When Letshego Zulu set off with her husband, South African racing champion Gugulethu Zulu, to conquer Mount Kilimanjaro in July 2016, she had no idea that she would return to South Africa days later with her husband’s body in a coffin. Known and loved as SA’s Adventure Couple, the husband and wife team were brimming with excitement at being part of the 42-strong team of the Trek4Mandela initiative, attempting to summit the world’s highest free-standing mountain.

Along the way, Gugulethu complained about a scratchy throat but seemed fit to scale the 5 895 m peak. The doctor on the expedition gave him the all clear. On 17 July, the couple were separated as Gugu, who seemed to be struggling with the altitude, elected to join the slower team heading for the Kibo peak.

By the time the couple rejoined that evening at the base station, Gugu was deeply exhausted. Letshego helplessly watched as an energy drip was attached to her husband, which she later discovered was a medical faux pas at high altitudes. Within hours, his breathing had become gurgling gasps for air. Letshego’s blood turned to ice; it sounded like her husband was drowning. The camp doctor decided that Gugu, now in medical emergency mode, needed to descend. In the middle of the icy night, along with two guides, team leader Richard Mabaso and her husband strapped to a crude metal stretcher, Letshego ran down the treacherous mountain for eight hours in the black night behind her husband to find help.

I Choose to Live is both a tragic and inspiring memoir told in mesmerising detail by Letshego Zulu. As much as it is about the death of a beloved husband and the 17-year-long relationship the two shared, it is also a remarkable story of a wife’s courage and stamina as she tries to make sense of her loss and find life after Gugu’s untimely death. Letshego’s wish is that after reading her story, readers will be inspired to choose to live, to really live.

Louis, a self trained photorapher , grew up on a smallholding north east of Pretoria in South Africa. Louis qualified in the field of commerce and followed a corporate career in a large financial services organisation . At the age of 40, Louis started to take photography, his hobby for many years, more seriously.

He enrolled for varies courses and did a lot of self studying on the subject. Louis discovered the value of photography as a medium to communicate without words and how to paint stories with light. He became passionate about photographing remote landscapes, places and ordinary people. Over the last 20 years, Louis has participated in several solo and group exhibitions. He exhibits permanently in Price Albert, his hometown, and shares his passion for photography with others during workshops .

"Things Even Gonzalez Can't Fix" is the shockingly brilliant debut memoir of a 24-year-old Greek South African girl, Christy Chilimigras. It is nothing like "My Big Fat Greek Wedding". Although there are old women in black plucking stray hairs from their chins, the nuts in the baklava appear by way of a dash of crack cocaine, a sneaky brand of sexual abuse and cereal Tupperwares, packed to the brim with dagga. It is also very funny.

It is the story of a young girl growing up in Johannesburg in a space of pure chaos, raised by two addict parents. In reality Christy, otherwise known as Mouse, is raised by Tiger, her older sister. Their childhood is strange, made up of crack excursions to Hillbrow on second weekends at 3am, courtesy of their father, and a dope-smoking mother, Old Lass, who raises the two young girls single-handedly while starting her own business. Tiger and Mouse’s worlds are overturned when Old Lass proceeds to marry an alcoholic control freak under an unsuspecting tree, only to get arrested following an invasion by the Hawks.

“Children of addicts are curious things. We are deathly serious. We tinker on the edge of the worst case scenario. We are manic in our joy. We mean to dip our toes, but rather dive head first into extremes. We despise drugs … and people who do drugs. So what then does it say about me when at 16 I fall desperately in love with a boy who perpetually has a joint dangling from his lips?”

"Things Even Gonzalez Can't Fix" is also a disturbingly brutal story about two sisters, raised by a father who has been sexualising them since they were toddlers.

“We are desperate for answers and the knowledge of where to place our discomfort. If it feels like abuse and hurts like abuse, but it doesn’t look like the abuse we read about in magazines, does it even count?”

