Learn the stories of the most famous coins of the Bible from the widow's mite to the infamous thirty pieces of silver. Discover the historical and cultural details of the lies and times of the ancient peoples of Biblical days. Keep the coin replicas that come in each book as reminders of days past but still important in the history of the western world.

This book studies the Sylloge Tacticorum, an important tenth-century Byzantine military manual. The text is used as a case study to connect military manuals with the challenges that Byzantium faced in its wars with the Arabs, but also with other aspects of Byzantine society such as education, politics, and conventions in the productions of literary texts and historical narratives. The book explores when the Sylloge was written and by whom. It identifies which passages from classical or earlier works were incorporated in the Sylloge and explains the reason why Byzantines imitated works of the past. The book then studies the extent to which the Sylloge was original and how innovation and originality were received in Byzantine society. Despite the imitation, the author of the Sylloge adapted and updated his material to reflect the current operational needs as well as the ideological, cultural and religious context of his time. Finally, the book attempts to estimate the extent to which Byzantine generals followed the advice of military manuals, and to explore whether historical narratives can be safely used to draw information as to how the Byzantines and the Arabs fought. Therefore, along with a detailed study of the Sylloge Tacticorum, this monograph also addresses broader issues of the pen and the sword such as military manuals in connection with Byzantine warfare, politics, literature, historiography and education.

This book explores the popularization in the Renaissance of the still pervasive myth that later cultures are the hereditary descendants of ancient or older cultures. It shows how the new techne of systematic genealogy facilitated the process of "remythicizing" the ancient authorities.

This book, like the volume on "Society and Politics in Ancient Rome," deals with the life of the common people, with their language and literature, their occupations and amusements, and with their social, political, and economic conditions. We are interested in the common people of Rome because they made the Roman Empire what it was. They carried the Roman standards to the Euphrates and the Atlantic; they lived abroad as traders, farmers, and soldiers to hold and Romanize the provinces, or they stayed at home, working as carpenters, masons, or bakers, to supply the daily needs of the capital. The other side of the subject which has engaged the attention of the author in studying these topics has been the many points of similarity which arise between ancient and modern conditions, and between the problems which the Roman faced and those which confront us.

The translations of the Egyptian hymns and religious texts printed in this and the two following volumes form a representative collection of the various compositions which the Egyptian inscribed upon the walls of tombs and sarcophagi, coffins and funeral stelae, papyri and amulets, etc., in order to ensure the well-being of their dead in the world beyond the grave. These translations first appeared in the third volume of my work on The Book of The Dead, which was published under the title "The Chapters of Coming Forth by Day" at the end of the year 1897, where they seemed to be a necessary accompaniment to the edition of the hieroglyphic texts of Theban Recension and the hieroglyphic vocabulary thereto. The demand for that bulky and comparatively expensive work proved that it filled a want, but soon after its appearance frequent requests were made that the English translation might be issued in a smaller and handier form.

The book is aimed at the general reader, as well as to the special student of Roman life and literature. It includes articles which discuss social, political and literary questions, with the majority of which are in some measure comparative studies of certain phases of life at Rome and in modern contemporary life.

Translated from Italian into English, The Life of Caesar, by thethe author, is, as the title would suggest, a biography of the great Roman Dictator Julius Caesar. The author's book, however, cannot be described just as a biography. His work, in fact, can be more accurately defined as a complete history not only of Julius Caesar's life, but also of his times, the time of the fall of the Roman Republic.

This title was first published in 2001. Militarism connotes more than unadulterated aggression. It encapsulates a way of life and involves the inculcation of military values as an end in itself. This text examines the factors which have been held to account for the rise of militarism in particular social contexts, using case studies and comparative analysis of this perennial phenomenon.

This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of 'sacred portrait' also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities. Andrew Paterson addresses two fundamental questions about devotional portraiture - both Christian and non-Christian - in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait's subject. The book will be of interest to scholars working in art history, theology, religion and classical studies.

First published in 1980, Catalogue of Chinese Manuscripts in Danish Archives is a descriptive catalogue that gives the date, address, and a summary of the contents for some 500 Chinese manuscripts in three Danish archives: the National Archives, the National Museum, and the Archives of the Great Northern Telegraph Company. The Chinese diplomatic correspondence kept in these archives form important source material for the study of Sino-Danish relations in the nineteenth century. In addition, the contents of the manuscripts shed an interesting light on the way Chinese and foreign diplomacy at the lowest level was conducted during the crucial years of Sino-Western relations. The book contains an introduction and two indexes, one for the names mentioned in the addresses, and one for the subjects and names mentioned in the summaries. The book will appeal to students of history, political science, international relations and diplomacy.

