Wat is vir jou uniek en kosbaar aan Suid-Afrika? Wat laat jou verlang? Wat laat jou lag? Wat maak jou trots? Is dit ’n spesifieke landskap, landmerk, kos, dier, plant, liedjie of tradisie? Vir elkeen is dit iets anders.

In hierdie bundel beskryf verskeie skrywers, kunstenaars en ander bekendes wat vir hulle besonders is aan Suid-Afrika. Die bundel bestaan uit kort sketse (1000 woorde of minder) en enkele gedigte. ’n Verskeidenheid van perspektiewe op wat belangrik en spesiaal aan Suid-Afrika is, word van mense van verskillende ouderdomme en agtergronde gegee.

Dit sluit nostalgiese herinneringe uit die verlede, reisbeskrywings, ’n komiese bespreking van die ikoniese Suid-Afrikaanse melktert, ’n essay oor die merkwaardige fossielvondste van die land, en nog vele meer, in.

Although Olga Kirsch’s is the only Jewish voice in Afrikaans poetry, it is scarcely known among members of the South African Jewish community. Olga Kirsch was, after Elisabeth Eybers, only the second woman to publish a collection of poetry in Afrikaans.

The aims of this biography are to reverse this slide into obscurity and to show why her work is important not only in South Africa but also in Israel.

It does not only investigate Kirsch’s role as Afrikaans Jewish poet but also examines her as an example of a cross-cultural, multi-lingual immigrant poet. As such some of her English and Hebrew poetry are included in this work.

His truth. His story. In his words.

Siya Kolisi, captain of the Springboks, and the first black man to lead his country in over 128 years of South African rugby shares his story in Rise. In an extraordinarily intimate memoir, Kolisi charts his story from being born into the impoverished Zwide township, to leading his proud nation to an astonishing victory at the Rugby World Cup in 2019.

However, Rise is not simply a chronology of matches played and games won; it is an exploration of a man’s race and his faith, a masterclass in attaining a positive mindset, and an inspirational reminder that it is possible to defy the odds, no matter how they are stacked against you. The title, Rise, is inspired by Siya’s mother – Phakama – which translates to the book’s name, as well as a celebration of his Xhosa heritage.

Helen Zille’s long-awaited autobiography is one of the most fascinating political stories of our time.

Zille takes the reader back to her humble family origins, her struggle with anorexia as a young woman, her early career as a journalist for the Rand Daily Mail, and her involvement with the End Conscription Campaign and the Black Sash. She documents her early days in the Democratic Party and the Democratic Alliance, at a time when the party was locked in a no-holds-barred factional conflict. And she chronicles the intense political battles to become mayor of Cape Town, leader of the DA and premier of the Western Cape, in the face of dirty tricks from the ANC and infighting within her own party.

This is a story about political intrigue and treachery, floor-crossing and unlikely coalitions, phone tapping and intimidation, false criminal charges and judicial commissions. It documents Zille’s courageous fight against corruption and state capture and her efforts to realign politics and entrench accountability. And it describes a mother’s battle to raise children in the pressured world of South African politics.

This book is as frank, honest and unflinching as Helen Zille herself, and will appeal to anyone interested in the story of South African politics over the past fifty years.

That morning, Michelle presented her Psychology honours thesis on men's perceptions of rape. She started her presentation like this, “A woman born in South Africa has a greater chance of being raped than learning how to read …” On that same evening, she goes to a party to celebrate attaining her degree. She and a friend go to the beach; the friend has something she wants to discuss. They are both robbed, assaulted and raped. Within minutes of getting help, Michelle realises she'll never be herself again. She's now "the girl who was raped."

This book is Michelle's fight to be herself again. Of the taint she feels, despite the support and resources at her disposal as the loved child of a successful middle-class family. Of the fall-out to friendships, job, identity.

It's Michelle's brave way of standing up for the women in South Africa who are raped every day.

