Hack With A Grenade: An Editor's Backstories of SA News is a newspaper editor's perspective on the characters that shape South Africa's psyche.

The author, Gasant Abarder, is a journalist who worked in print, radio and television newsrooms in both Cape Town and Johannesburg for 21 years. Along the way, he encountered homeless people, reformed prison gangsters, struggle heroes, artists and sports personalities. In Hack With A Grenade, Abarder uses the stories of these characters to provide social commentary on issues like religion, prejudice and injustice - all with a healthy dose of humour.

It is a book about journalism but also about South African life. It is also a social commentary that begins to strip away our prejudices as South Africans and to shine a light on our common humanity.

Johannesburg was - and is - the Frontier of Money. Within months of its founding, the mining camp was host to organised crime: the African ‘Regiment of the Hills’ and ‘Irish Brigade’ bandits. Bars, brothels, boarding houses and hotels oozed testosterone and violence, and the use of fists and guns was commonplace.

Beyond the chaos were clear signs of another struggle, one to maintain control, honour and order within the emerging male and mining dominated culture. In the underworld, the dictum of ‘honour among thieves’, as well as a hatred of informers, testified to attempts at self-regulation. A ‘real man’ did not take advantage of an opponent by employing underhand tactics. It had to be a ‘fair fight’ if a man was to be respected.

This was the world that ‘One-armed Jack’ McLoughlin - brigand, soldier, sailor, mercenary, burglar, highwayman and safe-cracker – entered in the early 1890s to become Johannesburg’s most infamous ‘Irish’ anti-hero and social bandit. McLoughlin’s infatuation with George Stevenson prompted him to recruit the young Englishman into his gang of safe-crackers but ‘Stevo’ was a man with a past and primed for personal and professional betrayal. It was a deadly mixture.

Honour could only be retrieved through a Showdown at the Red Lion.

“Let us, then, set off together on a series of journeys around South Africa with an old kitbag full of books instead of maps to guide us. Let us follow meandering paths through the landscapes of literature, and celebrate how local authors, characters and readers are shaped and inspired by place …”

In this gripping travelogue, Justin Fox goes on a one-of-a-kind journey. Marrying his love for travel and writing, he sets off to explore the places of his favourite books. From the mountainous eastern Karoo of Olive Schreiner to the big-game lowveld of Sir Percy Fitzpatrick, from Deneys Reitz’s wide-open Cape interior to the bushveld of Eugène Marais’s Waterberg, Fox reveals the majestic power of place. Through the savannah of Herman Charles Bosman’s Marico, the dusty plains of JM Coetzee’s Moordenaars Karoo, the forests of Dalene Matthee’s Garden Route, the subtropical hamlets of Zakes Mda’s Wild Coast, and finally the sandstone crags of Stephen Watson’s Cederberg, he brings to life the settings we’ve only seen through characters’ eyes.

Place is a moving love letter to South Africa, merging literature and landscape, and taking the reader on a breath-taking journey – into the heart of South Africa’s spectacular landscape and the inner-worlds of its most celebrated authors.

Op skool was ôs gelee met patrone om cursive te skryf. En gelee tel sône om ôs vinges te gebryk. En kyk nou vi ôs, ôs met ôs nommes en somme wat meer veloorit as wat ôs ooit kan tel, ôs met ôs mooi handskrifte en nieman om voo te skryfie.

In haar verrykende memoir skryf Charmaine Africa op narratiewe wyse, en in Kaaps, oor haar grootwordjare in Bishop Lavis. Haar lewensverhaal, wat verras met humoristiese oomblikke, sentreer op die alledaagse bestaan van haar familie vanaf die 1960’s: haar ma, Amma, wat spartel om haar werk en gesin bymekaar te hou; haar alkoholis-pa; haar susters wat ook ’n verbete stryd in hul eie huwelike voer; haar broers wat uiteindelik voor die drankduiwel swig; en haar eie ontwikkeling as kind tot ’n jong vrou wat ’n onvermydelike siklus probeer veg.

