When Lauren Segal receives a call from her husband one wintry morning in 2014, the furthest thing from her mind is her biopsy results. For two years she’s been living a cancer-free existence after a double mastectomy that has put her in the clear. The call shatters the foundation of her world – the lump she thought was scar tissue is malignant. Her cancer is back.

Cancer: A Love Story is the intimately searing memoir of a four-time cancer survivor. The book magnificently tracks Lauren’s journey to come to terms with the untold challenges of facing the dreaded disease. Forced to face her needle phobia, the author leads the reader into her crumbling world as she confronts the terrors of treatment – from debilitating chemo to nuking radiation. Death is her uninvited companion.

But in the midst of her lonely horror, in a quest for deeper meaning, Lauren discovers the unexpected gift of awareness of unanticipated opportunities that cancer presents – to confront her unmasked humanity – her fears, strengths and weaknesses.

“Throughout my arduous journey into the world of cancer, I have discovered that proximity to death brings with it a new proximity to life. I have learned that luck and unluck, happiness and distress, hope and despair are tightly coiled into a life well lived.” Lauren’s story removes the enormous stigma that still surrounds breast cancer; it tackles the deep fear surrounding diagnoses and treatment and it encourages us to take control of our health. It ultimately triumphs by showing the reader how a person in any unwanted life situation can come out on the other side. The book also provides vital insights for professionals involved in the care of cancer patients and a hugely informative section on chemo tips for those undergoing treatment.

Joe Modise (1929-2001), a Sophiatown bus driver-turned freedom fighter, was a humble man who tended to avoid the limelight. A protege of the Mandela leadership in the 1950s mass struggle, he was one of the youngest among that decade’s Treason Trial, and was a senior commander of Umkhonto we Sizwe (MK) from its inception, facing danger and privation most of his adult life. Modise served with acclaim as democratic South Africa’s first Minister of Defence and won the loyalty of his former enemy when many thought the country could be plunged into civil war or held to ransom by old-order apartheid generals. The fact that Nelson Mandela and Oliver Tambo selected him for key positions over five decades of exacting struggle testifies to their sustained confidence in him. This fact alone belies the impression some might have that he was an amoral warlord. As a government minister, he led a modest lifestyle and did not die a wealthy man.

This book interlinks frank and engaging interviews with family and friends, comrades­ in-arms and former adversaries. Those who knew him reveal a warm human being and provide endearing insights into who Modise really was.

As a soldier, statesman and leader, he has left behind an astonishing legacy that deserves to be widely known.

A highly readable, dramatic story of a colourful South African journey in politics lasting over 50 years, from anti-apartheid protester to Right Honourable Lord, from Pretoria childhood to senior British Cabinet Minister.

A Pretoria Boy begins with the story of how Peter Hain’s journey came full circle when he used parliamentary privilege in 2017–18 to expose looting and money laundering, supplied with the ammunition by his ‘deep throat’ inside the Zuma State. In so doing, he put South Africa’s state capture and corruption on the front pages of the New York Times and Financial Times, which some suggest played a part in Zuma’s toppling. Going back to an anti-apartheid childhood in Pretoria in the late 1950s and early 1960s, there are vivid descriptions of his parents’ arrest, banning, harassment, helping an escaped political prisoner, the hanging of a close white family friend, and enforced exile to London in 1966 after the government prohibited his architect father from working.

It tells of how, at aged 19, Hain organised and led militant anti-Springbok demonstrations in exile in London in 1969–1970, for which he was denounced by the South African media as ‘Public Enemy Number One’. It is about how he narrowly escaped jail after a South African government-financed prosecution landed him in the Old Bailey in 1972 for conspiracy to disrupt those all-white South African sports tours and, then in 1975, how he was framed for a bank theft committed by an apartheid security agent. His return to South Africa came first on a secret mission in December 1989, then as a parliamentary observer during the 1994 elections.

The book ends with his perspective on the country’s future.

These essays bring to life many facets of Magona’s personal history, her deepest convictions, love for her country and belief in her ability to activate change. They are a meaningful supplement to her fictional works, while offering insightful responses to the conditions that inspired them.

