Otto Hoefler (1901-1987) was an Austrian Germanist and Scandinavist. His research on >Germanic culture<, in particular on Germanic Mannerbunde (men's bands), was controversial and remains a topic of academic debate. In modern discourse, Hoefler's theories are often fundamentally rejected on account of his involvement in the National Socialist movement and his contribution to the research initiatives of the SS Ahnenerbe, or they are adopted by scholars who ignore his problematic methodologies and the ideological and political elements of his work. The present study takes a comprehensive approach to Hoefler's research on >Germanic culture< and analyses his characterisation of the >Germanic peoples<, contextualising his research in the backdrop of German philological studies of the early twentieth century and highlighting elements of his theories that are still the topic of modern academic discourse. A thorough analysis of his main research theses, focusing on his Mannerbund-research, reveals that his concept of >Germanic culture< is underscored by a belief in the deep-seated religiosity of the >Germanic peoples< formed through sacred-daemonic forces.

The art of ancient Egypt that has been handed down to us bears no names of its creators, and yet we value the creations of these unknown masters no less than the works of later centuries, such as statues by Michelangelo or the paintings by Leonardo da Vinci. This book introduces some of the most important masterpieces, ranging from the Old Kingdom during the Third millennium BC to the Roman Period. The works encompass sculptures, reliefs, sarcophagi, murals, masks, and decorative items, most of them now in the Egyptian Museum in Cairo, but some occupying places of honor as part of the World Cultural Heritage in museums such as the Louvre in Paris, the British Museum in London, the Egyptian Museum in Berlin, and the Metropolitan Museum in New York. Featured works include: Seated statue of King Djoser Wood relief of Hesire on a dining table Statue of a scribe made of various materials Funerary relief of Aschait Sphinx of Sesostris III Robed statue of Cherihotep Reliefs from the Temple at Carnac Sarcophagus of Queen Hatshepsut Murals from Thebes Seated figure of the goddess Sachmet Statue of Queen Teje Head of Akhenaten (Amenophis IV) Queen Nefertiti Golden mask of Tutankhamun Ramses II from Abu Simbel Horus falcon made of granite Stone relief from the temple ambulatory at Edfu About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art History series features: approximately 100 color illustrations with explanatory captions a detailed, illustrated introduction a selection of the most important works of the epoch, each presented on a two-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

Historians have long lamented the lack of contemporary documentary sources for the Islamic middle ages and the inhibiting effect this has had on our understanding of this critically important period. Although the field is richly served by surviving evidence, much of it is hard to locate, difficult to access, and philologically intractable. Presenting a mixture of historical studies and new editions of Greek, Arabic and Coptic material from the seventh to the fifteenth century C.E. from Egypt and Palestine, Documents and the History of the Early Islamic World explores the untapped wealth of documentary sources available in collections around the world and shows how this exciting material can be used for historical analysis. Contributors include: Hugh Kennedy, Anne Regourd, Jairus Banaji, Alain Delattre, Shaun O'Sullivan, Anna Selander, Frederic Bauden, Mostafa El-Abbadi, Rachel Stroumsa, Sebastian Richter, Tascha Vorderstrasse, Matt Malczycki, R.G. Khoury, Nicole Hansen, and Alia Hanafi. For more titles about Papyrology, please click here.

Herodotus' Histories can be read in many ways. Their literary qualities, never in dispute, can be more fully appreciated in the light of recent developments in the study of pragmatics, narratology, and orality. Their intellectual status has been radically reassessed: no longer regarded as naive and 'archaic', the Histories are now seen as very much a product of the intellectual climate of their own day - not only subject to contemporary literary, religious, moral and social influences, but actively contributing to the great debates of their time. Their reliability as historical and ethnographic accounts, a matter of controversy even in antiquity, is being debated with renewed vigour and increasing sophistication. This Companion offers an up-to-date and in-depth overview of all these current approaches to Herodotus' remarkable work.