Amma gee ’n stem aan die oorlewingstryd op die Kaapse Vlakte en ’n eerlike blik op die kringloop van kru armoede. Die vertelling is onopgesmuk, hartverskeurend en meesterlik.

Stefaans Coetzee se pa was ’n alkoholis. Toe hy ses was, het sy ma hom kafee toe gestuur. Met sy terugkoms was sy weg. Van kleins af moes Stefaans veg vir aanvaarding en liefde, by die huis en in die kinderhuis.

Sy storie begin in die Vrystaat, loop deur donker dade in Worcester, via verskeie tronke, tot op Klerksdorp. Dit is die verhaal van ’n seun wat die heel ergste sou doen, vir aanvaarding.

Dit is ook ’n verhaal van hoop, genade, en tweede kanse. Dit wys dat enigeen kan verander. Jy ook.

When Gail Gilbride is diagnosed with breast cancer, she experiences the full range of emotions. There’s disbelief, anger, confusion, fear, bargaining and, why, yes, indeed, of course she wants to talk to the manager! But then Gail settles on resolve. She’s ready to fight. Not only will she follow her doctor’s instructions and march with the big guns in the oncology centre, but she’ll also tip her helmet to her late mother’s inclination for alternative treatments.

Gail is ready to give her body everything it might need to conquer the disease, recover and live a long life of joy. She nourishes it, meditates, exercises, rests, and explores parts of her consciousness she’s previously pushed to the far corner and ignored. Determined not to be a passenger, Gail hops behind the wheel and embarks on a journey like no other. What she doesn’t anticipate is that she’ll have a furry, ginger wingman for company.

Archie is the irredeemably part-feral tomcat who, when it suits him, moves in the same circles as Gail – and it suits him when he decides she needs the kind of therapy only he can give. In many ways, Gail and Archie are opposites. Where she’s amiable, he can be bellicose. Where Gail is gentle, Archie has claws. Where she is considerate, he is self-serving. And yet Archie brings to Gail camaraderie and healing in the dark hours when, alone, she cannot keep the dread at bay. He’s the remedy she didn’t know she needed.

A business biography that follows the life of Alan Knott-Craig as a serial entrepreneur in the telecoms and tech spaces, tracking his wins and losses, and the lessons along the way for both business and life. Known in Stellenbosch business circles as the ‘Weapon of Mass Financial Destruction’ after a major flop at Mxit, he was able to rebuild his own confidence and that of his peers by becoming a shrewd, highly innovative and successful businessman, true to his own principles and convictions.

‘There are moments in life that are pure, and which seem to hang in the air, unhitched from the everyday world as we know it. Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’

For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment.

The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed.

Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

Young mother Surinda du Preez stood transfixed, barely able to breathe. A single thought went through her head: "I’m looking at the devil". She was staring straight into the eyes of a man whose alleged crimes had earned him the title: Modimolle monster. She was staring at Johan Kotze. It was 10 January 2012.

‘I’ve never seen anything like this, that a person can do this to another human being.’ – Renier van Rooyen, prosecutor.

3 January 2012 is a day the community of Modimolle in Limpopo, South Africa will never forget. On this day, Johan Kotze did the unthinkable. Kotze not only orchestrated the gang rape of his wife, before torturing her, but also murdered her nineteen-year-old son. His unthinkable actions earned him the name Modimolle monster, and have made him infamous.

Love is War tells the sobering story of the workings of a twisted mind, and the weighty consequences of actions. Maughan takes a walk on the macabre side, through an in-depth analysis of Kotze’s story. From his life before the horrific events, to coverage of the trial, Maughan leaves nothing uncovered.

While the trial continues, and the authorities try to ascertain whether or not Kotze is sane, his now ex-wife tries to deal with the fragile remains of her life, and South Africa holds its breath in the hopes that justice will be served in what is certainly the most talked-about case of the year

In 1978, the activist and novelist Alex La Guma (1925–1985) published A Soviet Journey, a memoir of his travels in the Soviet Union. Today it stands as one of the longest and most substantive first-hand accounts of the USSR by an African writer. La Guma’s book is consequently a rare and important document of the anti-apartheid struggle and the Cold War period, depicting the Soviet model from an African perspective and the specific meaning it held for those envisioning a future South Africa.

