Born in 1985 in Daveyton, Junior Khanye’s story cycles through themes of comedy, tragedy and triumph. His love for Kung Fu movies characterises his moxie for life - Ghetto Ninja. Kung Fu and dancing soon translated to undeniable skill on the soccer field.

Junior was scouted to Kaizer Chiefs aged just seventeen, where he soon became the darling of the nation with his goal scoring prowess. He shares how often he flirted with dangerous situations. Junior’s reputation as a troubled youth soon saw him kicked out of Kaizer Chiefs. From there he went through a tumultuous period cycling through phases of poverty and prosperity.

As Junior was at the brink of cementing his comeback and affirming his maturity, he suffered a great tragedy when a gang was sent to kill his family. His father was murdered that night. Junior was in the house but managed to escape the attack.

The soccer commentator and actor is living proof that one can come back from a state of darkness to achieve greatness.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

Ronnie Kasrils's memoir reflects on compelling questions as to what turned a white youngster from a modest background into a lifelong revolutionary of note. A tiny minority who abandoned a life of privilege were the antithesis of conventionality and toeing the line. What made those such as Kasrils break all the rules and confront white power with such courage, unbridled spirit and yearning for the truth? This is a challenging and fascinating conundrum but Kasrils will claim he is no aberration of history. The answers to that question, which unravel through twenty years, will beguile readers as he peers back with endearing frankness into the origins and experiences of his formative years. A Yeoville-born boykie with Yiddish roots; heartfelt empathy for the underdog; an instinctive rejection of authoritarianism in school and wider society were influences informing his adult life as revolutionary activist. With a remarkable memory and flair for the written and spoken word the narrative revels in the social, sexual and political awakening of a roguish boy's adventures with girls, rock music, bohemian culture and leaping across the colour barrier. Kasrils's tadpoles of the memoir's title represent the submerged often illusive tracts of memory he searches for as he delves into the mystery of his metamorphosis. This stylistic element adds to the creativity of this fourth memoir.

Jonathan Kaplan, celebrated international rugby referee and former world record-holder for most Test caps, had his fair share of challenging moments on the field. He was known for his commitment to fair play, ability to defuse tense situations, and courage in making difficult, and sometimes controversial, decisions. All this would stand JK in good stead and come back into play when, at the age of 47, he made two life-changing decisions. The first was to blow his whistle for the last time and end his career as a professional rugby ref. The second was to become a parent – and a solo parent at that.

This is the story of JK’s decision to have a baby by surrogate, the two-year fertility process that followed, and the subsequent birth of his son Kaleb. Winging It draws on the insights of key role-players in JK’s journey, including the extraordinary experience of the surrogate mother herself.

Exchanging rucks for reflux, mauls for milk bottles, scrums for storks (and other stories about Kaleb’s conception), this account of how JK navigates the choppy waters of parenthood is disarmingly frank and scrupulously honest. At times poignant and tender, and at others downright funny, this is a thoroughly contemporary take on what constitutes a family and how we dare to build one.

In A Man Apart Richard Steyn once again brings to life a South African icon. Louis Botha was the first Prime Minister of the Union of South Africa, a union he did much to create in the decade after the devastation of the Anglo-Boer War. During the war Botha was a brilliant young Boer general who through his battlefield strategy won significant victories over the British in the early stages of the war. When the weight of British arms overhelmed the Boers, Botha along with Smuts did much to encourage peace between English and Afrikaner and led the country to Union in 1910 and dominion status.

Botha was a big-hearted and generous man who showed magnanimity in his dealings with all, including former enemies. He led the South African troops to victory and the capture of German South West Africa – prior to this he had to put down a revolt of pro-German Afrikaners. At the Peace of Versailles, representing South Africa, he pleaded unsuccessfully for magnanimity towards the Germans. Botha was a globally respected figure – he and Smuts effectively operated as a double act in South Africa and on the international stage before Botha’s untimely death in August 1919 at only 57. In A Man Apart this tragically short life is illuminated in full.