Solidarity Road tells the story of Jan Theron’s involvement in the Food and Canning Workers Union (FCWU) during apartheid South Africa. Part memoir, part history this fascinating tale will reveal what working conditions were like in the 1970’s. It outlines the very beginnings of the Congress of South African Trade Unions (COSATU).

Theron states, ‘Solidarity in a trade union does not simply mean standing by your members, or by organised workers. It means solidarity with your class. At the time, in 1976, the working class was fragmented. Working for a trade union was part of a project to unite a fragmented class, and to give it a voice. This was the historical project to which a number of people from a certain intellectual background were drawn. This would be our contribution to the struggle: what we did to end apartheid. It was a struggle for democracy, but democracy did not just mean everyone getting to vote every so often in national elections. People also had to eat.

The most obvious way in which the working class was then fragmented was in terms of race. The Union put its commitment to solidarity into practice by uniting workers of different races in factories manufacturing food. To do so it had to overcome divisions among workers created by the ways in which government had structured employment, in terms of the law, which the bosses were able to exploit. Nowadays ‘bosses’ seems like a dated term, yet this is the term workers used to refer to the people for whom they actually worked. It is also no less important today than it was then to differentiate between those who control the factories and mines and those who operate at their behest.

Told with the immediacy of a diary, which is where the book began, Patrick takes us on a journey to the highest mountain in the world, where one of the greatest tragedies in climbing history was about to unfold. Filled with photographs and sketches from his notebooks we become part of the Radio 702 team sent to cover the South African Everest Expedition of 1996. It would turn out to be the deadliest climbing seasons in the peak’s history.

Twenty years later the controversy around what truly happened on the mountain continues to rage. Conroy kept a meticulous diary and recorded many hours of radio communications between the climbers. Now, two decades later, his memoirs reveal a remarkable and untold story of what happened on the mountain that fateful year. Everest Untold includes hidden insights and never before revealed transcripts that shed new light on the 1996 disaster, including the mysterious disappearance of one of the South African team members in the death zone.

Conroy’s hidden story reopens the debate on the risks of high-altitude mountaineering and what it meant to a young democratic South Africa unaware of the dangers that lay ahead.

Tutu: The Authorised Portrait is a celebration of eighty years of the life of Archbishop Desmond Tutu, an icon whose humanity and compassion have touched the lives of millions around the world.

Born in Klerksdorp, South Africa, and trained as a teacher because his family could not afford to send him to medical school, Desmond Tutu was ordained as an Anglican priest in 1960. He vigorously opposed apartheid and has dedicated his life to fighting all forms of oppression, advocating non-violence, peaceful reconciliation and social justice for all.

This extraordinary book features a biography by legendary South African journalist Allister Sparks, authorised by Archbishop Desmond Tutu, and includes over forty interviews conducted by Tutu's daughter Reverend Mpho Tutu with close family, friends, colleagues, comrades and critics.

Complemented by an unprecedented collection of images and unpublished artefacts drawn from Tutu's private files, this is a phenomenal story of one man's life-long commitment to the liberation of the oppressed. Includes interviews with Kofi Annan, Daw Aung San Suu Kyi and President Barack Obama.

In April 2017, Pravin Gordan addressed a packed audience in St George’s Cathedral in Cape Town. It was a week after President Jacob Zuma had fired him as Finance Minister, a move that signalled South Africa had been well and truly captured. Gordhan urged the crowd not to give up hope and to ‘join the dots’ in understanding what was taking place. At this moment he became a moral authority to many, someone who could fight the corruption.

Seasoned journalists Jonathan Ancer and Chris Whitfield take a magnifying glass to someone at the centre of South Africa’s most tumultuous period and try to understand the man behind the public image. They go back to Durban in 1949 when Gordhan was born, tracing the significant events and influences that shaped his life and prompted him to become involved in politics as a pharmacy student at the University of Durban-Westville. Ancer and Whitfield have interviewed close former activists to build a picture of his time in the underground and the role he played in the struggle including his detention and torture. It was during this time he worked closely with Zuma, the man who would, on the back of a bogus intelligence report, fire him as finance minister.

