“I saw my mommy walking to the court with a hoodie on and a scarf covering her face. She looked almost like someone that was poor. People were cursing at her… and that broke me. This is the woman who was there for me every day, making lunch for me and my friends when we came from school, and now here she is on television being called a criminal.”

The kidnapping of baby Zephany Nurse from the cot beside her mother’s hospital bed made headline news. Desperate pleas from her parents to return her safely went unanswered. There was no trace of the baby. For 17 years, on her birthday, the Nurse family lit candles and hoped and prayed.

Living not far away from the Nurses, 17-year-old Miché Solomon had just started Matric. She had a boyfriend. She had devoted parents. She was thinking about the upcoming school dance and the dress her mother was going to make for her. She had no idea that a new girl at her school, who bore an uncanny resemblance to her, and a DNA test would shake her world to its foundations.

Miché is now 22. This is her story – for the first time in her own words. Told with astonishing maturity, honesty and compassion, it is also a story of what it means to love and be loved, and of claiming your identity.

Hierdie boek is die voltooiing van Elsa Joubert se outobiografiese drieluik wat ingelei is deur ’n Wonderlike geweld (2005) en Reisiger (2009). Dit fokus hoofsaaklik op die skrywer se latere jare, in die aftreeoord in Kaapstad waar sy nou al geruime tyd woon, maar haar belewenis van die hede en onlangse verlede word onlosmaaklik vervleg met herinneringe aan veel verder terug, alles geteken met die kenmerkende woordvaardigheid van een van Afrikaans se mees gevierde skrywers.

Elsa Joubert - Biografiese inligting

Elsabé (Elsa) Antoinette Murray Joubert is op 19 Oktober 1922 in die Paarl gebore. Sy matrikuleer in 1939 aan die Hoër Meisieskool La Rochelle in die Paarl. Sy behaal ’n BA-graad (1942) en ’n Sekondêre Onderwysdiploma (1943) aan die Universiteit van Stellenbosch.

In 1945 verwerf sy ’n meestersgraad aan die Universiteit van Kaapstad. Daarna is sy die vroueredakteur van Die Huisgenoot van 1946 tot 1948. Hierna begin sy te reis en in 1957 verskyn haar eerste reisverhaal, Water en woestyn, wat handel oor haar ervarings in Egipte en Uganda. Elsa Joubert se reise deur Afrika, Suid-Amerika, Europa en die Verre-Ooste het op ’n besondere wyse in haar werk neerslag gevind.

In 1963 verskyn haar eerste roman, Ons wag op die kaptein, wat onder meer die Eugène Marais-prys ontvang het. Sy is met die WA Hofmeyr-, CNA- en Louis Luyt-prys bekroon vir haar invloedryke roman Die swerfjare van Poppie Nongena (1978), wat in 2002 aangewys as een van die honderd beste boeke in Afrika.

In 1981 ken die British Royal Society of Literature die Winifred Holtby-prys aan haar toe en word sy ’n Fellow van die Society. Haar magistrale roman Die reise van Isobelle (1995) is met die Hertzogprys bekroon. Haar lewenswerk word bekroon met eredoktorsgrade van die Universiteite van Stellenbosch (2001) en Pretoria (2007), en sy ontvang die Orde van Ikhamanga (2004).

Skakel van Maandag, 18 Junie 2018 af in op RSG om te luister na Elsa Joubert se jongste roman, Spertyd (2017, Tafelberg) voorgelees deur Rika Sennett.

How I Accidentally Became a Global Stock Photo and Other Strange and Wonderful Stories is part memoir, part travelogue and part love letter. Shubnum Khan takes the reader on a journey around the world. Whether it is teaching children in a remote village in the Himalayas, attending a writers’ residency where the movie The Blair Witch Project was shot, getting pulled out of the ocean in Turkey or becoming a bride on a rooftop in Shanghai, Shubnum is quirky, moving and vulnerable in what she shares.

Shubnum offers an introspective reflection on what it means to be a woman, particularly a single Muslim woman in South Africa, trying to find herself in a modern world. The stories are drawn from her life journey, which has been full of unexpected twists and turns, and are interspersed with reflections on culture and religion as well as musings on family, relationships and love.

