In Lucas Mangope: A Life, journalist Oupa Segalwe incisively examines the public and private life of this traditional-leader-cum-elected politician, whose rise and fall coincided with the collapse of apartheid and that of the ill-advised homelands project. Segalwe compellingly traces how complex currents of self-enrichment, duty to his people, and serving the interests of all those he was indebted to played out. A balanced account of the life and times of the enigmatic Mangope.

In April 2017, Pravin Gordan addressed a packed audience in St George’s Cathedral in Cape Town. It was a week after President Jacob Zuma had fired him as Finance Minister, a move that signalled South Africa had been well and truly captured. Gordhan urged the crowd not to give up hope and to ‘join the dots’ in understanding what was taking place. At this moment he became a moral authority to many, someone who could fight the corruption.

Seasoned journalists Jonathan Ancer and Chris Whitfield take a magnifying glass to someone at the centre of South Africa’s most tumultuous period and try to understand the man behind the public image. They go back to Durban in 1949 when Gordhan was born, tracing the significant events and influences that shaped his life and prompted him to become involved in politics as a pharmacy student at the University of Durban-Westville. Ancer and Whitfield have interviewed close former activists to build a picture of his time in the underground and the role he played in the struggle including his detention and torture. It was during this time he worked closely with Zuma, the man who would, on the back of a bogus intelligence report, fire him as finance minister.

The book will examine why Gordhan has been dragged into major controversies like the rogue unit saga, the intelligence report and other smears against him. President Cyril Ramaphosa’s right-hand man has made many enemies: public protector Busisiwe Mkhwebane, Julius Malema and Ace Magashule to name a few.

Joining the Dots is an in-depth and satisfying read about a man who has been at the centre of South African public life.

So lyk ’n vrou, Ilse Verster se hartroerende verhaal oor Esli se lewe van mishandeling deur ’n gewelddadige eggenoot, het lesers in 2022 geskok en aangegryp. ’n Vrou staan op is die vervolg op die blitsverkoper en vertel van die nuwe hoofstuk in Esli se lewe.

Ná ’n uitmergelende egskeiding wat haar finansieel byna ruïneer, reis Esli Kaap toe om perspektief te kry op ’n lewe waar sy nie meer ’n slagoffer is nie. Dan gebeur daar ’n wonderwerk. Sy ontmoet iemand en hulle besluit om te trou. Uiteindelik is die geluk, vrede en veiligheid waarna sy haar lewe lank gehunker het, vir Esli beskore.

Máár haar stryd is nog lank nie verby nie. Post-traumatiese stres, ’n vreemde omgewing en nuwe verhoudings bring onverwagse uitdagings. Ook baie vrae, soos: Hoe kan ’n mens gelukkig wees, maar steeds huil? Die ongekende blootstelling wat tydens boekbekendstellings, praatjies en mediaonderhoude volg op die sukses van So lyk ’n vrou, maak dinge ook nie makliker nie. Esli kan haar nie volledig losmaak van die verlede nie, want almal stel moeilike vrae. Terselfdertyd moet sy ander slagoffers van narsisme moed inpraat.

In ’n Vrou staan op deel die skrywer haar ervarings van die moets en moenies in die proses na heelwording. Want om ’n oorwinnaar te wees, verg ook moed, deursettingsvermoë en ’n sekure instink vir oplossings wat wérk.

This is a story about a woman; a story about her struggle. As the survivor of great tragedy; this is a story about triumph.

Despite only being 33 years old, Zoleka Mandela has endured enough to fill several lifetimes. While she may be a member of South Africa's own royal family, Zoleka has not led a sheltered life. She has travelled down paths which most would not dare; from the horror of losing two children within two years, to the shadowy journey through cocaine addiction and rehab, and being diagnosed with cancer. Though she was robbed of her children, stripped of her sobriety, and subject to a disease that necessitated a double mastectomy, Zoleka Mandela is not a victim. She is a survivor, and her story serves as testimony to the strength of the human spirit in fighting against life's challenges. Zoleka is a living example of success in spite of overwhelming challenges.

