Recent scholarship has recognized that Philip II and Alexander the Great adopted elements of their self-fashioning and court ceremonial from previous empires in the Ancient Near East, but it is generally assumed that the advent of the Macedonian court as a locus of politics and culture occurred only in the post-Alexander landscape of the Hellenistic Successors. This volume of ground-breaking essays by leading scholars on Ancient Macedonia goes beyond existing research questions to assess the profound impact of Philip and Alexander on court culture throughout the ages. The papers in this volume offer a thematic approach, focusing upon key institutional, cultural, social, ideological, and iconographical aspects of the reigns of Philip and Alexander. The authors treat the Macedonian court not only as a historical reality, but also as an object of fascination to contemporary Greeks that ultimately became a topos in later reflections on the lives and careers of Philip and Alexander. This collection of papers provides a paradigm-shifting recognition of the seminal roles of Philip and Alexander in the emergence of a new kind of Macedonian kingship and court culture that was spectacularly successful and transformative.

Ancient Greek culture is pervaded by a profound ambivalence regarding female beauty. It is an awe-inspiring, supremely desirable gift from the gods, essential to the perpetuation of a man's name through reproduction; yet it also grants women terrifying power over men, posing a threat inseparable from its allure. The myth of Helen is the central site in which the ancient Greeks expressed and reworked their culture's anxieties about erotic desire. Despite the passage of three millennia, contemporary culture remains almost obsessively preoccupied with all the power and danger of female beauty and sexuality that Helen still represents. Yet Helen, the embodiment of these concerns for our purported cultural ancestors, has been little studied from this perspective. Such issues are also central to contemporary feminist thought. Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own. Moving from Homer and Hesiod to Sappho, Aeschylus, and Euripides, Ruby Blondell offers a fresh examination of the paradoxes and ambiguities that Helen embodies. In addition to literary sources, Blondell considers the archaeological record, which contains evidence of Helen's role as a cult figure, worshipped by maidens and newlyweds. The result is a compelling new interpretation of this alluring figure.

A guided tour of The Palace of Knossos in Crete, this work leads to a detailed examination of artefacts and remains of the highly sophisticated Minoan civilization extant from 4000 to 1500 BC. It culminates in the history of an exquisite jewel from the Queen's Chamber - The Ring of Minos, lost for several thousand years and discovered in the 20th century.

"Armies of the Macedonian and Punic Wars" is an important member of the WRG Ltd "Armies and Enemies" series. First published in 1983, it has long been out-of-print and we are delighted to make it available once more. It includes details of Persian, Greek, Boiotian, Spartan, Athenian, Phokian, Aitolian, Achaian, Tarantine, Syracusan, Macedonian, Thessalian, Successor, Antigonid, Epeirot, Ptolemaic, Kyrenean, Seleucid, Pergamene, Bactrian and Indian Greek, Maccabean, Thracian, Bithynian, Illyrian, Scythian, Bosporan, Sarmatian, Saka, Parthian, Indian, Carthaginian, Numidian, Spanish, Celtic, Galatian, Roman, Latin, Samnite, Campanian, Lucanian, Bruttian, Apulian and Etruscan armies.

Exploring the significance of Rome from the late eighteenth century to 1945, scholars from several disciplines, including English literature and history of art as well as classics, discuss a wide range of images and texts, from statues of Napoleon to Freud's dream analysis. Rome's astonishing range of meanings has made it a fertile paradigm for making sense of--and also for problematizing--history, politics, identity, memory and desire.

A broad introduction to a major turning point in human development, this book guides the reader through the emergence of civilization in Mesopotamia, when city life began and writing was invented. Covering Mesopotamia from around 3000 BCE to the fall of Babylon in 539 BCE, Mesopotamia and the Rise of Civilization: History, Documents, and Key Questions combines narrative history material and reference entries that enable students to learn about the rise of civilization in Mesopotamia and its enormous influence on western civilization with primary source documents that promote critical thinking skills. The book provides essential background via a historical overview of early development of society in Mesopotamia. This introduction is followed by reference entries on key topics; 4,000-year-old primary sources that explore Mesopotamian civilization through voices of the time and bring to light the events of a schoolboy's day, the boasts of kings, and personal letters about family concerns, for example; and a section of argumentative essays that presents thought-provoking perspectives on key issues. While the intended readership is high school students, the book's authoritative coverage of intriguing subject matter will also appeal to the wider public, especially in these times of heightened focus on the Middle East. Includes reference entries that explore important aspects of Mesopotamian civilization, such as key historical developments, technological and intellectual innovations, and aspects of social, economic, political, and domestic life Enables readers to gain insight into the thinking and life experience of ancient Mesopotamians through primary sources Provokes discussion through the debate of three major questions about the rise of civilization Combines several different approaches to the subject to promote critical thinking skillls and support Common Core State Standards Supports NCHS World History standards for Era 2, Standards 1A and 1B, and Common Core critical thinking skills for English Language Arts/World History and Social Studies

This book tracks the development of social complexity in Ireland from the late prehistoric period on into the Middle Ages. Using a range of methods and techniques, particularly data from settlement patterns, Blair Gibson demonstrates how Ireland evolved from constellations of chiefdoms into a political entity bearing the characteristics of a rudimentary state. This book argues that early medieval Ireland's highly complex political systems should be viewed as amalgams of chiefdoms with democratic procedures for choosing leaders rather than kingdoms. Gibson explores how these chiefdom confederacies eventually transformed into recognizable states over a period of 1,400 years.