At 16 Christy falls in love with Olive Oil, a dopehead addict, then, at 22, with a much older sado masochist, The Italian, who introduces her to a world of dangerously rough sex.

“The book is my attempt at reclaiming my sanity and sexuality, which was colonised a long time ago. It involved countless bowls of pasta, glasses of wine (which best you believe I overthought) and a compulsion to be honest; very honest. Like oh sweet Jesus it hurts to spill your guts. It hurts to be this honest.”

A book that simply pulsates with edgy originality, that unleashes a Millennial’s unapologetic perspective of our world, Christy Chilimigras is a new voice that demands to be read. Not since Kopano Matlwa’s "Coconut" has a book promised to shake perspectives and overturn the way we see things.

Nadat Ockert en Michele Potgieter getroud is, het hulle hul tasse gepak en vertrek Oekraïne toe, nie vir hulle wittebrood nie, maar om daar te werk onder die mense wat onlangs bevry is van agter die ystergordyn.

Dit is egter ’n groot ontnugtering vir Michele in die begin – dit is yskoud in die winter en snikwarm in die somer. Die meeste huise het net buitetoilette en daar is min verskeidenheid in basiese kruideniersware. Die mense is baie vriendelik en hulle word meestal met oop arms verwelkom. Maar alles is nie altyd maklik nie, daar is ’n noue ontkoming met die mafia, agtervolging deur die KGB en verraad van binne die gemeente. Dan sterf Ockert tydens die Covid 19-pandemie tydens ’n besoek aan Suid-Afrika. Michele moet besluit of sy teruggaan Oekraïne toe, waar ’n oorlog dreig en of sy in Suid-Afrika by haar mense en haar kinders bly.

Dit is ’n aangrypende verhaal oor liefde: liefde vir God, vir die mense van die Oekraïne, maar ook die liefde tussen Michele, Ockert en hul kinders.

Annamarie van Niekerk gaan brutaal eerlik om met vraagstukke waarmee ons daagliks worstel: plaasmoord, geweld teen vroue, skuld en onmag, aandadigheid en keuse.

Sy woon in Den Haag, maar keer terug Suid-Afrika toe vir die begrafnis van haar liewe vriend, Ruben, wat saam met sy ma in ʼn wrede plaasmoord vermoor is. Dié reis lei terug na ander reise: Van haar kinderjare in PE in ʼn streng Nasionale huishouding met ʼn Broederbondpa. Na Umtata, waar sy gaan klasgee en verlief raak op ʼn swart kollega. Na Hillbrow, waar die twee van hulle onwettig saamwoon en aktief is in skrywersirkels met vriende soos Nadine Gordimer en Njabulo Ndebele. Tot geweld ook hul verhouding binnedring. Uiteindelik na die tronk, waar sy Ruben se moordenaars gaan soek in haar strewe na verstaan.

Van Niekerk vervleg haar eie storie aangrypend met ’n verkenning van die groot kwessies in ons land. Onder ʼn bloedrooi hemel is ʼn diep ontroerende persoonlike reis, van geweld na genade, meesterlik vertel.

“I saw my mommy walking to the court with a hoodie on and a scarf covering her face. She looked almost like someone that was poor. People were cursing at her… and that broke me. This is the woman who was there for me every day, making lunch for me and my friends when we came from school, and now here she is on television being called a criminal.”

The kidnapping of baby Zephany Nurse from the cot beside her mother’s hospital bed made headline news. Desperate pleas from her parents to return her safely went unanswered. There was no trace of the baby. For 17 years, on her birthday, the Nurse family lit candles and hoped and prayed.

Living not far away from the Nurses, 17-year-old Miché Solomon had just started Matric. She had a boyfriend. She had devoted parents. She was thinking about the upcoming school dance and the dress her mother was going to make for her. She had no idea that a new girl at her school, who bore an uncanny resemblance to her, and a DNA test would shake her world to its foundations.