The Mindy Project meets Bridget Jones’s Diary with a side of Keeping Up With The Kandasamys, this is a book about holding onto hope and a reminder that once ‘you step off the edge, anything can happen’.

In her much anticipated memoir, Sisonke Msimang writes about her exile childhood in Zambia and Kenya, young adulthood and college years in North America, and returning to South Africa in the euphoric 1990s. She reflects candidly on her discontent and disappointment with present-day South Africa but also on her experiences of family, romance, and motherhood, with the novelist’s talent for character and pathos.

Militant young comrades dance off the pages of the 1970s Lusaka she invokes, and the heady and naive days of just-democratic South Africa in the 1990s are as vividly painted. Her memoir is at heart a chronicle of a coming-of-age, and while well-known South African political figures appear in these pages, it is an intimate story, a testament to family bonds and sisterhood.

Sisonke Msimang is one of the most assured and celebrated voices commenting on the South African present – often humorously; sometimes deeply movingly – and this book launches her to an even broader audience.

Growing up queer, brown and ambitious in a conservative South African Indian household comes with rules, expectations and a lot of things no one is allowed to say out loud.

In Qualified Disappointment, comedian and actor Prev Reddy turns that silence into comedy. From choreographing braai dances to surviving family WhatsApp groups, Prev learned early how to perform, deflect and entertain his way through a world obsessed with appearances and the fear of becoming a disappointment.

Prev delivers a moving memoir about tradition, taboo and the pressure to live a life that looks respectable from the outside, charting his journey from a glitter loving child in Durban to an internationally recognised social media star and stage performer.

Hovering over it all is his alter-ego, Aunty Shamilla. She is opinionated and watchful – the familiar voice of community judgement, reluctant affection and unsolicited advice. Deeply honest and unapologetically bold, Qualified Disappointment is for anyone who has felt like an outsider in their own home and fought to stay soft, funny and powerful anyway.

This humorous collection of stories from life at the Bar and on the Bench in the Cape takes a look back at four decades, starting at the end of World War Two and finishing with the arrival of democracy in South Africa.

These tales and recollections, mostly from Bar members now in their 80s, show what an extraordinary time it was for lawyers. Also, remarkably, how much is of relevance to lawyers practising today.

The anecdotes and reminiscences of members of the Bar during this period were collected and edited by Mr Justice Gerald Friedman and Jeremy Gauntlett SC.

‘It is the godly feeling of dancing like a goddess and snapping on a beat with sheer joy that makes all the trouble life demands worthwhile. In these moments, of intensive freedom from pain, of joy that knows no bound and peace that passeth all understanding, I become that kid again, dancing with my mother.’

Welcome Mandla Lishivha’s exquisitely crafted memoir is unlike anything you’ve ever read. Boy On The Run is a staggeringly beautiful and honest exploration of identity through grief, love and friendship, giving us, the readers, a glorious song of self-expression.

This book will change your life.

Todd Matshikiza, who died in 1968, wrote the music for that marvellous African jazz opera King Kong, which proved such a runaway success in South Africa and abroad in the early 1960s.

Of Chocolates for My Wife first published in 1961 (and 'banned' in South Africa until July 1982), Matshikiza said, "This is a book about real people, many of them my friends, and about a few of the experiences I have shared with them."

It tells in his own wry, vivacious, coruscating style of black life in the Johannesburg of Orlando, Sophiatown and Alexandra Township when King Kong was in rehearsal - and, in sharp contrast to this, of the adventures of the Matshikiza family in London.

When Mark Gevisser was a little boy, growing up in a apartheid South Africa, he was obsessed with maps, and with the Holmden’s Registry, Johannesburg’s Street Guide, in particular. He played a game called “Dispatcher” with this eccentric guide, transporting himself across the city into places that would otherwise be forbidden him. It was through “Dispatcher” that he discovered apartheid, by realising that he could not find an access route to the neighbouring township of Alexandra, and later, by realising that Soweto was not mapped at all.

This was the beginning of a lifelong obsession with maps and with photographs, and what they tell us about borders and boundaries: how we define ourselves by staying within them, or by transgressing them.

