Pompeius Trogus, a Romanized Gaul living in the age of Augustus, wrote a forty-four book universal history (The Philippic History) of the non-Roman Mediterranean world. This work was later abbreviated by M. Junianus Justinus. Alexander the Great's life has been examined in minute detail by scholars for many decades, but the period of chaos that ensued after his death in 323 BC has received much less attention. Few historical sources recount the history of this period consecutively. Justin's abbreviated epitome of the lost Philippic history of Pompeius Trogus is the only relatively continuous account we have left of the events that transpired in the 40 years from 323 BC. This volume supplies a historical analysis of this unique source for the difficult period of Alexander's Successors up to 297 BC, a full translation, and running commentary on Books 13-15.

This book consists of two main, interrelated thematic units: the reception of Aeschylus' Dionysiac plays in Bacchae and the refiguration of the latter in the Byzantine drama Christus Patiens. In both sections the common denominator is Euripides' Bacchae, which is approached as a receiving text in the first unit and as a source text in the second. Each section addresses dramatic, ideological and cultural facets of the reception process, yielding insight into pivotal Dionysiac motifs that the ancient and Byzantine treatments share. Different pieces of evidence, mythographic, stylistic, and iconographic, are interrogated, so that light is shed on aspects of the storyline, the concepts, and the imagery of Aeschylus' two tetralogies. At the same time, Bacchae provides a valuable exemplum for aspects of dramatic technique, plot-patterns, and concepts refigured in Christus Patiens. This exploration thoroughly and systematically focuses on the ways in which the pagan play was transformed to bring forward new pillars of thought and innovative values in different cultural and ideological contexts over a wide time span from Greek Antiquity to Byzantium.

Professor Lee provides a social and cultural history of the Cyreans, the mercenaries of Xenophon's Anabasis. While they have often been portrayed as a single abstract political community, this book reveals that life in the army was mostly shaped by a set of smaller social communities: the formal unit organisation of the lochos ('company'), and the informal comradeship of the suskenia ('mess group'). It includes full treatment of the environmental conditions of the march, ethnic and socio-economic relations amongst the soldiers, equipment and transport, marching and camp behaviour, eating and drinking, sanitation and medical care, and many other topics. It also accords detailed attention to the non-combatants accompanying the soldiers. It uses ancient literary and archaeological evidence, ancient and modern comparative material, and perspectives from military sociology and modern war studies. This book is essential reading for anyone working on ancient Greek warfare or on Xenophon's Anabasis.

"2012 - Science and Prophecy of the Ancient Maya," is a full-color, 172-page book inspired by Maya inscriptions, astronomical knowledge, math, and myth. Responding to the upsurge in interest in "the Maya prophecies," Prof. Mark Van Stone has spent the last several years researching What the Ancient Maya Actually Said about 2012. The result is based entirely on science, archaeology, decipherment, and Precolumbian art. (No channeling of ancient priests No Planet X ) To make this arcane material as accessible as possible, he examines aspects of the phenomenon in 38 short, digestible essays, which one can read in any order. It is eminently browsable. It is also dense with information: Dr. Van Stone does not "dumb down" information to reach some imaginary least common denominator. It is also visually appealing; the only art book on the subject. ...A Biographical blurb: Professor Mark Van Stone has spent his entire life studying the art and history of written forms. He started 40 years ago with Celtic manuscripts such as the 7th/8th- century Books of Kells and Lindisfarne. Progressing to Roman and Greek inscriptions, and to Egyptian hieroglyphs, he later lived in Japan, studying netsuke carving and calligraphy. Finally receiving his Ph.D. in Maya Hieroglyphs in 2005, Dr. Van Stone combines a rare general understanding of all ancient scripts with an even rarer ability to *write* them, not just read them. Long before receiving the doctorate in Maya Hieroglyphs, Mark earned his Bachelor's Degree in Physics and worked for a few years at the Gamma-Ray Astronomy laboratory at the University of New Hampshire's Space Science Center (1973-77). His background uniquely qualifies him to discuss both Maya astronomy and their hieroglyphs. He presently holds the post of Professor of Art History at Southwestern College in Chula Vista, California. Mark is also co-author (with Dr. Michael Coe) of *Reading the Maya Glyphs*, the finest introductory book on the subject.

