked. These findings are then applied to close readings, ultimately demonstrating how sensitivity to the erotics of place enables new interpretations of well-known texts. In the process of moving from individual word to culture to text, Erotic Geographies recovers a complex mode of identity construction illuminating the workings of the Athenian imaginary as well as the role of discourse in shaping subjectivity. Gilhuly brings together a deep engagement with the robust scholarly literature on sex and gender in Classics with the growing interest in cultural geography in a way that has never been done before.

Nebuchadnezzar I (r. 1125-1104) was one of the more significant and successful kings to rule Babylonia in the intervening period between the demise of the Kassite Dynasty in the 12th century at the end of the Late Bronze Age, and the emergence of a new, independent Babylonian monarchy in the last quarter of the 7th century. His dynamic reign saw Nebuchadnezzar active on both domestic and foreign fronts. He tended to the needs of the traditional cult sanctuaries and their associated priesthoods in the major cities throughout Babylonia and embarked on military campaigns against both Assyria in the north and Elam to the east. Yet later Babylonian tradition celebrated him for one achievement that was little noted in his own royal inscriptions: the return of the statue of Marduk, Babylon's patron deity, from captivity in Elam. The Reign of Nebuchadnezzar reconstructs the history of Nebuchadnezzar I's rule and, drawing upon theoretical treatments of historical and collective memory, examines how stories of his reign were intentionally utilized by later generations of Babylonian scholars and priests to create an historical memory that projected their collective identity and reflected Marduk's rise to the place of primacy within the Babylonian pantheon in the 1st millennium BCE. It also explores how this historical memory was employed by the urban elite in discourses of power. Nebuchadnezzar I remained a viable symbol, though with diminishing effect, until at least the 3rd century BCE, by which time his memory had almost entirely faded. This study is a valuable resource to students of the Ancient Near East and Nebuchadnezzar, but is also a fascinating exploration of memory creation and exploitation in the ancient world.

Reconceiving Religious Conflict deconstructs instances of religious conflict within the formative centuries of Christianity, the first six centuries CE. It explores the theoretical foundations of religious conflict; the dynamics of religious conflict within the context of persecution and martyrdom; the social and moral intersections that undergird the phenomenon of religious conflict; and the relationship between religious conflict and religious identity. It is unique in that it does not solely focus on religious violence as it is physically manifested, but on religious conflict (and tolerance), looking too at dynamics of religious discourse and practice that often precede and accompany overt religious violence.

In the Ancient Near East, cutting off someone's head was a unique act, not comparable to other types of mutilation, and therefore charged with a special symbolic and communicative significance. This book examines representations of decapitation in both images and texts, particularly in the context of war, from a trans-chronological perspective that aims to shed light on some of the conditions, relationships and meanings of this specific act. The severed head is a "coveted object" for the many individuals who interact with it and determine its fate, and the act itself appears to take on the hallmarks of a ritual. Drawing mainly on the evidence from Anatolia, Syria and Mesopotamia between the third and first millennia BC, and with reference to examples from prehistory to the Neo-Assyrian Period, this fascinating study will be of interest not only to art historians, but to anyone interested in the dynamics of war in the ancient world.

The Birth of the Athenian Community elucidates the social and political development of Athens in the sixth century, when, as a result of reforms by Solon and Cleisthenes (at the beginning and end of the sixth century, respectively), Athens turned into the most advanced and famous city, or polis, of the entire ancient Greek civilization. Undermining the current dominant approach, which seeks to explain ancient Athens in modern terms, dividing all Athenians into citizens and non-citizens, this book rationalizes the development of Athens, and other Greek poleis, as a gradually rising complexity, rather than a linear progression. The multidimensional social fabric of Athens was comprised of three major groups: the kinship community of the astoi, whose privileged status was due to their origins; the legal community of the politai, who enjoyed legal and social equality in the polis; and the political community of the demotai, or adult males with political rights. These communities only partially overlapped. Their evolving relationship determined the course of Athenian history, including Cleisthenes' establishment of demokratia, which was originally, and for a long time, a kinship democracy, since it only belonged to qualified male astoi.

