James Leatt was nine when the Nationalist Party came to power, and eleven when he saw a documentary of the Allied forces liberating Nazi death camps. For most of his life the shadows of apartheid and the Holocaust have dogged his beliefs about faith, the meaning of life and the moral challenges humankind faces.

Conjectures is a philosophical reflection on his life and times as he grapples with the realities of parish work in black communities, teaching ethics in a business school under apartheid, managing a university in the dying days of the Nationalist regime, and eventually working in higher education in post-apartheid South Africa.

Weaving strands of his personal life with the questions of theodicy and modernity as well as drawing upon the Western philosophical tradition and the wisdom of East Asian traditions such as Taoism and Buddhism, he comes to terms with a disenchanted reality which has no need for supernatural or magical thought and practice.

He has learned to live with questions. If you no longer believe in God and a sacred text, what are your sources of meaning? What kind of moral GPS allows you to find your way? Is what might be called a secular spirituality even possible?

Conjectures traces the author’s search for a secular way of being that is meaningful, mindful and reverent.

The 20th Century has been one of enduring, rapid and fundamental social and political change. In Southern Africa, innumerable wars, rebellions, uprisings and protests have marked the integration, disintegration and then reintegration of both society and subcontinent during this period.

The century started with a brief but total war. Less than ten years later victorious Britain brought the conquered Boer republics, and the Cape and Natal colonies, together into the Union of South Africa. And the military of this early creation served not only in all of the major wars of the twentieth century, but also in a number of regional struggles: rebellion on the part of Afrikaner nationalists, industrial unrest fanned by syndicalists, and uprisings conducted chiefly but not exclusively by disenfranchised black South Africans.

The century ended as it started, with a war. But this was a limited war, a flashpoint of the Cold War, which embraced more than just the subcontinent and lasted a long, twenty-three years.

The first of its kind, A Military History of Modern South Africa provides an overview of South African military history from 1899 to 2000. Focusing on the campaigns and battles, it also brings discussion on the evolving military policy and the development of the South African military as an institution into a single volume.

Toe die Britse Imperiale Ryk in 1899-1902 sy volle militêre mag teen die Boererepublieke van Suider-Afrika in die veld gestoot het, het ‘n groot gedeelte van die res van die wêreld hulle morele ondersteuning aan die dapper burgerkrygers toegesê ... maar sedert die bitter uiteinde van daardie ongelyke stryd het geskiedskrywers die verhaal van die oorlog grotendeels uit ‘n Britse oogpunt benader.

Hierdie is ‘n geskiedenisboek wat anders is.

Oorlog-Beeld voer ‘n verbeeldingsprong uit om die krygswêreld van daardie stryders wat deur Nelson Mandela as die ‘eerste Afrika-vryheidsvegters van die 20ste eeu’ beskryf is, te laat herleef. Hier, in koerantformaat soos dit destyds kon gewees het, volg die verhaal van die ‘Engelse Oorlog’ wat deur Boere vertel word: deur die offisiere wat hulle burgers op die slagvelde by Magersfontein, Colenso en Spioenkop aanvoer; deur bittereinderburgers wat tot op die laaste volgehou het; deur verveelde burgers wat Mafeking, Ladysmith en Kimberley tevergeefs beleër het; deur vroue en kinders in die konsentrasiekampe; deur regeerders en krygsgevangenes in ballingskap asook verskeie ander deelnemers – alles toegelig uit ‘n magdom kontemporêre bronne en met ‘n menigte foto’s wat destyds geneem is.

Daar word nie net oor militêre konfrontasies berig nie, maar ook oor die kommandolewe, oor die ervaringe van krygsgevangenes in kampe oor die aardbol heen versprei, oor die aktiwiteite van die Boere-afgevaardigdes in die buiteland wat buitelandse inmenging aan Boerekant teweeg moes bring, oor die aktiwiteite van prominente individue, soos president Paul Kruger en Emily Hobhouse, en oor die treurige lot van vroue en kinders in die konsentrasiekampe.

It's been two decades since the fall of apartheid, a quarter century since the liberation of Eastern European states, five decades since the death of American "Jim Crow," and seventy-plus years since the beginning of the emancipation of the African states. Freedom has advanced, yet there are some Black people in South Africa, the United States, and other parts around the globe who question if it has advanced far enough and are embittered.