For many members of the African National Congress and the South African Communist Party, the Soviet Union represented a political system that had achieved political and economic justice through socialism – a point of view that has since been lost with the collapse of the USSR and the end of the Cold War. This new edition of A Soviet Journey – the first since 1978 – restores this vision to the historical record, highlighting how activist-intellectuals like La Guma looked to the Soviet Union as a paradigm of self-determination, decolonisation and postcolonial development.

The introduction by Christopher J. Lee discusses these elements of La Guma’s text, in addition to situating La Guma more broadly within the intercontinental spaces of the Black Atlantic and an emergent Third World. Presenting a more expansive view of African literature and its global intellectual engagements, A Soviet Journey will be of interest to readers of African fiction and non-fiction, South African history, postcolonial Cold War studies and radical political thought.

Alex La Guma was a South African novelist, leader of the South African Coloured People's Organisation and a defendant in the Treason Trial, whose works helped characterise the movement against the apartheid era in South Africa.

Life is frequently about ‘turning up’ and Tony Leon was present at the making of history both big and small.

Being There is a frank and insightful collection of insider accounts from a life in politics. The centrepiece is Leon’s riveting diary of the GNU negotiations that went down to the wire following the 2024 elections. This is the first and only inside account of these talks.

He also casts his gimlet eye on the fault lines of the Middle East, shares ambassadorial adventures in Argentina, and outlines the perils of political party fundraising. Written in Leon’s vintage style – observant, witty, acerbic – he proves the maxim that much of success is simply about being there.

Historian Karen Horn painstakingly tracked down a number of former POWs in which their interviews reveal rich narratives of hardship, endurance, humour, longing and self-discovery. Instead of fighting, these men adapted to another war, one which was fought on the inside of many prison camps.

In their interviews, all the POWs expressed surprise at being asked to share their experiences of almost 70 years earlier.They returned home in 1945 to a country which soon afterwards tried its utmost to promote national amnesia with regard to the country’s participation in the war.

With great insight and empathy, Karen Horn shines a light on a neglected corner of South African history. Karen Horn is a lecturer at Stellenbosch University.

"If there’s one sure thing I have learned from half a century in the restaurant business, it’s that patience isn’t a virtue when you’re hungry. Service is the virtue."

Join Allen Ambor on a rock ’n roll ride through the restaurant business and pioneering days of franchising in South Africa.

Ambor’s exuberance for life and exacting management style shine through on every page of this biography of the man who went from being a hippy waiter to opening the first Spur in 1967 and growing it into an empire that included more than 500 franchises under the Spur, Panarottis, John Dory’s and RocoMamas brands.

After a string of police botches, Captain Ben "Bliksem" Booysen was assigned the Krugersdorp Killers' case in 2016.

Eleven people had already been brutally murdered by a group calling themselves Electus Per Deus. Booysen made headlines when he arrested the mastermind Cecilia Steyn, and her accomplices.

South Africa's own "Chuck Norris" takes the reader behind the scenes of the satanic killings, divulging new and shocking details of the crimes that have kept the nation on edge for almost a decade.

On 21 March 1960, Robert Mangaliso Sobukwe led a mass defiance of South Africa’s pass laws. He urged blacks to go to the nearest police station and demand arrest. Police opened fire on a peaceful crowd in the township of Sharpeville and killed 69 people.

The protest changed the course of South Africa’s history. Afrikaner rule stiffened and black resistance went underground. Sobukwe, leader of the Pan-Africanist Congress, was jailed for three years for incitement. At the end of his sentence the government, fearful of his power, rushed the so-called ‘Sobukwe Clause’ through Parliament, to keep him in prison without a trial. For the next six years, Sobukwe was kept in solitary confinement on Robben Island.

On his release, Sobukwe was banished to the town of Kimberley with very severe restrictions on his freedom. He died there nine years later in February 1978.