Zoleka is now clean and cancer-free. Zoleka Mandela had her last session of chemotherapy in April this year, and has been sober for 36 months. Through her story, it is impossible not to have faith in the good things in life, and possible to believe that anything is achievable. Zoleka's book is an ideal read for those exposed to life's challenges and traumas - from a mother who has had to deal with the loss of a child, or families who have had to endure the pains of cancer, or those who have dealt with the stress of addiction - it is a universal read exhibiting the power of healing.

Widely considered to be the most important biography of Nelson Mandela, Anthony Sampson's remarkable book has now been updated by acclaimed South African journalist, John Battersby.

Over a decade after his presidency of South Africa, Nelson Mandela remains an inspirational figure to millions of people -- both in his homeland and far beyond her borders. He is, without doubt, one of the most important figures in global history. Mandela's opposition to apartheid and his 27 year incarceration at the hands of South Africa's all-white regime are familiar to most.

In this utterly compelling book, eminent biographer Anthony Sampson, who knew his subject since 1951, reveals the man behind the events that rocked a continent -- and changed the world. With unprecedented access to the former South African president -- the letters he wrote in prison, his unpublished jail autobiography, extensive conversations, and interviews with hundreds of colleagues, friends, and family -- Sampson depicts the realities of Mandela's private and public life, and the tragic tension between them.

Newly updated by distinguished South African journalist John Battersby, Mandela is the ultimate biography of one of the twentieth century's greatest statesmen.

Nonkululeko Gobodo made her mark in business as the first black female Chartered Accountant in South Africa, a great and rare feat for a black woman growing up in apartheid South Africa.

If she was told at 17 years old, while pregnant, that she would be a valiant voice of her generation, she would have laughed it off in disbelief. Nonkululeko’s career has always been about embodying black excellence, and in this book, she bares her own perspective on deep-seated issues of racism, prejudice against women, discrimination, and mental brokenness; themes that continue to taunt our minds today.

The book is a culmination of her passion to see black people and women awakened to their true selves. It is a reflective celebration of self, courage and the remarkable spirit of resilience that lies within us all.

The clarity in her voice comes through so well that it feels like she’s in the room with you, narrating her life story in an unhurried conversation. Her discerning view on the ego and one’s ability to be both wise and foolish, strong and weak, is meditative and inspiring. True to the book’s title, she comes into her own through her unordinary journey of trauma, healing and self-love that has awakened her to her true purpose.

Be inspired and motivated, get your copy today.

Ivor Swartz kom van die Gaatjie in Grabouw, 'n hooplose plek. 

Sy pa is vroeg dood en sy ma maak hom en sy sibbe alleen groot. Hulle oudste broer terroriseer die gesin en een aand skiet Ivor en sy vriend sy broer en hy sterf later in die hospitaal. 

Ivor gaan tronk toe en met sy uitkoms begin sy lewe van voor af. Vandag is hy 'n jeugpastoor met 'n passie vir Here wat sy storie gebruik om ander te inspireer. 

'n Storie van die verlore seun wat huis toe kom. 

Werk soos ’n miljardêr vertel die verhaal van Dan, ’n werknemer, wat bloot van salaristjek tot salaristjek leef. Hy streef daarna om sy eie besigheid te begin maar hy staar verskeie uitdagings in die gesig.

Een van dié uitdagings is hoe om, sonder enige geld, ’n besigheid te begin. Maar alles verander op ’n dag toe hy voor ’n groot besluit te staan kom.

Die boek is propvol waardevolle wenke oor hoe om rykdom te skep, jouself beter te leer ken en hoe om volhoubare besigheidsisteme te bou.

Harry Oppenheimer, the international gold-and-diamond magnate, presided over the corporate dynasty of Anglo American and De Beers for more than 25 years. Yet, two decades after his death, the Oppenheimer empire is no more. As the political opposition’s key financial backer, the founder (along with Anton Rupert) of the Urban Foundation after the Soweto uprising in 1976, and a ubiquitous philanthropist, Oppenheimer helped propel the process of reform.

