From Homer to Aristotle, understanding anger and harnessing its power was at the core of Hellenic civilization. Homer created the framework for philosophical inquiries into anger, one that persisted until it was overturned by Stoicism and Christianity. Plato saw anger as the guardian of justice and Aristotle conceived of it as bound to friendship. Yet both showed that anger can become a guardian of injustice and a defender of our psychological abnormalities. Plato claimed that reason is a tertiary factor in controlling anger and Aristotle argued that non-cognitive powers can issue commands for anger's arousal - findings that shed light as to why cognitive therapeutic approaches often prove to be ineffective. Both proposed nurturing the "thumos," the receptacle of anger and the seat of self-esteem. Aristotle's view of public anger as an early warning sign of social dissolution continues to be relevant to this day. In this carefully argued study, Kostas Kalimtzis examines the theories of anger in the context of the ancient world with an eye to their implications for the modern predicament.

The Short Chronicle is an eyewitness report on the demise of the Sasanian and Byzantines Empires and the beginning of the Islamic period. It uses official Sasanian sources and Syriac church documents and mentions for the first time new Arab cities, including Mosul, Kufa, and Basra.

It is often claimed that the kind of love that is variously deemed 'romantic' or 'true' did not exist in antiquity. Yet, ancient literature abounds with stories that seem to adhere precisely to this kind of love. This volume focuses on such literature and the concepts of love it espouses. The volume differs from and challenges much existing classical scholarship which has traditionally privileged the theme of sex over love and prose-genres over those of poetry. By conversely focusing on love and poetry, the present volume freshly explores central poets in ancient literature, such Homer, Sappho, Terence, Catullus, Virgil, Horace and Ovid, alongside less canonized, such as the anonymous poet of The Lament for Bion, Philodemus and Sulpicia. The chapters, which are written by world-leading as well as younger scholars, reveal that Greek and Latin concepts of love seem interconnected, that such love is as relevant for hetero- as homoerotic couples, and that such ideas of love follow the mainstream of poetry throughout antiquity. In addition to the general reader interested in the history of love, this volume is relevant for students and scholars of the ancient world and the poetic tradition.

This study, by author Allen Wright, offers an entertaining, informative, and fresh interpretation of the Bible's first books, Genesis through Kings II.

Part One compares two of the Bible's most familiar tales--Noah and the flood and David versus Goliath--with a much earlier ancient Mesopotamian text originally written in cuneiform long before the biblical writers sat down to their work.

Part Two analyzes each book of Genesis through Kings II coupled with the historical backdrop of the times. Learning how the biblical writers set about their business can help you stir up healthy and entertaining discussions among believers and nonbelievers alike; learn about ancient times and the conditions under which the first books of the Bible were written; And discover the true intention of the Bible, as well as its original intended audience.

The Book recounts how the early writers of the Bible went about saving their own civilization against overwhelming odds. See the Bible through a new lens, and return to modern life with a more enlightened understanding of the Bible's first books with The Book: Why the First Books of the Bible Were Written and Who They Were Written For.

The importance of Bessarion's contribution to the history of Byzantine and Renaissance philosophy and culture during the 15th century is beyond dispute. However, an adequate appreciation of his contribution still remains a desideratum of scholarly research. One serious impediment to scholarly progress is the fact that the critical edition of his main philosophical work "In Calumniatorem Platonis" is incomplete and that this work has not been translated in its entirety into any modern language yet. Same can be stated about several minor but equally important treatises on literary, theological and philosophical subjects. This makes editing, translating and interpreting his literary, religious and philosophical works a scholarly priority. Papers assembled in this volume highlight a number of philological, philosophical and historical aspects that are crucial to our understanding of Bessarion's role in the history of European civilization and to setting the directions of future research in this field.