In The History of the Destruction of Troy, Dares the Phrygian boldly claimed to be an eyewitness to the Trojan War, while challenging the accounts of two of the ancient world's most canonical poets, Homer and Virgil. For over a millennium, Dares' work was circulated as the first pagan history. It promised facts and only facts about what really happened at Troy - precise casualty figures, no mention of mythical phenomena, and a claim that Troy fell when Aeneas and other Trojans betrayed their city and opened its gates to the Greeks. But for all its intrigue, the work was as fake as it was sensational. From the late antique encyclopedist Isidore of Seville to Thomas Jefferson, The First Pagan Historian offers the first comprehensive account of Dares' rise and fall as a reliable and canonical guide to the distant past. Along the way, it reconstructs the central role of forgery in longstanding debates over the nature of history, fiction, criticism, philology, and myth, from ancient Rome to the Enlightenment.

The mythological hero Orpheus occupied a central role in ancient Greek culture, but 'the son of Oeagrus' and 'Thracian musician' venerated by the Greeks has also become a prominent figure in a long tradition of classical reception of Greek myth. This book challenges our entrenched idea of Orpheus and demonstrates that in the Classical and Hellenistic periods depictions of his identity and image were not as unequivocal as we tend to believe today. Concentrating on Orpheus' ethnicity and geographical references in ancient sources, Tomasz Mojsik traces the development of, and changes in, the mythological image of the hero in Antiquity and sheds new light on contemporary constructions of cultural identity by locating the various versions of the mythical story within their socio-political contexts. Examination of the early literary sources prompts a reconsideration of the tradition which locates the tomb of the hero in Macedonian Pieria, and the volume argues for the emergence of this tradition as a reaction to the allegation of the barbarity and civilizational backwardness of the Macedonians throughout the wider Greek world. These assertions have important implications for Archelaus' Hellenizing policy and his commonly acknowledged sponsorship of the arts, which included his incorporating of the Muses into the cult of Zeus at the Olympia in Dium.

Jerome's Epitaph on Saint Paula (Epitaphium Sanctae Paulae) is one of the most famous writings by one of the most prolific authors in all of Latin antiquity. Composed in 404, it is an elaborate eulogy commemorating the life of Paula (347-404), a wealthy Christian widow from Rome who renounced her senatorial status and embraced a lifestyle of ascetic self-discipline and voluntary poverty. She used her vast inherited fortune to fund various charitable causes and to co-found with Jerome, in 386, a monastic complex in Bethlehem which was equipped with a hostelry for Christian pilgrims. The Epitaphium is one of the core primary texts on female spirituality (both real and idealized) in Late Antiquity, and it also is one of Jerome's crowning literary achievements, yet until now it has not received the depth of scholarly analysis that only a proper commentary can afford. This book presents the first full-scale commentary on this monumental work in any language. Cain accesses a very extensive array of ancient sources to fully contextualize the Epitaphium and he comprehensively addresses stylistic, literary, historical, topographical, theological, text-critical and other issues of interpretive interest, including relevant matters of Hebrew, Greek, and Latin philology. Considerable effort also is expended on extricating the elusive Paula of history from the sticky web of Jerome's idealized hagiographic construct of her. Accompanying the commentary is an introduction which situates the Epitaphium in the broader context of its author's life and work and exposes its various propagandistic dimensions. The critical Latin text and the facing-page translation will make the Epitaphium more accessible than ever before and will provide a reliable textual apparatus for future scholarship on this key Hieronymian writing.

So many myths and legends. So many senators and Caesars. So many documents, archaeological finds, movie-made misconceptions, and scholarly histories. With so much information available on the civilization of ancient Rome, and more discoveries happening all the time, where do you start? The Romans: New Perspectives is the ideal starting point for investigating this extraordinary civilization-its remarkable rise and decline, the scope of its power and wealth, the details of everyday life for its people, and its signature contributions to human culture (food, architecture, government, public works, art, and more). The Romans takes readers from the establishment of the monarchy (circa 753 BCE) through the rise of the republic (circa 509 BCE), the imperial period, and ultimately to the fall of the empire and the coronation of the barbarian king Odoacer. It is an engaging account of current thinking on Roman life and culture informed by a number of dramatic recent discoveries. The book provides a coherent introduction to the field, while pointing the way toward further reading on specific topics and personalities. An extensive bibliography of all major English-language resources (print, electronic, online) on Roman civilization, along with lists of references for further study concluding each chapter Dozens of photographs and drawings, plus detailed maps of Rome and its empire as they evolved over time

This book explores the fascinating world of sex and gender roles in the classical period. It provides readers with essays that represent a range of perspectives on women, gender and sexuality in the ancient world. They are accessible to general readers whilst also challenging them to confront problems of evidence and interpretation, new theories and methodologies, and contemporary assumptions about gender and sexuality.