Johannesburg is a place of edges and boundaries; no place for a flaneur: this book is Gevisser's account of getting lost in his home town, and then finding himself, and then getting lost again, as a gay Jewish South African who was raised under apartheid and who became an adult and married a man of a different race as the country moved towards freedom.

Using maps and memories, photographs and stories, Lost And Found In Johannesburg presents a new way of understanding race and sexuality, heritage and otherness. If Gevisser transcended boundaries by playing “Dispatcher” as a boy, his own boundaries were brutally ruptured when he was attacked in a home invasion in January 2012, while completing this book.

Lost And Found In Johannesburg is the story of that journey.

Dominique is a self-righteous, headstrong lawyer, driven by the unconscious yearning for the approval of her successful mother, a judge, and an intellectually-demanding husband who, while raising four children, comes to the realization that she is, primarily, a mother. Her turmoil is evident from the time her first child is three months old when, thwarted by the demands of an unco-operative baby, she slumps down in the baby-rocker and begins to write. After all, she wasn’t really interested in children before she had one of her own. “I’m not even sure they interested me after I’d had my own,” she confesses.

From Courtroom To Cupcakes is the lighthearted story of her personal crisis: the story of an ordinary mother who finds sanity in writing and recording the endearing conversations of her children as she fetches and carries them to and from school - often while waiting at red robots. Her conflicts follow her while she and her husband temporarily escape the corporate world, seeking a life of undiscovered adventure by travelling overseas with their two young children. But her attempts at finding a ‘balanced life’ are complicated with the advent of baby number three and two years later, baby number four. Mindful of her own mother’s strength and success and the expectations of a patient husband who feels as though he has been misrepresented - believing her to be uncompromisingly career-orientated - it is through her obsessive documentation of it all that she finally comes to terms with the fact that she is, simply, a mother.

Her journey is related in a part-diary, part-narrative style, during which she meticulously scribbles down her reflections and thoughts of events that unfold. The culmination of these observations - honest and mostly humorous though often poignant and challenging of modern-day notions - is ultimately in completing her story which is what she finds most rewarding in her quest for inner peace.

James Leatt was nine when the Nationalist Party came to power, and eleven when he saw a documentary of the Allied forces liberating Nazi death camps. For most of his life the shadows of apartheid and the Holocaust have dogged his beliefs about faith, the meaning of life and the moral challenges humankind faces.

Conjectures is a philosophical reflection on his life and times as he grapples with the realities of parish work in black communities, teaching ethics in a business school under apartheid, managing a university in the dying days of the Nationalist regime, and eventually working in higher education in post-apartheid South Africa.

Weaving strands of his personal life with the questions of theodicy and modernity as well as drawing upon the Western philosophical tradition and the wisdom of East Asian traditions such as Taoism and Buddhism, he comes to terms with a disenchanted reality which has no need for supernatural or magical thought and practice.

He has learned to live with questions. If you no longer believe in God and a sacred text, what are your sources of meaning? What kind of moral GPS allows you to find your way? Is what might be called a secular spirituality even possible?

Conjectures traces the author’s search for a secular way of being that is meaningful, mindful and reverent.

The resonance of Call Me Woman is as great in 2018 as when first published in 1985. Like millions of black South Africans made strangers in the land of their birth. Ellen Kuzwayo lost a great deal in her lifetime: the farm in the Orange Free State which had belonged to her family for nearly a hundred years; her hopes for a full and peaceful life for her children; even her freedom, when, at the age of 63, she found herself detained under the so-called Terrorism Act for an offence never specified. But she never lost her courage.

This remarkable autobiography refuses to lose focus only on the author, for it draws on the unrecorded history of a whole people. In telling her own personal and political story over 70 years. Ellen Kuzwayo speaks for, and with, the women among whom she worked and lived. Their courage and dignity remain a source of wonder.

Gordon Oliver, born in 1939, lives in Cape Town, South Africa. He holds a master’s degree in Religious Studies from the University of Cape Town. He was ordained in the ministry of the Unitarian Church in Cape Town in 2002 and was elected President of International Council of Unitarians and Universalists from 2003 to 2007. Most of his professional life was in Human Resources Management and during this time, he was an elected councillor on the Cape Town City Council, serving for fifteen years. He was Mayor of Cape Town from 1989 to 1991 and had the privilege of welcoming Nelson Mandela to the Cape Town City Hall on the day he was released from prison.