Miché is now 22. This is her story – for the first time in her own words. Told with astonishing maturity, honesty and compassion, it is also a story of what it means to love and be loved, and of claiming your identity.

Met die deurlees van Jeanne Goosen se notaboeke, dagboeke, flardes en uitknipsels verskyn 'n verrassing! Die skrywer het deurentyd los gedagtes neergepen - nie net 'n paar nie, maar honderde gedagtes, te kosbaar om verlore te gaan: sêgoed, insigte, waarnemings, aforismes, mymerings . . . alles dáár, om oplaas in boekvorm met haar lesers gedeel te word.

Die aantekeninge weerspieël die merkwaardige intellektuele aktiwiteit van 'n denker-kunstenaar. Sy bemoei haar intens met letterkundige, filosofiese, politiese, wetenskaplike, sielkundige insae en bevindings wat sy soms ernstig, soms satiries en soms ook kru verwoord. Die versameling is spesifiek nie volgens onderwerp geklassifiseer nie, maar lukraak soos die losstaande aantekeninge opeenvolgend gevind is. Daar is ook nie geredigeer om taalgebruik te verbeter nie. Jeanne Goosen praat hier in haar eie, unieke stem.

Voorbeelde:

• Feite steur hulle nie aan sielkunde nie.
• Ek moet probeer om nuwe foute te maak.
• Date rape. Dit klink soos 'n nagereg.
• Jy kan nie 'n held wees met R100 'n maand vir groceries nie.
• 'n Jakkals is 'n wolf wat blomme stuur.
• As julle trou, word julle een. Watter een?
• Moenie steel nie, die regering hou nie van kompetisie nie.
• Moet nooit 'n geskenk aanvaar wat eet nie.

Louis Botha was ’n briljante Boeregeneraal wie se taktiese vernuf en intuïtiewe aanslag vir etlike oorwinnings oor die Britse magte in die Anglo-Boereoorlog gesorg het. Maar dit was sy enigmatiese karakter en vaste oortuiging om te hou by wat hy geglo het reg was, wat hom as ’n leier van die Boerevolk bevestig het.

Richard Steyn gee op meesterlike wyse insae in die lewe van hierdie grootse Suid-Afrikaanse krygsman en staatsman. Hy beskryf verhelderend hoe Botha saam met sy hegte vriend, Jan Smuts, die vier Suid-Afrikaanse kolonies na Uniewording in 1910 gelei het waarna Botha as die eerste eerste minister van die Unie aangewys is.

Gedurende die Eerste Wêreldoorlog was Botha aan die voorpunt van die Suid-Afrikaanse magte se suksesvolle inval van Duits-Suidwes-Afrika. Tog is hy deur talle Afrikaners verkwalik vir sy steun aan Brittanje, en die Afrikaner-rebellie van 1914, waartydens hy teen voormalige makkers moes optree, het sy hart gebreek.

Botha se groothartig en vrygewige omgang met mense – van Vereeniging tot Versailles – het hom bo sy tydgenote laat uitstaan.

Dit is 1713. VOC-admiraal Johannes van Steelant bring sy ryklik belaaide retoervloot via die Kaapse diensstasie terug na Nederland uit Batavia. Saam op die vlagskip, sy vyf jong kinders. Op die oop see raak hulle een-een siek. Hete koors, maagpyn, swere – die gevreesde pokke.

Op 12 Februarie gaan die gesin, nou almal gesond, aan land in Tafelbaai. Hul skeepsklere word gewas in die VOC se slawelosie. Enkele maande later is byna die helfte van die Kaapse bevolking dood aan pokke.