The awe with which Plato regarded the character of 'the great' Parmenides has extended to the dialogue which he calls by his name. None of the writings of Plato have been more copiously illustrated, both in ancient and modern times, and in none of them have the interpreters been more at variance with one another. Nor is this surprising. For the Parmenides is more fragmentary and isolated than any other dialogue, and the design of the writer is not expressly stated. The date is uncertain; the relation to the other writings of Plato is also uncertain; the connexion between the two parts is at first sight extremely obscure; and in the latter of the two we are left in doubt as to whether Plato is speaking his own sentiments by the lips of Parmenides, and overthrowing him out of his own mouth, or whether he is propounding consequences which would have been admitted by Zeno and Parmenides themselves. The contradictions which follow from the hypotheses of the one and many have been regarded by some as transcendental mysteries; by others as a mere illustration, taken at random, of a new method. They seem to have been inspired by a sort of dialectical frenzy, such as may be supposed to have prevailed in the Megarian School (compare Cratylus, etc.). The criticism on his own doctrine of Ideas has also been considered, not as a real criticism, but as an exuberance of the metaphysical imagination which enabled Plato to go beyond himself.

The missing piece in so many histories of Mesopotamian technical disciplines is the client, who often goes unnoticed by present-day scholars seeking to reconstruct ancient disciplines in the Near East over millennia. The contributions to this volume investigate how Mesopotamian medical specialists interacted with their patients and, in doing so, forged their social and professional identities. The chapters in this book explore rituals for success at court, the social classes who made use of such rituals, and depictions of technical specialists on seal impressions and in later Greco-Roman iconography. Several essays focus on Egalkura: rituals of entering the court, meant to invoke a favorable impression from the sovereign. These include detailed surveys and comparative studies of the genre and its roots in the emergent astrological paradigm of the late first millennium BC. The different media and modalities of interaction between technical specialists and their clients are also a central theme explored in detailed studies of the sickbed scene in the iconography of Mesopotamian cylinder seals and the transmission of specialized pharmaceutical knowledge from the Mesopotamian to the Greco-Roman world. Offering an encyclopedic survey of ritual clients attested in the cuneiform textual record, this volume outlines both the Mesopotamian and the Greco-Roman social contexts in which these rituals were used. It will be of interest to students of the history of medicine, as well as to students and scholars of ancient Mesopotamia. In addition to the editor, the contributors include Netanel Anor, Siam Bhayro, Strahil V. Panayotov, Maddalena Rumor, Marvin Schreiber, JoAnn Scurlock, and Ulrike Steinert.

This volume covers the publication year 1983, with occasional additions from previous year which were missed in earlier volumes and from studies after 1983 but pertaining to material from 1983.

The extent of Roman influence on English common law, long a keenly debated topic, was subjected to careful scrutiny during the establishment of modern English legal historiography in the late 1800s. Scrutton's revisionist essay, a path-breaking work that won Cambridge University's prestigious Yorke Prize, evaluates and mostly discredits the work of his predecessors, most notably Finlason, Coote and Seebohm. In its place he offers a history from the Saxon period to his day guided by a close reading of sources. Scrutton believed that Roman law was a minor influence until it was introduced to Oxford by Vacarius. It became considerable after that watershed event, an argument he advances through a close reading of Glanville and a book-by-book demonstration of Azo's influence on Bracton. Reprint of the sole edition. " Scrutton] has written what we believe to be the best essay on this subject.... It will be a useful guide to the authorities for any who are investigating the history of our law, while the author's own opinions are for the most part sound and sober, and are clearly and modestly stated." Law Quarterly Review 2 (1886) 96 Thomas Edward Scrutton 1856-1934] was an English jurist and writer. After a career in commercial law he became a judge of the King's Bench Division and of the Court of Appeal. He wrote the still standard The Contract of Affreightment as Expressed in Charterparties and Bills of Lading (1886) and an important treatise on English copyright law, The Law of Copyright (1883). CONTENTS INTRODUCTION PART I. ROMAN INFLUENCES OF ENGLISH LAW BEFORE THE COMING OF VACARIUS CHAPTER I. The Sources of the Roman Law CHAPTER II. The Claims of the Roman Law CHAPTER III. Roman Law in the Early Land Law Mr Seebohm's Manorial Theory CHAPTER IV. Roman Law in the Early Family Law CHAPTER V. Roman Law in Early Procedure CHAPTER VI. Roman Law in the Early Constitution Part I. Shires and Hundreds Part II. Towns and Gilds CHAPTER VII. Roman Law and the Norman Conquest CHAPTER VIII. Summary PART II. ROMAN INFLUENCES IN ENGLISH LAW AFTER THE COMING OF VACARIUS CHAPTER I. The Introduction of the Roman Law CHAPTER II. Roman Law in Glanvil CHAPTER III. Roman Law in Bracton Bracton's First Book: on Persons Bracton's Second Book: on Property Bracton's Third Book: on Contracts and Actions Criminal Law Remainder of Bracton Results CHAPTER IV. Roman Law in Britton and Fleta CHAPTER V. Roman Law from Fleta to Coke. CHAPTER VI. Roman Law in Coke CHAPTER VII. Authority of Bracton since Coke CHAPTER VIII. Roman Law; its authority in Hale and Blackstone CHAPTER IX. Roman Law in Blackstone CHAPTER X. Summary of Roman Law in Text-writers CHAPTER XI. Roman Law in the Chancery CHAPTER XII. Roman Law in the Ecclesiastical Courts CHAPTER XIII. Roman Law in the Admiralty CHAPTER XIV. Roman Law in the Law Merchant CHAPTER XV. Roman Law in the Common Law Conclusion Index