This beautifully illustrated book brings to life the greatest treasures from the tomb of Tutankhamun. Fifty of the most important objects on display today are each accompanied by a short, accessible text giving the reader just enough information to understand their relevance and importance while retaining a sense of wonder at these ancient artefacts. Each carefully selected object is presented with a full-page colour image and a facing text explaining what the object is, where it was found and why it was buried with the young Pharaoh. There are quotes throughout the text from Howard Carter on his discovery of the tomb in 1922. An introduction by the esteemed Egyptologist Garry Shaw gives a brief overview of the history of ancient Egypt and sets out what we know about the life and times of the young king. He offers a graphic depiction of the dramatic story of the discovery and opening of the tomb by Howard Carter in 1922, and touches on the latest theories and scientific work that has taken place, as well as explaining what is still left to be discovered and the controversial nature of some of the latest interpretations. This is the perfect pocket-sized companion for anyone visiting the Tutankhamun exhibition travelling around the world, the New Egyptian Museum in Giza or any of the renowned collections of Egyptology in museums across the world. With 92 illustrations, 80 in colour

In this ground-breaking book, Egyptologist Robert Bauval and astrophysicist Thomas Brophy uncover the mystery of Imhotep, and ancient Egyptian superstar, pharaonic Da Vinci, Michelangelo, Galileo, and Newton all rolled into one. Based on their research at the Step Pyramid Complex at Saqqara, Bauval and Brophy delve into observational astronomy to 'decode' the alignments and other design features of the Step Pyramid Complex, to uncover the true origins and genius of Imhotep. Like a whodunit detective story they follow the clues that take them on an exhilarating magical mystery tour starting at Saqqara, leading them to temples in Upper Egypt and to the stones of Nabta Playa and the black African stargazers who placed them there.

"Imhotep the African" describes how Imhotep was the ancient link to the birth of modern civilization, restoring him to his proper place at the center of the birthing of Egyptian, and world, civilization.

This volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. What does it mean to practise art history after the material and sensory turns? What is an image, if not a purely visual phenomenon, and how does it prompt non-visual sensory experiences? The multi-sensoriality of the image was a less challenging concept before the ocularcentric modern age, and so this volume brings together a global array of scholars from multiple disciplines to ask these questions of imagery in premodern or non-western contexts, ranging from Minoan palace frescoes, to Roman statues, early church sermons, tombs of Byzantine saints, museum displays of Islamic artefacts of scent, medieval depictions of the voice, and Stuart court masques. Each chapter presents a means of appreciating images beyond the visual, demonstrating the new information and understanding that consequently can be gleaned from their material. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches that can be applied to appreciate the multi-sensoriality of images in any context, as well as prompts for reflection on future directions in the study of imagery. The Multi-Sensory Image thus illustrates that it is not only possible to explore the non-visual impact of images, but imperative.

This book explores the construction of Christian identity in fourth and fifth centuries through inventing, fabricating and sharpening binary oppositions. Such oppositions, for example Christians - pagans; truth - falsehood; the one true god - the multitude of demons; the right religion - superstition, served to create and reinforce the Christian self-identity. The author examines how the Christian argumentation against pagans was intertwined with self-perception and self-affirmation. Discussing the relations and interaction between pagan and Christian cultures, this book aims at widening historical understanding of the cultural conflicts and the otherness in world history, thus contributing to the ongoing discussion about the historical and conceptual basis of cultural tolerance and intolerance. This book offers a valuable contribution to contemporary scholarly debate about Late Antique religious history and the relationship between Christianity and other religions.

Concepts of God presented by Greek philosophers were significantly different from the image of the divine of popular religion and indicate a fairly sophisticated theological reflection from the very inception of Greek philosophy. This book presents a comprehensive history of theological thought of Greek philosophers from the Presocratics to the early Hellenistic period. Concentrating on views concerning the attributes of God and their impact on eschatological and ethical thought, Drozdek explains that theology was of paramount importance for all Greek philosophers even in the absence of purely theological or religious language.

This is the story of the transformation of the ways in which the increasingly Christianized elites of the late antique Mediterranean experienced and conceptualized linguistic differences. The metaphor of Babel stands for the magnificent edifice of classical culture that was about to reach the sky, but remained self-sufficient and self-contained in its virtual monolingualism - the paradigm within which even Latin was occasionally considered just a dialect of Greek. The gradual erosion of this vision is the slow fall of Babel that took place in the hearts and minds of a good number of early Christian writers and intellectuals who represented various languages and literary traditions. This step-by-step process included the discovery and internalization of the existence of multiple other languages in the world, as well as subsequent attempts to incorporate their speakers meaningfully into the holistic and distinctly Christian picture of the universe.

Book 3 of the Odes completes the lyric trilogy which Horace, who rivals Virgil as the greatest of all Latin poets, published in 23 BC. Arguably his most famous book, it opens with the six so-called 'Roman Odes', those defining texts of the Augustan Age, and concludes with the statement of his achievement: he has produced for his Roman readers a body of lyric poetry to rival the great lyric poets of Greece, a monument which will last as long as Rome itself. The present volume aims to place Horace's Odes in their literary and historical context, to explain his Latin, to articulate his thought, and to attempt to elucidate his brilliance. It presents a new text and adopts an approach independent of that of earlier commentators.

This book, first published in 1974, studies the historical development of China during the Western Han dynasty (202 BC-AD 9), a time of great intellectual, religious and political change. The struggle between Reformists and Modernists is analysed using texts contemporary to the time, and this struggle was a key point in Chinese history, leading as it did to enormous change, including to economics and foreign policy.