The book will examine why Gordhan has been dragged into major controversies like the rogue unit saga, the intelligence report and other smears against him. President Cyril Ramaphosa’s right-hand man has made many enemies: public protector Busisiwe Mkhwebane, Julius Malema and Ace Magashule to name a few.

Joining the Dots is an in-depth and satisfying read about a man who has been at the centre of South African public life.

As uitgesproke kommenatator wat voor en na 1994 met die regering gebots het, een van die Dakar-gangers wat al in die 1980s die ANC gaan ontmoet het en wereldkenner van die Afrikaners, is Giliomee ten nouste betrokke by ons land se geskiedenis – en hoe ons dit verstaan. Hier verweef hy sy eie lewensverhaal met die van die land en die mense wat hom fassineer in leesbare, narratiewe vorm, vol staaltjies en onvertelde verhale.

Willem Pretorius is een van ons voorste skilders wat die Suid-Afrikaanse platteland vasvat met soortgelyke patos as Walter Meyer, aan wie alle skilders in hierdie genre hulde bring. Sy skilderye is amper foto-realisties maar inspireer tog ʼn sekere gevoel van nostalgie na ʼn verlore onskuld, na die sogenaamde goeie ou dae wat nie vir almal goed was nie. Daar is ook ʼn afstandelikheid, ʼn gebrek aan kommentaar: Die landskap spreek vir homself.

Die boek bevat kleurafdrukke, professioneel gefotografeer, van sy 50 jongste werke, ʼn goeie mengsel van sy gebruiklike onderwerpe: huise, treine, versaakte swembaddens, landskappe, ou karre en gekrokte bakkies, plattelandse winkels, huise en dorpstonele, ensovoorts.

Elke skildery is begelei deur ʼn skryfsel van ʼn bekende skrywer, musikant, digter of skilder. Dis nie ʼn beskrywing of tegniese ontleding van die skildery nie, eerder vry assosiasie, ʼn kort kortverhaal, ʼn herinneringskets. Elk is ongeveer 500 woorde en beslaan dus nie meer as een bladsy nie; die bladsy langs die skildery wat dit geïnspireer het.

Their love story was one of the greatest of our times.

Ruth Williams was a middle-class Londoner who loved ballroom dancing and ice skating when she met Seretse Khama. He was chief designate of the most powerful tribe in Bechuanaland, today Botswana, on the borders of apartheid South Africa. Their union sparked outrage, fear and anger. Ruth’s father barred her from their family home, she was hounded by the global media and shunned by white people in Seretse’s village of Serowe. The couple was humiliated, tricked and eventually exiled to England. But, despite all these tribulations, their love triumphed over the politics and prejudice of the time.

This is the story Ruth Khama told well-known journalist and author Sue Grant-Marshall ‒ the story of an extraordinary woman, who had the courage of her convictions in marrying the man she loved and accepting his country and people as her own.

Robert Schapiro always wanted to fly. Challenging anti-Semitic bullying, mockery and fierce rivalry, he realised his dream by earning his wings in the South African Air Force and going on to command C-47 Dakotas in the Border War.

He joined South African Airways (SAA) in 1979, soon learning it was a time when SAA crews were dominated by the ‘Royal Family’ – captains who thought themselves above the rules and who spent time overseas on drinking binges or coaxing air hostesses to be their ‘airline wives’.

When sanctions forced SAA to cut back on its routes, he was seconded to Japan’s Nippon Cargo Airlines, routinely flying between New York and Tokyo, and grappling with often-hilarious cultural misunderstandings as he adapted to a Japanese style of operations.

