This textbook is endorsed by OCR and supports the specification for A-Level Classical Civilisation (first teaching September 2017). It covers Components 31 and 34 from the 'Beliefs and Ideas' Component Group: Greek Religion by Athina Mitropoulos and Julietta Steinhauer Democracy and the Athenians by Tim Morrison and James Renshaw Why was worshipping the gods so important to ancient Greek life? To what extent did Greeks question religious belief? How and why did the Athenians invent democracy? How does Athenian democracy compare with democracy today? Drawing on modern scholarship and using a wide variety of illustrations, this book guides A-Level students to a greater understanding of these issues. It explores the fundamental features of Greek religion, as well as its major centres such as Delphi and Olympia. It then moves on to analyse the development and workings of Athenian democracy, as well as reflecting on ancient critiques of it, both celebratory and critical. The ideal preparation for the final examinations, all content is presented by experts and experienced teachers in a clear and accessible narrative. Ancient literary and visual sources are described and analysed, with supporting images. Helpful student features include study questions, quotations from contemporary scholars, further reading, and boxes focusing in on key people, events and terms. Practice questions and exam guidance prepare students for assessment. A Companion Website is available at www.bloomsbury.com/class-civ-as-a-level.

Athanasius of Alexandria (c.295-373) is one of the greatest and most controversial figures of early Christian history. His life spanned the period of fundamental change for the Roman Empire and the Christian Church that followed the conversion of Constantine the Great, the first Christian Roman emperor. A bishop and theologian, an ascetic and a pastoral father, Athanasius played a central role in shaping Christianity in these crucial formative years. As bishop of Alexandria (328-73) he fought to unite the divided Egyptian Church and inspired admiration and opposition alike from fellow bishops and the emperor Constantine and his successors. Athanasius attended the first ecumenical Council of Nicaea summoned by Constantine in 325 and as a theologian would be remembered as the defender of the original Nicene Creed against the 'Arian' heresy. He was also a champion of the ascetic movement that transformed Christianity, a patron of monks and virgins and the author of numerous ascetic works including the famous Life of Antony. All these elements played their part in Athanasius' vocation as a pastoral father, responsible for the physical and spiritual wellbeing of his congregations. This book offers the first study in English to draw together these diverse yet inseparable roles that defined Athanasius' life and the influence that he exerted on subsequent Christian tradition. The presentation is accessible to both specialists and non-specialists and is illuminated throughout by extensive quotation from Athanasius' many writings, for it is through his own words that we may best approach this remarkable man.

The Rhetorical Arts in Late Antique and Early Medieval Ireland represents the first study of the art of rhetoric in medieval Ireland, a culture often neglected by medieval rhetorical studies. In a series of three case studies, Brian James Stone traces the textual transmission of rhetorical theories and practices from the late Roman period to those early Irish monastic communities who would not only preserve and pass on the light of learning, but adapt an ancient tradition to their own cultural needs, contributing to the history of rhetoric in important ways. The manuscript tradition of early Ireland, which gave us the largest body of vernacular literature in the medieval period and is already appreciated for its literary contributions, is also a site of rhetorical innovation and creative practice.

Drawing on the latest archaeology, epigraphy and historical interpretation, this major volume presents a survey of ancient Macedon, important parts of which are published by their excavators for the first time, including the palace of King Philip II. Archaeologists and historians of the ancient Greek worlds will welcome this milestone in the study of this rapidly changing filed, packed with new information, interpretations and essential bibliography.

Dynamic Reading examines the reception history of Epicurean philosophy through a series of eleven case studies, which range chronologically from the latter days of the Roman Republic to late twentieth-century France and America. Rather than attempting to separate an original Epicureanism from its later readings and misreadings, this collection studies the philosophy together with its subsequent reception, focusing in particular on the ways in which it has provided terms and conceptual tools for defining how we read and respond to texts, artwork, and the world more generally. Whether it helps us to characterize the "swerviness" of literary influence, the transformative effects of philosophy, or the "events" that shape history, Epicureanism has been a dynamic force in the intellectual history of the West. These essays seek to capture some of that dynamism.

The study of Regal and Republican Rome presents a difficult and yet exciting challenge. The extant evidence, which for the most part is literary, is late, sparse, and difficult, and the value of it has long been a subject of intense and sometimes heated scholarly discussion. This volume provides students with an introduction to a range of important problems in the study of ancient Rome during the Regal and Republican periods in one accessible collection, bringing together a diverse range of influential papers. Of particular importance is the question of the value of the historiographical evidence (i.e. what the Romans themselves wrote about their past). By juxtaposing different and sometimes incompatible reactions to the evidence, the collection aims to challenge its readers and invite them to join the debate, and to assess the ancient evidence and modern interpretations of it for themselves.