This extraordinary account of imprisonment shows with exacting clarity the awful injustices of the system. Sylvia Neame, activist against apartheid and racism and by profession a historian (see the three-volume, The Congress Movement, HSRC Press, 2015), has not written a classical historical memoir. Rather, this book is a highly personal account, written in an original style. At the same time, it casts a particularly sharp light on the unfolding of a policedominated apartheid system in the 1960s.

The author incorporates some of her experiences in prisons and police stations around the country, including the fabricated trial she faced while imprisoned in Port Elizabeth, one of the many such trials which took place in the Eastern Cape. But her focus is on Barberton Prison. Here she was imprisoned together with a small number of other white women political prisoners, most of whom had stood trial and been sentenced in Johannesburg in 1964–5 for membership to an illegal organisation, the Communist Party. It is a little known story. Not even the progressive party MP Helen Suzman found her way here.

Barberton Prison, a maximum security prison, part of a farm jail complex in the eastern part of what was then known as the Transvaal province, was far from any urban centre. The women were kept in a small space at one end of the prison in extreme isolation under a regime of what can only be called psychological warfare, carried out on the instructions of the ever more powerful (and corrupt) security apparatus. A key concern for the author was the mental and psychological symptoms which emerged in herself and her fellow prisoners and the steps they took to maintain their sanity. It is a narrative partly based on diary entries, written in a minute hand on tissue paper, which escaped the eye of the authorities. Moreover, following her release in April 1967 – she had been altogether incarcerated for some three years – she produced a full script in the space of two or three months. The result is immediacy, spontaneity, authenticity; a story full of searing detail. It is also full of a fighting spirit, pervaded by a sharp intellect, a capacity for fine observation and a sense of humour typical of the women political prisoners at Barberton.

A crucial theme in Sylvia Neame’s account is the question of whether something positive emerged out of her experience and, if so, what exactly it was.

A Long Letter To My Daughter is award-winning South African author Marita van der Vyver's youth memoir.

An unputdownable read that weaves together both love letter, to a daughter, a language and a country, whilst tracing Van der Vyver's early years. Above all, it is a mother's effort to make sense of a world that seems increasingly senseless.

Hermann Giliomee, top historian, is seen as the world expert on the history of the Afrikaners. This book presents the essence of his previous, longer academic work in readable language. Many controversial aspects of South Africa’s past and the role therein of the group of people who in time would refer to themselves as “Afrikaners” are told in colour and flavour in story form, leaving readers with a fresh, sometimes challenging perspective on our past .

’n Epiese reis in ’n klein seiljag van Frankryk tot aan die Namakwalandse kus gedurende die Tweede Wêreldoorlog, sabotasiepogings en planne om Eerste Minister Jan Smuts in ’n sluipmoord om die lewe te bring . . . In die vroeë 1940’s is die Suid-Afrikaanse publiek aangegryp deur die uitdagende optrede van die Olimpiese bokser en swaargewigkampioen Robey Leibbrandt. Hy was dodelik gekant teen Suid-Afrika se deelname aan die oorlog.

Sy ekstremisme, opvlieënd-heid en onverdraagsaamheid was tipies van ’n politieke fanatikus. Leibbrandt het ’n aanhanger van Nasionaal-Sosialisme geword toe hy in 1936 vir Suid-Afrika in Berlyn aan die Olimpiese Spele gaan deelneem het. Hy was besig met opleiding in Europa toe die oorlog uitbreek. Die Duitse militêre intelligensiediens het hom kort daarna gewerf om sabotasieopleiding te ontvang. Die Duitsers het Leibbrandt teruggestuur na Suid-Afrika as deel van Operasie Weissdorn. Sy missie? Om die militante deel van die Afrikaner-opposisie te werf en met hulle hulp skeeps- en haweinstallasies, asook nywerhede, te vernietig, en om oproer in die Uniemagte te stook.