Schapiro is disarmingly frank about life as an international pilot. He divulges near misses, emergency landings, navigation errors, passenger shenanigans (seat sex, anyone?), how pilots control rowdy travellers and absorbing detail about the technique of flying different aircraft types. Uplifting and humorous, his memoir offers a rare slice of aviation history.

The first ever memoirs from the Number One global bestselling adventure author.

Wilbur Smith has lived an incredible life of adventure, and now he shares the extraordinary true stories that have inspired his fiction. From being attacked by lions to close encounters with deadly reef sharks, from getting lost in the African bush without water to crawling the precarious tunnels of gold mines, from marlin fishing with Lee Marvin to near death from crash-landing a Cessna airplane, from brutal school days to redemption through writing and falling in love, Wilbur Smith tells us the intimate stories of his life that have been the raw material for his fiction.

Always candid, sometimes hilarious, and never less than thrillingly entertaining, On Leopard Rock is testament to a writer whose life is as rich and eventful as his novels are compellingly unputdownable.

"Why walk when you can soar..."

These are the opening words on Tracy Todd’s website and they are a powerful affirmation of the person Tracy is today – a sought-after inspirational speaker whose uplifting presentations have inspired and given hope to many people. But it is difficult to imagine what she has overcome in a tough and often lonely journey.

At the age of twenty-eight her life was turned upside down when a horrific road accident left her a quadriplegic, paralysed from the neck down. Her life as an athletic, marathon-running young mother and teacher was abruptly shattered. Despite months of rehabilitation, Tracy often found herself wondering if her life was worth living. Everything she had taken for granted was now beyond her reach and frustration at her helplessness threatened to overwhelm her. Against the odds, Tracy chose to live.

Her strength of character and determination prevailed and, sustained by the support of her son, family and friends, her care assistants, and an unbelievably caring community, she set about gaining the independence to rebuild her life and reclaim her identity – which she has done, with dignity and grace. Brave Lotus Flower Rides The Dragon is an honest, inspiring and engaging memoir in which Tracy’s natural warmth and humour are tangible and, most importantly, she embodies what the human spirit can achieve.

To celebrate the 50th anniversary of the NSRI, here is a collection of daring rescues filled with drama and danger. From burning ships to shark attacks, sinking trawlers to hallucinating fishermen, these are the stories of man’s constant battle with some of the most dangerous waters on earth. But there is one story in particular that gave rise to the creation of the NSRI...

On 12 April 1966, four fishing boats put out to sea from Stilbaai on South Africa’s southern coast. Soon they were all pulling in fish as fast as they could bait their hooks, and the boats were settling lower in the water. Shortly before sunset, skipper Gerhard Dreyer saw clouds building on the horizon. But the fishing was too good and they ignored the signs. Later that night a gale force wind slammed into them. ‘I told the men to throw everything overboard,’ Gerhard remembers. An hour before midnight, Gerhard headed for deeper water to try and ride out the swells. As dawn broke, they saw for the first time the true extent of the night’s damage: among the flotsam, one man in a lifebuoy. That man was the only crewman from the other three boats to survive the terrible storm. Seventeen men died that night.

Simonstown schoolteacher Patti Price was horrified when she read the news. She began a media campaign and appealed to the president of the Society of Master Mariners. As a direct result of her efforts, the South African Inshore Rescue Service was founded in August 1966 (renamed the National Sea Rescue Institute in 1967). Today, the NSRI has 35 rescue bases and over 1 000 volunteers.

When Bridget Hilton-Barber got on a train to Grahamstown in 1982 to study journalism at Rhodes University, she had no idea of the brutal drama that would unfold.

A rebellious young woman, she became politically involved in anti-apartheid organisations and was caught up in the massive resistance and repression sweeping the Eastern Cape at the time. She ended up spending three months in detention without trial, and after her release discovered she had been betrayed by one of her best friends, Olivia Forsyth, who was a spy for the South African security police.

Thirty years later, a horrific flashback triggers Bridget’s journey back to the Eastern Cape to see if she can forgive her betrayer and finally let go of the extraordinary violence she encountered in the final days of apartheid. This is her powerful story.

