So lyk ’n vrou, Ilse Verster se hartroerende verhaal oor Esli se lewe van mishandeling deur ’n gewelddadige eggenoot, het lesers in 2022 geskok en aangegryp. ’n Vrou staan op is die vervolg op die blitsverkoper en vertel van die nuwe hoofstuk in Esli se lewe.

Ná ’n uitmergelende egskeiding wat haar finansieel byna ruïneer, reis Esli Kaap toe om perspektief te kry op ’n lewe waar sy nie meer ’n slagoffer is nie. Dan gebeur daar ’n wonderwerk. Sy ontmoet iemand en hulle besluit om te trou. Uiteindelik is die geluk, vrede en veiligheid waarna sy haar lewe lank gehunker het, vir Esli beskore.

Máár haar stryd is nog lank nie verby nie. Post-traumatiese stres, ’n vreemde omgewing en nuwe verhoudings bring onverwagse uitdagings. Ook baie vrae, soos: Hoe kan ’n mens gelukkig wees, maar steeds huil? Die ongekende blootstelling wat tydens boekbekendstellings, praatjies en mediaonderhoude volg op die sukses van So lyk ’n vrou, maak dinge ook nie makliker nie. Esli kan haar nie volledig losmaak van die verlede nie, want almal stel moeilike vrae. Terselfdertyd moet sy ander slagoffers van narsisme moed inpraat.

In ’n Vrou staan op deel die skrywer haar ervarings van die moets en moenies in die proses na heelwording. Want om ’n oorwinnaar te wees, verg ook moed, deursettingsvermoë en ’n sekure instink vir oplossings wat wérk.

Frank Rautenbach left South Africa for Los Angeles with stars in his eyes. After having great success with Egoli, 7de laan and movies like Faith like Potatoes and The Bang-Bang Club he thought the world was his oyster.

After years of trying and driving more than 10 000 kilometres to one failed audition after the other Frank had to find a job - a proper job that could put food on his table. He ended up driving a taxi in Los Angeles, just to lose that job too.

Eventually became the church's janitor.

But Frank felt betrayed - God promised him a life of abundance - why hasn't he received it yet? Frank felt like all God’s promises had come to nothing; he felt angry and embarrassed.

Frank had to learn that he couldn't ask God to make all this dreams come true, he is in God's service, not the other way around. Life is not about him, it is about God.

In The Eight Zulu Kings, well-respected and widely published historian John Laband examines the reigns of the eight Zulu kings from 1816 to the present.

Starting with King Shaka, the renowned founder of the Zulu kingdom, he charts the lives of the kings Dingane, Mpande, Cetshwayo, Dinuzulu, Solomon and Cyprian, to today’s King Goodwill Zwelithini whose role is little more than ceremonial.

In the course of this investigation Laband places the Zulu monarchy in the context of African kingship and tracks and analyses the trajectory of the Zulu kings from independent and powerful pre-colonial African rulers to largely powerless traditionalist figures in post-apartheid South Africa.

From Daveyton to Davos, Professor Bonang Francis Mohale has defied odds, challenged the status quo and used every opportunity afforded to him to carve his own way in the world. More than that, he has chosen to take as many people as possible along with him.

Having already written two books on business, leadership and ethics, he now puts pen to paper to share a more personal story – his own life journey.

In Coming in From the Cold Bonang reflects on the experiences, decisions, principles and people that have shaped his journey – the good, the bad, the joyful and the painful. With thoughtful vulnerability, he opens a window into his private world, from a childhood enriched by his grandmother’s proverbs to meeting Susan, his lifelong love, in high school and marrying her at just 17.

For the first time, he shares openly and publicly his philosophies on family and parenting, the intense fear of poverty that fuelled his career ambitions, and the memories he holds most dear. As he reflects on the forks in the road that led to a level of success unimaginable to a young boy from the township outskirts of Benoni, he also offers pearls of wisdom to those who wish to learn from his legacy.

