In Kambrokind deel F.A. Venter sy jeugherinneringe vanaf sy voorskoolse jare tot op universiteit.

Op boeiende wyse vertel Venter hoe hy die Karoo se sagte én harde kant leer ken. Hy kon homself wees in die veld en sy gedagtes vrye teuels gee, maar hy het ook die wreedheid van droogtes en siektes en die lang trekpad met skaap na beter weiding ervaar.

Op skool het sekere onderwysers hom ontvanklik gemaak vir die wêreld van boeke en oordenking en het dit hom gedryf om hard te werk sodat hy met ’n studielening en twee pakke klere kon gaan studeer aan die Universiteit van Stellenbosch.

Rosette Jordaan (gebore Theron) het vyftig jaar gelede Theuniskraal toe getrek as jong vrou van Kobus Jordaan, een van die plaas se twee erfgename. Hierdie boek bevat grepe uit haar lewe op dié spogplaas in die Tulbagh-vallei – die fabelagtige “Land van Waveren” – waar van Suid-Afrika se beroemdste wyne gemaak word.

Dit vertel ook Theuniskraal se verhaal en die vallei se geskiedenis vandat Jan van Riebeeck se landmeter, Pieter Potter, dit besigtig het, en die eerste setlaars hul so dertig jaar later daar gevestig het. Amusant, interessant en soms ontroerend, dis ’n lekkerleesrelaas van ’n halwe eeu van lief, lag en leed op ’n besonderse Bolandse plaas.

Bowenal spreek dit van die skryfster se deernis vir haar gesin, Theuniskraal, al sy mense en diere, en haar hele gemeenskap.

Petrovna Metelerkamp het geen bekendstelling nodig nie. Sy het jare lank vir tydskrifte soos Huisgenoot en Insig geskryf en in 2000 die uitgewery Hemel & See Boeke gestig. Sy het bekendheid verwerf vir haar biografieë van Ingrid Jonker en Jeanne Goosen.

Petrovna was ook verantwoordelik vir die publikasie van die brieweboeke van onder andere Audrey Blignault, Uys Krige en Hennie Aucamp, asook die memoires van Wilna Snyman, Fanus Rautenbach en Ollie Viljoen.

Met hierdie langverwagte boek deel Petrovna haar herinneringe, wat die geskiedenis van haar herkoms en haar persoonlike ervarings oor baie dekades insluit.

Slagtersnek is een van die bekendste name in ons geskiedenis. Met sy grusame assosiasie was dit ‘n magtige propagandamiddel in die politieke ontwikkeling van die Afrikaner. Juis hierdeur het dit egter al gou ‘n volksmite geword waarna herondersoek dringend noodsaaklik geword het. Dit is wat dr. Heese in hierdie boek doen.

Deur deeglike navorsing van die voor- en nageslag van almal wat daarby betrokke was, vorm hy ‘n helder beeld van wat werklik plaasgevind het. Hy toon oortuigend aan dat die Slagtersnek-opstand verkeerd vertolk is. Daar is helde gesien waar geen helde was nie, en dit was juis die bekampers van die opstandelinge, asook die neutrales, wat later die Afrikaner volksbewussyn tydens die Groot Trek bevorder het.

Heese skilder talle kleurryke figure: die bywoners, die ryk patriarge, die sukkelende swerwers, die dwarstrekkers, skoolmeesters en nie-blanke bediendes. Met hierdie boek word ‘n belangrike en oorspronklike bydrae tot ons geskiedenis gemaak.

Die Herero-opstand 1904–1907 is ’n heruitgawe van ’n boek wat ses keer tussen 1976 en 1979 deur HAUM gepubliseer is. Die lotgevalle van die Hererovolk word in hierdie boek geskets, ’n stuk geskiedenis wat ’n sentrale plek in Namibie se kleurryke geskiedenis beklee. Die opstand van die Herero’s in 1904 teen Duitse koloniale gesag kan beskou word as die enkele gebeurtenis wat die gebied se volksverhoudinge die ingrypendste verander het. Die Herero-opstand 1904–1907 vertel van die geleidelike opbou na die konflik, die skielike uitbarsting van geweld en die tragiese afloop vir die Herero’s toe duisende verhonger het en hulle grond en politieke seggenskap verloor het.

