Virgil's Georgics depicts the world and its peoples in great detail, but this geographical interest has received little detailed scholarly attention. Hundreds of years later, readers in the British empire used the poem to reflect upon their travels in acts of imagination no less political than Virgil's own. Virgil's Map combines a comprehensive survey of the literary, economic, and political geography of the Georgics with a case study of its British imperial reception c. 1840-1930. Part One charts the poem's geographical interests in relation to Roman power in and beyond the Mediterranean; shifting readers' attention away from Rome, it explores how the Georgics can draw attention to alternative, non-Roman histories. Part Two examines how British travellers quoted directly from the poem to describe peoples and places across the world, at times equating the colonial subjects of European empires to the 'happy farmers' of Virgil's poem, perceived to be unaware, and in need, of the blessings of colonial rule. Drawing attention to the depoliticization of the poem in scholarly discourse, and using newly discovered archival material, this interdisciplinary work seeks to re-politicize both the poem and its history in service of a decolonizing pedagogy. Its unique dual focus allows for an extended exploration, not just of geography and empire, but of Europe's long relationship with the wider world.

In Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic, in-depth analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital, domain of his god Aten, and attempts to answer two basic questions: how can Amarna imagery look so blatantly Egyptian and yet be intrinsically different? And why did it need to be so?

Interest in food and drink as an academic discipline has been growing significantly in recent years. This sourcebook is a unique asset to many courses on food as it offers a thematic approach to eating and drinking in antiquity. For classics courses focusing on ancient social history to introductory courses on the history of food and drink, as well as those offerings with a strong sociological or anthropological approach this volume provides an unparalleled compilation of essential source material. The chronological scope of the excerpts extends from Homer in the Eighth Century BCE to the Roman emperor Constantine in the Fourth Century CE. Each thematic chapter consists of an introduction along with a bibliography of suggested readings. Translated excerpts are then presented accompanied by an explanatory background paragraph identifying the author and context of each passage. Most of the evidence is literary, but additional sources - inscriptional, legal and religious - are also included.

Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and "global" (Panhellenic). The volume's chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet's name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.

*Includes pictures of Chichen Itza's ruins and art.
*Explains the history of the site and the theories about its purpose and abandonment.
*Describes the layout of Chichen Itza, its important structures, and the theories about the buildings' uses.
*Includes a bibliography for further reading.
Many ancient civilizations have influenced and inspired people in the 21st century, like the Greeks and the Romans, but of all the world's civilizations, none have intrigued people more than the Mayans, whose culture, astronomy, language, and mysterious disappearance all continue to captivate people. At the heart of the fascination is the most visited and the most spectacular of Late Classic Maya cities: Chichen Itza.
Chichen Itza was inhabited for hundreds of years and was a very influential center in the later years of Maya civilization. At its height, Chichen Itza may have had over 30,000 inhabitants, and with a spectacular pyramid, enormous ball court, observatory and several temples, the builders of this city exceeded even those at Uxmal in developing the use of columns and exterior relief decoration. Of particular interest at Chichen Itza is the sacred cenote, a sinkhole was a focus for Maya rituals around water. Because adequate supplies of water, which rarely collected on the surface of the limestone based Yucatan, were essential for adequate agricultural production, the Maya here considered it of primary importance. Underwater archaeology carried out in the cenote at Chichen Itza revealed that offerings to the Maya rain deity Chaac (which may have included people) were tossed into the sinkhole.
Although Chichen Itza was around for hundreds of years, it had a relatively short period of dominance in the region, lasting from about 800-950 A.D. Today, tourists are taken by guides to a building called the Nunnery for no good reason other than the small rooms reminded the Spaniards of a nunnery back home. Similarly the great pyramid at Chichen Itza is designated El Castillo ("The Castle"), which it almost certainly was not, while the observatory is called El Caracol ("The Snail") for its spiral staircase. Of course, the actual names for these places were lost as the great Maya cities began to lose their populations, one by one.
Chichen Itza was partially abandoned in 948, and the culture of the Maya survived in a disorganized way until it was revived at Mayapan around 1200. Why Maya cities were abandoned and left to be overgrown by the jungle is a puzzle that intrigues people around the world today, especially those who have a penchant for speculating on lost civilizations.
Chichen Itza: The History and Mystery of the Maya's Most Famous City comprehensively covers the history of the city, as well as the speculation surrounding the purpose of Chichen Itza and the debate over the buildings. Along with pictures and a bibliography, you will learn about the Maya's most famous city like you never have before, in no time at all.