In Juvenal's Global Awareness Osman Umurhan applies theories of globalization to an investigation of Juvenal's articulation and understanding of empire, imperialism and identity. Umurhan explains how the increased interconnectivity between different localities, ethnic and political, shapes Juvenal's view of Rome as in constant flux and motion. Theoretical and sociological notions of deterritorialization, time-space compression and the rhizome inform the satirist's language of mobility and his construction of space and place within second century Rome and its empire. The circulation of people, goods and ideas generated by processes of globalization facilitates Juvenal's negotiation of threats and changes to Roman institutions that include a wide array of topics, from representatios of the army and food to discussions of cannibalism and language. Umurhan's analysis stresses that Juvenalian satire itself is a rhizome in both function and form. This study is designed for audiences interested in Juvenal, empire and globalization under Rome.

Theatrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It takes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and offers a new approach to understanding how ancient drama operated in performance and became such an influential social, cultural, and political force, inspiring and being influenced by revolutionary developments in political engagement and citizen discourse. Key performative elements of Greek theatre are analyzed from the perspective of the cognitive sciences as embodied, live, enacted events, with new approaches to narrative, space, masks, movement, music, words, emotions, and empathy. This groundbreaking study combines research from the fields of the affective sciences - the study of human emotions - including cognitive theory, neuroscience, psychology, artificial intelligence, psychiatry, and cognitive archaeology, with classical, theatre, and performance studies. This book revisits what Plato found so unsettling about drama - its ability to produce a theatrocracy, a "government" of spectators - and argues that this was not a negative but an essential element of Athenian theatre. It shows that Athenian drama provided a place of alterity where audiences were exposed to different viewpoints and radical perspectives. This perspective was, and is, vital in a freethinking democratic society where people are expected to vote on matters of state. In order to achieve this goal, the theatre offered a dissociative and absorbing experience that enhanced emotionality, deepened understanding, and promoted empathy. There was, and still is, an urgent imperative for theatre.

Ancient Monuments and Modern Identities sets out to examine the role of archaeology in the creation of ethnic, national and social identities in 19th and 20th century Greece. The essays included in this volume examine the development of interpretative and methodological principles guiding the recovery, protection and interpretation of material remains and their presentation to the public. The role of archaeology is examined alongside prevailing perceptions of the past, and is thereby situated in its political and ideological context. The book is organized chronologically and follows the changing attitudes to the past during the formation, expansion and consolidation of the Modern Greek State. The aim of this volume is to examine the premises of the archaeological discipline, and to apply reflection and critique to contemporary archaeological theory and practice. The past, however, is not a domain exclusive to archaeologists. The contributors to this volume include prehistoric and classical archaeologists, but also modern historians, museum specialists, architectural historians, anthropologists, and legal scholars who have all been invited to discuss the impact of the material traces of the past on the Modern Greek social imaginary.

This volume argues that ancient Greek girls and early Christian virgins and their families made use of rhetorically similar traditions of marriage to an otherworldly bridegroom in order to handle the problem of a girl's denied or disrupted transition into adulthood. In both ancient Greece and early Christian Rome, the standard female transition into adulthood was marked by marriage, sex, and childbirth. When problems arose just before or during this transition, the transitional girl's status within society became insecure. Walker presents a case for how and why the dead Greek virgin girl, depicted in Archaic through Hellenistic sources, in both texts and inscriptions, as a bride of Hades, and the life-long female Christian virgin or celibate ascetic, dubbed the bride of Christ around the third century CE, provide a fruitful point of comparison as particular examples of strategies used to neutralize the tension of disrupted female transition into adulthood. Bride of Hades to Bride of Christ offers a fascinating comparative study that will be of interest to anyone working on virginity and womanhood in the ancient world.

This book reveals how an empire that stretched from Glasgow to Aswan in Egypt could be ruled from a single city and still survive more than a thousand years. The Government of the Roman Empire is the only sourcebook to concentrate on the administration of the empire, using the evidence of contemporary writers and historians.
Specifically designed for students, with extensive cross-referencing, bibliographies and introductions and explanations for each item, this new edition brings the book right up-to-date, and makes it the ideal resource for students of the subject.