Ek blaai vinnig deur hierdie bladsye. Ouma se politieke spore is besaai met duwweltjies. ’n Deel van my wil-wil die swart dagboek toemaak. ’n Ander deel skop vas: Hoe eerlik is jy in jou poging om oupa Hendrik te verstaan?

Ná jare van versoeningswerk tussen eertydse vyande in Ierland keer Wilhelm Verwoerd terug na Suid-Afrika. Hy wil vrede maak met sy eie familie en sy geskiedenis. In die Verwoerd-strandhuis, Blaas ’n Bietjie, waar hy sit en skryf, hang ’n gesinsfoto waarop sy oupa, HF Verwoerd, hom as baba teer vashou. Hoe versoen hy dié menslike oupa met die gehate onderdrukker wat in die stories van sy swart bure en kennisse na vore kom, mense wat as kinders in die strate gedans het toe sy oupa vermoor is?

In sy soektog na begrip kom Wilhelm op ouma Betsie Verwoerd se private dagboeke af en voer hy soms ongemaklike gesprekke met mense wat sy van as vloekwoord onthou. So ontvou ’n geskakeerde blik op wat dit beteken om vandag met integriteit in Suid-Afrika te leef.

“Diepsinnig … Wilhelm Verwoerd ondersoek die veelkantigheid van verantwoording in families in hierdie belangrike en menslike memoir.” – Martie Retief Meiring

Dit is die verhaal van ’n vrou wat haar familie in ’n terreuraanval verloor. Dit vertel van ’n gelowige wat in gehoorsaamheid leef, net sodat die mat onder haar uitgeruk kan word. Die boek sal die leser aanmoedig om die werklike koste van ons geloof te bereken, na te dink oor die karakter van God en ons identiteit as Sy kinders. Hannelie se verhaal is ’n merkwaardige getuienis van ’n lewe in geloof en die krag van vergifnis.

In 2012 verdwyn Binnelanders se geliefde Elise Kruger sonder waarskuwing van kykers se televisieskerms af. Lindie Stander, wat die rol van die vermaaklike Elise vertolk, was op die kruin van haar loopbaan toe sy in ’n bloedbevlekte bed in ’n staatshospitaal wakker word. Hier het sy besef dat sy haar rol en haar lewe soos sy dit ken, kwyt is.

Lindie Stander: Agter my glimlag is die eerlike ervaring van dit wat kykers nie op skerm sien nie: die verpletterende verlies van haar pa, haar worsteling met dwelmmisbruik en rehabilitasie, ’n lewe met depressie en ’n gewonde vrou se genadelose soeke na ’n liefde wat kan heelmaak.

In haar bekende, deernisvolle stem vertel Lindie haar hartverskeurende, maar hoopvolle verhaal soos net sy kan: sonder skroom en met ’n goeie skeut humor.

"Dié seun is vir groot dinge bestem . . ."

Só het sy afrigters by Boland Landbou sedert sy hoërskooldae geglo. Toe hy op die bloedjong ouderdom van 19 die Curriebeker vir die Blou Bulle verower én die skopkoning Naas Botha se eindstrydpunterekord verbeter, het dit gelyk of sy pad na roem en rykdom geplavei was. Maar toe begin die dobbelstene verkeerd val vir die liefling van Loftus.

Harsingskudding, Kamp Staaldraad, beserings en toé ’n allesverterende pilverslawing het hom laat steier. Sy sprokies-huwelik is verwoes en sy beroepslewe en geldsake is in ’n warboel gelaat . . .

Dié boek onthul staaltjies oor sy rugbydae maar ook vriende en vertrouelinge se vergeefse pogings om Derick uit die kloue van verslawing los te wikkel.

Dit is ’n diep menslike verhaal wat wys hoe dun die lyn tussen sukses en mislukking is en hoe maklik selfs die grootste helde tot op hul knieë gedwing kan word.