This book involves a new historiographical study of the Hellenica Oxyrhynchia that defines its relationship with fifth- and fourth-century historical works as well as its role as a source of Diodorus' Bibliotheke. The traditional and common approach taken by those who studied the HO is primarily historical: scholars have focused on particular, often isolated, topics such as the question of the authorship, the historical perspective of the HO against other Hellenica from the 4th century BC. This book is unconventional in that it offers a study of the HO and fifth- and fourth-century historical works supported by papyrological enquiries and literary strategies, such as intertextuality and narratology, which will undoubtedly contribute to the progress of research in ancient historiography.

Many historians in the past have seen Constantine as a secret pagan who used Christianity as a political device or a God-sent Emperor who converted a whole nation to Christianity. Since Constantine's personal beliefs allowed for both paganism and Christianity, he created an Empire of tolerance or a religiously neutral realm (as far as what you wanted to believe). The model set up by Constantine was successfully continued and utilized to keep the Empire together with the notable exceptions of Julian (who tried to move the Empire back to paganism) and Theodosius (who allowed Christians to harass pagans, outlawed many elements of paganism, and eventually had to fight the pagans on the field of battle).

The Confucian-Legalist State analyzes the history of China between the 11th century BCE and 1911 under the guidance of a new theory of social change. It centers on two questions. First, how and why China was unified and developed into a bureaucratic empire under the state of Qin in 221 BCE? Second, how was it that, until the nineteenth century, the political and cultural structure of China that was institutionalized during the Western Han dynasty (206 BCE - 8 CE) showed great resilience, despite great changes in demography, socioeconomic structure, ethnic composition, market relations, religious landscapes, technology, and in other respects brought by rebellions or nomadic conquests? In addressing these two questions, author Dingxin Zhao also explains numerous other historical patterns of China, including but not limited to the nature of ancient China's interstate relations, the logics behind the rising importance of imperil Confucianism during the Western Han dynasty and behind the formation of Neo-Confucian society during the Song dynasty (960-1279 CE), the changing nature of China's religious ecology under the age of Buddhism and Neo-Confucianism, the pattern of interactions between nomads and sedentary Chinese empires, the rise and dominance of civilian government, and China's inability to develop industrial capitalism without the coercion of Western imperialism.

Knossos is one of the most important sites in the ancient Mediterranean. It remained amongst the largest settlements on the island of Crete from the Neolithic until the late Roman times, but aside from its size it held a place of particular significance in the mythological imagination of Greece and Rome as the seat of King Minos, the location of the Labyrinth and the home of the Minotaur. Sir Arthur Evans’ discovery of ‘the Palace of Minos’ has indelibly associated Knossos in the modern mind with the ‘lost’ civilisation of Bronze Age Crete. The allure of this ‘lost civilisation’, together with the considerable achievements of ‘Minoan’ artists and craftspeople, remain a major attraction both to scholars and to others outside the academic world as a bastion of a romantic approach to the past. In this volume, James Whitley provides an up-to-date guide to the site and its function from the Neolithic until the present day. This study includes a re-appraisal Bronze Age palatial society, as well as an exploration of the history of Knossos in the archaeological imagination. In doing so he takes a critical look at the guiding assumptions of Evans and others, reconstructing how and why the received view of this ancient settlement has evolved from the Iron Age up to the modern era.

