Despite siginificant advances in annual chronology, the Old Assyrian trade fundamentally lacked a regime of time at the level of the merchant's commercial and personal activities. In this book, Stratford sets out to recapture time through narrative, drawing on the relationship between the two described by the philosopher Paul Ricouer. Investigating a possible case of revenge leads to weaving together more than a hundred mostly undated documents to form a narrative within the course of a single year of vengeance, including trade disruptions, illnesses, and commerce. This process demonstrates relationships between document and material context, and time and narrative. Along the way, Old Assyrian commercial time and its tempos become more clear, leading to descriptions of the scale of the trade and the nature of Old Assyrian archives as they have survived. Ultimately, the Assyrians involved appear as the earliest historical individuals in world history. The treatment of Salim-ahum's apparent revenge comprises a practicuum in historical interpretation in the ancient world of interest to practitioners and theoreticians of both the ancient world and world history.

This is a thorough academic tutorial of the Syriac language beginning with its history and ending with the learning of the language itself.

Wonder Woman, Amazon Princess; Asterix, indefatigable Gaul; Ozymandias, like Alexander looking for new worlds to conquer. Comics use classical sources, narrative patterns, and references to enrich their imaginative worlds and deepen the stories they present. Son of Classics and Comics explores that rich interaction. This volume presents thirteen original studies of representations of the ancient world in the medium of comics. Building on the foundation established by their groundbreaking Classics and Comics (OUP, 2011), Kovacs and Marshall have gathered a wide range of studies with a new, global perspective. Chapters are helpfully grouped to facilitate classroom use, with sections on receptions of Homer, on manga, on Asterix, and on the sense of a 'classic' in the modern world. All Greek and Latin are translated. Lavishly illustrated, the volume widens the range of available studies on the reception of the Greek and Roman worlds in comics significantly, and deepens our understanding of comics as a literary medium. Son of Classics and Comics will appeal to students and scholars of classical reception as well as comics fans.

In Western Ways, for the first time, the "foreign schools" in Rome and Athens, institutions dealing primarily with classical archaeology and art history, are discussed in historical terms as vehicles and figureheads of national scholarship. By emphasising the agency and role of individuals in relation to structures and tradition, the book shows how much may be gained by examining science and politics as two sides of the same coin. It sheds light on the scholarly organisation of foreign schools, and through them, on the organisation of classical archaeology and classical studies around the Mediterranean. With its breadth and depth of archival resources, Western Ways offers new perspectives on funding, national prestige and international collaboration in the world of scholarship, and places the foreign schools in a framework of nineteenth and twentieth century Italian and Greek history.

Here is a blueprint for a new interdisciplinary approach that decompartmentalizes disciplines for the study of this district of the Achaemenid Empire including Syria, Phoenicia, Palestine and Cyprus. Remarkable cultural evolutions and changes in this area need closer study: the introduction of coinage and the coin economy, the sources of tension over problems of power and identity, the emergence of city-states similar to the Greek city type, the development of mercenary armies, the opening up of the Western fringe of the Persian Empire to the Greek world. Completely new research initiatives can extensively modify the vision that classical and oriental specialists have traditionally formed of the history of the Persian Empire.>

In a new interpretation of Parmenides philosophical poem On Nature, Vishwa Adluri considers Parmenides as a thinker of mortal singularity, a thinker who is concerned with the fate of irreducibly unique individuals. Adluri argues that the tripartite division of Parmenides poem allows the thinker to brilliantly hold together the paradox of speaking about being in time and articulates a tragic knowing: mortals may aspire to the transcendence of metaphysics, but are inescapably returned to their mortal condition.Parmenides.