Nevertheless, in some quarters he is demonised as the archetype of ‘white monopoly capital’ and scapegoated, along with Nelson Mandela, for the country’s disappointing democratic dividends. In the first, full-scale biography of Oppenheimer, based on unrestricted access to his subject’s private papers and extensive interviews with family members and close associates, Michael Cardo eschews both the corporate hype and the political propaganda to produce a vivid, fully-rounded portrait.

He brings to life the places, people, events and relationships that shaped Harry Oppenheimer’s long and rich career at the intersection of business and politics. Cardo also tackles thorny questions of legacy and Oppenheimer’s complicity with the oppressive racial order of the past.

Annemarié van Niekerk returns from The Hague to South Africa for her gentle friend Ruben’s funeral – he and his mother were murdered in a farm killing. This journey triggers memories of other journeys: growing up in Port Elizabeth, teaching at UNITRA in Umtata where she became entangled in a relationship with a black writing colleague, causing conflict with her father. Then Hillbrow and Yeoville, where she and Denzel live together against the law, until violence penetrates their relationship.

The final journey is a return to Ruben’s murder and his killers, seeking understanding. Van Niekerk intertwines her story with an exploration of violence against women, apartheid and its legacy, guilt and powerlessness, and identity and complicity. Under a Blood Red
Sky is a moving personal journey – from violence to mercy – masterfully told.

Lidia Rauch was born at the crossroads of South Africa’s past and present – the granddaughter of one of apartheid’s longest-serving ministers, raised in a world constructed for her comfort, yet called to reckon with its cost. Her story moves between privilege and pain: from a childhood marked by fracture, to a career within the machinery of government, to the long, uneasy road of reckoning with what it means to be white, Afrikaans, and free in a country still carrying the weight of its past.

In this fearless and tender memoir, Lidia turns toward the truth – dismantling the myths she was raised on, confronting the discomfort she once avoided, and choosing responsibility over denial. Along the way she encounters the people and moments that changed her – from the townships of Cape Town to the rooms where power is brokered – and discovers that freedom is not a gift bestowed by the system, but a commitment we make to one another.

Apartheid’s Granddaughter is not a story of guilt or absolution, but of courage and repair. It’s an invitation to white South Africans to face their inheritance with honesty and courage.

Both intimate and universal, this book reminds us that transformation is possible – and that healing begins when we choose to see ourselves and one another.

Mteto Nyati knew as a schoolboy in Mthatha, working at his mother’s store, that he wanted to fix and build things. After completing his studies at Natal University, he turned down a Rhodes scholarship and headed for Jo'burg to take up a position at Afrox. He was the only black engineer and the advice he received was ‘don’t mess up’. 

He didn’t and today is one of South Africa’s top CEOs. This is his inspirational story. 

The perfect match. Or so she thinks. Her warmth and empathy. His charisma and ambition. Yet, Cathy feels safer teaching battle-scarred gangsters in a prison classroom than at home with her own partner.

By day she walks on eggshells. At night she sleeps on the backseat of her car. Her safe place is an all-night roadhouse; her best friend, her journal. The slow boil intensifies until, one day, Cathy finds her grandmother’s armoire smashed to pieces in her bedroom, a hammer on the floor, her life in splinters beside it.

Part memoir, part inspiration, Boiling A Frog Slowly is unflinching in its confrontation of abuse and utterly courageous in its portrayal of redemption.

’n Blik op die binnekring van die Krugersdorp-kultus

“Daar was bloedspatsels oor die koffietafel, die banke en die banke se kussings. Peter en Joan was oortrek van steekwonde in hul rûe, nekke en agterkoppe. Nicholas het sy pa en ma gesigte na onder in ’n bloedbad op die mat in die sitkamer gekry. Hulle het hul hek en huis vir hul moordenaars oopgemaak, want hulle het ’n afspraak met hulle gehad.”

Elf wrede moorde oor ’n tydperk van vier jaar ruk die gemeenskap van Krugersdorp en haal landwyd nuusopskrifte. Eindelik word al hierdie moorde verbind met Cecilia Steyn en haar kultusgroep, Electus per Deus (uitverkies deur God). Lede van die groep aanbid die grond waarop Cecilia loop en sal selfs vir haar moord pleeg.