Maria is a young woman raised as a Jehovah’s Witness in South Africa, and this book documents her experiences of gender victimisation, sexual abuse and cover-ups within the church, as well as her eventual ‘escape’ from its doctrines and control. Maria’s freedom came at a price, however – she can never see her mother and sister again.

A worldwide, Christian-based religious group that professes an unparalleled dedication to Jehovah (God), the Jehovah’s Witnesses have a strong sense of community and appear to embrace a disciplined yet loving way of life with the promise of eternal salvation for those who follow the way of Jehovah. It is a seemingly benign religious movement, claiming to be politically neutral, racially and ethnically transcendent, with a membership of eight million people worldwide. Yet, at its core, many former Witnesses claim that it is a fear-based doomsday cult that considers itself above all other belief systems.

Allegations of secular, cultish behaviour, homophobia, money laundering, brainwashing and countless accusations of institutionalised sexual abuse abound. It seems that membership is managed and retained mostly by way of information control and manipulation, extending to the shunning of higher education and preaching their own version of the Bible.

Entering the church is easy, but leaving it can be a matter of life or death, as Maria and countless others discovered...

Duduza. Bopha. Imbiza. Phapha. Asixoliseni. Amapopeye . . . What is the power of a single word?

Six days a week, advertising creative Melusi Tshabalala posts a Zulu word on his Everyday Zulu Facebook page and tells a story about it. His off-beat sense of humour, razor-sharp social observations and frank political commentary not only teaches his followers isiZulu but also offer insight into the world Melusi inhabits as a 21st century Zulu man.

Over the past few months he has built up a big and a loyal following that include radio host Jenny Crwys-Williams and Afrikaans author Marita van der Vyfer. He pokes fun at our differences and makes us laugh at ourselves and each other.

Melusi asks critical questions of everyone, from Aunty Helen, Dudu-Zille to Silili (Cyril Ramaphosa) and even Woolworths (why are their aircons always set on ‘jou moer’?). His fans love him for his honesty and commitment to pointing out subtle and overt forms of prejudice and racism.

Melusi’s Everyday Zulu holds up a mirror that shows South African society in all its flaws and its sheer humanity. Most importantly, he shows the power of words and that there’s umzulu in all of us!

In Troep! vertel meer as ’n honderd oud-troepe wat hulle onthou van diensplig: om op skool opgeroep te word, te gaan oorlog maak en twee jaar later weer huis toe te kom. Tussenin lê stories van varkpanne, tiekiebokse, twee-komma-viers, boeliebief, die DB, ryloop, pakkies, bosbussies, naweekpas, ratpacks, stof, Buffels, landmyne en skrapnel – en ook herinneringe van vriende, seuns en broers wat nie teruggekom het nie.

Bun Booyens voeg al hierdie stemme saam tot die verhaal van die uitsonderlike dinge wat duisende gewone seuns beleef het. Hierdie stories sal ’n snaar by veterane roer, en hul naastes help om te verstaan watter dinge hierdie mense vandag steeds met hulle saamdra – dit wat hulle onthou, maar ook dit wat hulle nie kan vergeet nie.

Luthando Dyasop’s memoir starts with an account of his young life as a black artist in apartheid South Africa. He eventually joins uMkhonto we Sizwe, the banned ANC’s military wing.

Soon he falls out of favour with the powers that be and is sent to the Quatro detention centre. After years of torture, he is eventually released, when he begins his battle for vindication.

Out of Quatro is a story not only about Dyasop’s extraordinary life, but also about a tumultuous time in ANC history.

As a child I would often lie awake at night, praying that through some miracle I would be woken up by people who had come to take me back to my rightful family, and that those I had come to know as my parents would tell me the truth: that I was, in fact, adopted and had been born a girl and they had had a doctor operate on me.’