The essays cover a broad spectrum of scholarly perspectives, and trace the debates and themes of the field from the late 1960s to the late 1990s. They also address a range of literary and non-literary genres, including some non-canonical sources such as medical writings and inscriptions, to elucidate ancient ideas about sexuality and the discourses that shaped these ideas. The book also provides translations of primary sources to enable readers to confront the evidence for themselves and assess the methodology used by historians. It includes Greek literature and society, Roman culture and the legacy of classical myth for modern feminist scholars. It includes and examines not only women in antiquity but also masculinity and sexuality to provide a comprehensive account of this fascinating topic.

In The Art and Rhetoric of the Homeric Catalogue, Benjamin Sammons takes a fresh look at a familiar element of the Homeric epics -- the poetic catalogue. This study uncovers the great variety of functions fulfilled by the catalogue as a manner of speech within very different contexts, ranging from celebrated examples such as the poet's famous "Catalogue of Ships," to others less commonly treated under this rubric, such as catalogues within the speech and rhetoric of Homer's characters. Sammons shows that catalogue poetry is no ossified or primitive relic of the old tradition, but a living subgenre of poetry that is used by Homer in a creative and original way. He finds that catalogues may be used by the poet or his characters to reflect -- or distort -- the themes of the poem at large, to impose an interpretation on events as they unfold, and possibly to allude to competing poetic traditions or even contemporaneous poems. Throughout, the study focuses on how Homer uses his catalogue to talk about the epic genre itself: to explore the boundaries of the heroic world, the limits of heroic glory, and the ideals and realities of his own traditional role as an epic bard. Building on a renewed interest in the "literary list" in other disciplines, Sammons shows that Homer is not only one of the earliest known practitioners of the poetic catalogue, but one of the subtlest and most skillful.

While we know a great deal about naval strategies in the classical Greek and later Roman periods, our understanding of the period in between--the Hellenistic Age--has never been as complete. However, thanks to new physical evidence discovered in the past half-century and the construction of Olympias, a full-scale working model of an Athenian trieres (trireme) by the Hellenic Navy during the 1980s, we now have new insights into the evolution of naval warfare following the death of Alexander the Great. In what has been described as an ancient naval arms race, the successors of Alexander produced the largest warships of antiquity, some as long as 400 feet carrying as many as 4000 rowers and 3000 marines. Vast, impressive, and elaborate, these warships "of larger form"--as described by Livy--were built not just to simply convey power but to secure specific strategic objectives. When these particular factors disappeared, this "Macedonian" model of naval power also faded away--that is, until Cleopatra and Mark Antony made one brief, extravagant attempt to reestablish it, an endeavor Octavian put an end to once and for all at the battle of Actium. Representing the fruits of more than thirty years of research, The Age of Titans provides the most vibrant account to date of Hellenistic naval warfare.

In their practice of aemulatio, the mimicry of older models of writing, the Augustan poets often looked to the Greeks: Horace drew inspiration from the lyric poets, Virgil from Homer, and Ovid from Hesiod, Callimachus, and others. But by the time of the great Roman tragedian Seneca, the Augustan poets had supplanted the Greeks as the "classics" to which Seneca and his contemporaries referred. Indeed, Augustan poetry is a reservoir of language, motif, and thought for Seneca's writing. Strangely, however, there has not yet been a comprehensive study revealing the relationship between Seneca and his Augustan predecessors. Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry is the long-awaited answer to the call for such a study. Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Trinacty reveals Seneca's awareness of his historical moment, in which the Augustan period was eroding steadily around him. Seneca, looking back to the poetry of Horace, Virgil, and Ovid, acts as a critical interpreter of both their work and their era. He deconstructs the language of the Augustan poets, refiguring it through the perspective of his tragic protagonists. In doing so, he positions himself as a critic of the Augustan tradition and reveals a poetic voice that often subverts the classical ethos of that tradition. Through this process of reappropriation Seneca reveals much about himself as a playwright and as a man: In the inventive manner in which he re-employs the Augustan poets' language, thought, and poetics within the tragic framework, Seneca gives his model works new-and uniquely Senecan-life. Trinacty's analysis sheds new light both on Seneca and on his Augustan predecessors. As such, Senecan Tragedy and the Reception of Augustan Poetry promises to be a groundbreaking contribution to the study of both Senecan tragedy and Augustan poetry.