Die moordenaars is slim, gewone mense – ’n onderwyseres, ’n finansiële makelaar, ’n kind wat tussen die moorde deur steeds ses onderskeidings in matriek behaal en boonop keuring kry om medies te gaan studeer. Hul slagoffers het bloot ’n sake- afspraak nagekom, min wetend dat dít ’n afspraak met die dood was.

Wie is Cecilia Steyn? Hoe kan een mens vyf ander manipuleer om moord te pleeg en namens haar in die hof te lieg? Watter rol het Satanisme gespeel? Hoe ontduik onervare misdadigers die polisie vir so lank?

Jana Marx beantwoord dié en ander vrae in ’n waremisdaad-verhaal wat gelei het tot een van die opspraakwekkendste moordsake in die land se geskiedenis.

Met behulp van onderhoude uit diegene in die binnekring, hofgetuienis en polisiedossiere oor ’n tydperk van vier jaar poog Marx om die publiek se vrae te antwoord en ’n blik te gee op die binnewerkinge van só ’n kultus.

Holding My Breath is a candid, heart-breaking and very funny memoir of life in one of Johannesburg’s busiest emergency rooms. Biccard’s warmth and humanity shine through the often harrowing tale, creating an unputdownable, uplifting and inspiring book.

The first customer today reports that, the previous night, his right nipple had moved away from its usual location. He noticed its absence when he looked in the mirror and later found it in his armpit.

‘Wow,’ I say with a slight frown. I have never heard of a migrating nipple before. ‘Let’s have a look.’ I slide the door shut and motion to him to pull his T-shirt off.

‘Oh, it has moved back now,’ he says.

Equally skilled in different trades than in the art of love, the Italian prisoners-of-war (POWs) who were incarcerated in South Africa during the Second World War are a source of great fascination to this day.

The first Italian POWs arrived in the Union of South Africa in early 1941, most of them being held in Zonderwater Camp outside Cullinan or in work camps across the country. The government of Jan Smuts saw them as a source of cheap labour that would contribute to harvesting schemes, road-building projects such as the old Du Toit’s Kloof Pass between Paarl and Worcester and even to prickly-pear eradication schemes.

Prisoners of Jan Smuts recounts the stories of survival and shenanigans of the Italian POWs in the Union through the eyes of five prisoners who had documented their experiences in memoirs and letters. While many POWs seemed to appreciate the opportunities to gain new skills, others clung to the Fascist ideas they had grown up with and refused to work.

Many opted to remain in South Africa once the war had ended, forging quite a legacy. These included sculptor Edoardo Villa, who left an important mark in the local and international art world, and businessman Aurelio Gatti, who built an ice-cream empire whose gelato was to delight generations of South Africans.

In a telegram dated 29 April 1963, thirty-year-old Afrikaans poet Ingrid Jonker thanks André Brink, a young novelist of twenty-eight, for flowers and a letter he sent her. In the more than two hundred letters that followed this telegram, one of South African literature’s most famous love affairs unfolds. Jonker’s final letter to Brink is dated 18 April 1965. She drowned herself in the ocean at Three Anchor Bay three months later.

More than fifty years on, this poignant, often stormy relationship still grips readers’ imaginations.

In December 2014, three months before his death on 6 February 2015, André Brink offered these never-before-seen letters, as well as personal photographs, for publication.

Part literary history, part feminist historiography And Wrote My Story Anyway critically examines influential novels in English by eminent black female writers.

Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction critically interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society.

This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoe Wicomb, Rayda Jacobs, Yvette Christianse, Kagiso Lesego Molope and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects.

Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.

By the time Shana Fife is 25 she has two kids from different fathers. To the coloured people she grew up around, she is a jintoe, a jezebel, jas, a woman with mileage on the p*ssy. She is alone, she has no job and, as she is constantly reminded by her family, she is pretty much worthless and unloveable. How did she become this woman, the epitome of everything she was conditioned to strive not to be?