Between 1960 and 1989 in South Africa, more than 130 people were executed for crimes that had a political motive. Who were they, what did they do, and why did they do it?

While many people have heard of Solomon Mahlangu, John Harris or even Vuyisile Mini, the vast majority of executed activists remain very much unknown, even though they paid the ultimate price for their actions.

This book tells their stories, drawing on the author’s interviews with fellow activists, the families left behind, lawyers on both sides, judges who passed sentence, warders on death row, and even functionaries tasked with informing the condemned of their impending fate.

In the process, the book sheds light on forgotten aspects of South African history, such as the actions of the PAC/Poqo in the 1960s, which resulted in dozens of executions, and people who heeded the ANC’s call to make the country ungovernable in the 1980s and who were then disowned by the organisation. The book also makes startling revelations about miscarriages of justice, defence attorneys working against their clients, and, sadly, the post-apartheid state’s neglect of those who suffered as a result of political executions.

Join Hloni Bookholane on his journey of becoming a doctor: from student to intern at the world-famous Groote Schuur Hospital in Cape Town to the best school of public health in the world across the Atlantic, and back home amid the COVID-19 pandemic.

There are highs and lows – learnings and unlearnings – about the personal versus political as he discovers how government policy, socioeconomics and more influence disease and medicine.

Mario Cesare wrote about his life as a game ranger in his memoir Man-eaters, Mambas and Marula Madness. Through these stories his readers have come to know and love, Shilo, a dog in a million and the love of Mario’s life.

Though Mario is a game ranger and conservationist, this is not just another “40 years as a game ranger” type of book. It is the story of an adventurous life - spanning both pre- and post-1994 Southern Africa – which is interwoven with the tale of an intense, loving 14-year relationship between himself and his dog Shilo.

This relationship between man and dog was clearly meant to be from the day Mario first took the tiny newborn pup into his hands. It has lasted through innumerable adventures of duck-hunt and killer crocodile, wounded buffalo, lion, leopard and poacher.

The Man with the Black Dog is permeated by the same love and empathy that made Jock of the Bushveld such a classic and it is also, of course, a very South African story. Never before has the story of a man and his dog revealed so much of the flavour of life in such an exquisite wild location and, though over a century has passed since the transport wagons carved their trails to and from Delagoa Bay, the scent evoked of dust and rain remains the same and the grey ghosts of kudu and elephant still melt into the bush.

Mario Cesare’s career has taken him, and Shilo, from Timbavati and Mala Mala to Olifants River and beyond – and he delights in sharing his good fortune.

This biography of Michael Mosoeu Moerane (1904-1980) surveys the unique life, times and music of the first classically educated African composer in southern Africa.

The Times Do Not Permit is the first extended overview of the life, times, and music of Michael Mosoeu Moerane (1904-1980), a composer brought up in rural South Africa in the early twentieth century. It offers a close study of African choral music that dates back to mission schools and colleges in the Eastern Cape, where a number of future African composers, as well as future political leaders, were educated. Moerane was one of many mission-trained musicians who wrote short a cappella choral works for churches and schools.

The Times Do Not Permit explores the political changes and social conditions that made life for Moerane both possible and impossible as a composer. He was the first black South African to qualify with a BMus degree in 1941. However, this caused difficulties for him both within the African choral circuit, where his advanced modernist style was considered strange and difficult, and within white concert life, from which he was largely excluded. Only his symphonic poem for orchestra, Fatšo La Heso, attained some recognition locally and internationally during his lifetime, and the score survived, unlike many of the piano pieces and smaller instrumental works he wrote.

In addition to telling the story of his ancestry, upbringing, education and teaching career, Christina Lucia offers an analysis of his music, the famous symphonic poem and four of his choral pieces, to reflect the major themes he expressed. The Times Do Not Permit is supplemented with interviews with those who knew Moerane, and ends with a coda of professional letters to, from and about him that gives his voice a presence in the absence of much personal documentation.

Life is like that sometimes draws readers into the unforgettable personal experiences that have shaped Khaya Dlanga’s world. Weaving heartfelt and often hilarious tales, from his rural Eastern Cape childhood to the profound losses he has faced as an adult, Khaya reflects on life’s unpredictability with warmth and wit.

The vivid stories explore love, loss, loyalty, forgiveness, tradition, chance, mischief, justice, responsibility and resilience, offering insights on relationships, identity and the lessons found in life’s toughest moments.