This book is the story of this South African hero – the lonely prisoner on Robben Island. It is also the story of the friendship between Robert Sobukwe and Benjamin Pogrund whose joint experiences and debates chart the course of a tyrannous regime and the growth of black resistance.

Franschhoek Literary Festival co-founder Jenny Hobbs' new memoir Through A Dragonfly Eye is a moving account of growing up and coming of age in mid-twentieth century South Africa, full of insight, humour, and tenderness for family and country.

In 2005, Fred van der Vyver, a young actuary and the son of a wealthy Eastern Cape farming family, was charged with murdering his girlfriend, Inge Lotz, allegedly bludgeoning her to death with a hammer as she lay on a couch in her lounge. The case against Van der Vyver seemed overwhelming. His behaviour at the time of the murder appeared suspicious and the forensic evidence seemed to prove his guilt.

And yet, in one of the most sensational and controversial murder trials in South African legal history, Van der Vyver's lawyers sought to turn the table on the police, accusing them of fabricating evidence and lying to the judge.

Now updated with the tale of the remarkable events that followed the judge’s verdict, prize-winning author Antony Altbeker takes you into the heart of the epic courtroom battle. His eye-witness account of the trial presents the reader with all the evidence and testimony while also placing it in the context of a society and justice system that are being stretched to breaking point.

Since 1994, Antony Altbeker has worked on issues relating to crime, policing and the criminal justice in government and in a variety of think-tanks. He is also the author of A Country at War with Itself and The Dirty Work of Democracy.

Musical Echoes tells the life story of the South African jazz vocalist Sathima Bea Benjamin.

Born in Cape Town in the 1930s, Benjamin came to know American jazz and popular music through the radio, movies, records, and live stage and dance band performances. She was especially moved by the voice of Billie Holiday. In 1962 she and Dollar Brand (Abdullah Ibrahim) left South Africa together for Europe, where they met and recorded with Duke Ellington. Benjamin and Ibrahim spent their lives on the move between Europe, the United States, and South Africa until 1977, when they left Africa for New York City and declared their support for the African National Congress.

In New York, Benjamin established her own record company and recorded her music independently from Ibrahim. Musical Echoes reflects twenty years of archival research and conversation between this extraordinary jazz singer and the South African musicologist Carol Ann Muller.

The narrative of Benjamin's life and times is interspersed with Muller's reflections on the vocalist's story and its implications for jazz history.

‘Miskien issit omdat poverty my define en nie die racial politics vannie land ie.’

Wit issie ’n colour nie is ’n versameling verhale oor grootword en die lewe in die buitewyke van die Kaapse Vlakte. Dit dek identiteit, rassepolitiek, sosio- ekonomiese kwessies en bruin kultuur, en bevraagteken die Suid-Afrika waarin ons ons bevind. Dit is gevul met galgehumor, rou eerlikheid en hartverskeurende vertellings van pogings om die lewe op die Vlakte te navigeer. Hierdie versameling is diep persoonlik en ’n ontstellend waar weergawe van die lewe aan die ander kant van die spoor, geskryf in Kaapse Afrikaans.

In 2003, Thabo Jijana's father was gunned down in a scrap between rival taxi associations who had been forced to operate from a single rank. A decade later, Thabo faces up to South Africa's most violent industry to try to figure out how and why his father was murdered.

In this searing first-person investigation, Thabo puts a face behind a recurrent tragedy that plagues South African working class communities. By speaking to the people who knew his father best he tries to fill in the blanks that are the years that have followed his father's death.

He begins by trying to reconstruct the night the murder took place, but what he uncovers about the ongoing strife that has plagued government's consistent attempts to formalise this multi-million rand industry comes with more baggage than he expected.

As ’n jong seun wat kaalvoet en vry grootgeword het op sy ouers se sitrusplaas in die Oos-Kaap, sou Ian Roberts nooit kon dink dat hy eendag ’n ikoon van die silwerskerm sou word nie. Vandag nog herken mense hom as die taai Bittereinder Sloet Steenkamp van
Arende of as Boet van die gewilde Castrol-advertensies.