The author tells his story of being born under the Gemini star sign, living a life defined by an unremitting struggle between the conflicting twins of “Yes, I can” and “No, you can’t!” It describes a struggle of early childhood uncertainty, being hidden as a child, of unanswered questions and preferring to be in the background during his childhood through to his middle years.

Generally surrendering to the opinions of others, while holding back on his own views, was the hallmark of his being. Hesitating to take on challenges was a familiar pattern, as was the likelihood of yielding to mediocracy, the easy way out. Tilting the balance away from “No you can’t” to “Yes, I can … and I will” was the major factor in the author’s life towards holding leadership positions in every sphere of his adult public life, from committee secretary early in his professional career to becoming Cape Town’s first citizen.

From the mayoralty to ministry, standing up for justice and the dignity of life and being able to make a difference was the path he chose; mediocracy simply was not good enough.

Hoe weet ’n klein seuntjie van skaars drie jaar oud dat hy in die verkeerde liggaam gebore is?

Wat ervaar daardie seuntjie in die eerste twee dekades van sy lewe dat hy so oortuig raak van wie en wat hy moet wees, dat hy die lang pad van geslagshertoewysing aanpak sodat hy sy droombestaan kan voer in die liggaam waarvoor hy gebore is?

Min het Pierre van der Merwe daardie tyd geweet wat Elise van der Merwe alles in haar nuwe bestaan sal ontdek en ervaar.

’n Hartstogtelik eerlike en roerende verhaal wat ook baie sal beteken vir mense wat met hierdie dilemma gebore is.

In die oop ruimtes tussen sterre en swaartekrag sal jy Karlien vind waar sy kaalvoet en sonder pretensie by die Here sit. Daar waar sy met Hom kan gesels oor haar soeke en seer, want sy weet dat Hy gewillig en met deernis luister.

Karlien vertel van haar kronkelpaaie van pyn en verlies en hoe sy deur die jare daardie paaie gevleg met haar onwrikbare geloof gestap het. In hierdie poëtiese teks vol beeldspraak en vloeiende kreatiwiteit gesels sy oor kwesbare grepe uit haar lewe. Sy deel met die leser haar ondersoeke in die Woord, die suiwer leringe van Jesus, sielvolle gedigte, lirieke en diep persoonlike gewaarwordinge.

In Riviere in die wildernis leer ons Karlien ken soos nog nooit tevore nie.

In haar arms het sy al lewe, siekte en dood vasgehou en geleer hoe om, of die Here nou gee óf neem, steeds ’n halleluja te sing.

Margaretha van Hulsteyn (also known as Scrappy) is the daughter of respected Pretoria attorney Sir Willem van Hulsteyn, and she's an aspiring actress. While studying in London after the Great War, Scrappy changes her name to Marda Vanne and enters into a relationship with one of the foremost actresses of her day, Gwen Ffrangcon-Davies.

However, on a visit to her parents in the Union of South Africa, Marda meets Hans Strydom, an attorney and uncompromising radical politician with the soubriquet ‘The Lion of the North’. Their meeting changes the course of her life, at least temporarily… Strydom went on to become a principal progenitor of the harshest discriminatory legislation which endured for decades until his nephew, President FW de Klerk, in a volte-face, dismantled the laws of apartheid.

A work of biographical fiction, The Lion & The Thespian is based on the true story of the marriage of Hans Strydom, prime minister of South Africa from 1954 to 1958, to the actress Marda Vanne. Veteran author David Bloomberg (former executive mayor of Cape Town, and founder of Metropolitan Life), following extensive reading and research, has adhered faithfully to the chronology of the lives of the main protagonists, their personalities and the historical facts with which they were associated. Creative license has allowed Bloomberg to recreate appropriate scenes and dialogue, complemented by reported sources and recorded speeches.