Both deeply moving and laugh-out-loud funny, Life is like that sometimes is an exploration of personal growth, faith and the power of storytelling to find meaning in it all.

Siya Khumalo het grootgeword in ’n Durbanse township waar net een opruiende preek ’n skare kon laat toesak op enigeen wat as “anders” beskou is. In Siya se geval was “anders” om gay te wees. Hy het daarom begin om indringend na seks, politiek en godsdiens te kyk. Hy ontbloot tegnieke wat vandag deur magsfigure gebruik word en wys hoe veral gay mense die prooi word van politici en pastore wat wil ryk word deur die armes en populêre vooroordele uit te buit.

Hierdie bundel is 'n keur uit Anton se liedjies; (hi)stories en "his stories", fabels en feite. Goosen se musiekloopbaan strek reeds oor 25 jaar - 15 albums, 2 SARIE-toekennings, 2 SAMA-toekennings en 'n Geraas-toekenning (2002) vir sy bydrae tot Afrikaanse musiek. Sy werk word gekenmerk deur reisverhale (Liedjieboer), kulturele ontwaking (Lappiesland) en stedelike beskouings (City/Stad).

Dirk Ligter is na bewering in 1860 op ’n plaas in die Tankwa-Karoo gebore. Hy het die naam “die Robin Hood van die Tankwa” gekry omdat hy dikwels by boere wat glo nie hulle werkers goed behandel het nie, skaap gesteel en geslag het om vir die betrokke boer se werkers te gee en vir homself ook ’n gedeelte te hou.

Sy vuurtjie het gereeld hoog in ’n berghang gebrand, waar hy vleis gaargemaak en oornag het, maar hy is nooit deur die polisie daar vasgetrek nie.

Die verhale oor hierdie legendariese skaapslagter met sy blikkitaar het danksy Boerneef en die toegewyde navorsing van Joe Dauth bewaar gebly.

Vir die eerste keer ooit word al die dramas, hoorspele en die libretto van N.P. Van Wyk Louw in ’n versamelbundel uitgegee, met ’n voorwoord deur prof. Chris van der Merwe.

Van der Merwe sê: “Met die herlees van die dramas, hoorspele, koorspel en libretto van N. P. van Wyk Louw het dit my opgeval hoe dikwels hulle ʼn gesprek met mekaar voer. Soortgelyke temas word herhaaldelik uitgebeeld; die tekste sluit by mekaar aan, komplementeer mekaar, spreek mekaar soms teen. Dikwels kom die temas wat Louw in sy essays bespreek het of in sy poësie tot uiting gebring het, ook in die karakterisering en die intriges van die dramas na vore. Dit is opmerklik dat die denke van Louw nooit stagneer nie; steeds is daar tekens van ʼn voortgaande worsteling en vernuwing. Die indiwiduele dramas, in die groter konteks van sy oeuvre gelees, laat ʼn fassinerende skrywerspersoonlikheid na vore kom."

More than 10% of people worldwide suffer from some form of rare or chronic disease. Almost all of us know at least one person striving to find their feet and live a good life, despite unique daily challenges. Physical disabilities and rare diseases are not as rare as one might think, yet most people with them face unnecessary hurdles when navigating the world of the physically able. How can we be more inclusive and supportive in meaningful, empowering ways?

In this supportive, raw, and relatable read, and readers learn how to:

• Better support the physically disabled on every level.
• Assist with adaptive and inclusive living.
• Advocate: Create and raise the right kind of awareness for those who need all the help they can get.
• Manage chronic illness, disease, physical disability, and even ordinary hardships, from a mental and emotional point of view.

Universal themes such as love, friendship, and self-discovery enmesh with an uncompromising focus on opening people’s hearts to the reality of rare diseases and disabilities.

Kerry’s story is a heartfelt insight into love, fun, family, acceptance, and the navigation of independence. People of all ages and walks of life can learn and gain strength from this amazing, wonderful journey of tenacity and true grit.

In 1884 begin Hendrik Witbooi en sy Namavolk met 'n profetiese trek na die vrugbare noorde om aan die droogte van die Kalahariwoestyn te ontsnap. Terselfdertyd stap die keiserlike afgevaardigde dr. Göring sowat 'n honderd kilometer daarvandaan aan land in die nuwe Duitse kolonie Suidwes-Afrika - die huidige Namibië.