Growing up as Kgositsile, meaning ‘king’,  Tshiamo Modisane  always knew that she was a girl despite her assigned birth gender. This talented child of a pastor from KwaThema and Daveyton townships near Johannesburg was expected to conform to conservative black culture’s expectations for a male, and would endure censure and even abuse from family, friends, peers and strangers into adulthood. Yet Tshiamo began making courageous choices at the age of five, a journey of both self-doubt and self-belief that culminated in gender-affirmation surgery in her thirties. With sass, faith and baked-in confidence from her family ties to the entertainment world, she successfully transitioned from male to female while navigating a career as an actress, celebrity stylist and Lux’s first gender-non-conforming brand ambassador.

As admirable as it is affirming, this poignant memoir examines past hurts and present truths, and opens up a sorely needed discussion about unconditional acceptance.

Die verstommende storie van ’n sakelegende wat een van Afrika se welvarendste maatskappye uit niks opgebou het.

Anton Rupert was 'n Karooseun wat in die Depressie grootgeword het, en dit skaars kon bekostig om te gaan studeer, maar sy Rembrandt groep word uiteindelik ʼn wêreldleier in o.m. luukse goedere. Wat was Rupert se geheim? Rupert se oorspronklike sienings oor die skepping van werk en welvaart in ‘n sukkelende ekonomie is sy blywende nalatenskap met diepgaande lesse vir Suid-Afrika vandag. Sy storie is meer relevant as ooit.

Hier vertel die gesoute sakeskrywer Ebbe Dommisse die volle verhaal, vol kleur en anakdotes, in dié opgedateerde uitgawe van sy hoogaangeskrewe biografie van Rupert.

'It is through that choice of taking a resistance road, the one less travelled, that I got to experience a liberated life.'

Patric Tariq Mellet took his first steps on this road at the tender age of 8 and by 13, he engaged in his first consequential and difficult political act. He organised a fast in his high school to protest the killing of anti-apartheid cleric, Imam Abdullah Haron in detention. The match had been lit. Arbitrarily classified as 'white' despite his heritage and family, he was ordered to join the armed forces. He refused as he could not take up arms against his own people. Instead he heeded the call of OR Tambo and joined resistance as an MK in exile.

Mellet's autobiography demonstrates a spirit of innate and unbridled resistance, in small and major ways, that liberated Cleaner's Boy from an unpromising and tragic early life to a life of influence driven by a deep understanding of identity. A freedom fighter, a mystic and always a firebrand.

How the three independent asset managers Coronation, Allan Gray and Investec (later Ninety One) , dubbed the CIA, came to dominate and continue to dominate the South African asset management industry, particularly the pension fund market.

There are plenty of colourful big ego personalities such as Hendrik du Toit at Ninety One, Leon Campher at Coronation and the late Allan Gray plus kingmakers reshaping thr industry such as Patrice Motsepe.

Kaizer Nyatsumba, renowned journalist and commentator turned senior business executive, tells his remarkable story of transition and integrity. From his birth in poverty on a farm at White River in Mpumalanga, to his studies at the University of Zululand, Georgetown University in the United States and the University of Hull in the United Kingdom, becoming a journalist and newspaper editor, and finally a senior business executive on listed and non-listed companies in South Africa.

Janet Hodgson traces the life of Xhosa prophet Ntsikana (1780–1821) from his birth through his years as a Christian convert, evangelist, and composer of enduring hymns.

Ntsikana is known as one of the first Christians to adapt Christian ideas to African culture, writing hymns in isiXhosa and translating concepts into terms that resonated with his Xhosa community.

Even today, his hymns are among the most important in the amaXhosa churches, and he is regarded as an important symbol of both African unity and Black Consciousness.

Captain Jonathan Morris, the Confessor Cop, used empathy to extract confessions from even the toughest criminals. With a 99% success rate, his cases, from catching serial killer Jimmy Maketta to investigating the Sizzler’s Massacre, earned him the respect of prosecutors and profilers. In this memoir, Michael Behr explores Morris’s high-profile investigations and personal struggles, revealing the man behind the badge in a gripping blend of true crime and personal story.