An energetic new translation of an ancient Roman masterpiece about a failed coup led by a corrupt and charismatic politician In 63 BC, frustrated by his failure to be elected leader of the Roman Republic, the aristocrat Catiline tried to topple its elected government. Backed by corrupt elites and poor, alienated Romans, he fled Rome while his associates plotted to burn the city and murder its leading politicians. The attempted coup culminated with the unmasking of the conspirators in the Senate, a stormy debate that led to their execution, and the defeat of Catiline and his legions in battle. In How to Stop a Conspiracy, Josiah Osgood presents a brisk, modern new translation of the definitive account of these events, Sallust's The War with Catiline-a brief, powerful book that has influenced how generations of readers, including America's founders, have thought about coups and political conspiracies. In a taut, jaw-dropping narrative, Sallust pleasurably combines juicy details about Catiline and his louche associates with highly quotable moral judgments and a wrenching description of the widespread social misery they exploited. Along the way, we get unforgettable portraits of the bitter and haunted Catiline, who was sympathetic to the plight of Romans yet willing to destroy Rome; his archenemy Cicero, who thwarts the conspiracy; and Julius Caesar, who defends the conspirators and is accused of being one of them. Complete with an introduction that discusses how The War with Catiline has shaped and continues to shape our understanding of how republics live and die, and featuring the original Latin on facing pages, this volume makes Sallust's gripping history more accessible than ever before.

In a unique way this study probes the linguistic, sociological, religious and theological issues associated with being physically disabled in the ancient Near East. By examining the law collections, societal conventions and religious obligations towards individuals who were physically disabled Fiorello gives us an understanding of the world a disabled person would enter. He explores the connection between the literal use of disability language and the metaphorical use of this language made in biblical prophetic literature as a prophetic critique of Israel's dysfunctional relationship with God. COMMENDATIONS "In this well-researched volume Michael Fiorello has made a significant contribution to the study of disability in the Bible in the context of its ancient Near Eastern world. Fiorello's work needs to be taken seriously in the church, the academy, and the world." - Richard E. Averbeck, Trinity Evangelical Divinity School, USA

For over a century, scholars have recognized an "orientalizing period" in the history of early Greek art, in which Greek artisans fashioned works of art under the stimulus of Near Eastern imports or resident foreign artisans. Previous studies have emphasized the role of Greek and Phoenician traders in bringing about these contacts with the civilizations of the ancient Near East and Egypt, debating their duration or intensity in the Greek world. In this study, Ann Gunter interrogates the categories of "Greek" and "Oriental" as problematic and shifts emphasis to modes of contact and cultural transfers within a broader regional setting. Her provocative study places Greek encounters with the Near East and Egypt in the context of the Neo-Assyrian Empire, which by the 8th and 7th centuries BCE extended from southern Turkey to western Iran. Using an expanded array of archaeological and textual sources, she argues that crucial aspects of the identity and meaning of foreign works of art were constructed through circumstances of transfer, ownership, and display.

It has often been argued that Zerubbabel, the Jewish governor of Yehud at the time of the rebuilding of the temple (late 6th century BCE), was viewed by the prophets Haggai and Zechariah as the new king in the line of David. In this new study, Rose offers a contrary proposal for the interpretation of the oracles in Haggai 2 and Zechariah 3 and 6. He traces their background in the pre-exilic prophets, pays special attention to often neglected details of semantics and metaphor, and concludes that neither Haggai nor Zechariah designated Zerubbabel as the new king in Jerusalem. Instead, the oracles in Zechariah 3 and 6 should be seen as fully messianic.>

This book, consisting of 12 contributions, amalgamates the most recent results from archaeological research in the Upper Mesopotamian piedmont. Under the growing influence of expanding territorial states which had become established during the 2nd millennium BC, this region experienced a substantial change in social and political life during that time. The discussion is centered around settlement shapes, developments in the material culture, as well as written documents that attest to this change. In summary, this book emphasizes the significant roll of archaeological research in the reconstruction of models concerning the formation and transformation of political space in the ancient world.