Unsettlingly honest and brutally blunt, Ougat is Shana Fife’s story of survival: of surviving the social conditioning of her Cape Flats community, of surviving sexual violence and depression, and of ultimately escaping a cycle of abuse. Exploring themes of sexuality, marriage and motherhood, rape, drugs and depression and cultural identity, Shana describes – with the self-deprecating humour her followers love so much – what it means to be a coloured woman, who gives coloured womanhood meaning and, ultimately, how surviving life as a coloured woman means being OK with giving a giant ‘f*ck you’ to the norm.

A powerful, fresh and disarming new voice – Shana’s writing is like nothing you’ve read before.

Mzuzephi Mathebula, also known as Jan Note and later as Nongoloza, founded the Umkhosi Wezi-ntaba (Regiment of the Hills), forerunner of the notorious "28" gang. He became known as the King of Nineveh, a man who sought social justice, paradoxically, through antisocial means. Nongoloza's story is also the story of South Africa's violent and racially accentuated past and, to an extent, provides clarification for the criminality that afflicts the present-day society.

Nongoloza Mathebula’s life is a poignant illustration of how political circumstances affect lives and how those lives encourage myths, setting in motion a spiral of events that eventually neither politics nor people have any control over. Van Onselen’s insightful biography tells the story of how a young man became a hardened criminal as the result of a minor incident.

Nongoloza Mathebula’s life is a poignant illustration of how political circumstances affect lives and how those lives encourage myths, setting in motion a spiral of events that eventually neither politics nor people have any control over.

When Robert and Michael, a pair of starry-eyed twins see a Boeing 707 at an airport in the mid-1960s, it’s love at first sight.

But who's going to one day pay for their dream to work in aviation? This is apartheid South Africa. Coloured boys can't eat alongside white people, let alone jet off to Paris and study aeronautical engineering!

But in high school they discover an unlikely aptitude for French. Armed with scholarships, they head off to Paris and their once ordinary lives are changed forever.

On the face of it, life looks good for Sara-Jayne. She’s a popular radio personality, a bestselling author and she’s recently been reunited with her long-lost father, nearly 40 years after she was given up for adoption as a baby. Best of all, she’s just found out she’s about to become a mother, with Enver, the ‘love of her life’.

She's convinced that she’s finally heading towards her "happily ever after". But six weeks after discovering she’s pregnant, Enver relapses on heroin and disappears, leaving Sara-Jayne devastated. She checks into The Clinic, where despite the little life growing inside her, she realises she’s never felt more alone.

In her much-anticipated follow up to the bestseller Killing Karoline, Sara-Jayne is now forced, for the sake of her unborn child, to find a way to save herself. But first she has to unravel why everyone always leaves her. Why like that song she's always looking for love in all the wrong places? And why she is so obsessed with mad, bad love?

Nelson Mandela is one of the great moral and political leaders of our time: an international hero whose lifelong dedication to the fight against racial oppression in South Africa won him the Nobel Peace Prize and the presidency of his country.

Since his triumphant release in 1990 from more than a quarter-century of imprisonment, Mandela has been at the center of the most compelling and inspiring political drama in the world. As president of the African National Congress and head of South Africa's antiapartheid movement, he was instrumental in moving the nation toward multiracial government and majority rule. He is revered everywhere as a vital force in the fight for human rights and racial equality.

Long Walk To Freedom is his moving autobiography, in which he tells the extraordinary story of his life - an epic of struggle, setback, renewed hope, and ultimate triumph!

Lebogang Seale has written a personal and poignant account of the impact of South Africa’s failing and flailing land reform policy on ordinary people desperate for restorative justice.

One Hundred Years of Dispossession shows not only that land reform in South Africa is a criminal failure and monumental disappointment, but more than that, it is a betrayal that punishes the affected communities whose quest for justice remains denied.

A searing and brave memoir chronicling the author’s resilience, compassion and growth as she moves from a childhood of trauma, through the challenges of dealing with the early loss of her beloved husband and becoming a single parent as well as subsequently accompanying her child on a difficult journey of self-discovery, to a life of acceptance and forgiveness.

Thobeka Yose confronts the taboos surrounding mental health, abuse, betrayal and sexual identity with fearless honesty, kindness and understanding that will inspire countless others.