Ancient Magic and the Supernatural in the Modern Visual and Performing Arts examines the impact of ancient religious, mythological and magical models on modern mentalities and ideologies as expressed in the visual and performing arts.To what extent did mythological figures such as Circe and Medea influence the representation of the powerful "oriental" enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films? The heroes, gods and demons of the ancient world always played a prominent role in the post-classical imagination.Similarly, the great adventures and the love affairs between gods and mortals have always influenced the reception of Classical culture and still features prominently in modern constructions of antiquity. Examples such the use of magic in Medea's myth as a symbol of cultural and political strangeness, the transformation of Circe in a femme fatale, the reshaping of the oriental cults of the Roman Empire as a menace to new-born Christianity and the revival and adaptation of ancient myths and religion in the arts provide an important backdrop for the exploration of contemporary fears, hopes and ideals across centuries. The volume further aims to deconstruct certain scholarly traditions by proposing original interdisciplinary approaches and collaborations and to show to what extent the visual and performing arts of different periods interlink and shape cultural and social identities.This book offers an original approach to different media - from comics to film, from painting to opera - by authors from different fields and countries. The volume provides the reader with a clear insight into mechanisms of re-elaboration and reception which can be steadily seen at work in artistic and commercial productions. It also supplies new approaches to the most debated questions of the relationship between magic, religion and superstition in the ancient and in the modern worlds. It shows and discusses the shifting and biased interpretations of these concepts in modern visual culture.

In Byblos in the Late Bronze Age, Marwan Kilani reconstructs the "biography" of the city of Byblos during the Late Bronze Age. Commonly described simply as a centre for the trade of wood, the city appears here as a dynamic actor involved in multiple aspects of the regional geopolitical reality. By combining the information provided by written sources and by a fresh reanalysis of the archaeological evidence, the author explores the development of the city during the Late Bronze Age, showing how the evolution of a wide range of geopolitical, economic and ideological factors resulted in periods of prosperity and decline. The Studies in the Archaeology and History of the Levant series publishes volumes from the Harvard Museum of the Ancient Near East. Other series offered by Brill that publish volumes from the Museum include Harvard Semitic Studies and Harvard Semitic Monographs, https://hmane.harvard.edu/publications.

This volume aims to provide an interdisciplinary examination of various facets of being alone in Greco-Roman antiquity. Its focus is on solitude, social isolation and misanthropy, and the differing perceptions and experiences of and varying meanings and connotations attributed to them in the ancient world. Individual chapters examine a range of ancient contexts in which problems of solitude, loneliness, isolation and seclusion arose and were discussed, and in doing so shed light on some of humankind's fundamental needs, fears and values.

Pantomime was arguably the most popular dramatic genre during the Roman Empire, but has been relatively neglected by literary critics. Seneca's Tragedies and the Aesthetics of Pantomime adds to our understanding of Seneca's tragic art by demonstrating that elements which have long puzzled scholars can be attributed to the influence of pantomime. The work argues that certain formal features which depart from the conventions of fifth-century Attic drama can be explained by the influence of, and interaction with, this more popular genre. The work includes a detailed and systematic analysis of the specific pantomime-inspired features of Seneca's tragedies: the loose dramatic structure, the presence of "running commentaries" (minute descriptions of characters undergoing emotional strains or performing specific actions), of monologues of self-analysis, and of narrative set-pieces. Relevant to the culture of Roman imperial culture more generally, Seneca's Tragedies and the Aesthetics of Pantomime includes an outline of the general features of pantomime as a genre. The work shows that the influence of sub-literary-genres such as pantomime and mime, the sister art of pantomime, can be traced in several Roman writers whose literary production was antecedent or contemporary with Seneca's. Furthermore, the work sheds light on the interaction between sub-literary genres of a performative nature such as mime and pantomime and more literary ones, an aspect of Latin culture which previous scholarship has tended to overlook. Seneca's Tragedies and the Aesthetics of Pantomime provides an original contribution to the understanding of the impact of pantomime on Roman literary culture and of controversial and little-understood features of Senecan tragedies.

In February, 2007, a conference entitled "Reconsidering the Concept of 'Revolutionary Monotheism'" was convened on the campus of Princeton University. The meeting was unique in that it brought together scholars who were engaged in various disciplines of research, and though all were involved in the geographical area of the ancient Near East, everyone brought a different expertise to the question of how to approach the concept of the divine. What followed, in the course of two days, was an intense debate regarding the issue stated in the title of the conference; the dialogue was productive, and the papers-which were reworked in the wake of the conference and in accord with the interaction among the participants-are useful perspectives on the vexing topic of monotheism and the divine. The papers in the this volume are presented by John Baines (gods in New Kingdom/Third Intermediate period Egypt), Gonzalo Rubio (Mesopotamian pantheon), Francesca Rochberg (polytheistic cosmogony in Mesopotamia), Beate Pongratz-Leisten (astralization of gods in Mesopotamia), Peter Machinist (dying gods and cosmic restructuring), Mark S. Smith (cross-cultural recognition of divinity in Israel), Konrad Schmid (monotheism in the Priestly texts), John Collins (king and messiah as Son of God), and P. O. Skjaervo (Zarathustra and monotheism).