I am a Black woman born to the racist apartheid regime of South Africa. My family suffered the slights of apartheid--petty and grand-as well as the poverty, degradation, street violence, lack of opportunity, and other ills of the system. In telling my story, as well as the stories of some of my friends and teachers, I share my perspective on the issues I have grappled with-including choice, identity, forgiveness, and humanity--with those who are wrestling with similar issues in the United States, my adopted home country, and in South Africa, the country of my birth. Deprivation and marginalization are, after all, as hurtful and debilitating in inner city Baltimore as they are in Soweto, and making a deliberate decision to move forward in the face of either, or both, is always powerful, no matter what your address or particular circumstances.

Lindi was born in Soweto to anti-apartheid activist forebears. Her dad was murdered and her paternal granddad exiled as part of the struggle. Lindi's maternal granddad fought for the dignity of the oppressed, while her female forebears taught her the importance of making good lifestyle choices. Lindi earned four degrees from the University of the Witwatersrand and Boston University, is qualified as an attorney in South Africa, and is a finance professional at Amazon's headquarters in Seattle.

Siya ‘Slikour’ Metane is a musician and entrepreneur best known as one of the founding members of the record-breaking hip-hop group Skwatta Kamp. Told with signature humour, this memoir gives readers an all-access pass to the moments and the music that made the man, detailing the courage it took to overcome his self-doubt and to mould himself into a media maverick.

From small beginnings in the East Rand to gaining mainstream recognition and going solo, celebrity dating and breaking up the band, hitting rock bottom and rising up to make it as a digital media pioneer, Slikour takes us through the highs and lows of his journey to becoming a force to be reckoned with. He unpacks the energy that connected the dots that propelled the success of everyone he came into contact with.

Featuring never-known-before experiences with big names including Zola, Bonang Matheba and Kwesta as well as brands like KFC, Coca-Cola, Butan and Kaizer Chiefs, this is a candid look at what it takes to make it in the South African music and digital media scenes and what connection can achieve.

More than 10% of people worldwide suffer from some form of rare or chronic disease. Almost all of us know at least one person striving to find their feet and live a good life, despite unique daily challenges. Physical disabilities and rare diseases are not as rare as one might think, yet most people with them face unnecessary hurdles when navigating the world of the physically able. How can we be more inclusive and supportive in meaningful, empowering ways?

In this supportive, raw, and relatable read, and readers learn how to:

• Better support the physically disabled on every level.
• Assist with adaptive and inclusive living.
• Advocate: Create and raise the right kind of awareness for those who need all the help they can get.
• Manage chronic illness, disease, physical disability, and even ordinary hardships, from a mental and emotional point of view.

Universal themes such as love, friendship, and self-discovery enmesh with an uncompromising focus on opening people’s hearts to the reality of rare diseases and disabilities.

Kerry’s story is a heartfelt insight into love, fun, family, acceptance, and the navigation of independence. People of all ages and walks of life can learn and gain strength from this amazing, wonderful journey of tenacity and true grit.

Sulke Vriende Is Skaars bevat die geannoteerde briefkorrespondensie tussen twee seminale figure in die Suid-Afrikaanse Westerse kunsmusiek. Dit is die eerste keer dat briefwisseling binne die Suid-Afrikaanse musiekgeskiedenisskrywing gepubliseer word en is ’n publikasie wat ’n noemenswaardige bydra tot die dissipline van Suid-Afrikaanse musiekhistoriografie, asook tot Afrikaner- en apartheidshistoriografie, sal maak.

Dit toon die belangrikheid aan van verdere navorsing oor die geïnstitusionaliseerde posisie van wit kunsmusiek in Suid-Afrika. Benewens die briewe, word belangrike foto’s, afskrifte van faksimilees, telegramme en ander vorme van korrespondensie geplaas en groot klem geplaas op die visuele voorkoms van die boek.

Tracy Going‘s powerful memoir, Brutal Legacy (originally published in 2018), was first adapted for stage by the award-winning theatre maker, Lesedi Job, with a cast including Natasha Sutherland, Charlie Bougenon and Jessica Wolhuter, and it has now inspired a documentary, That’s What She Said – A social inquiry: in it, Tracy offers up her story to be scrutinised by a random group of men in the present. They watch her account as it is displayed in a theatre production adaptation of her book. The film documents this process and the frank discussions that follow the performance. Offering a unique social dialogue, to bring an important message across as a relatable film without diminishing the abused, or men / women in general.

When South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked. South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray. What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship.

“As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.”

The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self. The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage.

“I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.”

Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.