Dit was nie lank nie of die polisie was op Leibbrandt se spoor en hy is ná een van die grootste polisiesoektogte in hegtenis geneem. Sy hoogverraadsaak in 1943 en 1944 het hoofopskrifte gehaal. Dié biografie werp nuwe lig op hierdie enigmatiese historiese figuur en wat sy fanatisme aangevuur het.

This insider's account of the workings of Umkhonto weSizwe, the armed wing of the ANC, during the underground years, is a modern-day story of intrigue and cunning in the fight against apartheid. The author, Ronnie Kasrils, begins by describing his involvement with the South African Communist Party and the underground resistance within South Africa in the 1950s and early 1960s. Following the arrests of Mandela and other ANC leaders, he fled into hiding overseas, became one of the key commanders of Umkhonto weSizwe and was responsible for setting up training camps in Tanzania, Cuba and elsewhere. Kasrils became notorious as the "Red Pimpernel" as he slipped in and out of South Africa in a plethora of disguises to run secret missions, narrowly escaping arrest and detention in several close shaves with security forces. After the legalising of the ANC and SACP, he returned to Johannesburg to take up a position on the National Executive Committee. The story culminates with the disastrous march on Bisho in the Ciskei homelands in September 1992, when police opened fire on the crowd that Kasrils was leading and a massacre ensued.

In November 1949 D.D.T. Jabavu, the South African politician and professor of African languages at Fort Hare University, set out on a four-month trip to attend the World Pacifist Meeting in India. He wrote an isiXhosa account of his journey which was published in 1951 by Lovedale Press. This new edition republishes the travelogue in the original isiXhosa, with an English translation by the late anthropologist Cecil Wele Manona.

The travelogue contains reflections on Jabavu’s social interactions during his travels, and on the conference itself, where he considered what lessons Gandhian principles might yield for South Africans engaged in struggles for freedom and dignity. His commentary on nonviolent resistance, and on the dangers of nationalism and racism, enriches the existing archive of intellectual exchanges between Africa and India from a black South African perspective.

The volume includes chapters by the editors that examine the networks of international solidarity – from post-independence India to the anti-colonial struggle in East Africa and the American civil rights movement – which Jabavu helped to strengthen, biographical sketches of Jabavu and of Manona, and an afterword that reflects on the historical and political significance of making African-language texts available to readers across Africa.

Beyond Fear is the testimony of Ebrahim Ebrahim, a revolutionary amongst revolutionaries, whose poignant and inspirational account of his years spent dedicated to bringing down the apartheid state is told in ways we have not heard.

As one of the founding members of Umkhonto we Sizwe, he played a central role in directing the sabotage campaign of the early 1960s. Convicted for this, Ebrahim arrived on Robben Island in 1964, where for over 15 years he played a leadership role in the creation of the ‘University of Robben Island’, the university of revolutionary ideology. Soon after his release, Ebrahim became the head of the ANC’s Political Military Committee in Swaziland, and as such, his life was under constant threat. He was abducted in December 1986 by apartheid agents and taken to South Africa to be tortured at John Vorster Square. He was charged with high treason and sentenced to a further 20 years, which would be his second stint on the Island. Ebrahim was, however, released in February 1991.

Beyond Fear also tells the story of his post-1994 life, where he travelled the world doing international conflict resolution work. He later served as South Africa’s deputy minister of foreign affairs. His great love story began at the age of 63 when he met his beloved Shannon Ebrahim with whom he had two children, who were, as he says his ‘greatest teachers’. Ebrahim Ebrahim passed away on 6 December 2021, having become one of South Africa’s most loved heroes.

Hierdie boek het ontstaan as 'n verhaal oor die lewe van 'n besonderse mens: David Samaai. Maar baie gou besef jy dat dit eintlik 'n boek oor 'n baie besonderse familie, die Samaai-familie woonagtig in Paarl, is. Davy Samaai was 'n legendariese tennisspeler, 'n begaafde musikant, 'n inspirerende skoolhoof of hardwerkende onderwyser. Hy het ook met sy voorbeeld gelei.

