The books of Chronicles have a certain fantasy quality about them. They create an imaginary world in which things happen just so, and in which any potentially untidy loose ends in their narrative of the past are tied together in a highly systematic way. This is storytelling with the didactic purpose of inculcating a particular ideology, bombarding the reader with a kaleidoscopic procession of heroes and villains and presenting a frontierland of danger and opportunity. John Jarick's focus on the literary world of Chronicles provides a fresh reading of the work, foregrounding the often unrecognized artistry in the telling of the tale-including at times a distinctly musical language and a careful mathematical precision. But at the same time he does not hide the dark underbelly of the writing, with its persistent note of conformity to the political and religious system advocated by the storytellers. This edition is a reprint of the original 2002 edition with different pagination. A companion volume on 2 Chronicles is published for the first time in 2007.

This new volume in the Feasting on the Word series provides an alternative to strict lectionary use for Advent, with six thematically-designed services for the four Sunday in Advent, as well as, Christmas Eve and Christmas Day. Four midweek services provide a supplemental study of John the Baptist to enhance the congregation's Advent experience. The resources in this companion are a combination of material from existing Feasting on the Word volumes as well as newly written material. In keeping with other Feasting on the Word resources, the Advent Companion offers pastors focused resources for sermon preparation along with ready-to-use liturgies for a complete order of worship. All new material including hymn suggestions, Service of Hope and Healing, and children's sermon make this an invaluable resource for the Advent season.

In Jeremiah 3.1-4.4 the prophet employs the image of Israel as God's unfaithful wife, who acts like a prostitute. The entire passage is a rich and complex rhetorical tapestry designed to convince the people of Israel of the error of their political and religious ways, and their need to change before it is too late. As well as metaphor and gender, another important thread in the tapestry is intertextuality, according to which the historical, political and social contexts of both author and reader enter into dialogue and thus produce different interpretations. But, as Shields shows in her final chapter, it is in the end the rhetoric of gender that actually constructs the text, providing the frame, the warp and woof, of the entire tapestry, and thus the prophet's primary means of persuasion.

Alistair May explores the part played by sexual ethics and the rhetoric of sexual morality in the formation of Christian identity by focusing on the longest discussion of sex in the New Testament - 1Corinthians 5-7. Viewing this passage as a unified discourse, he considers how Paul's ethics serve to give his converts a distinct identity. Although tools from the social sciences are used, the major focus of the work is in careful exegesis of the text. As the study progresses through the text of 1Corinthians 5-7, May argues that Paul strives to maintain an absolute distinction between insider and outsider in regard to morality. Immorality belongs exclusively to the outside and to the pre-conversion identity of the Corinthians. Hence those labelled immoral can no longer remain in the community. 1 Corinthians 6.12-20 reveals that, for Paul, sexual sin is unique in its destruction of Christian identity and that any sexual participation is a potential conflict with participation in Christ. Thus, chapter 6 is directly connected with the discussion of the legitimacy of marriage in 1Corinthians 7. Rejecting the scholarly consensus that Paul is reacting to ascetics, May controversially argues that chapter 7 should be read as Paul's commendation of singleness to a reluctant Corinthian audience. This is volume 278 in the Journal for the Study of the New Testament Supplement series.

In its twelfth volume this text examines a number of Patristic texts and early Christian documents from a feminist perspective."The Feminist Companion to Patristic Literature" is the twelfth volume in the "Feminist Companion to the Bible and Early Christian Literature" series. Presenting cutting-edge studies by both established scholars and new voices from diverse cultures and contexts, the series not only displays the range of feminist readings, but also offers essential readings for all students of the New Testament and early Christian literature.This volume examines a number of Patristic texts and early Christian documents from a feminist perspective including "Clement of Rome", "Clement of Alexandria", the "Christian Martyr" and the "Gospel of Thomas". The contributors include: Barbara Bowe, Jorunn Jacobsen Buckley, Denise Buell, Virginia Burrus, Elizabeth Castelli, Elizabeth Clark, Kathy Gaca, Robin Jensen, Ross S Kraemer, Carolyn Osiek, Carolyn Osiek, and Theresa Shaw. It is suitable for libraries; academics; postgraduates and upper level undergraduates.