Since its publication in 2000, The Early Christian World has come to be regarded by scholars, students and the general reader as one of the most informative and accessible works in English on the origins, development, character and major figures of early Christianity. In this new edition, the strengths of the first edition are retained. These include the book's attractive architecture that initially takes a reader through the context and historical development of early Christianity; the essays in critical areas such as community formation, everyday experience, the intellectual and artistic heritage, and external and internal challenges; and the profiles on the most influential early Christian figures. The book also preserves its strong stress on the social reality of early Christianity and continues its distinctive use of hundreds of illustrations and maps to bring that world to life. Yet the years that have passed since the first edition was published have seen great advances made in our understanding of early Christianity in its world. This new edition fully reflects these developments and provides the reader with authoritative, lively and up-to-date access to the early Christian world. A quarter of the text is entirely new and the remaining essays have all been carefully revised and updated by their authors. Some of the new material relates to Christian culture (including book culture, canonical and non-canonical scriptures, saints and hagiography, and translation across cultures). But there are also new essays on: Jewish and Christian interaction in the early centuries; ritual; the New Testament in Roman Britain; Manichaeism; Pachomius the Great and Gregory of Nyssa. This new edition will serve its readers for many years to come.

The distinguished Russian archeologist Aleksei P. Okladnikov's study reveals how a field archeologist goes about determining and writing prehistory. Over the course of his career, Okladnikov and his wife Vera Zaporozhskaya travelled across Siberia from the Lena River in the north to the Amur River in the south excavating archaeological sites. During that time Aleksei and Vera found and interpreted the rock art of the vast region from the Paleolithic Era to the present day. Relying on petroglyphs and pictographs left on cliffs and boulders, Okladnikov lays out in detail and straightforward language the prehistory of Siberia by "reading" these artifacts. This book permits the past to be told in its own words: the art portrayed on the cliffs of Siberia.

Anders Cullhed's study The Shadow of Creusa explores the early Christian confrontation with pagan culture as a remote anticipation of many later clashes between religious orthodoxy and literary fictionality. After a careful survey of Saint Augustine's critical attitudes to ancient myth and poetry, summarized as a long drawn-out farewell, Cullhed examines other Late Antique dismissals as well as appropriations of the classical heritage. Macrobius, Martianus Capella and Boethius figure among the Late Antique intellectuals who attempted to save or even restore the old mythology by means of allegorical representation. On the other hand, pious poets such as Paulinus of Nola and Bible epic writers such as Iuvencus or Avitus of Vienne turned against pagan lies, and the mighty arch-bishop of Milan, Saint Ambrose, played off unconditional Christian truth against the last Roman strongholds of cultural pluralism. Thus, The Shadow of Creusa elucidates a cultural conflict which was to leave traces all through the Middle Ages and reach down to our present day.

This volume explores film and television sources in problematic conversation with classical antiquity, to better understand the nature of artistic reception and classical reception in particular. Drawing inspiration from well-theorized fields like adaptation studies, comparative literature, and film, the essays in this collection raise questions fundamental to the future of reception studies. The first section, 'Beyond Fidelity', deals with idiosyncratic adaptations of ancient sources; the second section, 'Beyond Influence', discusses modern works purporting to adapt ancient figures or themes that are less straightforwardly ancient than they may at first appear; while the last section, 'Beyond Original', uses films that lack even these murky connections to antiquity to challenge the notion that studying reception requires establishing historical connections between works. As questions of audience, interpretation, and subjectivity are central to most contemporary fields of study, this is a collection that is of interest to a wide variety of readers in the humanities.

Addressing the relationship between religion and ideology, and drawing on a range of literary, ritual, and visual sources, this book reconstructs the cultural discourse of Assyria from the third through the first millennium BCE. Ideology is delineated here as a subdiscourse of religion rather than as an independent category, anchoring it firmly within the religious world view. Tracing Assur's cultural interaction with the south on the one hand, and with the Syro-Anatolian horizon on the other, this volume articulates a "northern" cultural discourse that, even while interacting with southern Mesopotamian tradition, managed to maintain its own identity. It also follows the development of tropes and iconic images from the first city state of Uruk and their mouvance between myth, image, and royal inscription, historiography and myth, and myth and ritual, suggesting that, with the help of scholars, key royal figures were responsible for introducing new directions for the ideological discourse and for promoting new forms of historiography.