Daarop volg 'n stryd om lewe en dood tussen die Duitse Schutztruppe en die Afrikane wat vir hul onafhanklikheid veg.

Die honderde briewe wat deur Hendrik Witbooi aan Duitse goewerneurs, Engelse magistrate en Afrikaleiers geskryf is, het aan Conny Braam unieke insig gegee in die wêreld van Witbooi: sy liefde vir die ou volk van die Khoisan, die leringe van sendeling Olpp, sy verontrusting oor die Westerse kredietstelsel wat van sy volk slawe sou maak en sy intense verdriet toe hy besef dat keiser Wilhelm II die totale vernietiging van die opstandige inheemse bevolking eis.

In 1904 lei die tagtigjarige Hendrik nog een keer die opstand teen die Duitse koloniale leër. Hy sou die geskiedenis ingaan as een van die grootste vryheidstryders wat Afrika geken het.

“'n Verhaal wat onder geen omstandighede vergeet mag word nie.” - Trouw

Slot van die dag: Gedagtes is die skrywer se mymeringe oor ouderdom en die einde van die lewe, saam met verspreide herinnerings van ’n algemene aard, om ’n ryk geskakeerde beeld te verskaf van ’n skrywerslewe van byna tagtig jaar. Die reeks outobiografiese boeke wat met ’n Duitser aan die Kaap, Merksteen en Die laaste Afrikaanse boek begin het, word hiermee afgesluit. Dit is 'n baie persoonlike boek oor ouderdom, die skryfproses en selfbeskikking met kommentaar op oud word en wees, met inbegrip van praktiese wenke, en heelwat inligting oor die moontlike en waarskynlike einde van die lewe. Die element van afskeid en gelatenheid is deurlopend. Die ouderdom is teenswoordig die vernaamste onderwerp van sy oorpeinsing, en die vernaamste element in sy daagliks ervarings. Die verwysings en aanhalings is treffend en spreek van iemand wat sy leeswereld ook sy leefwereld maak. Ten slotte verduidelik die skrywer sy bevrydende besluit oor selfdood.

Dit gons op Vleesbaai ná Bekkies se “ding” met die volstruis. Waar het jy nou al van so iets gehoor? Geen wonder die assuransie-assessor wil glad nie Bekkies se storie glo nie …

In hierdie rubriekbundel vervat Pienaar stories oor sy gemeenskap en familie, die omgewing, historiese figure en bekendes, asook stories geïnspireer deur sy regsagtergrond.

Pienaar se skryfwerk getuig van ’n fyn sin vir humor, ’n uitstekende mensekennis en ’n wye belangstellingsveld. Die perfekte boek om aan die einde van ’n lang dag mee te ontspan.

'When I’m dead, you make sure that ordinary people, ordinary rural women, must be at the forefront of my funeral. I want my rural women to be there at the forefront: people that know me well.’

With great care and meticulous research, Kally Forrest brings us the life of Lydia Komape, also known as Mam Lydia Kompe. Kally travels in Lydia’s footsteps, with family, friends, comrades and ancestors from Limpopo and Johannesburg to Cape Town where Lydia sat in Nelson Mandela’s parliament.

Her family’s shattering loss of land in the 1930s deeply impacted Lydia’s life choices. She was fiercely independent, yet bound by the collective, forceful but consultative, humorous and deeply serious.

Lydia closely identified with rural women, remarking, ‘We are so discriminated against, but we are made to work like donkeys. We do all the dirty work – you must go and plough, hoe, harvest, carry water, fetch wood, and men are just sitting drinking alcohol under the tree.’

This is a biography that will open your eyes and heart.

Anderkant die Gariep, in die harde, wye wêreld van die Noord-Kaap, het sedert die vroeë 1900’s pioniersmense gewoon wat deur g’n stof of droogte, g’n lamsiekte of beespes ondergekry kon word nie.

Dit was ’n tyd voor selfone en kitsoplossings, toe ’n man se woord nog sy woord was, en ’n afspraak ’n afspraak; ’n tyd toe jagtogte, Boeredanse en familietroues mense saamgesnoer het en swaarkry en verlies bloot ’n deel van die natuurwette was.