Springs, 1977. Robert en Jeanne Smit word wreed om die lewe gebring in wat die WVK later as 'n politiese gemotiveerde moord sou beskryf. Dekades daarna gons dit oor wie presies vir die grudaad verantwoordelik was. Daar is rookskerms en ontkenning, verduistering en misleidings, en bespiegelings en teorieë oor presies wie die aanvanklike opdrag gegee het.

En iewers in die politieke kookpot prut stories van 'n dapper dertienjarige dogter Liza Smit. Nadat haar ouers uit haar lewe geruk is, sou niks ooit weer dieselfde wees nie. Toe sy hoor dat die WVK die saak wil ontrafel, begin sy en die ondersoekende joernalis Alet van Rensburg die saak navors. Saam-saam durf die twee, met enorme deursettingsvermoë, vasberadenheid en 'n porsie domastrantheid die taak aan : om die waarheid te ontbloot oor die dood van Liza se ouers.

Liza se verhaal word afgewissel met uittreksels uit die oorspronklike veslag wat sy aan die ongure onderwêreld van die destydse Suid- Afrika vol korrupte politici, taakmagte en internasionale intriges. Dis ook die storie van 'n lewe wat afspeel teen hierdie agtergrond, en hoe een indrukwekkende vrou haarself uit haar persoonlike hel reg.

The classic story of life in Apartheid South Africa.

Mark Mathabane was weaned on devastating poverty and schooled in the cruel streets of South Africa's most desperate ghetto, where bloody gang wars and midnight police raids were his rites of passage. Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years. Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to win a scholarship to an American university.

This extraordinary memoir of life under apartheid is a triumph of the human spirit over hatred and unspeakable degradation. For Mark Mathabane did what no physically and psychologically battered "Kaffir" from the rat-infested alleys of Alexandra was supposed to do -- he escaped to tell about it.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Leon and his twin Norman were born in August 1929, the youngest of four children born to Mary and Mark Levy, immigrants from Lithuania. His father died when Leon was six; to heroic degree, his mother carried the family – financially, practically and emotionally – in her widowhood. Leon was an intensely bookish boy but left school aged sixteen to help makes ends meet through a series of jobs. Deeply affected by the events of the Second World War and the Holocaust, Leon was radicalised in the Hashomer Hatza’ir, a left-wing Zionist youth movement. He was seventeen when he joined the Communist Party and became a committed young activist.

In 1953, at the age of twenty-four, Leon became a full-time trade unionist. ‘It was a defining moment in my life story,’ he writes. ‘It gave practical form to my political beliefs; it also determined the shape and scope of my life. It transpired that I would spend the next six decades and more working in trade unions, industrial relations and mediation.’

A comrade in the trade union movement nicknamed Leon, TsabaTsaba – which means “here, there and everywhere”. Anyone who reads Leon’s account of his years as a full-time unionist will agree that the soubriquet was well earned. (Alongside trade union work, Leon was also committed to the remarkable Discussion Club, which he co-founded and ran throughout the 1950s; he was also secretary of the South African Peace Council from 1951 to 1961.) In the mid-1950s, he was part of a small group of progressive trade unionists who pushed for the formation of the first non-racial trade union federation in South Africa. These aspirations were realised in March 1955 with the launch of the South African Congress of Trade Unions (SACTU). Later that year Leon was elected president and remained in that position for nine years. SACTU linked day-to-day concerns of workers with support for national liberation and the abolition of apartheid and was one of the five organisations which formed the Congress Alliance. As SACTU leader, Leon served on the committee that directed the activities of the Alliance; he was present at Kliptown when the Freedom Charter was adopted – and as SACTU president was one of the five original signatories of the Freedom Charter.

Political activism of this order came at a high price. Leon Levy was served with banning orders and arrested several times; he was Accused No 4 of the 156 people arrested and charged with treason, and from November 1958 was one of the final 30 (and with Helen Joseph one of only two whites) who faced charges until the trial was finally dismissed in March 1961. He was detained for five months during the 1960 State of Emergency. In May 1963 he was the first person to be detained under the notorious General Laws Amendment Act, known as the 90-day Act. Unable to continue his work he chose to go into exile in the United Kingdom. There, he studied politics, economics and industrial relations at Oxford – and then applied what he had learned in a series of positions in industrial relations. After 1994, he was determined to make the skills and knowledge that he had acquired available to a democratic South Africa – and he and his wife Lorna returned to the country of their birth in 1997. In a remarkable final phase of his career, Leon took office shortly after his 70th birthday as a full-time commissioner for the Commission for Conciliation, Mediation and Arbitration – and spent the next 19 years in this capacity.