In recent years scholars have re-evaluated the "parting of the ways" between Judaism and Christianity, reaching new understandings of the ways shared origins gave way to two distinct and sometimes inimical religious traditions. But this has been a profoundly textual task, relying on the writings of rabbis, bishops, and other text-producing elites to map the terrain of the "parting." This book takes up the question of the divergence of Judaism and Christianity in terms of material--the stuff made, used, and left behind by the persons that lived in and between these religions as they were developing. Considering the glass, clay, stone, paint, vellum, and papyrus of ancient Jews and Christians, this book maps the "parting" in new ways, and argues for a greater role for material and materialism in our reconstructions of the past.

Drawing on 30 years of scholarship, this is a unique, richly illustrated history of the Ancient Assyrian Army and Empire. For the greater part of the period from the end of the 10th century to the 7th century BC, the Ancient Near East was dominated by the dynamic military power of Assyria. This book examines the empire that is now acknowledged as the first 'world' empire, and thus progenitor of all others. Fully illustrated in colour throughout, with photographs of artefacts, drawings and maps, it focuses on the Assyrian Army, the instrument that secured such immense conquests, now regarded by historians as being the most effective of pre-classical times. It was not only responsible for the creation of history's first independent cavalry arm, but also for the development of siege weapons later used by both Greece and Rome. There is a great deal of visual evidence showing how this army evolved over three centuries. During the rediscovery and excavation of the Assyrian civilisation in the mid-19th century, many wall reliefs and artefacts were recovered, and the enormous amount of research carried out by Assyriologists since that time has revealed the immense impact of the Assyrian Empire on history. Such has been the scale of archaeological discovery in more recent years that it is now possible to give the actual names of chariot/cavalry unit commanders. Drawing on this rich scholarship, and utilising the fantastic collections of museums around the world, Mark Healy presents a unique new history of this fascinating army and empire.

This book surveys the uses and function of prophecy, prophets, and oracles among Jews, Christians, and pagans in the first three centuries of the Roman Empire and explores how prophecy and prophetic texts functioned as a common language that enabled religious discourse to develop between these groups. It shows that each of these cultures believed that it was in prophetic texts and prophetic utterances that they could find the surest proof of their religious beliefs and a strong confirmation of their group identity.

A member of the imperial Palaiologan family, albeit most probably illegitimate, Isidore became a scholar at a young age and began his rise in the Byzantine ecclesiastical ranks. He was an active advocate of the union of the Orthodox and Catholic Churches in Constantinople. His military exploits, including his participation in the defence of Constantinople in 1453, provide us with eyewitness accounts. Without doubt he travelled widely, perhaps more so than any other individual in the annals of Byzantine history: Greece, Asia Minor, Sicily, Russia, Poland, Lithuania, and Italy. His roles included diplomat, high ecclesiastic in both the Orthodox and Catholic churches, theologian, soldier, papal emissary to the Constantinopolitan court, delegate to the Council of Florence, advisor to the last Byzantine emperors, metropolitan of Kiev and all Russia, and member of the Vatican curia. This is an original work based on new archival research and the first monograph to study Cardinal Isidore in his many diverse roles. His contributions to the events of the first six decades of the quattrocento are important for the study of major Church councils and the fall of Constantinople to the Ottoman Turks. Isidore played a crucial role in each of these events.

This is the most comprehensive introduction to the ancient Greek economy available in English. A team of specialists provides in non-technical language cutting edge accounts of a wide range of key themes in economic history, explaining how ancient Greek economies functioned and changed, and why they were stable and successful over long periods of time. Through its wide geographical perspective, reaching from the Aegean and the Black Sea to the Near East and Egypt under Greek rule, it reflects on how economic behaviour and institutions were formed and transformed under different political, ecological and social circumstances, and how they interacted and communicated over large distances. With chapters on climate and the environment, market development, inequality and growth, it encourages comparison with other periods of time and cultures, thus being of interest not just to ancient historians but also to readers concerned with economic cultures and global economic issues.

This is the most comprehensive introduction to the ancient Greek economy available in English. A team of specialists provides in non-technical language cutting edge accounts of a wide range of key themes in economic history, explaining how ancient Greek economies functioned and changed, and why they were stable and successful over long periods of time. Through its wide geographical perspective, reaching from the Aegean and the Black Sea to the Near East and Egypt under Greek rule, it reflects on how economic behaviour and institutions were formed and transformed under different political, ecological and social circumstances, and how they interacted and communicated over large distances. With chapters on climate and the environment, market development, inequality and growth, it encourages comparison with other periods of time and cultures, thus being of interest not just to ancient historians but also to readers concerned with economic cultures and global economic issues.