In hierdie wêreld word drie geslagte Bredenkamps groot – en maak die leser kennis met mense wat in die wêreldgeskiedenis maar klein sandkorreltjies is, maar wie se vreugdes en plesier; sweet en trane die fondament gelê het vir ’n koersvaste, trotse nageslag.

African Bank is focused on reclaiming the heritage of South Africa through key marketing and strategic consumer moments, and to accomplish this they are partnering with Rockhopper Books to release the first in a series of coffee table books celebrating great figures in South African history.

This first edition entitled Black Pioneers uncovers stories of Black Entrepreneurs in the 1960s; a time when there were little to no opportunities for people of colour to succeed in business. The book pays homage to Black Business Pioneers of the time, who were audacious enough to challenge the system and pave a new path for Black Businesses.

The book serves to tell stories of Black Businesses; highlighting their history, challenges, successes, and contributions to business at large. Featuring high-quality images the book tells the stories of impactful South African figures including:

• Constance Ntshona
• Sally Motlana
• SJJ Lesolang
• An Gadi
• HM Pitje
• PK Seabela
• Lawrence Malindi
• Sam Motsuenyane

A captivating and insightful account of Dr Max Price’s journey at the helm of a major South African university during a period of immense upheaval.

As Vice-Chancellor of the University of Cape Town for two terms from 2008 to 2018, he offers a candid look at the challenges he faced during his time including transformation, rights of artistic expression, institutional culture, clemencies and amnesties, restorative justice and ethical decision, and of course, #FeesMustFall protests – which shook the country's higher education sector to its core.

Drawing on his experiences, Price delves into the complexities of multi-stakeholder decision-making, crisis management, and the importance of values such as academic freedom in an increasingly polarised world. Part memoir, part insider's view of history, and part leadership guide, Statues and Storms is a must-read for anyone interested in higher education, South African history, or the art of leadership during times of crisis.

Reinaard die Vos breek weg van die tradisie van ou fabels of diereverhale. Die vosverhaal is ’n bytende satire op die destydse politieke, sosiale en godsdienstige (wan) toestande. Die dinge wat deur die skrywer aan die kaak gestel word, is vandag nog deel van ons samelewing. Henri van Daele het die oorspronklike Middelnederlandse rymende eposse naatloos aanmekaargelas en in soepel prosa herskryf. Daniel Hugo se Afrikaanse vertaling maak dit ook Suid-Afrikaanse volksbesit.

Desiree Ellis has been associated with Banyana Banyana, the South African women’s national football team, for 30 years – initially making her mark as a player (1993–2002), before transitioning to coaching. Taking the experience of 32 caps, including captaining the team when South Africa won the inaugural Cosafa Women’s Cup in 2002, she went on to become the most successful women’s coach in South Africa.

After a stint as assistant coach to Vera Pauw, Desiree was officially appointed head coach in 2018 and continued adding to her outstanding resumé. A high point came in 2022 when she coached Banyana Banyana to the Wafcon title in Morocco. The win also earned the team automatic qualification for the 2023 FIFA Women’s World Cup.

But Desiree’s inspiring football journey began many years before on the streets of Salt River in Cape Town where she developed the strength and skills that earned her the nickname ‘Magic’ on the field. Back then soccer boots were only dreamed of and it was her Bata Toughees school shoes that suffered the wear and tear, often to the despair of her hardworking parents. In the early days of the Athlone Celtic women’s side, it was a family affair: (Uncle) Eddie took on the role of coach, (Mom) Natalie’s seamstress skills saw them all kitted out, and (Dad) Ernest handled everything else, from transport to scheduling games.

When Desiree’s talent and dedication saw her become a serious contender at league and then provincial level, and finally gave her a chance to play with and against the world’s best, there was no stopping her. As South Africa emerged from sporting exile after the dark days of apartheid and stepped up to the international stage, Desiree proved to everyone who believed in her that dreams can come true.

Lew Geffen is destined to have an eventful life. Driven by a maverick spirit, he embarks on a wild ride of success, securing the local Sotheby’s International Realty license to become a major player in the property market.

Along the way he's fired by his mother, sells Mandela's house and navigates the fallout of a murder at his company's annual convention. Lew's extraordinary life is told with candour, warmth and laced by his wicked sense of humour.

Geffinitely a business memoir like no other.