This book focus on Athenian art in the second half of the fifth century, one of the most important periods of ancient art. Including papers on architecture, sculpture, and vase painting the volume offers new and before unpublished material as well as new interpretations of famous monuments like the sculptures of the Parthenon. The contributions go back to an international conference at the American School of Classical Studies, Athens.

A two volume masterpiece on ancient warfare
Little needs to be said here about the fascinating era of the Roman Empire of the first century B. C., or about one of the most outstanding military commanders in history, Gaius Julius Caesar. The military history of the period has always had its avid students and enthusiasts. It also has its notable historians and foremost among these was former soldier, Theodore Ayrault Dodge who was probably the first military historian to walk upon the ground on which all of the events about which he wrote in this classic work took place. Dodge's grasp of topography and its bearing on tactical issues makes this work indispensible. The Leonaur editors highly regard Dodge's works on the great captains of warfare through the ages and our edition of 'Warfare in the Age of Napoleon' is already available. 'Warfare in the Age of Gaius Julius Caesar' is our second offering in the series and it follows the model already established by its predecessor. Based on Dodge's academically ground-breaking work, 'Caesar, ' this unique two volume edition, like all of the author's 'great captains' series, benefits from numerous diagrams and maps that explain the campaigns, battles, marches, weapons, equipment, etc., in significant detail. The Leonaur editions have been substantially represented so that all the images-often small in the original editions-have been enlarged to the fullest degree to aid understanding. Volume two covers a five year period in considerable detail and concludes in 45 B. C., a year before Caesar's death. Chapters on Caesar the man and soldier and the art of war in the Roman Empire are also included. Highly Recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Paul and the Gentile Problem provides a new explanation for the apostle Paul's statements about the Jewish law in his letters to the Romans and Galatians. Paul's arguments against circumcision and the law in Romans 2 and his reading of Genesis 15-21 in Galatians 4:21-31 belong within a stream of Jewish thinking which rejected the possibility that gentiles could undergo circumcision and adopt the Jewish law, thereby becoming Jews. Paul opposes this solution to the gentile problem because he thinks it misunderstands how essentially hopeless the gentile situation remains outside of Christ. The second part of the book moves from Paul's arguments against a gospel that requires gentiles to undergo circumcision and adoption of the Jewish law to his own positive account, based on his reading of the Abraham Narrative, of the way in which Israel's God relates to gentiles. Having received the Spirit (pneuma) of Christ, gentiles are incorporated into Christ, who is the singular seed of Abraham, and, therefore, become materially related to Abraham. But this solution raises a question: Why is it so important for Paul that gentiles become seed of Abraham? The argument of this book is that Paul believes that God had made certain promises to Abraham that only those who are his seed could enjoy and that these promises can be summarized as being empowered to live a moral life, inheriting the cosmos, and having the hope of an indestructible life.

This pivotal history of the kings of Sparta not only describes their critical leadership in war, but also documents the waxing and waning of their social, political, and religious powers in the Spartan state. The Spartans have seemingly never gone out of interest, serving as mythic icons who exemplify fearlessness and an unwillingness to give in against impossible odds. Yet most are unaware of the true nature of the Spartan leaders-the fact that the kings maintained their position of power for 600 years by their willingness to compromise, even if it meant giving up some of their power, for example. Organized in a logical and chronological order, Leonidas and the Kings of Sparta: Mightiest Warriors, Fairest Kingdom describes the legendary origins of the dual kingship in Sparta, documents the many reigning eras of the kings, and then concludes with the time when the kingship was abolished six centuries later. The book examines the kings' roles in war and battle, in religion, in the social life of the city, and in formulating Spartan policy both at home and abroad. No other book on Sparta has concentrated on describing the role of the kings-and their absolutely essential contributions to Spartan society in general. Numerous translations by the author of original sources Chronology history from the Dorian Invasion (ca. 1000 BC) to the last king of Sparta (mid-2nd century BC) Illustrations of the kings of Sparta, gods, and heroes, as well as diagrams of battles and family trees Maps of Laconia, the Peloponnesus, and Greece A bibliography containing ancient and modern sources for Sparta