Op 13 Oktober 2021 is Suid-Afrika tot stilstand geruk deur die nuus oor dominee Liezel de Jager, geliefde leraar van die NG Kerk Suidkus in Amanzimtoti, KwaZulu-Natal, wat in die oprit van die pastorie vermoor is toe sy terugkeer van haar daaglikse oggenddraf saam met vriende. Dit was ondenkbaar dat ’n geestelike leier soos sy, wat ’n enorme impak op haar gemeenskap gehad het, so wreed weggeruk kon word.

Maar nog vreemder gebeure volg in die dae en jare na haar moord. Haar man, Werner, verdwyn skielik spoorloos en word later in ’n bedenklike toestand in ’n suikerrietplantasie gevind. Hy vermoed dat hy moontlik deur Liezel se moordenaars aangeval is. Benewens verskeie ander amper-noodlottige gebeure rondom Werner, is hy later ook in ’n ongeluk betrokke waar nog twee vroue dood is. Om alles te kroon, sloer die polisie twee jaar lank voordat hulle met die moordondersoek begin.

Intussen voer Liezel se ouers ’n volgehoue stryd om geregtigheid vir hul dogter te kry.

Dit loop uit op ’n suksesvolle hofsaak teen die minister van polisie en die Suid-Afrikaanse Polisiediens, met die gevolg dat Werner weens die moord op sy vrou in hegtenis geneem word, maar later onder misterieuse omstandighede in die hospitaal sterf. Die moord bly onopgelos.

In die middel van die winter word Miem Fischer saam met haar enigste seun en ander familielede weggevoer van hulle plaas naby Ermelo: eers na die konsentrasiekamp by Standerton en daarna na die kamp by Merebank naby Durban. In haar dagboekinskrywings ontvou dag na dag die aangrypende verhaal van hoe sy die haglike realiteit van lewe in ’n konsentrasiekamp moet verduur. Tant Miem Fischer se kampdagboek is een van maar ’n handjievol dagboeke wat die lyding van Boerevroue en -kinders van dag tot dag weergee en wat na die oorlog behoue gebly het.

Op 29 April 1963 stuur die 29-jarige digter Ingrid Jonker ’n telegram aan André P. Brink. Sy bedank die 27-jarige skrywer vir blomme en ’n brief wat hy aan haar besorg het. In die meer as tweehonderd skrywes wat hierna tussen die twee volg, ontvou sekerlik die bekendste liefdesverhouding in die Afrikaanse literêre geskiedenis. Jonker se finale brief aan Brink is gedateer 18 April 1965 – drie maande voordat sy die see in loop by Drieankerbaai.

’n Halfeeu later word lesers se verbeelding steeds aangegryp deur die hartstog van dié teer, dikwels stormagtige verhouding.

In Desember 2014, drie maande voor sy dood, het André P. Brink die liefdesbriewe tussen hom en Ingrid Jonker vir publikasie aangebied. Die briewe is nog nooit voorheen gepubliseer nie en sluit onbekende persoonlike foto’s in.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.

Nelson Mandela is widely considered to be one of the most inspiring and iconic figures of our age. Now, after a lifetime of putting pen to paper to record thoughts and events, hardships and victories, he has bestowed his entire extant personal papers, which offer an unprecedented insight into his remarkable life.

A singular international publishing event, Conversations with Myself draws on Mandela’s personal archive of never-before-seen materials to offer unique access to the private world of an incomparable world leader. Journals kept on the run during the anti-apartheid struggle of the early 1960s; diaries and draft letters written on Robben Island and in other South African prisons during his twenty-seven years of incarceration; notebooks from the post-apartheid transition; private recorded conversations; speeches and correspondence written during his presidency – a historic collection of documents archived at the Nelson Mandela Foundation is brought together into a sweeping narrative of great immediacy and stunning power.