The story of Susanna and the Elders is one of the most interpreted and reproduced tales from the "Apocrypha". In its compact narrative, it touches on attempted rape, female sexuality, abuse of power, punishment for the wicked, and voyeurism. "The Good, the Bold, the Beautiful" argues that the story of Susanna was written in the first century BCE, and Clanton provides a brief description of that century. He performs a narrative-rhetorical reading of Susanna, and illustrates that the story uses sexual anxiety and desire to set up a moral dilemma for Susanna. That moral dilemma is resolved in two ways: Susanna's refusal to allow herself to be raped, and Daniel's intervention. Clanton argues that although the story has many mimetic features, it is the thematic function that is overriding, especially after Daniel's appearance. Put another way, the story's emphasis on Susanna, the Elders, and Daniel as "plausible people" is secondary to its stress on what those characters represent and the message it is relaying through those representations. Clanton analyzes chronologically selected aesthetic interpretations of the story found in the Renaissance. He shows that the prevailing artistic interpretation during the Renaissance focused on the mimetic, sexual aspects of the story because it deals with issues of patronage, and sex/gender that were current at the time. "The Good, the Bold, the Beautiful" argues that several Renaissance renderings provide counter readings that focus more on the value and themes in the story. These renderings provide models for readers to resist the sexually exploitative features of both the narrative and its interpretations. Clanton reflects on the need for the reader to resist potentially harmful interpretation, especially those that focus on the mimetic level of the story's rhetoric.

The Deuteronomistic Historian patterned more than four dozen of his narratives after those in Genesis-Numbers. The stories that make up Genesis-Numbers were indelibly impressed on the Deuteronomistic Historian's mind, to such an extent that in Deuteronomy-Kings he tells the stories of the nation through the lens of Genesis-Numbers. John Harvey discusses the eight criteria which may be used as evidence that the given stories in Deuteronomy-Kings were based on those in Genesis-Numbers. Unified accounts in the Deuteronomistic History, for instance, often share striking parallels with two or more redactional layers of their corresponding accounts in Genesis-Numbers, showing that the given accounts in the Deuteronomistic History were written after the corresponding accounts in Genesis-Numbers had been written. Furthermore, the Deuteronomistic Historian calls the reader's attention to accounts in Genesis-Numbers by explicitly citing and referring to them, by using personal names, and by drawing thematic and verbal parallels. Retelling the Torah, the first book to focus on these parallel narratives, contains far-reaching implications for Hebrew Bible scholarship.

This volume aims to compare the author of Matthew's Gospel with a selection of contemporary Christian authors and/or texts. Recent Matthean scholarship has highlighted the distinctiveness of this early Christian writer by emphasising his clear Jewish perspective in addition to his Christian affiliation. He can accurately be perceived as both Jewish and Christian because he holds that Christian commitment demands both observance of the Mosaic Law and faith in Jesus as the Messiah. But if Matthew is distinctively Jewish and Christian, how does he compare with other early Christian writers? Much of the New Testament literature was composed by Paul himself or by his later followers, and these Christians held the view that the Mosaic Law no longer had relevance in the light of the Christ event. Other New Testament texts that are not Pauline, e.g. the Gospel of John and the letter to the Hebrews, appear to agree with Paul on this point. Consequently, Matthew stands apart from other texts in the canon with the possible exception of the letter of James. The volume will therefore establish the distinctiveness of Matthew by comparing his theological perspective with his major sources, Mark and Q, and with the two remaining Gospels, the Pauline epistles, the letter to the Hebrews and the epistle of James. The comparison of Matthew with non-canonical texts, the Didache and the letters of Ignatius of Antioch, is important because much work has been done in these areas recently. Given Matthew's distinctive portrayal of Jesus, a comparison of Matthew and the historical Jesus is also demanded in the context of this volume.