Die tweede versameling van prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van die vroegste tye tot taamlik onlangs wat in die dagblad Beeld verskyn het.

Maak kennis met nog helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.

When working on the UNESCO Slave Route project in the early 2000s, Botlhale Tema discovered the extraordinary fact that her highly educated family from the farm Welgeval in the Pilanesberg had originated with two young men who had been child slaves in the midnineteenth century. She pieced together the fragments of information from relatives and members of the community, and scoured the archives to produce this book.

Land Of My Ancestors, previously published as The People Of Welgeval, tells the story of the two young men and their descendants, as they build a life for themselves on Welgeval. As they raise their families and take in people who have been dispossessed, we follow the births, deaths, adventures and joys of the farm’s inhabitants in their struggle to build a new community.

Set against the backdrop of slavery, colonialism, the Anglo-Boer War and the rise of apartheid, this is a fascinating and insightful retelling of history. It is an inspiring story about friendship and family, landownership and learning, and about how people transform themselves from victims to victors.

A new prologue and epilogue give more historical context to the narrative and tell the story of the land claim involving the farm, which happened after the book’s original publication.

In this captivating collection of essays, Tinyiko Maluleke invites his readers on a journey that begins with his eventful boyhood in Soweto and his life-changing sojourn in Limpopo. His reflections on the roles of his mother, maternal grandmother and aunts in his upbringing will melt many hearts. In a deep sense of the word, this is a ‘feminist’ book with large sections profiling and promoting the contribution of women in national development.

Included in this memoir is the story of Maluleke’s journey through academia, his rise through the ranks, and the many lessons he learnt along the way. All the while, Maluleke presents his story as a microcosm of the human story of all South Africans, challenging his readers to rethink the history of the country, villages, townships and their own selves.

Maluleke does not pull any punches in the essays where he provides analysis of critical issues facing the country. Deploying solid scholarship, to undergird a variety of literary genres and writing strategies, Maluleke’s book is also a compendium of and an ode to the moments, places and people – celebrated and ordinary – who have shaped and continue to shape his outlook. His profiling of a few fellow university leaders is particularly riveting.

Faces and Phases of Resilience will make you think, laugh, yell and cry. In a way, this book is not merely an individual memoir, it is the memoir of a country, a memoir of a historical epoch and a memoir of a people – it is an invitation to the tragedy, the beauty and the hope that define South Africa.

The book ends, forty-nine chapters later, with a heart-rending essay on the bane of xenophobia, foretelling the death of Maluleke, chillingly titled, ‘The Day I Die’.

Hier is dit nou! Riaan klim uit die TV-kas! Sy langverwagte outobiografie met die ware Riaan gaan elke mens laat regop sit.

Gou word die leser in hierdie kostelike, gemaklike en informatiewe biografie ingetrek, sodat jy later absoluut meegevoer word deur die welkome inligting. Dit voel eintlik asof jy vir ete by die Cruywagens genooi is en jy in 'n diep gemakstoel na daardie welluidende mooi stem sit en luister wat op 'n boertige en gesellige manier onthou. Hy bring al vir die afgelope 47 jaar vir ons die nuus in ons huis en lyk sowaar nog presies dieselfde. Vind uit hoekom hy die geloofwaardigste Suid-Afrikaner naas Nelson Mandela is. In hierdie boek wys ons jou wie Riaan werklik is. 'n Familieman wat ‘n passie het vir Afrikaans en wat mal is oor 'n goeie grap.

Hierdie boek gaan jou laat skater van die lag en jou hart laat warm klop na jy dit gelees het.

A quest is never what you expect it to be.

Elizabeth Madeline Martin spends her days in a retirement home in Cape Town, watching the pigeons and squirrels on the branch of a tree outside her window. Bedridden, her memory fading, she can recall her early childhood spent in a small wood-and-iron house in Blackridge on the outskirts of Pietermaritzburg. Though she remembers the place in detail – dogs, a mango tree, a stream – she has no idea of where exactly it is. ‘My memory is full of blotches,’ she tells her daughter Julia, ‘like ink left about and knocked over.’