In several of the dialogues of Plato, doubts have arisen among his interpreters as to which of the various subjects discussed in them is the main thesis. The speakers have the freedom of conversation; no severe rules of art restrict them, and sometimes we are inclined to think, with one of the dramatis personae in the Theaetetus, that the digressions have the greater interest. Yet in the most irregular of the dialogues there is also a certain natural growth or unity; the beginning is not forgotten at the end, and numerous allusions and references are interspersed, which form the loose connecting links of the whole. We must not neglect this unity, but neither must we attempt to confine the Platonic dialogue on the Procrustean bed of a single idea. (Compare Introduction to the Phaedrus.) Two tendencies seem to have beset the interpreters of Plato in this matter. First, they have endeavoured to hang the dia-logues upon one another by the slightest threads; and have thus been led to opposite and contradictory assertions respec-ting their order and sequence. The mantle of Schleiermacher has descended upon his successors, who have applied his method with the most various results.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

The diffusion of the cults of Isis is recently again intensively studied. Research on this fascinating phenomenon has traditionally been characterised by its focus on L' gypte hors d' gypte, while developments in Hellenistic and Roman Egypt itself were often seen as belonging to a different domain. This volume tries to overcome that unhealthy dichotomy by studying the cults of Isis in Hellenistic and Roman Egypt itself in relation to developments in the Mediterranean at large. The book not only presents an overview of the most important deities, often based on new or unpublished material, but also pays ample attention to the cultural processes behind Isis on Nile, like relations between style and identity, religious choice, social- and cultural memory and Egypt s view of its own past.

How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.

This beautifully illustrated new biography of Cleopatra draws on literary, archaeological, and art historical evidence to paint an intimate and compelling portrait of the most famous Queen of Egypt.
Deconstructs the image of Cleopatra to uncover the complex historical figure behind the myth
Examines Greek, Roman, and Egyptian representations of Cleopatra
Considers how she was viewed by her contemporaries and how she presented herself
Incorporates the author's recent field work at a temple of Cleopatra in Alexandria
Beautifully illustrated with over 40 images

In Legendary Rivals Jaclyn Neel argues for a new interpretation of the foundation myths of Rome. Instead of a negative portrayal of the city's early history, these tales offer a didactic paradigm of the correct way to engage in competition. Accounts from the triumviral period stress the dysfunctional nature of the city's foundation to capture the memory of Rome's civil wars. Republican evidence suggests a different emphasis. Through diachronic analyses of the tales of Romulus and Remus, Amulius and Numitor, Brutus and Collatinus, and Camillus and Manlius Capitolinus, Neel shows that Romans of the Republic and early Principate would have seen these stories as examples of competition that pushed the bounds of propriety.