A story for men and boys about never coming of age. And for women who want to know why.

Gareth has published half a dozen novels, made a horror film, run a 90 kilometre race in which he bled through his shoes, successfully failed to play right wing for Manchester United, attempted the Olympics at 38, wrestled a ghost, been the spokesperson for a company whose head office exploded, been run over by a Honda, survived two almost plane crashes and is currently filming a superhero TV show.

And yet Gareth’s story is also your story. It’s about the small moments and the big events that make up a life. About the few victories and the many defeats, the adventures and the calamities. The missteps and the madness. From his bumbling days at school, to fumbled encounters with girlfriends and disasters on the sports field and in the office … this is a story for boys and men everywhere. And for women, of course, because contained within these pages are vital clues as to what makes the male mind tick.

This isn’t just Gareth’s story – it’s everyone’s.

Twee vroue, een uit Nederland en die ander een uit die Vrystaatse Goudvelde, ontmoet mekaar in 'n hospitaalsaal in Bloemfontein. Vyftig jaar later vertel Hester die storie van hoe die lewe hulle gevorm het as verpleegsters, gemeenskapswerkers, bakkers en kunstenaars.In hierdie memorie vertel Hester van der Walt van die sleutel oomblikke in haar lewe wat haar daartoe gedryf het om kulturele en etniese grense oor te steek om sodoende uit te vind wie sy werklik is.

Haar besluite neem haar vanaf die Vrystaat na Distrik Ses en Venda, na Nederland en die Verenigde Koninkryk, na Heideveld en Hanover Park en uiteindelik na McGregor. Haar nederige storie vertel van die geestelike isolasie van alle "vlugtelinge" wat die onversoenbare waardes van hulle "tuiste" (hetsy fisies of idologies) verlaat en nuwe maniere moet vind om 'n lewe te skep.

Dit vertel ook van die wonder om 'n metgesel langs die pad te vind.

Blind Date At A Funeral is a collection of coming-of-age stories by bestselling author Trevor Romain, which he recorded in journals, notebooks and on beer-stained bar napkins over the years and is retelling now.

Trevor takes us on a tour of his own memories, filled with anecdotes about foolish endeavours, dumb decisions, army adventures and the searing pain of losing the love of your life. Each story is accompanied by one of Trevor’s classic drawings and carefully crafted with a pitch-perfect combination of humour and nostalgia.

Both entertaining and deeply moving, this is a book about what it really means to be proudly South African.

Mine-protected and mine-resistant, ambush-protected (MRAP) vehicles are today standard in the US, most major western armed forces and many other armies as a result of the wars in Iraq and Afghanistan. The South African Army was already routinely using mine-protected armoured personnel carriers and patrol vehicles forty years ago even if they looked primitive and ungainly. A few years later, the South African Army had reached the stage where it could deploy entire combat groups into battle zones equipped with only mine-protected vehicles, including their ambulances and supply trucks. By then the mine-protected vehicles had also become effective for use in combat, rather than just protected transport, the Casspir being the chief example. More to the point, they saved countless soldiers and policemen from death or serious injury, and the basic concepts now live on in the various MRAP types in service today. The valuable lessons learned by the South Africans with their early designs of these combat-proven vehicles has led the country to become one of the global leaders in the design of MRAPs which are locally manufactured and exported around the world. Surviving the Ride is a fascinating pictorial account featuring more than 120 of these unique South African-developed vehicles, spanning a forty-year period, with over 280 photographs, many of which are previously unpublished.

When Letshego Zulu set off with her husband, South African racing champion Gugulethu Zulu, to conquer Mount Kilimanjaro in July 2016, she had no idea that she would return to South Africa days later with her husband’s body in a coffin. Known and loved as SA’s Adventure Couple, the husband and wife team were brimming with excitement at being part of the 42-strong team of the Trek4Mandela initiative, attempting to summit the world’s highest free-standing mountain.