This book investigates the changes that affected vowel length during the development of Latin into the Romance languages and dialects. In Latin, vowel length was contrastive (e.g. pila 'ball' vs. pila 'pile', like English bit vs. beat), but no modern Romance language has retained that same contrast. However, many non-standard Romance dialects (as well as French, up to the early 20th century) have developed novel vowel length contrasts, which are investigated in detail here. Unlike previous studies of this phenomenon, this book combines detailed historical evidence spanning three millennia (as attested by extant texts) with extensive data from present-day Romance varieties collected from first-hand fieldwork, which are subjected to both phonological and experimental phonetic analysis. Professor Loporcaro puts forward a detailed account of the loss of contrastive vowel length in late Latin, showing that this happened through the establishment of a process which lengthened all stressed vowels in open syllables, as in modern Italian casa ['ka:sa]. His analysis has implications for many of the most widely-debated issues relating to the origin of novel vowel length contrasts in Romance, which are also shown to have been preserved to different degrees in different areas. The detailed investigation of the rise and fall of vowel length in dozens of lesser-known (non-standard) varieties is crucial in understanding the development of this aspect of Romance historical phonology, and will be of interest not only to researchers and students in comparative Romance linguistics, but also, more generally, to phonologists and those interested in historical linguistics beyond the Latin-Romance language family.

This volume brings together a number of leading scholars working in the field of ancient Greek mathematics to present their latest research. In their respective area of specialization, all contributors offer stimulating approaches to questions of historical and historiographical 'revolutions' and 'continuity'. Taken together, they provide a powerful lens for evaluating the applicability of Thomas Kuhn's ideas on 'scientific revolutions' to the discipline of ancient Greek mathematics. Besides the latest historiographical studies on 'geometrical algebra' and 'premodern algebra', the reader will find here some papers which offer new insights into the controversial relationship between Greek and pre-Hellenic mathematical practices. Some other contributions place emphasis on the other edge of the historical spectrum, by exploring historical lines of 'continuity' between ancient Greek, Byzantine and post-Hellenic mathematics. The terminology employed by Greek mathematicians, along with various non-textual and material elements, is another topic which some of the essays in the volume explore. Finally, the last three articles focus on a traditionally rich source on ancient Greek mathematics; namely the works of Plato and Aristotle.

"Rome, Season One: History Makes Television" examines the first season of the HBO-BBC collaboration, Rome, in a collection of thought-provoking essays by some of the world's most influential scholars in the fields of classical antiquity and popular culture.
Examines the first season of the HBO-BBC collaboration, Rome, in a collection of 17 thought-provoking essays by some of the world's most influential scholars in the fields of classical antiquity and popular culture
Focuses on the award-winning first season's historical framework, visual and narrative style, contemporary thematic overtones, and influence on popular culture
Addresses the artistic values, and roles of the script, sets, and actors
Reveals how the series Rome 'makes history' in terms of representing the past on screen and producing innovative and influential television.

Ancient Greek culture is pervaded by a profound ambivalence regarding female beauty. It is an awe-inspiring, supremely desirable gift from the gods, essential to the perpetuation of a man's name through reproduction; yet it also grants women terrifying power over men, posing a threat inseparable from its allure. The myth of Helen is the central site in which the ancient Greeks expressed and reworked their culture's anxieties about erotic desire. Despite the passage of three millennia, contemporary culture remains almost obsessively preoccupied with all the power and danger of female beauty and sexuality that Helen still represents. Yet Helen, the embodiment of these concerns for our purported cultural ancestors, has been little studied from this perspective. Such issues are also central to contemporary feminist thought. Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own. Moving from Homer and Hesiod to Sappho, Aeschylus, and Euripides, Ruby Blondell offers a fresh examination of the paradoxes and ambiguities that Helen embodies. In addition to literary sources, Blondell considers the archaeological record, which contains evidence of Helen's role as a cult figure, worshipped by maidens and newlyweds. The result is a compelling new interpretation of this alluring figure.