Private associations abounded in the ancient Greek world and beyond, and this volume provides the first large-scale study of the strategies of governance which they employed. Emphasis is placed on the values fostered by the regulations of associations, the complexities of the private-public divide (and that divide's impact on polis institutions) and the dynamics of regional and global networks and group identity. The attested links between rules and religious sanctions also illuminate the relationship between legal history and religion. Moreover, possible links between ancient associations and the early Christian churches will prove particularly valuable for scholars of the New Testament. The book concludes by using the regulations of associations to explore a novel and revealing aspect of the interaction between the Mediterranean world, India and China.

Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the intangible sonic aura produced in these places by the ritual music and harness the use of digital technology to reconstruct historical aural environments. Rooted in a decade-long interdisciplinary research project at Stanford University, Icons of Sound expands our understanding of the inherently intertwined relationship between medieval chant and liturgy, the acoustics of architectural spaces, and their visual aesthetics. Together, the contributors provide insights that are relevant across art history, sound studies, musicology, and medieval studies.

History sees Augustus Caesar as the first emperor of Rome, whose system of ordered government provided a firm and stable basis for the expansion and prosperity of the Roman Empire. Hailed as 'restorer of the Republic' and regarded by some as a deity in his own lifetime, Augustus was emulated by many of his successors. David Shotter reviews the evidence in order to place Augustus firmly in the context of his own times. Key topics discussed include:

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• the background to Augustus Caesar's spectacular rise to power
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• his political and imperial reforms
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• the creation of the Republica of Augustus
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• the legacy Augustus Caesar left to his successors.

Revised throughout, the second edition of this successful book takes the most recent research in the field into account. David Shotter also includes more coverage of the social and cultural aspects of this complex character's reign together with an expanded guide to further reading.

This volume challenges previous views of social organization focused on elites by offering innovative perspectives on 'power from below.' Using a variety of archaeological, anthropological, and historical data to question traditional narratives of complexity as inextricably linked to top-down power structures, it exemplifies how commoners have developed strategies to sustain non-hierarchical networks and contest the rise of inequalities. Through case studies from around the world - ranging from Europe to New Guinea, and from Mesoamerica to China - an international team of contributors explores the diverse and dynamic nature of power relations in premodern societies. The theoretical models discussed throughout the volume include a reassessment of key concepts such as heterarchy, collective action, and resistance. Thus, the book adds considerable nuance to our understanding of power in the past, and also opens new avenues of reflection that can help inform discussions about our collective present and future.

This volume examines the life and career of L. Munatius Plancus, and through him, explores the tumultuous final years of the Roman Republic. Plancus had very active and lengthy political career, from his initial appearance on the staff of Julius Caesar in Gaul in 54BC at least through the censorship of 22BC. During this time, he was in close contact for over 30 years with all the major figures during a period of tremendous political and social upheaval in Rome. He maneuvered carefully and cautiously, changing affiliation from boyhood ties to Cicero, to Caesar, to Antony and Cleopatra, and finally to Octavian - it was Plancus himself who proposed the motion whereby the Senate conferred the name "Augustus" on the new ruler of Rome. More than just a biography of this fascinating figure, this volume also offers insight into the politics of this complex period.

He conquered most of the known world and thought himself a god. However, he also died a paranoid, alcoholic wreck at the age of 33...after which his entire empire collapsed. So, just how great was Alexander?

• New material in the paperback on the army and Alexander's treatment of exiles
• Huge interest in Alexander driven by Oliver Stone/Colin Farrell motion picture
• Accessibly written for general reader, not scholar
• New portrait of the single most important figure of the ancient world ? reveals the real Alexander, warts and all
• Fascinating account of a massively colourful if ultimately destructive life
• Provides new interpretations of the question of Alexander's corruption and paranoia
• Fully illustrated - brings alive the age as well as the man

Artemis is a literary, iconographic, and archaeological study of the ancient Greek goddess of the hunt, who presided over the transitions and mediations between the wild and the civilized, youth and maturity, life and death. Beginning with a study of the early origins of Artemis and her cult in the Bronze and Archaic Ages, Budin explores the goddess' persona and her role in the lives of her worshippers. This volume examines her birth and childhood, her place in the divine family, her virginity, and her associations with those places where the wilds become the "cities of just men." The focus then turns to Artemis' role in the lives of children and women, particularly how she helps them navigate the transition to adulthood and, perhaps too often, death. Budin goes on to reconsider some of the more harrowing aspects of Artemis' mythology, such as plague and bloodshed, while also examining some of her kinder, oft overlooked associations. Finally, the role of Artemis in the Renaissance and modern society is addressed, from the on-going fascination with the "breasts" on the statue of Artemis of Ephesos to the Artemisian aspects of Katniss Everdeen. Written in an accessible style, Artemis is a crucial resource for students not only of Greek myth, religion and cult, but also those seeking to understand the lives and roles of girls and women in ancient Greece, as this goddess presided over their significant milestones, from maiden to wife to mother.