Along the way, Gugulethu complained about a scratchy throat but seemed fit to scale the 5 895 m peak. The doctor on the expedition gave him the all clear. On 17 July, the couple were separated as Gugu, who seemed to be struggling with the altitude, elected to join the slower team heading for the Kibo peak.

By the time the couple rejoined that evening at the base station, Gugu was deeply exhausted. Letshego helplessly watched as an energy drip was attached to her husband, which she later discovered was a medical faux pas at high altitudes. Within hours, his breathing had become gurgling gasps for air. Letshego’s blood turned to ice; it sounded like her husband was drowning. The camp doctor decided that Gugu, now in medical emergency mode, needed to descend. In the middle of the icy night, along with two guides, team leader Richard Mabaso and her husband strapped to a crude metal stretcher, Letshego ran down the treacherous mountain for eight hours in the black night behind her husband to find help.

I Choose to Live is both a tragic and inspiring memoir told in mesmerising detail by Letshego Zulu. As much as it is about the death of a beloved husband and the 17-year-long relationship the two shared, it is also a remarkable story of a wife’s courage and stamina as she tries to make sense of her loss and find life after Gugu’s untimely death. Letshego’s wish is that after reading her story, readers will be inspired to choose to live, to really live.

Gordon Oliver, born in 1939, lives in Cape Town, South Africa. He holds a master’s degree in Religious Studies from the University of Cape Town. He was ordained in the ministry of the Unitarian Church in Cape Town in 2002 and was elected President of International Council of Unitarians and Universalists from 2003 to 2007. Most of his professional life was in Human Resources Management and during this time, he was an elected councillor on the Cape Town City Council, serving for fifteen years. He was Mayor of Cape Town from 1989 to 1991 and had the privilege of welcoming Nelson Mandela to the Cape Town City Hall on the day he was released from prison.

The author tells his story of being born under the Gemini star sign, living a life defined by an unremitting struggle between the conflicting twins of “Yes, I can” and “No, you can’t!” It describes a struggle of early childhood uncertainty, being hidden as a child, of unanswered questions and preferring to be in the background during his childhood through to his middle years.

Generally surrendering to the opinions of others, while holding back on his own views, was the hallmark of his being. Hesitating to take on challenges was a familiar pattern, as was the likelihood of yielding to mediocracy, the easy way out. Tilting the balance away from “No you can’t” to “Yes, I can … and I will” was the major factor in the author’s life towards holding leadership positions in every sphere of his adult public life, from committee secretary early in his professional career to becoming Cape Town’s first citizen.

From the mayoralty to ministry, standing up for justice and the dignity of life and being able to make a difference was the path he chose; mediocracy simply was not good enough.

In this inspiring autobiography, Barry Cohen unveils the struggles and triumphs of facing societal pressures, overcoming self-doubt and following one's dreams.

Discover the profound lessons learned from encounters with luminaries in music, theatre, business, politics, and sports, gaining a glimpse into a world where every setback becomes an opportunity for personal growth.

Journey of a Muizenberg Boy is a testament to the human capacity for resilience, determination, and boundless potential. Join the author on a captivating journey of self-discovery and empowerment, where the pursuit of passion leads to extraordinary experiences beyond imagination.

On 22 November 1977, 40 years ago, Robert Smit and his wife Jean were brutally murdered in their Springs home. They were shot and stabbed several times. The words RAU TEM were spray-painted in red on the walls. A high-ranking member of the National Party, Robert Smit was involved in probable sanctions-busting activities through a front company, SANTAM International.

Told by Liza Smit, daughter of Robert and Jean, who was 13 years old at the time of the murders, this is a book of two stories, the story of the life-long and destructive impact the murders had on the lives of those left behind, and particularly and very poignantly on that of Liza’s own life.

It also tries to unravel the mystery of the murders. We follow Liza as she gathers evidence to present to the Truth and Reconciliation Commission and meets with a wide array of those who might help solve the crime, from ministers to shady conmen. Despite Liza’s efforts and the huge public interest in the murders, despite the numerous conjectures on who might have murdered this high-ranking politician and his wife, despite the complicated reasons put forward as to who might have given the orders to have them killed, 40 years later we are no closer to a conviction and trial.