Sindiwe Magona is a celebrated South African writer, storyteller and motivational speaker known mainly for her autobiographies, biographies, novels, short stories, poetry and children’s books. I Write the Yawning Void is a collection of essays that highlight her engagement with writing that span the transition from apartheid to the post-apartheid period and addresses themes such as HIV/Aids, language and culture, home and belonging.

Magona worked as a teacher, domestic worker and spent two decades working for the United Nations in the United States of America. She has received many awards for her fearless writing ‘truth to power’. Her written work is often informed by her lived experience of being a black woman resisting subjugation and poverty.

These essays bring to life many facets of Magona’s personal history as well as her deepest convictions, her love for her country and despair at the problems that continue to plague it, and her belief in her ability to activate change. They demonstrate Magona’s engaging storytelling and mastery of the essay form which serve as meaningful supplements to her fictional works, while simultaneously offering insightful responses to the conditions that inspired them.

Joey Evans has always loved bikes, from his first second-hand Raleigh Strika at the age of six to the powerful off-road machines that became his passion later on in his life. His dream was one day to ride the most gruelling off-road race in the world, the 9000km Dakar Rally. In 2007 his dream was shattered when he broke his back in a racing accident. His spinal cord was crushed, leaving him paralysed from just below his chest. Doctors gave him a 10 per cent chance of ever walking again. Many would have given up and become resigned to life in a wheelchair, but not Joey Evans.

Not only would he get back on his feet and walk, but he would also keep his Dakar dream alive. It was a long and painful road to recovery, involving years of intensive rehabilitation and training, but he had the love and support of both family and friends and an incredible amount of determination. Joey shares the many challenges he and his family faced, relating the setbacks, as well as successes, along the way to the Dakar start line. But the start line was only the first goal – his sights were set on reaching the finish line, which he did in 2017 – the only South African to do so.

From Para To Dakar is so much more than the story of one man reaching the Dakar finish line. It is a story of friendship and respect, compassion and kindness. It is about defying the odds to reach a dream, it is about grit, endurance and raw courage, and it is inspiring in its true heroism.

By the time Shana Fife is 25 she has two kids from different fathers. To the coloured people she grew up around, she is a jintoe, a jezebel, jas, a woman with mileage on the p*ssy. She is alone, she has no job and, as she is constantly reminded by her family, she is pretty much worthless and unloveable. How did she become this woman, the epitome of everything she was conditioned to strive not to be?

Unsettlingly honest and brutally blunt, Ougat is Shana Fife’s story of survival: of surviving the social conditioning of her Cape Flats community, of surviving sexual violence and depression, and of ultimately escaping a cycle of abuse. Exploring themes of sexuality, marriage and motherhood, rape, drugs and depression and cultural identity, Shana describes – with the self-deprecating humour her followers love so much – what it means to be a coloured woman, who gives coloured womanhood meaning and, ultimately, how surviving life as a coloured woman means being OK with giving a giant ‘f*ck you’ to the norm.

A powerful, fresh and disarming new voice – Shana’s writing is like nothing you’ve read before.

Hierdie biografie van Marius Weyers deur sy vriend en mede-akteur Chris Vorster is ‘n nodige blik op die omvangryke loopbaan van ‘n Afrikaanse teaterlegende en ikoon.

Hy is in 2021 vereer deur die SA Akademie vir sy uitsonderlike bydrae tot rolprent en TV-kuns.

Daarna het hy aangekondig dat hy aftree ná 55 jaar in die bedryf en klaar is met toneelspel.

Nolitha Fakude grew up as a shopkeeper’s daughter in the Eastern Cape, studied at the University of FortHare and then entered the workplace in 1990 as a graduate trainee at Woolworths. Subsequently, she has worked in very senior positions at some major blue-chip companies, including Woolworths, Nedbank and Sasol. She was also managing director and then president of the Black Management Forum (BMF).

Over a career spanning 29 years, Nolitha spearheaded programmes that ensure the development of women and marginalised communities in the workplace and society. A passionate advocate for diversity and inclusion, she has earned a well-deserved reputation as a corporate activist.