This book offers a concise introduction to Xenophon, the Athenian historian, political thinker, moral philosopher and literary innovator who was also a pupil of Socrates, a military general on campaign in Persia, and an exile in residence in the Peloponnese during the late fifth and fourth centuries BC. Alive during one of the most turbulent periods in Greek history, Xenophon wrote extensively about the past and present. In doing so he not only invented several new genres, but also developed pointed political analyses and probing moral critiques. It is the purpose of this book to explore Xenophon's life, writing and ideas, and reception through thematic studies that draw upon the full range of his work. Starting with his approach to the past and to Socrates, it demonstrates how the depiction of events and people from previous times and places are inflected with contemporary concerns about political instability and the challenges of leadership, as well as by a 'Socratic' perspective on politics and morality. The following in-depth examination of Xenophon's theories concerning political organization and the bases for a good life highlight the interconnectivity of his ideas about how to live together and how to live well. Although Xenophon addresses conceptual issues, his writings provide a practical response to real-life problems. Finally, an evaluation of his significance as an inspiration to later writers in their creative interrogations of human affairs brings the investigations to a close. This book thus illuminates Xenophon's importance within the vibrant intellectual culture of ancient Greece as an active participant in and evaluator of his world, as well as his impact over time.

This study focuses on the metaphysics of the great Arabic philosopher Avicenna (or Ibn Sina, d. 1037 C.E.). More specifically, it delves into Avicenna's theory of quiddity or essence, a topic which seized the attention of thinkers both during the medieval and modern periods. Building on recent contributions in Avicennian studies, this book proposes a new and comprehensive interpretation of Avicenna's theory of 'the pure quiddity' (also known as 'the quiddity in itself') and of its ontology. The study provides a careful philological analysis of key passages gleaned from the primary sources in Arabic and a close philosophical contextualization of Avicenna's doctrines in light of the legacy of ancient Greek philosophy in Islam and the early development of Arabic philosophy (falsafah) and theology (kalam). The study pays particular attention to how Avicenna's theory of quiddity relates to the ancient Greek philosophical discussion about the universals or common things and Mu'tazilite ontology. Its main thesis is that Avicenna articulated a sophisticated doctrine of the ontology of essence in light of Greek and Bahshamite sources, which decisively shaped subsequent intellectual history in Islam and the Latin West.

This second volume of collected essays, complement to volume one, focuses upon the art and culture of the third millennium B.C.E. in ancient Mesopotamia. Stress is upon the ability of free-standing sculpture and public monuments not only to reflect cultural attitudes, but to affect a viewing audience. Using Sumerian and Akkadian texts as well as works, the power of visual experience is pursued toward an understanding not only of the monuments but of their times and our own. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum

This book is a re-edition and detailed study of a parchment codex from Egypt of the fourth century CE with Greek and Coptic recipes for healing through magic and pharmacology (Ann Arbor, University of Michigan Library Ms. 136). A text and annotated translation were published in a brief journal article by William H. Worrell in 1935, but the codex has been understudied since then. This new edition offers advances in readings and interpretation, a thorough philological commentary, and accompanying studies on the ritual and medical traditions to which the codex belongs and its position in the linguistic landscape of Egypt. The recipes comprise magical rituals for healing and broader personal advancement, pharmacological and related medical recipes, and advice for the management of a household. Traditional Egyptian religion and ritual are illustrated in interaction with medical practices of Hellenic culture more recently introduced to Egypt, and the archaic, even poetic language of some of the Coptic invocations featuring the Egyptian gods Amun and Thoth share pages with an incantation constructed from the verses of Homer.

The proceedings of the conference Egypt, Canaan and Israel: History, Imperialism, Ideology and Literature include the latest discussions about the political, military, cultural, economic, ideological, literary and administrative relations between Egypt, Canaan and Israel during the Second and First Millennia BC incorporating texts, art, and archaeology.

This study examines how Tacitus' representation of speech determines the roles of speakers within the political sphere, and explores the possibility of politically effective speech in the principate. It argues against the traditional scholarly view that Tacitus refuses to offer a positive view of senatorial power in the principate: while senators did experience limitations and changes to what they could achieve in public life, they could aim to create a dimension of political power and efficacy through speeches intended to create and sustain relations which would in turn determine the roles played by both senators or an emperor. Ellen O'Gorman traces Tacitus' own charting of these modes of speech, from flattery and aggression to advice, praise, and censure, and explores how different modes of speech in his histories should be evaluated: not according to how they conform to pre-existing political stances, but as they engender different political worlds in the present and future. The volume goes beyond literary analysis of the texts to create a new framework for studying this essential period in ancient Roman history, much in the same way that Tacitus himself recasts the political authority and presence of senatorial speakers as narrative and historical analysis.

Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see 'classical memories' as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural 'exports' in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like 'adaptation' and 'reception' could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.