In Retoervloot bring VOC-kenner Dan Sleigh dié gegewe, en die verbysterende werkinge van die VOC-retoervlootstelsel, lewend voor die oog. Aan die hand van Van Steelant se nuut-ontdekte skeepsjoernaal, met die agtergrondinkleding wat ’n meesterlike geskiedkundige soos Sleigh kan bied, staan die leser op die dek van vlagskip Sandenburg – ’n magtige skip van ’n roemryke organisasie, dog uitgelewer aan die woedende oseaan. Verder is Retoervloot ’n gedenksteen vir Kaapstad se grootste ramp tot op hede

Basetsana Kumalo shot to fame as a fresh-faced Miss South Africa in 1994 and soon became the face of South Africa’s new democracy. As the first black presenter of the glamorous lifestyle TV show Top Billing, she travelled the world and interviewed superstars like Oprah Winfrey, Michael Jackson, Jon Bon Jovi, Will Smith, the Bee Gees, Gloria Estefan and Luther Vandross. After a successful career in television, Bassie’s drive and ambition took her into the world of business. The street savvy that her entrepreneurial mother gave her stood her in good stead as she built a media empire. When she married the handsome businessman Romeo Kumalo in a fairytale wedding, they became South Africa’s sweethearts and ‘it’ couple.

Bassie: My Journey Of Hope recounts the stories of Bassie’s life as a celebrity, including her relationships with mentors like Nelson Mandela, Winnie Madikizela- Mandela and Graça Machel. She also shares the secrets of her success and all the lessons she’s learnt along the way, and opens up about the pressures of her high-profile marriage to Romeo, their heartbreaking struggle to have a family, and how they made sure that their loving and respectful union has lasted two decades.

Bassie also talks frankly about the domestic abuse she suffered at the hands of boxer Dingaan Thobela and the legal battles she had to fight to protect her name and her brand over the years. She gives her account of the stalker who harassed her for decades, and the nonexistent ‘sex-tape’ allegation that rocked her family and career, leading to painful experiences of cyber-bullying. It is an intimate, inspiring and entertaining account of a remarkable life.

A key study on writer and activist Keorapetse Kgositsile that presents a new approach to studying the radicalism of Africa and its diaspora, and makes a major contribution to the histories of Black lives, gender studies, jazz studies, politics, and creativity.

The cultural configurations of the Black Atlantic cannot be fully understood without recognising the significant presence of writers and artists from the African continent itself. Among the most influential was South African poet laureate Keorapetse Kgositsile, or Bra Willie, as he was affectionately known. Yet, until now, there has been no full-length study of his work.

Uhuru Portia Phalafala’s wide-ranging book reveals the foundational influence of Kgositsile’s mother and grandmother on his craft and unveils the importance of Tswana oral andaural traditions, indigenous knowledge systems, and cosmologies he carried with him into and after exile. It illuminates a southern African modernity that was strongly gendered and expressed robust anti-imperialist, anti-colonial, anti-apartheid, and civil rights struggles. Using the original concept of ‘elsewhere’, the author maps the sources of Kgositsile’s transformative verse, which in turn generated ‘poetics of possibility’ for his contemporaries in the Black Arts and Black Power Movements and beyond - among them Maya Angelou, Larry Neal, Gwendolyn Brooks, Tom Dent, members of The Last Poets, Otabenga Jones & Associates, and rapper Earl Sweatshirt – who all looked to his work to model their identities, cultural movements and radical traditions.

The stories of Naz Gool Ebrahim and District Six are intimately linked; in fact it is hard to imagine the one without the other.

As the niece of Cissie Gool, Naz came from fighting stock. Strong women with strong voices ran in the family. So when the Apartheid Government declared 'the District', a slum in 1966 and announced plans to flatten it, Naz wasn’t about to lose all that she held dear without a fight. She became the voice of the voiceless, both in South Africa and in the USA and was nominated as ‘Woman of the Year’. Naz combined her radical political activism with her roles as devoted wife and mother to six children. Up until the end of her life in 2005, she worked tirelessly to oppose the evil of racial segregation.

To her opponents, she was an indomitable adversary, but to her friends she was ‘Naz – Raz-a-ma-tazz’, a great lady who certainly knew how to tell a story and put on a good show.