Nolitha is held in high regard within business circles and serves on numerous boards including the JSE Limited, Anglo American plc and Afrox Limited. Although Boardroom Dancing is her personal journey, it is also a lesson for South Africans committed to the transformation of boardrooms and the economy, and for women looking for role models as they climb corporate ladders and become thought-leaders

Nolitha Fakude was born in Cenyu a small village in the Eastern Cape outside Stutterheim and worked her way up from the shopfloor as a Graduate Trainee at Woolworths to become one of South Africa’s most respected and successful black business women. Nolitha is a humble leader who is widely respected as a pioneer who was at the forefront of transformation strategy, both within the companies she worked for and as a leader at the Black Management Forum where she worked with business, government and unions to drive change in South Africa.

As a young journalist, roped into court reporting to cover Jacob Zuma’s 2006 rape trial, Karyn Maughan could not have known that she would be reporting on Zuma’s legal woes for the next two decades – and would herself become his target. Disarmingly honest and deeply personal, this book takes a razor-sharp look at how powerful men use attacks on individuals who try to hold them accountable, as well as on the media and the courts, to undermine democracy.

Adriaan Basson says: 'Brave and brilliant. Jacob Zuma found his match in Karyn Maughan.'

Memoirs of a much-loved teacher and legendary headmaster of Pretoria Boys High.

Bill Schroder is the stuff teaching legends are made of. He was strict, yet kind; firm and consistent, yet creative and playful when needed. He knew the magical mix of discipline and care needed to ensure the loyalty of his students. In this warm-hearted, inspiring and often funny memoir, Schroder looks back on four decades as an English and Latin teacher and, later, headmaster, including 19 years at Pretoria Boys High.

His holistic approach to teaching earned him the respect of both teachers and students. Teaching is not only about conveying knowledge, he believed, but also about looking after the emotional needs of students. For Schroder, the institution was never more important than the individual – he always put his students first. As a headmaster he became known for doing things his own way. He gave students a voice where others wanted to silence them, he found creative ways to turn problem schools around and never allowed departmental admin to get in the way of teaching. In the early 1990s when schools were opened to all races, Pretoria Boys High under him played a leading role in transforming their school. In his retirement he also served as a consultant and a mentor to a school in a Pretoria township.

Here is a teacher who left an indelible mark on thousands of pupils from Cape Town to Pretoria.

Once the owner of a diamond mine, a wine farm and the most expensive house in Cape Town.

Former chairman of South Africa’s largest retailer, director of the Reserve Bank and the richest man in the country. As a young man, Christo Wiese cut his teeth at Pep Stores. Over the years he built a mighty business empire, which included Shoprite and a number of other enterprises. His recipe for success: an endless love for cutting deals, a fearless appetite for risk and a keen eye for a bargain. This man of great charm has never been afraid of sailing close to the wind. Over the course of 50 years these calculated risks paid off, making him one of the most successful businessmen of his generation – until he encountered the furniture group Steinhoff, and things went awry. Business journalist and writer TJ Strydom tells the story of one of South Africa’s best-known business giants in a fresh, engaging way.

‘A fabulous, sweeping adventure read – almost a thriller – that chronicles the rags to riches rise of yet another giant of Afrikaner capitalism.’ – Peter Bruce

So lyk ’n vrou, Ilse Verster se hartroerende verhaal oor Esli se lewe van mishandeling deur ’n gewelddadige eggenoot, het lesers in 2022 geskok en aangegryp. ’n Vrou staan op is die vervolg op die blitsverkoper en vertel van die nuwe hoofstuk in Esli se lewe.

Ná ’n uitmergelende egskeiding wat haar finansieel byna ruïneer, reis Esli Kaap toe om perspektief te kry op ’n lewe waar sy nie meer ’n slagoffer is nie. Dan gebeur daar ’n wonderwerk. Sy ontmoet iemand en hulle besluit om te trou. Uiteindelik is die geluk, vrede en veiligheid waarna sy haar lewe lank gehunker het, vir Esli beskore.