The Ven Archdeacon Professor Emeritus Peter Tshobisa Mtuze is a poet, priest and academic. He has worked as an interpreter in the law courts of the old South Africa, as a radio announcer, a salesperson for a publishing company, a civil servant in the homeland government structures, a lecturer at UNISA, and as Editor in Chief of the Greater Dictionary of isiXhosa at Fort Hare. He then joined Rhodes University as Professor and Head of the isiXhosa Department, and he also served there as Deputy Campus Director and Deputy Registrar. From 1966 to date, he has published more than 30 books in many genres – novels, short stories, essays, drama, poetry, autobiography, and cultural and theological publications. Some of these works received awards and accolades from various institutions, and one of his novels is on the list of literary classics. Many of the titles are available in Braille and as audio recordings. Mtuze translated former President Nelson Mandela’s monumental autobiography Long Walk to Freedom into isiXhosa as Indlela ende eya enkululekweni. From a poverty-stricken farm background, he fought his way up to become one of the most accomplished academics, with a PhD from the University of Cape Town, a DTh from UNISA and a DLitt (Honoris Causa) from Rhodes University. Mtuze’s autobiography will serve as an inspiration to one and all.

What I saw during the time I was employed at the Pass Office – I mean the ill- treatment of Africans – affected my heart and stirred my soul ... I would be of some service to my down-trodden people.

Richard Victor Selope Thema was voorsitter van die komitee wat ’n nuwe grondwet vir die South African Native National Congress opgestel het, die eerste redakteur van The Bantu World (nou The Sowetan) en lid van die Native Representative Council (NRC). Thema was in 1919 ook een van die eerste swart mans wat Engeland besoek het om voorspraak te maak vir swart Suid-Afrikaners.

Die boek, in Thema se eie woorde, beskryf sy vroeë lewe en volg sy denke en skryfwerk van radikaal na pasifis – Thema het geglo dat amper enigiets met onderhandeling en gesprek opgelos kan word en nie almal in die ANC het met hom saamgestem nie. Hy is ’n intellektuele voorvader van beide die ANC-jeugliga en die Pan-Afrikane van die 1950’s, en een van die vergete leiers van die ANC.

The Voices of Liberation series celebrates the lives and writings of South African and African liberation activists and heroes. The human, social and literary contexts presented in this series have a critical resonance and bearing on where we come from, who we are and how we can choose to shape our destiny. This series ensures that the debates and values that shaped the liberation movement are not lost. The series offers a unique combination of biographical information with selections from original speeches and writings in each volume. By providing access to the thoughts and writings of some of the many men and women who fought for the dismantling of apartheid, colonialism and capitalist legacy, this series invites the contemporary reader to engage directly with the rich history of the struggle for democracy and the restoration of our own identity. The title of the series has been carefully chosen as it speaks to its purpose - which is not only to make a particular voice resonate but to strengthen the voice from the South and Africa in particular. Chris Hani was a key figure in the South African liberation struggle, yet little has been written about this enigmatic leader of the SACP and Chief of Staff of Umkhonto we Sizwe. The year 2013, marks the 20 year anniversary of his assassination and HSRC Press views the publication of this book as extremely important, not only to commemorate his death but to highlight the principles and values for which he stood. As Chief of Staff of Umkhonto we Sizwe, Chris Hani was prepared to support the cessation of the armed struggle in the interests of the negotiations which would benefit the country as a whole; he represents the importance of dialogue and the relationship between identity, agency, citizenship and social action. Chris Hani believed in restoring people to their humanity and the need is now greater perhaps than ever before to hear his voice loud and clear.

It all began with Charlie Chaplin, flickering in black and white on a makeshift screen in their modest home in Springfield, which later led to the neighbourhood children happily handing over their coins to 10-year-old Anant Singh and his younger brother Sanjeev. At age 13, deeply affected by the passing of his father, Anant found solace and escape in the moving image to which his father had introduced him.

The combination of a deep and abiding passion for film and an entrepreneurial spirit were the sparks that lit the flame for Anant as he rewound 16mm reels in a film rental store in Durban, first for R1 a day and then for R25 a week. In South Africa in the 1970s, there were not many career options for a Black person who dreamed big in any business, let alone the film industry. But before his twentieth birthday, Anant was the owner of that store and in a business in which no person of colour had ventured. Restrictive legislation was not the only problem; all public facilities, including cinemas, were segregated and any voice raised in opposition to the state was swiftly silenced, while censorship across all forms of media, including films, was strictly enforced.