A three title volume on warfare in the ancient world
No student of warfare in the ancient world should be without Eugene S. McCartney's brilliant work on the subject. This book appears in its entirety as the first piece in this special Leonaur edition which also includes campaign and battlefield maps absent from other editions. McCartney's research is exemplary; he not only gives examples of every aspect of Roman and Greek military tactics, formation, organisation, logistics, engineering and weapons but also provides numerous examples of how and when they were employed-successfully or otherwise-by describing relevant campaigns and engagements. What makes this Leonaur volume particularly important for military historians is that reference is frequently made to Creasy's classic work on the fifteen most decisive battles in history. Five of these conflicts took place in the ancient period and Creasy's learned essays on these battles have been included here for easy reference when reading the principal text. Also cited in the principal text is Ralph Payne-Gallwey's work on ancient artillery, such as the balista and catapult; that, complete with its excellent and detailed line drawings, concludes an essential volume that will enhance any library on warfare in the ancient world. Recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

From the days of the emperor Augustus (27 B.C.-A.D. 14) the emperor and his court had a quintessential position within the Roman Empire. It is therefore clear that when the Impact of the Roman Empire is analysed, the impact of the emperor and those surrounding him is a central issue. The study of the representation and perception of Roman imperial power is a multifaceted area of research, which greatly helps our understanding of Roman society. In its successive parts this volume focuses on 1. The representation and perception of Roman imperial power through particular media: literary texts, inscriptions, coins, monuments, ornaments, and insignia, but also nicknames and death-bed scenes. 2. The representation and perception of Roman imperial power in the city of Rome and the various provinces. 3. The representation of power by individual emperors.

This history of Spain in the period between the end of Roman rule and the time of the Arab conquest challenges many traditional assumptions about the history of this period.
Presents original theories about how the Visigothic kingdom was governed, about law in the kingdom, about the Arab conquest, and about the rise of Spain as an intellectual force.
Takes account of new documentary evidence, the latest archaeological findings, and the controversies that these have generated.
Combines chronological and thematic approaches to the period.
A historiographical introduction looks at the current state of research on the history and archaeology of the Visigothic kingdom.

There exists an extraordinary Proto-Indo-European archive of tablets at Gonnersdorf on the Rhine. This is one of the most extensive ever recovered, with a library of more than 1,000 chronicles on bone, stone, and ivory. "Ice Age Language: Translations, Grammar, and Vocabulary" presents these inscriptions as language that can be, and herein is, translated.

With concern to Greek literature and particularly to 5th c. BCE tragic production, papyri provide us usually with not only the most ancient attestation but also the most reliable one. Much more so when the papyri are the only or the main witnesses of the tragic plays. The misfortune is that the papyri transmit texts incomplete, fragmentary, and almost always anonymous. It is the scholar's task to read, supplement, interpret and identify the particular texts. In this book, five Greek plays that survived fragmentarily in papyri are published, four by Aeschylus and one by Sophocles. Three of them are satyr plays: Aeschylus' Theoroi, Hypsipyle, and Prometheus Pyrkaeus; Sophocles' Inachos belongs to the genre we use to call 'prosatyric'; Aeschylus' Laios is a typical tragedy. The author's scope was, after each text's identification was secured as regards the poet and the play's title, to proceed to textual and interpretative observations that contributed to reconstructing in whole or in part the storyline of the relevant plays. These observations often led to unexpected conclusions and an overthrow of established opinions. Thus, the book will appeal to classical scholars, especially those interested in theatrical studies.

This is a complete biography of Alexander the Great for people of all ages, complete with illustrations and maps. It gives a very good overview whilst remaining easy to read and assuming no prior knowledge. The maps give a very helpful guide to the progress that Alexander made through his conquests. An excellent introduction and overview for anyone interested in the life of this great conqueror.

The politics, literature and culture of ancient Rome during the Flavian principate (69-96 ce) have recently been the subject of intense investigation. In this volume of new, specially commissioned studies, twenty-five scholars from five countries have combined to produce a critical survey of the period, which underscores and re-evaluates its foundational importance. Most of the authors are established international figures, but a feature of the volume is the presence of young, emerging scholars at the cutting edge of the discipline. The studies attend to a diversity of topics, including: the new political settlement, the role of the army, change and continuity in Rome's social structures, cultural festivals, architecture, sculpture, religion, coinage, imperial discourse, epistemology and political control, rhetoric, philosophy, Greek intellectual life, drama, poetry, patronage, Flavian historians, amphitheatrical Rome. All Greek and Latin text is translated.