Graffiti are ubiquitous within the ancient world, but remain underexploited as a form of archaeological or historical evidence. They include a great variety of texts and images written or drawn inside and outside buildings, in public and private places, on monuments in the city, on objects used in daily life, and on mountains in the countryside. In each case they can be seen as actively engaging with their environment in a variety of ways. Ancient Graffiti in Context interrogates this cultural phenomenon and by doing so, brings it into the mainstream of ancient history and archaeology. Focusing on different approaches to and interpretations of graffiti from a variety of sites and chronological contexts, Baird and Taylor pose a series of questions not previously asked of this evidence, such as: What are graffiti, and how can we interpret them? In what ways, and with whom, do graffiti communicate? To what extent do graffiti represent or subvert the cultural values of the society in which they occur? By comparing themes across time and space, and viewing graffiti in context, this book provides a series of interpretative strategies for scholars and students of the ancient world. As such it will be essential reading for Classical archaeologists and historians alike.

Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.

Islam and Christianity in Medieval Anatolia offers a comparative approach to understanding the spread of Islam and Muslim culture in medieval Anatolia. It aims to reassess work in the field since the 1971 classic by Speros Vryonis, The Decline of Hellenism in Asia Minor and the Process of Islamization which treats the process of transformation from a Byzantinist perspective. Since then, research has offered insights into individual aspects of Christian-Muslim relations, but no overview has appeared. Moreover, very few scholars of Islamic studies have examined the problem, meaning evidence in Arabic, Persian and Turkish has been somewhat neglected at the expense of Christian sources, and too little attention has been given to material culture. The essays in this volume examine the interaction between Christianity and Islam in medieval Anatolia through three distinct angles, opening with a substantial introduction by the editors to explain both the research background and the historical problem, making the work accessible to scholars from other fields. The first group of essays examines the Christian experience of living under Muslim rule, comparing their experiences in several of the major Islamic states of Anatolia between the eleventh and fifteenth centuries, especially the Seljuks and the Ottomans. The second set of essays examines encounters between Christianity and Islam in art and intellectual life. They highlight the ways in which some traditions were shared across confessional divides, suggesting the existence of a common artistic and hence cultural vocabulary. The final section focusses on the process of Islamisation, above all as seen from the Arabic, Persian and Turkish textual evidence with special attention to the role of Sufism.

This book reconnoiters the appearances of the exceptional in Plato: as erotic desire (in the Symposium and Phaedrus), as the good city (Republic), and as the philosopher (Ion, Theaetetus, Sophist, Statesman). It offers fresh and sometimes radical interpretations of these dialogues. Those exceptional elements of experience - love, city, philosopher - do not escape embodiment but rather occupy the same world that contains lamentable versions of each. Thus Pappas is depicting the philosophical ambition to intensify the concepts and experiences one normally thinks with. His investigations point beyond the fates of these particular exceptions to broader conclusions about Plato's world. Plato's Exceptional City, Love, and Philosopher will be of interest to any readers of Plato, and of ancient philosophy more broadly.

Geopolitical shifts and economic shocks, from the Early Modern period to the 21st century, are frequently represented in terms of classical antecedents. In this book, an international team of contributors - working across the disciplines of Classics, History, Politics, and English - addresses a range of revolutionary transformations, in England, America, France, Haiti, Greece, Italy, Russia, Germany, and a recently globalised world, all of which were accorded the classical treatment. The chapters investigate discrete cases of classicising crisis, while the Introduction highlights patterns among them. The book asks: are classical equations a prized ideal, when evidence warrants, or linkages forced by an implacable will to power, or good faith attempts to make sense of events otherwise bafflingly unfamiliar and dangerous? Finally, do the events thus classicised retain, even increase, their power to disturb and energise, or are they ultimately contained? Classicising Crisis: The Modern Age of Revolutions and the Greco-Roman Repertoire is essential reading for students and scholars of classics, classical reception, and political thought in Europe and the Americas.

Offers the most up to date research on the subject