Máár haar stryd is nog lank nie verby nie. Post-traumatiese stres, ’n vreemde omgewing en nuwe verhoudings bring onverwagse uitdagings. Ook baie vrae, soos: Hoe kan ’n mens gelukkig wees, maar steeds huil? Die ongekende blootstelling wat tydens boekbekendstellings, praatjies en mediaonderhoude volg op die sukses van So lyk ’n vrou, maak dinge ook nie makliker nie. Esli kan haar nie volledig losmaak van die verlede nie, want almal stel moeilike vrae. Terselfdertyd moet sy ander slagoffers van narsisme moed inpraat.

In ’n Vrou staan op deel die skrywer haar ervarings van die moets en moenies in die proses na heelwording. Want om ’n oorwinnaar te wees, verg ook moed, deursettingsvermoë en ’n sekure instink vir oplossings wat wérk.

Parcel of Death recounts the little-told life story of Onkgopotse Abram Tiro, the first South African freedom fighter the apartheid regime pursued beyond the country’s borders to assassinate with a parcel bomb.

On 29 April 1972, Tiro made one of the most consequential revolutionary addresses in South African history. Dubbed the Turfloop Testimony, Tiro’s anti-apartheid speech saw him and many of his fellow student activists expelled, igniting a series of strikes in tertiary institutions across the country. By the time he went into exile in Botswana, Tiro was president of the Southern African Student Movement (SASM), permanent organiser of the South African Student Organisation (SASO) and a leading Black Consciousness proponent, hailed by many as the ‘godfather’ of the June 1976 uprisings.

Parcel of Death uses extensive and exclusive interviews to highlight significant influences and periods in Tiro’s life, including the lessons learned from his rural upbringing in Dinokana, Zeerust, the time he spent working on a manganese mine, his role as a teacher and the impact of his faith in shaping his outlook. It is a compelling portrait of Tiro’s story and its lasting significance in South Africa’s history.

‘A biography of Onkgopotse Tiro, who was at once a catalyst and an active change agent in the South African struggle for freedom, is long overdue. For generations to come, this book will be a source of valuable information and inspiration.’ – MOSIBUDI MANGENA

In this captivating collection of essays, Tinyiko Maluleke invites his readers on a journey that begins with his eventful boyhood in Soweto and his life-changing sojourn in Limpopo. His reflections on the roles of his mother, maternal grandmother and aunts in his upbringing will melt many hearts. In a deep sense of the word, this is a ‘feminist’ book with large sections profiling and promoting the contribution of women in national development.

Included in this memoir is the story of Maluleke’s journey through academia, his rise through the ranks, and the many lessons he learnt along the way. All the while, Maluleke presents his story as a microcosm of the human story of all South Africans, challenging his readers to rethink the history of the country, villages, townships and their own selves.

Maluleke does not pull any punches in the essays where he provides analysis of critical issues facing the country. Deploying solid scholarship, to undergird a variety of literary genres and writing strategies, Maluleke’s book is also a compendium of and an ode to the moments, places and people – celebrated and ordinary – who have shaped and continue to shape his outlook. His profiling of a few fellow university leaders is particularly riveting.

Faces and Phases of Resilience will make you think, laugh, yell and cry. In a way, this book is not merely an individual memoir, it is the memoir of a country, a memoir of a historical epoch and a memoir of a people – it is an invitation to the tragedy, the beauty and the hope that define South Africa.

The book ends, forty-nine chapters later, with a heart-rending essay on the bane of xenophobia, foretelling the death of Maluleke, chillingly titled, ‘The Day I Die’.

Every now and then a book comes along that is both timely and remarkable, that integrates all aspects of life; from recognising one’s roots, developing a moral grounding, building from strong family foundations to follow a chosen path to reach one’s goals, and remaining humble when it all comes to pass.

Time and Chance is an account, in a variety of contrasting images, voices and experiences gained from travelling the world in pursuit of business, where LAZARUS ZIM, industrious Broad-Based Black Economic Empowerment (B-BBEE) enthusiast, recounts his journey to become one of South Africa’s business leaders, with several firsts, while navigating the political minefield – disclosing descriptions of behind-the-scenes intrigue and conspiracy – and his interactions with Heads of State in South Africa and around the globe.