Aan die hand van eietydse dokumentasie het Karel Schoeman in hierdie titel die lewe herkonstrueer van sy Suid-Afrikaanse stamvader, die Duitser Hendrik Schoeman uit Sleeswyk-Holstein, wat in 1724 as matroos in diens van die VOC die Kaap bereik het, 'n prekere bestaan gemaak het as veeboer in die binneland van Suid-Afrika, en in 1765 in armoede in die huidige Klein-Karoo oorlede is. Soos Schoeman opmerk, is hierdie man in verskeie opsigte geskik om as "tipiese" stamvader uit die Kompanjiestyd beskou te word.

Geloof soos aartappels is die inspirerende ware verhaal van bekende evangelis Angus Buchan. Dit is ’n getuienis van hoe geloof ’n mens deur die donkerste tye kan dra. Nadat Angus tot bekering gekom het, is hierdie humeurige man wat van sy drank gehou het, verander in ’n passievolle dienaar van God. Sy geloof het hom al deur droogtes, familietragedie en finansiële krisisse gedra. Sedert hy tot bekering gekom het, het Angus die evangelie oor die wêreld heen verkondig. Hy het ook ’n kinderhuis gestig, verskeie boeke geskryf en duisende mense geïnspireer met sy boodskappe op TV, radio en by sy konferensies. Hierdie aangrypende boek sal jou opnuut verseker van God se almag en sy voorsiening vir sy kinders.

’n Baie lang brief aan my dogter is Marita van der Vyver, een van Afrikaans se mees geliefde skrywers, se ontroerende jeugmemoir. Dit is 'n speurtog deur die skrywer se beginjare, maar dit is ook ’n liefdesbrief aan ’n dogter en ’n taal en ’n land. En bowenal is dit ’n ma se poging om sin te maak van hierdie onverskillige en wrede wêreld waarin sy haar nou begewe.

Ses jaar ná die verskyning van Bloedvreemd vertel Juliana Coetzer wat hét geword van haar dogter, Anneke. In Bloedvreemd vertel die skrywer hoe Anneke op sewejarige ouderdom ’n virus opgedoen wat haar brein aangetas het, en geleidelik het sy verstandelik begin agteruitgaan. Die werklikheid het egter nie stilgestaan nie. Ses jaar ná die boek vra mense steeds – wat het geword van julle? Is Anneke oukei? Hoe maak ’n mens met die voortdurende verlies, die agteruitgang?

Juliana Coetzer is ook ’n terapeut. Met 'n skreiend eerlike stem wat voortdurend selfondersoek doen, skryf Juliana oor die verdere reis met Anneke, nou al in haar vroeg dertigs. Sy kan al hoe minder praat, al hoe minder verstaan, en steeds probeer sy haar onafhanklikheid behou. Sover Juliana en haar eggenoot, Fanus, daartoe in staat is, probeer hulle haar omhul in ’n wêreld met embarming en begrip. Maar elke dag (en nag) bring sy eie, eindelose uitdagings.

Die kind se naam is Anneke is aangrypende leesstof vir enigiemand wat al pyn/verlies ervaar het. Of jy ’n kind het of nie. En of jy Bloedvreemd gelees het al dan nie.

Sentenced to Lockdown, regarded as "non-essential", 40 South African writers get together in a virtual Corona Collective, to pen The Lockdown Collection, trying to make sense of a world, held hostage by a virus.

Powerfully visceral, this gem includes a list of South Africa's most celebrated writers, brilliantly capturing the emotional, the spiritual and even the humorous effects of a global pandemic.

This historical gem includes: Sisonke Msimang, Lebo Mashile, Fred Khumalo and Marianne Thamm.