Toe hy 21 jaar gelede vir die eerste keer in Parys aankom, sou die kunstenaar Louis Jansen van Vuuren hom nooit kon indink dat hy eendag ’n château in die Franse platteland sou besit nie.

In Amper Frans vertel hy op skreesnaakse wyse hoe hy alles wat Frans is ontdek en beproef het – daar is neusoptrekkerige kelners, statige hertoginne, etlike botsings met die berugte Franse burokrasie en natuurlike talle faux pas in sy gebrekkige Frans. Om die vervalle château saam met sy lewensmaat, Hardy Olivier, in ’n boetiekhotel te omskep het groot geduld en uithouvermoë geverg. Talle lesse is op die harde manier geleer. Een daarvan is dat vier verwarmers geensins genoeg is om ’n hele château te verhit nie en dit sal jou dae lank sonder elektrisiteit laat.

Louis vertel ook van kaskenades met hulle gaste en hul eie avonture soos hulle die land platry agter vlooimarkte en avontuur aan. Hy vermeng stories oor hul lewe in Frankryk met brokkies geskiedenis en fassinerende inligting oor eg Franse tradisies.

Dit is ’n moet vir Frankofiele!

When Mark Gevisser was a little boy, growing up in a apartheid South Africa, he was obsessed with maps, and with the Holmden’s Registry, Johannesburg’s Street Guide, in particular. He played a game called “Dispatcher” with this eccentric guide, transporting himself across the city into places that would otherwise be forbidden him. It was through “Dispatcher” that he discovered apartheid, by realising that he could not find an access route to the neighbouring township of Alexandra, and later, by realising that Soweto was not mapped at all.

This was the beginning of a lifelong obsession with maps and with photographs, and what they tell us about borders and boundaries: how we define ourselves by staying within them, or by transgressing them.

Johannesburg is a place of edges and boundaries; no place for a flaneur: this book is Gevisser's account of getting lost in his home town, and then finding himself, and then getting lost again, as a gay Jewish South African who was raised under apartheid and who became an adult and married a man of a different race as the country moved towards freedom.

Using maps and memories, photographs and stories, Lost And Found In Johannesburg presents a new way of understanding race and sexuality, heritage and otherness. If Gevisser transcended boundaries by playing “Dispatcher” as a boy, his own boundaries were brutally ruptured when he was attacked in a home invasion in January 2012, while completing this book.

Lost And Found In Johannesburg is the story of that journey.

Reflecting on South Africa's achievement of majority rule, this book takes a critical and searching look at the country s past. It presents South Africa s past in an objective, clear, and refreshing manner.

With chapters contributed by ten of the best historians of the country, the book elaborately weaves together new data, interpretations, and perspectives on the South African past, from the Early Iron Age to the eve of the mineral revolution on the Rand. Its findings incorporate new sources, methods, and concepts, for example providing new data on the relations between Africans and colonial invaders and rethinking crucial issues of identity and consciousness.

This book represents an important reassessment of all the major historical events, developments, and records of South Africa written, oral, and archaeological and will be an important new tool for students and professors of African history worldwide.

At Close of Day is the author's thoughts and meditations about old-age, aging and the end of a life, together with memories of a general nature to give a stirring depiction of the author’s life of almost eighty years. The series of autobiographical books that started with ’n Duitser aan die Kaap, Merksteen and Die laaste Afrikaanse boek is concluded with this work.

It is a highly personal book about old-age, the process of writing and self-determination with commentary about aging and being old in a modern society, and was updated for the last time on 26 April 2017, a few days before his death. He gives practical hints and information about the possible and probable end of his life. The element of farewell and acceptance are obvious throughout the text. He realizes that old age becomes the main theme of his thoughts and his daily life.

The references and quotations are poignant and speak of someone who made his reading world his living word. In the end he explains his liberating decision about his planned suicide.