The recounting of Zim’s extraordinary rise to success oscillates between hope, faith, ethics, and diligence as he lays bare his successes and failures, and the organic wisdom, knowledge, and wit that have framed his business acumen and moral grounding.

It is a poignant reminder of a black child’s quest to fulfil his purpose in which the writer dares everyone to dream, even in the face of hopelessness.

Luthando Dyasop’s memoir starts with an account of his young life as a black artist in apartheid South Africa. He eventually joins uMkhonto we Sizwe, the banned ANC’s military wing.

Soon he falls out of favour with the powers that be and is sent to the Quatro detention centre. After years of torture, he is eventually released, when he begins his battle for vindication.

Out of Quatro is a story not only about Dyasop’s extraordinary life, but also about a tumultuous time in ANC history.

Hermann Giliomee, pre-eminent South African historian, dissects the forces that shaped the Afrikaners into an unusual ‘maverick African’ nation.

He analyses long-term forces like the powerful legal position of Afrikaner women, the expanding frontier, and the struggles about race inside the church, along with more recent political history.

A charming, moving account of one man's race to save a herd of elephants.

When South African conservationist Lawrence Anthony was asked to accept a herd of 'rogue' elephants on his Thula Thula game reserve in Zululand, his common sense told him to refuse. But he was the herd's last chance of survival - dangerous and unpredictable, they would be killed if Anthony wouldn't take them in.

As Anthony risked his life to create a bond with the troubled elephants and persuade them to stay on his reserve, he came to realize what a special family they were, from the wise matriarch Nana, who guided the herd, to her warrior sister Frankie, always ready to see off any threat, and their children who fought so hard to survive.

With unforgettable characters and exotic wildlife, this is an enthralling book that will appeal to animal lovers and adventurous souls everywhere.

This is a memoir about the life of an extraordinary South African poet, educator, and activist that tells a lesser-known social history of people, families, communities and places.

Poli Poli is intentional in grounding Masekela’s experiences in a social history of the country over generations. Masekela uses her life story to illustrate the features and characteristics that typified life in particular places, like Kwa-Guqa in the 1940s, Johannesburg, Alexandra Township, and Inanda Seminary School (for Coloured girls) in Mpumalanga.

This memoir is filled with intimate details about the growing pains of a childhood inhibited by strict beliefs and systems, first-hand experiences of struggle and sacrifice, violence and other forms of inhumanity and the deep scars they etch, while also telling the story of the author’s life-giving relationship with her siblings. Poli Poli is a remarkable history that speaks to issues of then and now – belonging, African identity, women’s rights, and femininity, and is written in the lyricism and transporting detail of one of the country’s greatest wordsmiths.

We Two from Heaven is a singular memoir, a four-part fugue on the tricks and traps of memory, a shuffling of the cards of time. Episodes from the early life of writer James Whyle are interwoven with the letters of his father from the Western Front during the First World War. Their formative experiences – war, conscription, injury, desertion – flash by, juxtaposed, as if in counterpoint.

How do we know who we are? Upending the reader’s expectations of a memoir, Whyle then explores the violence and madness of apartheid society as the narrator passes through boarding school and university and takes his first steps to become a writer. Raw and rhythmic, lyrical and caustic, this is an unsparing, formally inventive dissection of human vanities and illusions.

At the end of history, on the shores of a blue bay, the voices of the past can be heard as we await the arrival of the barbarians – or the baboons, whoever comes first.

Frank Rautenbach left South Africa for Los Angeles with stars in his eyes. After having great success with Egoli, 7de laan and movies like Faith like Potatoes and The Bang-Bang Club he thought the world was his oyster.

After years of trying and driving more than 10 000 kilometres to one failed audition after the other Frank had to find a job - a proper job that could put food on his table. He ended up driving a taxi in Los Angeles, just to lose that job too.

Eventually became the church's janitor.