Mia en haar gesin gaan hou vakansie in Stellenbosch. Die gesin in 'n motorongeluk waarin Mia sterf. Die verhaal gaan oor hoe haar ma Mariska haar pyn en hartseer verwerk en haarself vergewe. Maar ook oor nuwe lewe en jou lewe se herstel en terugbymekaar probeer kry na die dood van jou kind.

Maria is a young woman raised as a Jehovah’s Witness in South Africa, and this book documents her experiences of gender victimisation, sexual abuse and cover-ups within the church, as well as her eventual ‘escape’ from its doctrines and control. Maria’s freedom came at a price, however – she can never see her mother and sister again.

A worldwide, Christian-based religious group that professes an unparalleled dedication to Jehovah (God), the Jehovah’s Witnesses have a strong sense of community and appear to embrace a disciplined yet loving way of life with the promise of eternal salvation for those who follow the way of Jehovah. It is a seemingly benign religious movement, claiming to be politically neutral, racially and ethnically transcendent, with a membership of eight million people worldwide. Yet, at its core, many former Witnesses claim that it is a fear-based doomsday cult that considers itself above all other belief systems.

Allegations of secular, cultish behaviour, homophobia, money laundering, brainwashing and countless accusations of institutionalised sexual abuse abound. It seems that membership is managed and retained mostly by way of information control and manipulation, extending to the shunning of higher education and preaching their own version of the Bible.

Entering the church is easy, but leaving it can be a matter of life or death, as Maria and countless others discovered...

Brent Meersman’s memoir of a humble yet eccentric upbringing in a Milnerton, Cape Town, flat in the 1970’s and 1980’s reads as a stirring eulogy to his schizophrenic mother, yet also as a vivid snapshot in time.

His adoring mother, a horse-loving artist, received only rudimentary treatment and Brent, his brother and father had to look to each other for support. His father battled alcoholism and unemployment, at one point taking the whole family to Belgium, where he had found work, only for them to return a year later, defeated. Traversing a home environment constantly on high alert for something to go wrong, waiting for his mother’s fragile mental stability to shatter, not finding support in his father, whose drinking and absences from home took a punishing toll on the family, bred in the author an almost heroic resilience.

This delicate yet brutal memoir, filled with wry humour, will resonate with many readers.

It was a dark and stormy night in 1991 when a magician took over the bridge of the Oceanos, an ageing passenger liner travelling up the Wild Coast.

The captain was nowhere to be found. The ship started taking in water in the auxiliary engine room just a few hours after it had set sail from East London. Panicking, the crew scrambled into the lifeboats, leaving passengers largely to fend for themselves. The ship’s entertainment staff bravely started to calm passengers and coordinated the abandon-ship operation and rescue effort.

The story of this dramatic rescue, which made headlines across the world, is told from the perspective of all the key role players and describes their extraordinary heroism.

With this singular book Nataniël tells the story of a childhood in three small towns and one large suburb, in an era during which rules were seldom questioned and of a young boy’s overwhelming fear of the ordinary. Look At Me is Nataniël's first full-length memoir. 

Met hierdie unieke boek vertel Nataniël die verhaal van ’n kindertyd in drie klein dorpies en een groot voorstad, ’n era waartydens reëls blindelings gevolg is en oor ’n jong seun met ’n oorweldigende vrees vir die gewone. Kyk na my is Nataniël se eerste volwaardige memoir. 

You will find a real life, gritty account of drug addiction in the pages of Rocks – One Man’s Climb from Drugs to Dreams.

Set in the leafy suburbs of Joburg in the 90s, and at the height of the Johannesburg Rave Culture, this book brings to life the agonising heartache of the drug addicted Marco Broccardo, and that of his family members including the dirty details of the daily life of an addict – the close encounters with the law, moments of insanity and rock bottom desperation. But amidst all the despair, there is a moment of liberation and hope. Hope that addiction can be beaten through the right decisions and the over-arching idea of love.

This book will take you on a journey – from the despair of being rock bottom to the elation of the mountain-tops of Kilimanjaro.