By hiring out films classified for whites only to all races and uncensored movies to anyone who wanted to watch them, Anant was arrested for breaking the laws he refused to recognise as legitimate. He moved on to wider distribution, first to cinemas across Africa and then to the international market, to setting up Videovision Enterprises and capturing the home video market, and finally to putting his heart and soul into producing award-winning and important films.

This extraordinary memoir is a story of professional relationships – and of friendships – with mentors including Ahmed Kathrada, Fatima and Ismail Meer and Nelson Mandela, as well as with superstars such as Quincy Jones, Sidney Poitier, Whoopi Goldberg, Amitabh Bachchan, Denzel Washington and Idris Elba. And it is a testament to determination, courage and perseverance – to speak up and speak out through the powerful medium of film.

Shafiq Morton’s historical study From the Spice Islands to Cape Town deals, as the subtitle indicates with “the life and times of Tuan Guru”, one of the key figures in the history of Islam at the southern point of Africa. ‘Abdullah Ibn Qadi ‘Abd ul-Salam, later known among Cape Muslims as Tuan Guru (Grand Teacher), was born in Tidore in 1712. For much of his life he was an advisor to Sultan Jamal al-Din, the ruler of the spice revenue-funded Sultanate of Tidore on the tropical Maluku islands in the Southeast Asian archipelago. At the age of 68, Tuan Guru landed at the Cape on board De Zeepard. As political prisoners, he and his fellow courtiers were immediately incarcerated on a bleak and windswept Robben Island, a place he referred to as Pulau Aylan. On his release from his second spell of banishment Tuan Guru played a pioneering role in organising and educating the faithful, making him “our country’s first recorded urban activist”.

Morton tells, for those readers interested in the underclass history of the Cape, an engrossing tale of Tuan Guru’s history in Tidore, the world of his upbringing, his banishment, his supposed spiritual powers and his leadership. He spends a full chapter, Chapter 10, on the meaning of Ma’rifat al-Islam wa’l-Iman and traces the considerable impact of Tuan Guru and his descendants on life in the Cape Muslim community and the broader South African society. Through the Arabic orthography the Awwal madrasah played a pivotal role in developing an alternative communal literacy tradition that gradually changed from Malayu to Cape Dutch and gave rise to what we today know, as the Arabic-Afrikaans scribal tradition. Beginning with Tuan Guru, successive imams and Muslim leaders established the local Islamic education tradition and network of community support organisations that outlasted the Batavian, British and the early South African administrations and are still flourishing well into the 21st century.

Morton’s account is well-written and worthy of the story of a remarkable man whose legacy lives on through his writings, the religious and educational traditions he fostered and through the achievements of his many descendants. It is a welcome addition to the growing collection of biographical and historical works on underclass figures and communities.

Hugh Masekela is a prodigiously talented giant of jazz and world music, and a pioneer in sharing the voice and spirit of South Africa with the rest of the world, but his globetrotting tale transcends music.

Still Grazing was first published in the US in 2004; it is an autobiography which shares rich detail of world-acclaimed jazz giant Hugh Masekela's life, infused with love and loss, sex and drugs, exile and revolution.

He survived it all, with wit, passion, abundant talent and wisdom, and is now bringing his story back home!

Dominique is a self-righteous, headstrong lawyer, driven by the unconscious yearning for the approval of her successful mother, a judge, and an intellectually-demanding husband who, while raising four children, comes to the realization that she is, primarily, a mother. Her turmoil is evident from the time her first child is three months old when, thwarted by the demands of an unco-operative baby, she slumps down in the baby-rocker and begins to write. After all, she wasn’t really interested in children before she had one of her own. “I’m not even sure they interested me after I’d had my own,” she confesses.

From Courtroom To Cupcakes is the lighthearted story of her personal crisis: the story of an ordinary mother who finds sanity in writing and recording the endearing conversations of her children as she fetches and carries them to and from school - often while waiting at red robots. Her conflicts follow her while she and her husband temporarily escape the corporate world, seeking a life of undiscovered adventure by travelling overseas with their two young children. But her attempts at finding a ‘balanced life’ are complicated with the advent of baby number three and two years later, baby number four. Mindful of her own mother’s strength and success and the expectations of a patient husband who feels as though he has been misrepresented - believing her to be uncompromisingly career-orientated - it is through her obsessive documentation of it all that she finally comes to terms with the fact that she is, simply, a mother.

Her journey is related in a part-diary, part-narrative style, during which she meticulously scribbles down her reflections and thoughts of events that unfold. The culmination of these observations - honest and mostly humorous though often poignant and challenging of modern-day notions - is ultimately in completing her story which is what she finds most rewarding in her quest for inner peace.