But Frank felt betrayed - God promised him a life of abundance - why hasn't he received it yet? Frank felt like all God’s promises had come to nothing; he felt angry and embarrassed.

Frank had to learn that he couldn't ask God to make all this dreams come true, he is in God's service, not the other way around. Life is not about him, it is about God.

Meet Daisy De Melker, who 'lovingly' prepared a flask of strychnine-laced coffee for her son. She is very different from Najwa Petersen, who carefully planned a 'house robbery' to eliminate her musician husband. Chané van Heerden placed her victim's facial skin in the freezer for preservation, yet Phoenix Racing Cloud Theron wished to dispose of her mother's body before it was even cold. And Dina Rodrigues? She 'wouldn't harm a fly' - but then went and organised a hit on a baby.

Women are not paragons of virtue who cannot commit murder. Nor are they always insane when they do deliberately cause death. And the women with 'blood on their hands' are not homogeneous.

In Blood on Her Hands, award-winning journalist Tanya Farber investigates the lives, minds and motivations of some of South Africa's most notorious female murders, from the poisonous nurse Daisy de Melker, to the privileged but deeply disturbed Najwa Petersen, to the mysterious Joey Haarhoff, who died before revealing the fate of her victims. Written in a style lighter than the subject matter might suggest, Blood on Her Hands will keep you reading until late at night.

In The Eight Zulu Kings, well-respected and widely published historian John Laband examines the reigns of the eight Zulu kings from 1816 to the present.

Starting with King Shaka, the renowned founder of the Zulu kingdom, he charts the lives of the kings Dingane, Mpande, Cetshwayo, Dinuzulu, Solomon and Cyprian, to today’s King Goodwill Zwelithini whose role is little more than ceremonial.

In the course of this investigation Laband places the Zulu monarchy in the context of African kingship and tracks and analyses the trajectory of the Zulu kings from independent and powerful pre-colonial African rulers to largely powerless traditionalist figures in post-apartheid South Africa.

One of the most celebrated political leaders of our time, Nelson Mandela has been written about by many biographers and historians. But in one crucial area, his life remains largely untold: his marriage to Winnie Madikizela-Mandela.

During his years in prison, Nelson grew ever more in love with an idealised version of his wife, courting her in his letters as if they were young lovers frozen in time. But Winnie, every bit his political equal, found herself increasingly estranged from her jailed husband’s politics. Behind his back, she was trying to orchestrate an armed seizure of power, a path he feared would lead to an endless war.

Jonny Steinberg tells the tale of this unique marriage – its longings, its obsessions, its deceits – making South African history a page-turning political biography. Winnie and Nelson is a modern epic in which trauma doesn’t affect just the couple at its centre, but an entire nation.

It is also a Shakespearean drama in which bonds of love and commitment mingle with timeless questions of revolution, such as whether to seek retribution or a negotiated peace. Steinberg reveals, with power and tender emotional insight, how far these forever-entwined leaders would go for each other and where they drew the line. For in the end, both knew theirs was not simply a marriage, but a struggle to define anti-apartheid policy itself.

With a racing career spanning more than four decades, coming second is never an option for Peter Lindenberg. Troubled by a lack of self-confidence, Peter’s ‘average’ childhood saw a bitter parent who doubted his abilities, a demanding school system that forced him to fit the mould, a younger brother who was better at everything, and brutal, undeserved beatings with a sjambok. But when Peter tasted the buzz of barefoot water-skiing he found it impossible to resist, and went on to break records, earn numerous Springbok Colours, and win many world championships. This, however, was just the start.

Little did Peter know the sporting magic that would follow in his life – first as a powerboat racer and then as a race car driver. Despite counting on pins and metal to hold his battered body intact, being arrested unjustly, a serious motor racing accident with his car going up in flames, and a brain haemorrhage, Peter keeps going flat out and quickly ranks on the international championship charts, cheats death twice, and presses the reset button to positively influence a failed marriage.

Flat Out and Fearless is Peter’s cut-to-the-chase life journey that has rendered him one bionic man who is proud of his blatant honesty and his courageous quest to uplift and transform the lives of the downtrodden.