"A force of nature! Alexandria Procter will go far." - Bruce Whitfield

At 25 years old, Alexandria Procter became one of South Africa's youngest tech startup wunderkinds.

As an undergrad student at UCT, Alexandria came up with the idea for DigsConnect, similar to an Airbnb for students. Deeply affected by the violent student protests which swept university campuses in 2016, Alexandria created a website in 2018 that would address the tumultuous student housing crisis. In 2019 DisConnect disrupted the local tech terrain by raising R12 million in its first seed fundraising round, one of the largest in South Africa ever. DigsConnect has subsequently transformed from being a local student accommodation startup to catapulting into the global fourth industrial revolution.

Born in a small town in the Eastern Cape at the same time as South Africa's democracy, Alexandria's school career was characterised by defiance, rebellion and Friday afternoon detentions. Never one to toe the line, Alexandria dared to shoot for the stars.

While Upstart is a deeply personal memoir, it also offers priceless business insights and advice around startups and new tech, especially for the burgeoning African tech startup ecosystem. A unique and inspiring story.

"This girl is going places and whatever she does in her life is going to be brilliant!" - Luke Nolan, founder of Student.com

This creatively touching work follows the true-life journey of a woman dealing with the sudden loss of her husband. The powerfully emotional narrative tells the story of Beryl Botman who reveals to Russel Botman how she is experiencing his sudden death and learning to cope with it. “How should she learn to live and recognise their love for each other in these new dimensions of existence?” is the central question of the heart-breaking one-way conversation.

The events take place from the moments before she realises that Russel has died until the day of the first anniversary of his death - the lapse of one year. It is for her the year in which she appeals to her deepest strengths, facing her most murky weaknesses and relying on her whole formation to take even one step.

The narrative takes place in three parts and begins with a day-by-day version of the first two weeks of experiences and sensations. The next two parts are weekly and then monthly revelations, respectively. Her spiritual and real exposure follow a journey from Stellenbosch to Wynberg and some other places in the world. Beryl handles life-changing decisions and actions in her world with the comfort and loving support of family and friends, while dealing with the hostility of other family members and the aloofness and rejection of friends and acquaintances at the same time.

It’s a turmoil of raw emotions, grief, acceptance and coping – going on with life, when life as you knew it, has ended.

In November 2019, Deon Wiggett’s sensational weekly podcasts held South Africa in thrall as he hunted down the paedophile who raped him as a schoolboy. Now, in My Only Story, he completes his exposé of Willem Breytenbach, the once brilliant teacher and later media luminary who led a predatory life.

Deon’s mission to expose his abuser takes him from Breytenbach’s high-school years at an agricultural school in South Africa’s hinterland to the famous Grey College in Bloemfontein and the media titan Naspers. But his quest reveals so much more. As he traces systemic failures through schools great and small, he uncovers a culture of complicity that poses a clear and present danger to the country’s children. While investigating men who prey on boys and girls, Deon devises a model that anyone can use to identify paedophiles in their midst. In his own words: ‘It’s pleasant to pretend that men don’t rape children, but once you accept that they do, it becomes surprisingly easy to recognise their trickery. Once you match a universal pattern to a specific man’s profile, you can spot the deceit before it is too late.’

My Only Story is a riveting, thoughtful and often irreverent account of one man’s determination to overcome childhood trauma; to help others face their demons; and to extract some beauty from the boyhood he lost.

In November 1993, ANC activist and development worker Clare Stewart’s body was found in a shallow ditch in rural KwaZulu-Natal as the province sat on the brink of civil war. Amid the ensuing chaos and euphoria of South Africa’s ‘new dawn’, the details of Clare's killing would stay hidden beneath the surface.

This gripping, moving account of Clare’s life and the mystery surrounding her death touches on the fragility of memory, family loss, apartheid’s evils, and the fault lines in our democracy.