Hierdie boek het ontstaan as 'n verhaal oor die lewe van 'n besonderse mens: David Samaai. Maar baie gou besef jy dat dit eintlik 'n boek oor 'n baie besonderse familie, die Samaai-familie woonagtig in Paarl, is. Davy Samaai was 'n legendariese tennisspeler, 'n begaafde musikant, 'n inspirerende skoolhoof of hardwerkende onderwyser. Hy het ook met sy voorbeeld gelei.

Juby Mayet was a force of life. Her autobiography takes us from life as a youngster growing up in Fietas, Johannesburg, through marriage, life as a ‘girl reporter’ for first The Golden City Post, then Drum magazine, and on through apartheid and her resistance to it.

Written in her inimitable style, thumbing a nose always at convention or those in authority, it gives a unique insight into one of the only women writers at Drum – and one who could drink just as hard as Can Themba or Nat Nakasa.

Whitey Basson, een van SA se mees suksesvolle sakeleiers, word deur sy eweknieë beskryf as “geniaal”. Whitey het ’n legende geword toe hy, in SA se beroemdste oorname, die sukkelende OK Bazaars vir een rand gekoop het. In dié gemagtigde biografie vertel die bekroonde sakejoernalis Niel Joubert die volle storie van Whitey se opkoms en fabelagtige sukses.

Van ’n paar klein winkeltjies, gewaardeer teen R1 miljoen, het hy Shoprite in Afrika se grootste kleinhandelaar omskep – en die 35ste grootste kleinhandelaar in die wêreld. Ná jare se navorsing, en baie ure in gesprek met Whitey self, herskep Joubert Whitey se kleurryke lewe, van sy seunsdae op die plaas buite Porterville via Pep Stores tot Shoprite.

Nadat hy Grand Bazaars, Checkers en OK Bazaars oorneem, bereik Whitey uiteindelik sy groot mikpunt: om Pick n Pay verby te steek. In die proses het hy SA se grootste private werkgewer geword en welvaart geskep vir tallose Suid-Afrikaners. ’n Hoogs leesbare en inspirerende sakestorie.

More than 125 years ago, a remarkable group of people came together in Cape Town to write down the language and beliefs of the |xam people, a Bushman group that once lived over much of South Africa. The immensely valuable work of Wilhelm Bleek, Lucy Lloyd and their |xam teachers not only preserved a language now no longer spoken, but also provided fascinating insights into |xam cosmology.

First published in 2004, Customs and Beliefs of the |xam reproduces Dorothea Bleek's selection of |xam narratives from the well-known Bleek and Lloyd Collection that was originally published in the journal Bantu Studies during the 1930s. Collated and edited by Jeremy Hollman, the extracts include detailed notes on each of the narratives, as well as Bleek's 'sketch' of |xam grammar.

This substantially revised second edition integrates new scholarship on the Bleek and Lloyd archive, and restores previously omitted material. The introduction to each narrative has been expanded to contextualise it within the archive as a whole and, where relevant, reference it to the Notebook of which it is a part. This includes meticulous cross-referencing with the Bleek and Lloyd Collection catalogue code and the Notebook number and line reference. Each of the texts has also been critically reassessed, with additional editorial notes and commentaries, in particular with respect to the |xam words themselves and the ways in which they have been translated. A synopsis of each narrative is provided in an appendix, with cross references to the Bleek and Lloyd notebooks.

Customs and Beliefs of the |xam, second edition, is an in-depth, detailed and authoritative resource that will be invaluable to scholars, heritage workers and activists alike.

The Jacana series of pocket guides is meant for those who are looking for a brief but lively introduction to a wide range of relevant topics of South African history, politics and biography. Written by some of the leading experts in their fields, the individual volumes are informative and accessible, inexpensive yet well produced, slim enough to put in your pocket and carry with you to read.

Steve Biko is often seen as the charismatic leader of the Black Consciousness Movement, who played a useful stopgap role in South African politics in the late 1960s and 1970s. This biography of Biko shows, on the contrary, just how fundamental he was to the transformation of South Africa in the second half of the 20th century – and just how relevant he remains today.

When the artist Louis Jansen van Vuuren first visited Paris he could never have imagined that he would end up owning a château in rural France. Almost French is the highly entertaining account of his induction over the past 21 years into all things French: snooty waiters, high-brow countesses, numerous faux pas with the French language and of course, several encounters with the infamous French bureaucracy.