Julia resolves to find the Blackridge house: with her mother lonely and confused, would this, perhaps, bring some measure of closure? A journey begins that traverses family history, forgotten documents, old photographs, and the maps that stake out a country’s troubled past – maps whose boundaries nature remains determined to resist. Kind strangers, willing to assist in the search, lead to unexpected discoveries of ancestors and wars and lullabies. Folded into this quest are the tender conversations between a daughter and a mother who does not have long to live.

Taken as one, The Blackridge House is a meditation on belonging, of the stories we tell of home and family, of the precarious footprint of life.

We Two from Heaven is a singular memoir, a four-part fugue on the tricks and traps of memory, a shuffling of the cards of time. Episodes from the early life of writer James Whyle are interwoven with the letters of his father from the Western Front during the First World War. Their formative experiences – war, conscription, injury, desertion – flash by, juxtaposed, as if in counterpoint.

How do we know who we are? Upending the reader’s expectations of a memoir, Whyle then explores the violence and madness of apartheid society as the narrator passes through boarding school and university and takes his first steps to become a writer. Raw and rhythmic, lyrical and caustic, this is an unsparing, formally inventive dissection of human vanities and illusions.

At the end of history, on the shores of a blue bay, the voices of the past can be heard as we await the arrival of the barbarians – or the baboons, whoever comes first.

This is the first full biography from childhood of the eminent British Architect Sir Herbert Baker. Written with the full cooperation of his family and with access to his archive and private papers, it gives an account of his remarkable life as the leading architect to the British Empire. From London, through the commemoration of the empire's war dead in France, via South Africa and Australia to India, he celebrated the might of an empire that once ruled a quarter of the world. He was an intimate friend of many of most fascinating men of his age, including Cecil Rhodes, Lawrence of Arabia, John Buchan, Jan Smuts and, of course, his fellow architect Sir Edwin Lutyens. After a Victorian architectural apprenticeship in London and on to becoming the most prolific architect of his age in South Africa, he built the new imperial capital of New Delhi in India with Lutyens, before returning to London. These built or rebuilt such landmark buildings as the Bank of England, South Africa House, India House, Rhodes House, and the stands for Lords Cricket Ground, as well as numerous churches and private houses.

A charming, moving account of one man's race to save a herd of elephants.

When South African conservationist Lawrence Anthony was asked to accept a herd of 'rogue' elephants on his Thula Thula game reserve in Zululand, his common sense told him to refuse. But he was the herd's last chance of survival - dangerous and unpredictable, they would be killed if Anthony wouldn't take them in.

As Anthony risked his life to create a bond with the troubled elephants and persuade them to stay on his reserve, he came to realize what a special family they were, from the wise matriarch Nana, who guided the herd, to her warrior sister Frankie, always ready to see off any threat, and their children who fought so hard to survive.

With unforgettable characters and exotic wildlife, this is an enthralling book that will appeal to animal lovers and adventurous souls everywhere.

Since the Zuma presidency weakened crime intelligence, violent crime surged, with murder rates rising over 75%. South Africa faces severe femicide, and most murderers evade justice. Prisons fail by perpetuating crime; harsher sentences do not help. Edwin Cameron, after visiting prisons, advocates for reform. Along with colleagues, he suggests abolishing minimum sentences, cash bail, and decriminalizing drug use to improve safety and justice.

Op die Spoorweg neem lesers mee in Suid-Afrika se lewendige spoorwegerfenis. Ontdek die ingenieurswonderwerke wat die moeilike terreine oorwin het en die lewendige spoorwegdorpe wat gemeenskappe onderhou.Williams skroom nie om die bitter werklikheid van rasseskeiding te bespreek nie. Hy balanseer vaardig die glans van die spoorweë teen die skerp waarhede.