Ian se loopbaan strek van Langstraat in Kaapstad tot Los Angeles en van Shakespeare-produksies in die teater tot die Oscarwenner Tsotsi. In sy outobiografie verklap hierdie briljante storieverteller met ’n stoute sin vir humour meer oor wat alles agter die skerms op televisie- en rolprentstelle gebeur.

Hy beskryf ook die hoogbloei van Afrikaanse televisie- en rolprentvervaardiging toe hy saam met legendariese regisseurs soos Manie van Rensburg en Dirk de Villiers gewerk het. Sy lewensverhaal is ’n meesterklas in die kuns van toneelspel.

So outentiek, vreesloos en onkonvensioneel soos wat talle van sy karakters was, só is Ian ook in die regte lewe. Hy trap sy eie paadjie en was nog nooit ’n tropbok nie. Hy deel sy lewensverhaal met soveel humor, patos en insig dat dit nie anders kan as om die leser te ontroer nie.

When Rael Levitt stepped onto the podium at Quoin Rock Wine Estate in December 2011, he was CEO of the industry-pioneering Auction Alliance and at the pinnacle of a glittering 20-year career. But then disaster struck. After being accused by a powerful billionaire of using a ghost bidder to inflate the bid price, Levitt’s reputation was obliterated.

In an echo of the Boxing Day tsunami that he survived in 2004, the self-made entrepreneur was overwhelmed by a media-driven scandal that came at him like a train of killer waves. Once the face of South African auctions, he seemingly sank without a trace. But he was not beaten.

A decade later Levitt has a thrilling rise-and-fall-and-rise-again story to tell. The lessons he learnt from suffering catastrophe and finding the tenacity to survive have laid the foundations for new success. At once candid and controversial, Levitt’s story is ultimately an uplifting one, revealing that the greater the tsunami, the greater the lesson.

Wilderness guide Sicelo Mbatha shares lessons learnt from a lifetime’s intimate association with Africa’s wildest nature.

Black Lion begins in rural South Africa where a deeply traumatic childhood experience – he witnessed his cousin being dragged away by a crocodile – should have turned Sicelo against the surrounding wilderness. Instead, he was irresistibly drawn to it. As a volunteer at Imfolozi Nature Reserve, close encounters with buffalo, lion, elephant and other animals taught him to ‘see’ with his heart and thus began a spiritual awakening.

Drawing from his Zulu culture and his own yearning to better understand human’s relationship to nature, Sicelo has forged a new path, disrupting the conventional approach to nature with an immersive, respectful and transformative way of being in the wilderness. Both memoir and philosophical reflection, Black Lion - co-written with environmentalist Bridget Pitt - is his brilliant and profound account of life as a wilderness spiritual guide.

As humanity hurtles into the anthropogenic 21st century, Black Lion is an urgent reminder of just how much we need wilderness for our emotional and spiritual survival.

The Thabo Mbeki I Know is a collection that celebrates one of South Africa’s most exceptional thought leaders. The contributors include those who first got to know Thabo Mbeki as a young man, in South Africa and in exile, and those who encountered him as a statesman and worked alongside him as an African leader.

In The Thabo Mbeki I Know, these friends, comrades, statesmen, politicians and business associates provide insights that challenge the prevailing academic narrative and present fresh perspectives on the former president’s time in office and on his legacy – a vital undertaking as we approach a decade since an embattled Thabo Mbeki left office. Edited by Miranda Strydom and Sifiso Mxolisi Ndlovu, The Thabo Mbeki I Know provides readers with an opportunity to reassess Thabo Mbeki’s contribution to post-apartheid South Africa – as both deputy president and president – to the African continent and diaspora – as a highly respected state leader – and to the international community as a whole.

In December 2017, Walter Meyer was stabbed in the heart with a kitchen knife by his wife, Sophia. Dubbed "South Africa's own van Gogh" and critically acclaimed as the finest landscape artist to emerge from this country in the last century, his brutal death left a deep void.

Written by his brother, Frans, along with rare insights from Walter's rehab journals, Impossible Skies explores the artist's roots, his genius as a painter and a poignant relationship between two brothers.