Turning the dilapidated château into a boutique hotel with his life partner, Hardy Olivier, required patience and perseverance. Many lessons were learnt the hard way. Four heaters are not enough to heat an entire château and they will blow your power supply.

And practising your French is a must. On a visit to the butcher, Louis asked for “sheep socks” when he was after leg of lamb. Talk about butchering the lamb!

Louis interweaves the stories about his life in France with fascinating snippets of history, culture and tradition. A must for all Francophiles.

Margaretha van Hulsteyn (also known as Scrappy) is the daughter of respected Pretoria attorney Sir Willem van Hulsteyn, and she's an aspiring actress. While studying in London after the Great War, Scrappy changes her name to Marda Vanne and enters into a relationship with one of the foremost actresses of her day, Gwen Ffrangcon-Davies.

However, on a visit to her parents in the Union of South Africa, Marda meets Hans Strydom, an attorney and uncompromising radical politician with the soubriquet ‘The Lion of the North’. Their meeting changes the course of her life, at least temporarily… Strydom went on to become a principal progenitor of the harshest discriminatory legislation which endured for decades until his nephew, President FW de Klerk, in a volte-face, dismantled the laws of apartheid.

A work of biographical fiction, The Lion & The Thespian is based on the true story of the marriage of Hans Strydom, prime minister of South Africa from 1954 to 1958, to the actress Marda Vanne. Veteran author David Bloomberg (former executive mayor of Cape Town, and founder of Metropolitan Life), following extensive reading and research, has adhered faithfully to the chronology of the lives of the main protagonists, their personalities and the historical facts with which they were associated. Creative license has allowed Bloomberg to recreate appropriate scenes and dialogue, complemented by reported sources and recorded speeches.

Beyond Fear is the testimony of Ebrahim Ebrahim, a revolutionary amongst revolutionaries, whose poignant and inspirational account of his years spent dedicated to bringing down the apartheid state is told in ways we have not heard.

As one of the founding members of Umkhonto we Sizwe, he played a central role in directing the sabotage campaign of the early 1960s. Convicted for this, Ebrahim arrived on Robben Island in 1964, where for over 15 years he played a leadership role in the creation of the ‘University of Robben Island’, the university of revolutionary ideology. Soon after his release, Ebrahim became the head of the ANC’s Political Military Committee in Swaziland, and as such, his life was under constant threat. He was abducted in December 1986 by apartheid agents and taken to South Africa to be tortured at John Vorster Square. He was charged with high treason and sentenced to a further 20 years, which would be his second stint on the Island. Ebrahim was, however, released in February 1991.

Beyond Fear also tells the story of his post-1994 life, where he travelled the world doing international conflict resolution work. He later served as South Africa’s deputy minister of foreign affairs. His great love story began at the age of 63 when he met his beloved Shannon Ebrahim with whom he had two children, who were, as he says his ‘greatest teachers’. Ebrahim Ebrahim passed away on 6 December 2021, having become one of South Africa’s most loved heroes.

Theophilus Shepstone is recognised as one of the key figures in the history of colonial Africa. He is credited with developing some of the essential and widely copied features of colonial administration, including indirect rule, customary law and segregation.

And yet he is also one of colonialism’s most enigmatic personalities: fighting for and against Africans and colonists, admired by some, hated by others, but hiding his thoughts and his feelings with an intimidating and silent public persona.

In this book Jeff Guy uses biography and history to break this silence and examine the man and his politics as they evolved in the conflicted and violent history of colonial Natal. He questions long-established and widely held views of Shepstone and his policies, showing that unless he is placed firmly in the context of the histories of the Africans with whom he worked, he cannot be understood.

Maqoma was the most renowned Xhosa chief of South Africa’s 19th century Cape-Xhosa Wars and arguably one of Africa’s greatest resistance leaders of the colonial period. He was a man of considerable intellect and eloquence, striving to maintain traditional social structures and the power of the Xhosa royalty in the face of colonial depredations and dispossession.

When accommodation and diplomacy failed, Maqoma led Xhosa forces in three separate wars against the British-ruled Cape Colony. Evidence suggests that Maqoma made covert attempts to undermine the Nongqawuse Cattle Killing prophecies of 1856-57 which brought devastation on the Xhosa nation. Imprisoned on Robben Island for 12 years, Maqoma was paroled in 1869. When he attempted to resettle on his stolen land, however, he was re-banished to the infamous island prison, where he died under mysterious circumstances in 1873. And yet his name lives on.

In vivid prose the author records the life of a leader of exrtaordinary tenacity, flexibility, political and martial skills, who tragically became the victim of colonial domination.