This book by renowned anthropologist Harald Haarmann illuminates the acquisition of knowledge, and the meanings underlying forms of knowledge, in a broad temporal scope, ranging from the Neolithic through the modern era. Spiritual knowledge is at the heart of this work, which views myth and religion encoded in Neolithic female figurines and revived in the contemporary "primitive" artwork of artists such as Constantin Brancusi and Henry Moore. Within such a framework, this study employs the knowledge and insights of the relatively new, and very important, interdisciplinary field of archaeomythology, which ties together information from archaeology, DNA studies, mythology, anthropology, classical studies, other ancient language studies, and linguistics. This study does so with a wealth of information in these fields, offering meaningful resolutions to many questions regarding antiquity, and shedding light upon several previously misunderstood phenomena, from the true function of Stonehenge (that its purpose was not astronomical), to the fact that there could not have been a mass movement of agriculturalists from Anatolia to Europe (this is a currently hotly contested issue), to important Eurasian religious beliefs and mythological motifs (with an excellent discussion of shamanism), to systems of writing (with a wonderful discourse upon ancient writing systems), religious expression, and mythology of the exceptionally significant cultures of Old Europe (Neolithic southeastern Europe). The book further discourses upon the legacy of this culture in Minoan and then Greek culture, Old European (pre-Indo-European) lexical items (that is, substrate vocabulary) in Greek, and finally the preservation of Neolithic spirituality in Modern Art. With this interdisciplinary approach, the study demonstrates that all of the subjects of this manuscript are interconnected, in a powerful wholeness. Ancient knowledge, Ancient know-how, Ancient reasoning is an unprecedented study that will appeal across many disciplines, including archaeology, mythology, anthropology, classical studies, ancient language studies, and linguistics. The book also includes many images that will prove helpful to the reader.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Death and Burial uses archaeological and textual evidence to examine death and burial in Iron Age Israel and Aram. Despite dramatic differences in the religious systems of these peoples, this monograph demonstrates striking connections between their basic material and psychological frameworks for dealing with death.

The edition collects and presents all papyri and ostraca from the Ptolemaic period, connected to Jews and Judaism, published since 1957. It is a follow-up to the Corpus Papyrorum Judaicarum (= CPJ) of the 1950s and 60s, edited by Victor Tcherikover, which had consisted of three volumes - I devoted to the Ptolemaic period; II to the Early Roman period (until 117 CE); and III to the Late Roman and Byzantine periods. The present book, CPJ vol. IV, is the first in a new trilogy, and is devoted to the Ptolemaic period. The present and upcoming volumes supplement the original CPJ. They present over 300 papyri that have been published since 1957. They also include papyri in languages other than Greek (Hebrew, Aramaic, Demotic), and literary papyri which had not been included in the old CPJ. Aside from quite a number of papyri in these categories, the present volume (of over 100 documents) includes 21 papyri from Herakleopolis in Middle-Egypt that record the existence of a Jewish self-ruling body - the politeuma. These papyri put an end to a long-standing dispute over whether such a Jewish institution had ever existed in Egypt.

Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets.

The classic account of the Peloponnesian War by Thucydides, translated by Richard Crawley. Himself an Athenian general who served in the war, Thucydides relates the invasions, treacheries, plagues, amazing speeches, ambitions, virtues, and emotions of the storied conflict between Athens and Sparta in a work that has the feel of a tragic drama. Though in part an analysis of war policy, The History of the Peloponnesian War is also a dramatic account of the rise and fall of Athens by an Athenian man.

As well as producing one of the finest of all poetic traditions, ancient Greek culture produced a major tradition of poetic theory and criticism. Halliwell's volume offers a series of detailed and challenging interpretations of some of the defining authors and texts in the history of ancient Greek poetics: the Homeric epics, Aristophanes' Frogs, Plato's Republic, Aristotle's Poetics, Gorgias's Helen, Isocrates' treatises, Philodemus' On Poems, and Longinus' On the Sublime. The volume's fundamental concern is with how the Greeks conceptualized the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right (a kind of 'ecstasy') and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience - including the roles of emotion, ethics, imagination, and knowledge - in the life of their culture.

The World of the Aramaeans is a three-volume collection of definitive essays about the Aramaeans and the biblical world of which they were a part. Areas of interest include the language, epigraphy and history of the Aramaeans of Syria as well of their neighbours, the Israelites, Phoenicians, Ammonites, Moabites and Edomites. The third volume, on language and literature, includes essays by Michael Weigl, William Marrow, Grant Frame, James M. Lindenberger, Pierre Bordreuil, Amir Harrak, Theodore Lutz, Josef Tropper, Dennis Pardee and Clemens Leonhard.>

God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city. Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior in the great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.

This book is a critical study of the role played by architecture and texts in promoting political and religious ideologies in the ancient world. It explains a palace as an element in royal propaganda seeking to influence social concepts about kingship, and a text about a temple as influencing social concepts about the relationship between God and human beings. Applying the methods of analysis developed in built environment studies, the author interprets the palace and temple building programs of Sennacherib, King of Assyria, and Solomon, King of Israel. The physical evidence for the palace and the verbal evidence for the temple are explained as presenting communicative icons intended to influence contemporary political and religious concepts. The volume concludes with innovative interpretations of the contributions of architectural and verbal icons to religious and political reform.